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Color name
HEX #D788C7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D788C7 it is the complementary color #287738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D788C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D788C7 shade: #DC88C2, #ED9AD5, #FEACE8, #FFBEFB and #FFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D788C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D788C7 shade: #D788C7, #C676B4, #B564A1, #A4528E and #93407B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D788C7 shade: #D788C7, #D788B2, #D7889C and #D78888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D788C7 shade: #D788C7, #D288D7, #BC88D7, #A788D7 and #9288D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D788C7 shade matches the following richer shades: #D788C7, #E47BCF, #F16ED6 and #FD62DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D788C7 shade: #D788C7, #CA95BF, #BDA2B8, #B1AEB0 and #A4BBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D788C7 shade: #BD88D7, #D288D7, #D788C7, #D788B2 and #D7889D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D788C7 shade: #C24AAA, #CD69B8, #D788C7, #E1A7D5 and #ECC6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D788C7 shade: #D788C7, #D7A888 and #88D7C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D788C7 shade: #D788C7, #C7D788 and #88C7D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D788C7 shade: #D788C7, #D7A888, #88D798 and #88B7D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D788C7 shade: #D788C7, #D7BF88, #88D798 and #88A0D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

Complementary color

CMYK 66 / 0 / 53 / 53

HEX #287738

RGB 40 119 56

HSL 132.15, 0.5%, 0.31%

LAB 44.13, -38.39, 27.58

 

CMYK 0 / 38 / 12 / 14

HEX #DC88C2

RGB 220 136 194

HSL 318.57, 0.55%, 0.7%

LAB 67.07, 40.29, -16.64

 

CMYK 0 / 35 / 10 / 7

HEX #ED9AD5

RGB 237 154 213

HSL 317.35, 0.7%, 0.77%

LAB 73.49, 39.54, -17.27

 

CMYK 0 / 32 / 9 / 0

HEX #FEACE8

RGB 254 172 232

HSL 316.1, 0.98%, 0.84%

LAB 79.84, 38.83, -17.84

 

CMYK 0 / 25 / 2 / 0

HEX #FFBEFB

RGB 255 190 251

HSL 303.69, 1%, 0.87%

LAB 84.51, 33.01, -20.96

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 40 / 9 / 22

HEX #C676B4

RGB 198 118 180

HSL 313.5, 0.41%, 0.62%

LAB 60.12, 40.25, -19.51

 

CMYK 0 / 45 / 11 / 29

HEX #B564A1

RGB 181 100 161

HSL 314.81, 0.35%, 0.55%

LAB 53.5, 41.02, -18.83

 

CMYK 0 / 50 / 13 / 36

HEX #A4528E

RGB 164 82 142

HSL 316.1, 0.33%, 0.48%

LAB 46.82, 41.76, -18.01

 

CMYK 0 / 56 / 16 / 42

HEX #93407B

RGB 147 64 123

HSL 317.35, 0.39%, 0.41%

LAB 40.08, 42.4, -17

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 37 / 17 / 16

HEX #D788B2

RGB 215 136 178

HSL 328.1, 0.5%, 0.69%

LAB 65.96, 36.04, -9.37

 

CMYK 0 / 37 / 27 / 16

HEX #D7889C

RGB 215 136 156

HSL 344.81, 0.5%, 0.69%

LAB 65.32, 32.8, 2.11

 

CMYK 0 / 37 / 37 / 16

HEX #D78888

RGB 215 136 136

HSL 0, 0.5%, 0.69%

LAB 64.83, 30.22, 12.71

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 2 / 37 / 0 / 16

HEX #D288D7

RGB 210 136 215

HSL 296.2, 0.5%, 0.69%

LAB 66.68, 40.8, -29.04

 

CMYK 13 / 37 / 0 / 16

HEX #BC88D7

RGB 188 136 215

HSL 279.49, 0.5%, 0.69%

LAB 64.33, 34.02, -32.87

 

CMYK 22 / 37 / 0 / 16

HEX #A788D7

RGB 167 136 215

HSL 263.54, 0.5%, 0.69%

LAB 62.28, 27.69, -36.22

 

CMYK 32 / 37 / 0 / 16

HEX #9288D7

RGB 146 136 215

HSL 247.59, 0.5%, 0.69%

LAB 60.45, 21.63, -39.21

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 46 / 9 / 11

HEX #E47BCF

RGB 228 123 207

HSL 312, 0.66%, 0.69%

LAB 65.88, 51.62, -25.64

 

CMYK 0 / 54 / 11 / 5

HEX #F16ED6

RGB 241 110 214

HSL 312.37, 0.82%, 0.69%

LAB 65.52, 62.71, -29.96

 

