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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D77EAB it is the complementary color #288154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D77EAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D77EAB shade: #DC7EA6, #ED90B9, #FEA2CC, #FFB4DF and #FFC6F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D77EAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D77EAB shade: #D77EAB, #C66C98, #B55A85, #A44872 and #93365F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D77EAB shade: #D77EAB, #D77E93 and #D77E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D77EAB shade: #D77EAB, #D77EC3, #D37ED7, #BB7ED7 and #A37ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D77EAB shade matches the following richer shades: #D77EAB, #E570AB and #F263AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D77EAB shade: #D77EAB, #C98BAB, #BC99AB, #AEA7AA and #A0B4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D77EAB shade: #D27ED7, #D77EC4, #D77EAC, #D77E94 and #D77F7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D77EAB shade: #C43F82, #CD5E96, #D77EAB, #E19DBF and #EABDD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D77EAB shade: #D77EAB, #D7BB7E and #7ED0D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D77EAB shade: #D77EAB, #ACD77E and #7EACD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D77EAB shade: #D77EAB, #D7BB7E, #7ED7A9 and #7E9AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D77EAB shade: #D77EAB, #D7D57E, #7ED7A9 and #7E7FD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

Complementary color

CMYK 69 / 0 / 35 / 49

HEX #288154

RGB 40 129 84

HSL 149.66, 0.53%, 0.33%

LAB 48, -37.27, 16.95

 

CMYK 0 / 43 / 25 / 14

HEX #DC7EA6

RGB 220 126 166

HSL 334.47, 0.57%, 0.68%

LAB 64.07, 41.24, -5.32

 

CMYK 0 / 39 / 22 / 7

HEX #ED90B9

RGB 237 144 185

HSL 333.55, 0.72%, 0.75%

LAB 70.49, 40.42, -6.27

 

CMYK 0 / 36 / 20 / 0

HEX #FEA2CC

RGB 254 162 204

HSL 332.61, 0.98%, 0.82%

LAB 76.84, 39.63, -7.12

 

CMYK 0 / 29 / 13 / 0

HEX #FFB4DF

RGB 255 180 223

HSL 325.6, 1%, 0.85%

LAB 81.42, 33.51, -10.62

 

CMYK 0 / 22 / 5 / 0

HEX #FFC6F2

RGB 255 198 242

HSL 313.68, 1%, 0.89%

LAB 86.04, 27.23, -13.88

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 45 / 23 / 22

HEX #C66C98

RGB 198 108 152

HSL 330.67, 0.44%, 0.6%

LAB 57.07, 41.07, -7.98

 

CMYK 0 / 50 / 27 / 29

HEX #B55A85

RGB 181 90 133

HSL 331.65, 0.38%, 0.53%

LAB 50.49, 41.88, -6.86

 

CMYK 0 / 56 / 30 / 36

HEX #A44872

RGB 164 72 114

HSL 332.61, 0.39%, 0.46%

LAB 43.86, 42.63, -5.5

 

CMYK 0 / 63 / 35 / 42

HEX #93365F

RGB 147 54 95

HSL 333.55, 0.46%, 0.39%

LAB 37.24, 43.21, -3.78

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 41 / 32 / 16

HEX #D77E93

RGB 215 126 147

HSL 345.84, 0.53%, 0.67%

LAB 62.91, 36.91, 3.73

 

CMYK 0 / 41 / 41 / 16

HEX #D77E7E

RGB 215 126 126

HSL 0, 0.53%, 0.67%

LAB 62.4, 34.4, 14.99

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 41 / 9 / 16

HEX #D77EC3

RGB 215 126 195

HSL 313.48, 0.53%, 0.67%

LAB 64.41, 44.07, -21.29

 

CMYK 2 / 41 / 0 / 16

HEX #D37ED7

RGB 211 126 215

HSL 297.3, 0.53%, 0.67%

LAB 64.71, 46.37, -32.09

 

CMYK 13 / 41 / 0 / 16

HEX #BB7ED7

RGB 187 126 215

HSL 281.12, 0.53%, 0.67%

LAB 61.99, 39.21, -36.52

 

CMYK 24 / 41 / 0 / 16

HEX #A37ED7

RGB 163 126 215

HSL 264.94, 0.53%, 0.67%

LAB 59.54, 32.21, -40.53

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 51 / 25 / 10

HEX #E570AB

RGB 229 112 171

HSL 329.74, 0.69%, 0.67%

LAB 62.66, 51.94, -10.13

 

