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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D78F37 it is the complementary color #2870C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D78F37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D78F37 shade: #DC8F32, #EDA145, #FEB358, #FFC56B and #FFD77E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D78F37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D78F37 shade: #D78F37, #C67D24, #B56B11, #A45900 and #934700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D78F37 shade: #D78F36, #D76336, #D73836 and #D73636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D78F37 shade: #D78F36, #D7BA36, #C9D736, #9DD736 and #72D736

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D78F37 shade matches the following richer shades: #D78F36, #EA9123 and #FE9310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D78F37 shade: #D78F36, #C48D4A, #B08B5D, #9D8971 and #898784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D78F37 shade: #D73936, #D76436, #D78F36, #D7BA36 and #CAD736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D78F37 shade: #9C641E, #BF7A25, #D78F36, #DEA259 and #E5B57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D78F37 shade: #D78F37, #5FD736 and #4E36D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D78F37 shade: #D78F37, #36D78F and #8F36D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D78F37 shade: #D78F37, #5FD736, #367FD7 and #AF36D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D78F37 shade: #D78F37, #36D73E, #367FD7 and #D736CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 74 / 16

HEX #D78F37

RGB 215 143 55

HSL 33, 0.67%, 0.53%

LAB 65.25, 19.84, 55.57

 

Complementary color

CMYK 80 / 44 / 0 / 22

HEX #2870C8

RGB 40 112 200

HSL 213, 0.67%, 0.47%

LAB 47.25, 9.61, -52.02

 

CMYK 0 / 35 / 77 / 14

HEX #DC8F32

RGB 220 143 50

HSL 32.82, 0.71%, 0.53%

LAB 65.82, 21.75, 58.41

 

CMYK 0 / 32 / 71 / 7

HEX #EDA145

RGB 237 161 69

HSL 32.86, 0.82%, 0.6%

LAB 72.18, 20.14, 57.38

 

CMYK 0 / 30 / 65 / 0

HEX #FEB358

RGB 254 179 88

HSL 32.89, 0.99%, 0.67%

LAB 78.47, 18.73, 56.12

 

CMYK 0 / 23 / 58 / 0

HEX #FFC56B

RGB 255 197 107

HSL 36.49, 1%, 0.71%

LAB 83.05, 10.99, 52.43

 

CMYK 0 / 16 / 51 / 0

HEX #FFD77E

RGB 255 215 126

HSL 41.4, 1%, 0.75%

LAB 87.66, 3.21, 48.79

 

CMYK 0 / 33 / 74 / 16

HEX #D78F37

RGB 215 143 55

HSL 33, 0.67%, 0.53%

LAB 65.25, 19.84, 55.57

 

CMYK 0 / 37 / 82 / 22

HEX #C67D24

RGB 198 125 36

HSL 32.96, 0.69%, 0.46%

LAB 58.79, 21.59, 56.33

 

CMYK 0 / 41 / 91 / 29

HEX #B56B11

RGB 181 107 17

HSL 32.93, 0.83%, 0.39%

LAB 52.26, 23.6, 56.12

 

CMYK 0 / 46 / 100 / 36

HEX #A45900

RGB 164 89 0

HSL 32.56, 1%, 0.32%

LAB 45.69, 25.86, 54.41

 

CMYK 0 / 52 / 100 / 42

HEX #934700

RGB 147 71 0

HSL 28.98, 1%, 0.29%

LAB 39.09, 28.4, 49.1

 

CMYK 0 / 33 / 75 / 16

HEX #D78F36

RGB 215 143 54

HSL 33.17, 0.67%, 0.53%

LAB 65.25, 19.79, 55.99

 

CMYK 0 / 54 / 75 / 16

HEX #D76336

RGB 215 99 54

HSL 16.77, 0.67%, 0.53%

LAB 55.72, 42.81, 46.28

 

CMYK 0 / 74 / 75 / 16

HEX #D73836

RGB 215 56 54

HSL 0.75, 0.67%, 0.53%

LAB 48.94, 60.93, 38.98

 

CMYK 0 / 75 / 75 / 16

HEX #D73636

RGB 215 54 54

HSL 0, 0.67%, 0.53%

LAB 48.7, 61.59, 38.72

 

CMYK 0 / 33 / 75 / 16

HEX #D78F36

RGB 215 143 54

HSL 33.17, 0.67%, 0.53%

LAB 65.25, 19.79, 55.99

 

CMYK 0 / 13 / 75 / 16

HEX #D7BA36

RGB 215 186 54

HSL 49.19, 0.67%, 0.53%

LAB 75.97, -3.13, 66.35

 

CMYK 7 / 0 / 75 / 16

HEX #C9D736

RGB 201 215 54

HSL 65.22, 0.67%, 0.53%

LAB 82.53, -23.64, 72.08

 

CMYK 27 / 0 / 75 / 16

HEX #9DD736

RGB 157 215 54

HSL 81.61, 0.67%, 0.53%

LAB 79.63, -41.08, 68.32

 

CMYK 47 / 0 / 75 / 16

HEX #72D736

RGB 114 215 54

HSL 97.64, 0.67%, 0.53%

LAB 77.55, -55.72, 65.58

 

CMYK 0 / 33 / 75 / 16

HEX #D78F36

RGB 215 143 54

HSL 33.17, 0.67%, 0.53%

LAB 65.25, 19.79, 55.99

 

CMYK 0 / 38 / 85 / 8

HEX #EA9123

RGB 234 145 35

HSL 33.17, 0.83%, 0.53%

LAB 67.92, 26.12, 66.28

 

CMYK 0 / 42 / 94 / 0

HEX #FE9310

RGB 254 147 16

HSL 33.03, 0.99%, 0.53%

LAB 70.85, 32.99, 74.14

 

