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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D780DF it is the complementary color #287F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D780DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D780DF shade: #DC80DA, #ED92ED, #FEA4FF, #FFB6FF and #FFC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D780DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D780DF shade: #D780DF, #C66ECC, #B55CB9, #A44AA6 and #933893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D780DF shade: #D780DF, #DF80CD, #DF80B4, #DF809A and #DF8081

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D780DF shade: #D780DF, #BD80DF, #A480DF, #8A80DF and #8080DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D780DF shade matches the following richer shades: #D780DF, #E273EC and #EC66F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D780DF shade: #D780DF, #CC8DD2, #C29AC5, #B7A6B9 and #ACB3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D780DF shade: #A380DF, #BC80DF, #D580DF, #DF80CF and #DF80B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D780DF shade: #C23ECE, #CD5FD7, #D780DF, #E1A1E7 and #ECC2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D780DF shade: #D780DF, #DF8A80 and #80DFAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D780DF shade: #D780DF, #DFD580 and #80DFD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D780DF shade: #D780DF, #DF8A80, #8ADF80 and #80D5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D780DF shade: #D780DF, #DFA680, #8ADF80 and #80B9DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

Complementary color

CMYK 69 / 0 / 75 / 50

HEX #287F20

RGB 40 127 32

HSL 114.95, 0.6%, 0.31%

LAB 46.62, -44.38, 41.8

 

CMYK 0 / 42 / 1 / 14

HEX #DC80DA

RGB 220 128 218

HSL 301.3, 0.57%, 0.68%

LAB 66.3, 48.58, -31.2

 

CMYK 0 / 38 / 0 / 7

HEX #ED92ED

RGB 237 146 237

HSL 300, 0.72%, 0.75%

LAB 72.68, 47.85, -31.66

 

CMYK 0 / 36 / 0 / 0

HEX #FEA4FF

RGB 254 164 255

HSL 299.34, 1%, 0.82%

LAB 78.95, 46.94, -31.59

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 3 / 46 / 0 / 20

HEX #C66ECC

RGB 198 110 204

HSL 296.17, 0.48%, 0.62%

LAB 59.45, 48.74, -34.19

 

CMYK 2 / 50 / 0 / 27

HEX #B55CB9

RGB 181 92 185

HSL 297.42, 0.4%, 0.54%

LAB 52.93, 49.42, -33.67

 

CMYK 1 / 55 / 0 / 35

HEX #A44AA6

RGB 164 74 166

HSL 298.7, 0.38%, 0.47%

LAB 46.37, 49.99, -33

 

CMYK 0 / 62 / 0 / 42

HEX #933893

RGB 147 56 147

HSL 300, 0.45%, 0.4%

LAB 39.81, 50.31, -32.11

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 0 / 43 / 8 / 13

HEX #DF80CD

RGB 223 128 205

HSL 311.37, 0.6%, 0.69%

LAB 66.16, 47.23, -24.13

 

CMYK 0 / 43 / 19 / 13

HEX #DF80B4

RGB 223 128 180

HSL 327.16, 0.6%, 0.69%

LAB 65.3, 43.25, -11.39

 

CMYK 0 / 43 / 31 / 13

HEX #DF809A

RGB 223 128 154

HSL 343.58, 0.6%, 0.69%

LAB 64.53, 39.62, 2.22

 

CMYK 0 / 43 / 42 / 13

HEX #DF8081

RGB 223 128 129

HSL 359.37, 0.6%, 0.69%

LAB 63.93, 36.67, 15.56

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 15 / 43 / 0 / 13

HEX #BD80DF

RGB 189 128 223

HSL 278.53, 0.6%, 0.69%

LAB 63, 40.4, -39.39

 

CMYK 26 / 43 / 0 / 13

HEX #A480DF

RGB 164 128 223

HSL 262.74, 0.6%, 0.69%

LAB 60.48, 33.28, -43.53

 

CMYK 38 / 43 / 0 / 13

HEX #8A80DF

RGB 138 128 223

HSL 246.32, 0.6%, 0.69%

LAB 58.2, 26.27, -47.28

 

CMYK 43 / 43 / 0 / 13

HEX #8080DF

RGB 128 128 223

HSL 240, 0.6%, 0.69%

LAB 57.42, 23.74, -48.56

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 4 / 51 / 0 / 7

HEX #E273EC

RGB 226 115 236

HSL 295.04, 0.76%, 0.69%

LAB 65.35, 59.96, -42.62

 

CMYK 5 / 59 / 0 / 3

HEX #EC66F8

RGB 236 102 248

HSL 295.07, 0.91%, 0.69%

LAB 65.05, 70.52, -49.62

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 3 / 33 / 0 / 18

HEX #CC8DD2

RGB 204 141 210

HSL 294.78, 0.43%, 0.69%

LAB 66.93, 35.27, -25.93

 