CMYK 0 / 59 / 29 / 5

HEX #F263AB

RGB 242 99 171

HSL 329.79, 0.85%, 0.67%

LAB 62.29, 61.91, -10.5

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 31 / 15 / 21

HEX #C98BAB

RGB 201 139 171

HSL 329.03, 0.36%, 0.67%

LAB 64.82, 28.41, -7.29

 

CMYK 0 / 19 / 9 / 26

HEX #BC99AB

RGB 188 153 171

HSL 329.14, 0.21%, 0.67%

LAB 66.84, 16.02, -4.45

 

CMYK 0 / 4 / 2 / 32

HEX #AEA7AA

RGB 174 167 170

HSL 334.29, 0.04%, 0.67%

LAB 69.14, 3.07, -0.66

 

CMYK 11 / 0 / 6 / 29

HEX #A0B4AA

RGB 160 180 170

HSL 150, 0.12%, 0.67%

LAB 71.57, -8.86, 2.75

 

CMYK 2 / 41 / 0 / 16

HEX #D27ED7

RGB 210 126 215

HSL 296.63, 0.53%, 0.67%

LAB 64.59, 46.07, -32.28

 

CMYK 0 / 41 / 9 / 16

HEX #D77EC4

RGB 215 126 196

HSL 312.81, 0.53%, 0.67%

LAB 64.45, 44.24, -21.79

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAC

RGB 215 126 172

HSL 328.99, 0.53%, 0.67%

LAB 63.63, 40.41, -9.46

 

CMYK 0 / 41 / 31 / 16

HEX #D77E94

RGB 215 126 148

HSL 345.17, 0.53%, 0.67%

LAB 62.93, 37.04, 3.19

 

CMYK 0 / 41 / 41 / 16

HEX #D77F7E

RGB 215 127 126

HSL 0.67, 0.53%, 0.67%

LAB 62.62, 33.87, 15.29

 

CMYK 0 / 68 / 34 / 23

HEX #C43F82

RGB 196 63 130

HSL 329.77, 0.53%, 0.51%

LAB 48.14, 58.49, -8.32

 

CMYK 0 / 54 / 27 / 20

HEX #CD5E96

RGB 205 94 150

HSL 329.73, 0.53%, 0.59%

LAB 55.26, 50.13, -9.41

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 30 / 15 / 12

HEX #E19DBF

RGB 225 157 191

HSL 330, 0.53%, 0.75%

LAB 72.15, 30.32, -7.29

 

CMYK 0 / 19 / 9 / 8

HEX #EABDD4

RGB 234 189 212

HSL 329.33, 0.52%, 0.83%

LAB 81.09, 19.77, -5.4

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 13 / 41 / 16

HEX #D7BB7E

RGB 215 187 126

HSL 41.12, 0.53%, 0.67%

LAB 76.98, 1.68, 34.55

 

CMYK 41 / 3 / 0 / 16

HEX #7ED0D7

RGB 126 208 215

HSL 184.72, 0.53%, 0.67%

LAB 78.73, -23.2, -11.33

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 20 / 0 / 41 / 16

HEX #ACD77E

RGB 172 215 126

HSL 88.99, 0.53%, 0.67%

LAB 81.22, -29.14, 39.35

 

CMYK 41 / 20 / 0 / 16

HEX #7EACD7

RGB 126 172 215

HSL 208.99, 0.53%, 0.67%

LAB 68.64, -4.33, -26.61

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 13 / 41 / 16

HEX #D7BB7E

RGB 215 187 126

HSL 41.12, 0.53%, 0.67%

LAB 76.98, 1.68, 34.55

 

CMYK 41 / 0 / 21 / 16

HEX #7ED7A9

RGB 126 215 169

HSL 148.99, 0.53%, 0.67%

LAB 79.56, -36.99, 14.45

 

CMYK 41 / 28 / 0 / 16

HEX #7E9AD7

RGB 126 154 215

HSL 221.12, 0.53%, 0.67%

LAB 63.72, 5.77, -34.22

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 1 / 41 / 16

HEX #D7D57E

RGB 215 213 126

HSL 58.65, 0.53%, 0.67%

LAB 83.73, -11.73, 43.15

 

CMYK 41 / 0 / 21 / 16

HEX #7ED7A9

RGB 126 215 169

HSL 148.99, 0.53%, 0.67%

LAB 79.56, -36.99, 14.45

 

CMYK 41 / 41 / 0 / 16

HEX #7E7FD7

RGB 126 127 215

HSL 239.33, 0.53%, 0.67%

LAB 56.61, 21.55, -45.37

 

Description

Color code: HEX #D77EAB | qconv.com Color code: HEX #D77EAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 126 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 126 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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