CMYK 0 / 61 / 12 / 1

HEX #FD62DE

RGB 253 98 222

HSL 312, 0.97%, 0.69%

LAB 65.66, 72.24, -34.07

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 26 / 5 / 21

HEX #CA95BF

RGB 202 149 191

HSL 312.45, 0.33%, 0.69%

LAB 67.88, 26.71, -13.92

 

CMYK 0 / 14 / 3 / 26

HEX #BDA2B8

RGB 189 162 184

HSL 311.11, 0.17%, 0.69%

LAB 69.56, 13.75, -7.66

 

CMYK 0 / 2 / 1 / 31

HEX #B1AEB0

RGB 177 174 176

HSL 320, 0.02%, 0.69%

LAB 71.39, 1.44, -0.65

 

CMYK 12 / 0 / 10 / 27

HEX #A4BBA9

RGB 164 187 169

HSL 133.04, 0.14%, 0.69%

LAB 73.74, -11.36, 6.47

 

CMYK 12 / 37 / 0 / 16

HEX #BD88D7

RGB 189 136 215

HSL 280.25, 0.5%, 0.69%

LAB 64.43, 34.33, -32.71

 

CMYK 2 / 37 / 0 / 16

HEX #D288D7

RGB 210 136 215

HSL 296.2, 0.5%, 0.69%

LAB 66.68, 40.8, -29.04

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 37 / 17 / 16

HEX #D788B2

RGB 215 136 178

HSL 328.1, 0.5%, 0.69%

LAB 65.96, 36.04, -9.37

 

CMYK 0 / 37 / 27 / 16

HEX #D7889D

RGB 215 136 157

HSL 344.05, 0.5%, 0.69%

LAB 65.35, 32.94, 1.59

 

CMYK 0 / 62 / 12 / 24

HEX #C24AAA

RGB 194 74 170

HSL 312, 0.5%, 0.53%

LAB 51, 58.87, -27.8

 

CMYK 0 / 49 / 10 / 20

HEX #CD69B8

RGB 205 105 184

HSL 312.6, 0.5%, 0.61%

LAB 58.55, 49.83, -24.13

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 26 / 5 / 12

HEX #E1A7D5

RGB 225 167 213

HSL 312.41, 0.49%, 0.77%

LAB 75.11, 28.65, -14.96

 

CMYK 0 / 16 / 3 / 7

HEX #ECC6E4

RGB 236 198 228

HSL 312.63, 0.5%, 0.85%

LAB 83.87, 18.43, -9.84

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 22 / 37 / 16

HEX #D7A888

RGB 215 168 136

HSL 24.3, 0.5%, 0.69%

LAB 72.38, 12.94, 23.14

 

CMYK 37 / 0 / 7 / 16

HEX #88D7C7

RGB 136 215 199

HSL 167.85, 0.5%, 0.69%

LAB 80.72, -27.87, 0.22

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 7 / 0 / 37 / 16

HEX #C7D788

RGB 199 215 136

HSL 72.15, 0.5%, 0.69%

LAB 83.19, -17.82, 37.21

 

CMYK 37 / 7 / 0 / 16

HEX #88C7D7

RGB 136 199 215

HSL 192.15, 0.5%, 0.69%

LAB 76.67, -16.08, -14.36

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 22 / 37 / 16

HEX #D7A888

RGB 215 168 136

HSL 24.3, 0.5%, 0.69%

LAB 72.38, 12.94, 23.14

 

CMYK 37 / 0 / 29 / 16

HEX #88D798

RGB 136 215 152

HSL 132.15, 0.5%, 0.69%

LAB 79.67, -37.31, 23.62

 

CMYK 37 / 15 / 0 / 16

HEX #88B7D7

RGB 136 183 215

HSL 204.3, 0.5%, 0.69%

LAB 72.23, -7.66, -21.07

 

CMYK 0 / 37 / 7 / 16

HEX #D788C7

RGB 215 136 199

HSL 312.15, 0.5%, 0.69%

LAB 66.66, 39.49, -20.11

 

CMYK 0 / 11 / 37 / 16

HEX #D7BF88

RGB 215 191 136

HSL 41.77, 0.5%, 0.69%

LAB 78.16, 0.7, 30.88

 

CMYK 37 / 0 / 29 / 16

HEX #88D798

RGB 136 215 152

HSL 132.15, 0.5%, 0.69%

LAB 79.67, -37.31, 23.62

 

CMYK 37 / 26 / 0 / 16

HEX #88A0D7

RGB 136 160 215

HSL 221.77, 0.5%, 0.69%

LAB 65.97, 5.04, -30.68

 

Description

Color code: HEX #D788C7 | qconv.com Color code: HEX #D788C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 136 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 136 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 7% 16% C M Y K

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Provide designers and agencies with accurate color values.

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