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Color name
HEX #D78B17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D78B17 it is the complementary color #2874E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D78B17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D78B17 shade: #DC8B12, #ED9D25, #FEAF38, #FFC14B and #FFD35E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D78B17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D78B17 shade: #D78B17, #C67904, #B56700, #A45500 and #934300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D78B17 shade: #D88C16, #D85716, #D82316 and #D81616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D78B17 shade: #D88C16, #D8C016, #BDD816, #88D816 and #54D816

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D78B17 shade matches the following richer shades: #D88C16 and #EC9003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D78B17 shade: #D88C16, #C5882A, #B2833D, #9E7F50 and #8B7B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D78B17 shade: #D82316, #D85716, #D88B16, #D8BF16 and #BFD816

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D78B17 shade: #8E5B0E, #B37312, #D88C16, #E99F2F and #EDB055

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D78B17 shade: #D78B17, #3DD816 and #3D16D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D78B17 shade: #D78B17, #16D88B and #8B16D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D78B17 shade: #D78B17, #3DD816, #1664D8 and #B216D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D78B17 shade: #D78B17, #16D82A, #1664D8 and #D816C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

Complementary color

CMYK 83 / 50 / 0 / 9

HEX #2874E8

RGB 40 116 232

HSL 216.25, 0.81%, 0.53%

LAB 50.41, 19.26, -65.07

 

CMYK 0 / 37 / 92 / 14

HEX #DC8B12

RGB 220 139 18

HSL 35.94, 0.85%, 0.47%

LAB 64.74, 23.06, 67.43

 

CMYK 0 / 34 / 84 / 7

HEX #ED9D25

RGB 237 157 37

HSL 36, 0.85%, 0.54%

LAB 71.04, 21.08, 68.41

 

CMYK 0 / 31 / 78 / 0

HEX #FEAF38

RGB 254 175 56

HSL 36.06, 0.99%, 0.61%

LAB 77.29, 19.33, 68.32

 

CMYK 0 / 24 / 71 / 0

HEX #FFC14B

RGB 255 193 75

HSL 39.33, 1%, 0.65%

LAB 81.79, 11.15, 65.37

 

CMYK 0 / 17 / 63 / 0

HEX #FFD35E

RGB 255 211 94

HSL 43.6, 1%, 0.68%

LAB 86.33, 2.91, 62.12

 

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

CMYK 0 / 39 / 98 / 22

HEX #C67904

RGB 198 121 4

HSL 36.19, 0.96%, 0.4%

LAB 57.74, 23.14, 63.64

 

CMYK 0 / 43 / 100 / 29

HEX #B56700

RGB 181 103 0

HSL 34.14, 1%, 0.35%

LAB 51.29, 25.55, 59.12

 

CMYK 0 / 48 / 100 / 36

HEX #A45500

RGB 164 85 0

HSL 31.1, 1%, 0.32%

LAB 44.79, 28.06, 53.86

 

CMYK 0 / 54 / 100 / 42

HEX #934300

RGB 147 67 0

HSL 27.35, 1%, 0.29%

LAB 38.23, 30.56, 48.6

 

CMYK 0 / 35 / 90 / 15

HEX #D88C16

RGB 216 140 22

HSL 36.49, 0.82%, 0.47%

LAB 64.49, 20.87, 66.16

 

CMYK 0 / 60 / 90 / 15

HEX #D85716

RGB 216 87 22

HSL 20.1, 0.82%, 0.47%

LAB 53.46, 47.96, 57.89

 

CMYK 0 / 84 / 90 / 15

HEX #D82316

RGB 216 35 22

HSL 4.02, 0.82%, 0.47%

LAB 46.79, 66.22, 53.06

 

CMYK 0 / 90 / 90 / 15

HEX #D81616

RGB 216 22 22

HSL 0, 0.82%, 0.47%

LAB 45.95, 68.62, 52.47

 

CMYK 0 / 35 / 90 / 15

HEX #D88C16

RGB 216 140 22

HSL 36.49, 0.82%, 0.47%

LAB 64.49, 20.87, 66.16

 

CMYK 0 / 11 / 90 / 15

HEX #D8C016

RGB 216 192 22

HSL 52.58, 0.82%, 0.47%

LAB 77.49, -6.72, 76.15

 

CMYK 13 / 0 / 90 / 15

HEX #BDD816

RGB 189 216 22

HSL 68.35, 0.82%, 0.47%

LAB 81.83, -30.02, 78.65

 

CMYK 37 / 0 / 90 / 15

HEX #88D816

RGB 136 216 22

HSL 84.74, 0.82%, 0.47%

LAB 78.7, -50.29, 74.8

 

CMYK 61 / 0 / 90 / 15

HEX #54D816

RGB 84 216 22

HSL 100.82, 0.82%, 0.47%

LAB 76.71, -65.52, 72.34

 

CMYK 0 / 35 / 90 / 15

HEX #D88C16

RGB 216 140 22

HSL 36.49, 0.82%, 0.47%

LAB 64.49, 20.87, 66.16

 

CMYK 0 / 39 / 99 / 7

HEX #EC9003

RGB 236 144 3

HSL 36.31, 0.97%, 0.47%

LAB 67.86, 27.01, 72.83

 