CMYK 0 / 33 / 75 / 16

HEX #D78F36

RGB 215 143 54

HSL 33.17, 0.67%, 0.53%

LAB 65.25, 19.79, 55.99

 

CMYK 0 / 28 / 62 / 23

HEX #C48D4A

RGB 196 141 74

HSL 32.95, 0.51%, 0.53%

LAB 62.74, 13.87, 43.33

 

CMYK 0 / 21 / 47 / 31

HEX #B08B5D

RGB 176 139 93

HSL 33.25, 0.34%, 0.53%

LAB 60.32, 8.06, 29.89

 

CMYK 0 / 13 / 28 / 38

HEX #9D8971

RGB 157 137 113

HSL 32.73, 0.18%, 0.53%

LAB 58.28, 3.72, 15.66

 

CMYK 0 / 1 / 4 / 46

HEX #898784

RGB 137 135 132

HSL 36, 0.02%, 0.53%

LAB 56.4, 0.17, 1.87

 

CMYK 0 / 73 / 75 / 16

HEX #D73936

RGB 215 57 54

HSL 1.12, 0.67%, 0.53%

LAB 49.06, 60.6, 39.12

 

CMYK 0 / 53 / 75 / 16

HEX #D76436

RGB 215 100 54

HSL 17.14, 0.67%, 0.53%

LAB 55.91, 42.32, 46.49

 

CMYK 0 / 33 / 75 / 16

HEX #D78F36

RGB 215 143 54

HSL 33.17, 0.67%, 0.53%

LAB 65.25, 19.79, 55.99

 

CMYK 0 / 13 / 75 / 16

HEX #D7BA36

RGB 215 186 54

HSL 49.19, 0.67%, 0.53%

LAB 75.97, -3.13, 66.35

 

CMYK 6 / 0 / 75 / 16

HEX #CAD736

RGB 202 215 54

HSL 64.84, 0.67%, 0.53%

LAB 82.61, -23.23, 72.17

 

CMYK 0 / 36 / 81 / 39

HEX #9C641E

RGB 156 100 30

HSL 33.33, 0.68%, 0.36%

LAB 47.33, 16.78, 46.25

 

CMYK 0 / 36 / 81 / 25

HEX #BF7A25

RGB 191 122 37

HSL 33.12, 0.68%, 0.45%

LAB 57.2, 20.23, 54.19

 

CMYK 0 / 33 / 75 / 16

HEX #D78F36

RGB 215 143 54

HSL 33.17, 0.67%, 0.53%

LAB 65.25, 19.79, 55.99

 

CMYK 0 / 27 / 60 / 13

HEX #DEA259

RGB 222 162 89

HSL 32.93, 0.67%, 0.61%

LAB 70.93, 14.54, 46.11

 

CMYK 0 / 21 / 46 / 10

HEX #E5B57B

RGB 229 181 123

HSL 32.83, 0.67%, 0.69%

LAB 76.76, 10.18, 36.1

 

CMYK 0 / 33 / 74 / 16

HEX #D78F37

RGB 215 143 55

HSL 33, 0.67%, 0.53%

LAB 65.25, 19.84, 55.57

 

CMYK 56 / 0 / 75 / 16

HEX #5FD736

RGB 95 215 54

HSL 104.72, 0.67%, 0.53%

LAB 76.86, -61.02, 64.68

 

CMYK 64 / 75 / 0 / 16

HEX #4E36D7

RGB 78 54 215

HSL 248.94, 0.67%, 0.53%

LAB 36.3, 54.77, -78.38

 

CMYK 0 / 33 / 74 / 16

HEX #D78F37

RGB 215 143 55

HSL 33, 0.67%, 0.53%

LAB 65.25, 19.84, 55.57

 

CMYK 75 / 0 / 33 / 16

HEX #36D78F

RGB 54 215 143

HSL 153.17, 0.67%, 0.53%

LAB 76.9, -57.08, 24.12

 

CMYK 33 / 75 / 0 / 16

HEX #8F36D7

RGB 143 54 215

HSL 273.17, 0.67%, 0.53%

LAB 43.34, 64.22, -66.58

 

CMYK 0 / 33 / 74 / 16

HEX #D78F37

RGB 215 143 55

HSL 33, 0.67%, 0.53%

LAB 65.25, 19.84, 55.57

 

CMYK 56 / 0 / 75 / 16

HEX #5FD736

RGB 95 215 54

HSL 104.72, 0.67%, 0.53%

LAB 76.86, -61.02, 64.68

 

CMYK 75 / 41 / 0 / 16

HEX #367FD7

RGB 54 127 215

HSL 212.8, 0.67%, 0.53%

LAB 52.81, 7.49, -51.64

 

CMYK 19 / 75 / 0 / 16

HEX #AF36D7

RGB 175 54 215

HSL 285.09, 0.67%, 0.53%

LAB 47.83, 70.03, -59.09

 

CMYK 0 / 33 / 74 / 16

HEX #D78F37

RGB 215 143 55

HSL 33, 0.67%, 0.53%

LAB 65.25, 19.84, 55.57

 

CMYK 75 / 0 / 71 / 16

HEX #36D73E

RGB 54 215 62

HSL 122.98, 0.67%, 0.53%

LAB 75.91, -68.72, 60.61

 

CMYK 75 / 41 / 0 / 16

HEX #367FD7

RGB 54 127 215

HSL 212.8, 0.67%, 0.53%

LAB 52.81, 7.49, -51.64

 

CMYK 0 / 75 / 4 / 16

HEX #D736CF

RGB 215 54 207

HSL 302.98, 0.67%, 0.53%

LAB 53.59, 76.62, -44.95

 

Description

Color code: HEX #D78F37 | qconv.com Color code: HEX #D78F37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 143 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 143 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 74 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 74% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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