CMYK 2 / 22 / 0 / 23

HEX #C29AC5

RGB 194 154 197

HSL 295.81, 0.27%, 0.69%

LAB 68.47, 22.35, -16.46

 

CMYK 1 / 10 / 0 / 27

HEX #B7A6B9

RGB 183 166 185

HSL 293.68, 0.12%, 0.69%

LAB 70.07, 9.63, -7.51

 

CMYK 4 / 0 / 4 / 30

HEX #ACB3AC

RGB 172 179 172

HSL 120, 0.04%, 0.69%

LAB 72.22, -3.77, 2.71

 

CMYK 27 / 43 / 0 / 13

HEX #A380DF

RGB 163 128 223

HSL 262.11, 0.6%, 0.69%

LAB 60.38, 33, -43.68

 

CMYK 16 / 43 / 0 / 13

HEX #BC80DF

RGB 188 128 223

HSL 277.89, 0.6%, 0.69%

LAB 62.89, 40.11, -39.57

 

CMYK 4 / 43 / 0 / 13

HEX #D580DF

RGB 213 128 223

HSL 293.68, 0.6%, 0.69%

LAB 65.68, 47.42, -35.01

 

CMYK 0 / 43 / 7 / 13

HEX #DF80CF

RGB 223 128 207

HSL 310.11, 0.6%, 0.69%

LAB 66.24, 47.57, -25.14

 

CMYK 0 / 43 / 18 / 13

HEX #DF80B6

RGB 223 128 182

HSL 325.89, 0.6%, 0.69%

LAB 65.36, 43.55, -12.42

 

CMYK 6 / 70 / 0 / 19

HEX #C23ECE

RGB 194 62 206

HSL 295, 0.6%, 0.53%

LAB 51.12, 69.46, -48.5

 

CMYK 5 / 56 / 0 / 16

HEX #CD5FD7

RGB 205 95 215

HSL 295, 0.6%, 0.61%

LAB 58.1, 60.02, -42.46

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 3 / 30 / 0 / 9

HEX #E1A1E7

RGB 225 161 231

HSL 294.86, 0.59%, 0.77%

LAB 74.36, 35.15, -25.91

 

CMYK 1 / 19 / 0 / 6

HEX #ECC2EF

RGB 236 194 239

HSL 296, 0.58%, 0.85%

LAB 83.26, 22.55, -16.63

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 0 / 38 / 43 / 13

HEX #DF8A80

RGB 223 138 128

HSL 6.32, 0.6%, 0.69%

LAB 66.08, 31.29, 19.09

 

CMYK 43 / 0 / 22 / 13

HEX #80DFAF

RGB 128 223 175

HSL 149.68, 0.6%, 0.69%

LAB 82.09, -38.87, 14.86

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 0 / 4 / 43 / 13

HEX #DFD580

RGB 223 213 128

HSL 53.68, 0.6%, 0.69%

LAB 84.4, -8.36, 43.14

 

CMYK 43 / 0 / 4 / 13

HEX #80DFD5

RGB 128 223 213

HSL 173.68, 0.6%, 0.69%

LAB 83, -30.51, -3.92

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 0 / 38 / 43 / 13

HEX #DF8A80

RGB 223 138 128

HSL 6.32, 0.6%, 0.69%

LAB 66.08, 31.29, 19.09

 

CMYK 38 / 0 / 43 / 13

HEX #8ADF80

RGB 138 223 128

HSL 113.68, 0.6%, 0.69%

LAB 81.7, -44.03, 38.58

 

CMYK 43 / 4 / 0 / 13

HEX #80D5DF

RGB 128 213 223

HSL 186.32, 0.6%, 0.69%

LAB 80.46, -23.18, -13.01

 

CMYK 4 / 43 / 0 / 13

HEX #D780DF

RGB 215 128 223

HSL 294.95, 0.6%, 0.69%

LAB 65.91, 48.01, -34.63

 

CMYK 0 / 26 / 43 / 13

HEX #DFA680

RGB 223 166 128

HSL 24, 0.6%, 0.69%

LAB 72.57, 16.29, 27.86

 

CMYK 38 / 0 / 43 / 13

HEX #8ADF80

RGB 138 223 128

HSL 113.68, 0.6%, 0.69%

LAB 81.7, -44.03, 38.58

 

CMYK 43 / 17 / 0 / 13

HEX #80B9DF

RGB 128 185 223

HSL 204, 0.6%, 0.69%

LAB 72.64, -8.71, -24.85

 

Description

Color code: HEX #D780DF | qconv.com Color code: HEX #D780DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 128 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 128 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 43 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 43% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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