CMYK 0 / 35 / 90 / 15

HEX #D88C16

RGB 216 140 22

HSL 36.49, 0.82%, 0.47%

LAB 64.49, 20.87, 66.16

 

CMYK 0 / 31 / 79 / 23

HEX #C5882A

RGB 197 136 42

HSL 36.39, 0.65%, 0.47%

LAB 61.35, 15.34, 56.36

 

CMYK 0 / 26 / 66 / 30

HEX #B2833D

RGB 178 131 61

HSL 35.9, 0.49%, 0.47%

LAB 58.07, 10.71, 43.94

 

CMYK 0 / 20 / 49 / 38

HEX #9E7F50

RGB 158 127 80

HSL 36.15, 0.33%, 0.47%

LAB 55.1, 5.73, 29.96

 

CMYK 0 / 12 / 28 / 45

HEX #8B7B64

RGB 139 123 100

HSL 35.38, 0.16%, 0.47%

LAB 52.48, 2.37, 14.84

 

CMYK 0 / 84 / 90 / 15

HEX #D82316

RGB 216 35 22

HSL 4.02, 0.82%, 0.47%

LAB 46.79, 66.22, 53.06

 

CMYK 0 / 60 / 90 / 15

HEX #D85716

RGB 216 87 22

HSL 20.1, 0.82%, 0.47%

LAB 53.46, 47.96, 57.89

 

CMYK 0 / 36 / 90 / 15

HEX #D88B16

RGB 216 139 22

HSL 36.19, 0.82%, 0.47%

LAB 64.26, 21.41, 65.98

 

CMYK 0 / 12 / 90 / 15

HEX #D8BF16

RGB 216 191 22

HSL 52.27, 0.82%, 0.47%

LAB 77.23, -6.21, 75.95

 

CMYK 12 / 0 / 90 / 15

HEX #BFD816

RGB 191 216 22

HSL 67.73, 0.82%, 0.47%

LAB 81.97, -29.2, 78.82

 

CMYK 0 / 36 / 90 / 44

HEX #8E5B0E

RGB 142 91 14

HSL 36.09, 0.82%, 0.31%

LAB 43.16, 15.06, 47.64

 

CMYK 0 / 36 / 90 / 30

HEX #B37312

RGB 179 115 18

HSL 36.15, 0.82%, 0.39%

LAB 53.91, 18.3, 57.01

 

CMYK 0 / 35 / 90 / 15

HEX #D88C16

RGB 216 140 22

HSL 36.49, 0.82%, 0.47%

LAB 64.49, 20.87, 66.16

 

CMYK 0 / 32 / 80 / 9

HEX #E99F2F

RGB 233 159 47

HSL 36.13, 0.81%, 0.55%

LAB 71.09, 18.62, 65

 

CMYK 0 / 26 / 64 / 7

HEX #EDB055

RGB 237 176 85

HSL 35.92, 0.81%, 0.63%

LAB 75.89, 13.09, 54.13

 

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

CMYK 72 / 0 / 90 / 15

HEX #3DD816

RGB 61 216 22

HSL 107.94, 0.82%, 0.47%

LAB 76.17, -70.12, 71.67

 

CMYK 72 / 90 / 0 / 15

HEX #3D16D8

RGB 61 22 216

HSL 252.06, 0.82%, 0.47%

LAB 30.7, 66.53, -88.28

 

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

CMYK 90 / 0 / 36 / 15

HEX #16D88B

RGB 22 216 139

HSL 156.19, 0.82%, 0.47%

LAB 76.77, -61.15, 25.95

 

CMYK 36 / 90 / 0 / 15

HEX #8B16D8

RGB 139 22 216

HSL 276.19, 0.82%, 0.47%

LAB 39.62, 73.34, -73.26

 

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

CMYK 72 / 0 / 90 / 15

HEX #3DD816

RGB 61 216 22

HSL 107.94, 0.82%, 0.47%

LAB 76.17, -70.12, 71.67

 

CMYK 90 / 54 / 0 / 15

HEX #1664D8

RGB 22 100 216

HSL 215.88, 0.82%, 0.47%

LAB 44.58, 22.15, -65.5

 

CMYK 18 / 90 / 0 / 15

HEX #B216D8

RGB 178 22 216

HSL 288.25, 0.82%, 0.47%

LAB 45.63, 78.68, -63.19

 

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

CMYK 90 / 0 / 81 / 15

HEX #16D82A

RGB 22 216 42

HSL 126.19, 0.82%, 0.47%

LAB 75.73, -73.73, 66.73

 

CMYK 90 / 54 / 0 / 15

HEX #1664D8

RGB 22 100 216

HSL 215.88, 0.82%, 0.47%

LAB 44.58, 22.15, -65.5

 

CMYK 0 / 90 / 9 / 15

HEX #D816C5

RGB 216 22 197

HSL 305.88, 0.82%, 0.47%

LAB 50.92, 82.07, -43.4

 

Description

Color code: HEX #D78B17 | qconv.com Color code: HEX #D78B17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 139 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 139 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 89% 16% C M Y K

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Provide designers and agencies with accurate color values.

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