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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7940D it is the complementary color #286BF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7940D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7940D shade: #DC9408, #EDA61B, #FEB82E, #FFCA41 and #FFDC54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7940D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7940D shade: #D7940D, #C68200, #B57000, #A45E00 and #934C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7940D shade: #D8950C, #D85E0C, #D8260C and #D80C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7940D shade: #D8950C, #D8CC0C, #AED80C, #77D80C and #40D80C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7940D shade matches the following richer shades: #D8950C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7940D shade: #D8950C, #C68E1F, #B38831, #A18244 and #8E7C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7940D shade: #D8270C, #D85E0C, #D8940C, #D8CB0C and #B0D80C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7940D shade: #8A5F08, #B17A0A, #D8950C, #F1AB1C and #F4B943

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7940D shade: #D7940D, #27D80C and #430CD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7940D shade: #D7940D, #0CD894 and #940CD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7940D shade: #D7940D, #27D80C, #0C50D8 and #BD0CD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7940D shade: #D7940D, #0CD82E, #0C50D8 and #D80CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 94 / 16

HEX #D7940D

RGB 215 148 13

HSL 40.1, 0.89%, 0.45%

LAB 66.26, 16, 69.15

 

Complementary color

CMYK 83 / 56 / 0 / 5

HEX #286BF2

RGB 40 107 242

HSL 220.1, 0.89%, 0.55%

LAB 48.73, 28.72, -73.4

 

CMYK 0 / 33 / 96 / 14

HEX #DC9408

RGB 220 148 8

HSL 39.62, 0.93%, 0.45%

LAB 66.83, 18.11, 70.53

 

CMYK 0 / 30 / 89 / 7

HEX #EDA61B

RGB 237 166 27

HSL 39.71, 0.85%, 0.52%

LAB 73.13, 16.1, 72.71

 

CMYK 0 / 28 / 82 / 0

HEX #FEB82E

RGB 254 184 46

HSL 39.81, 0.99%, 0.59%

LAB 79.36, 14.31, 73.51

 

CMYK 0 / 21 / 75 / 0

HEX #FFCA41

RGB 255 202 65

HSL 43.26, 1%, 0.63%

LAB 83.9, 6.05, 71.32

 

CMYK 0 / 14 / 67 / 0

HEX #FFDC54

RGB 255 220 84

HSL 47.72, 1%, 0.66%

LAB 88.49, -2.24, 68.61

 

CMYK 0 / 31 / 94 / 16

HEX #D7940D

RGB 215 148 13

HSL 40.1, 0.89%, 0.45%

LAB 66.26, 16, 69.15

 

CMYK 0 / 34 / 100 / 22

HEX #C68200

RGB 198 130 0

HSL 39.39, 1%, 0.39%

LAB 59.86, 18.18, 65.72

 

CMYK 0 / 38 / 100 / 29

HEX #B57000

RGB 181 112 0

HSL 37.13, 1%, 0.35%

LAB 53.4, 20.59, 60.46

 

CMYK 0 / 43 / 100 / 36

HEX #A45E00

RGB 164 94 0

HSL 34.39, 1%, 0.32%

LAB 46.84, 23.08, 55.13

 

CMYK 0 / 48 / 100 / 42

HEX #934C00

RGB 147 76 0

HSL 31.02, 1%, 0.29%

LAB 40.2, 25.64, 49.77

 

CMYK 0 / 31 / 94 / 15

HEX #D8950C

RGB 216 149 12

HSL 40.29, 0.89%, 0.45%

LAB 66.61, 15.88, 69.61

 

CMYK 0 / 56 / 94 / 15

HEX #D85E0C

RGB 216 94 12

HSL 24.12, 0.89%, 0.45%

LAB 54.69, 44.54, 61.41

 

CMYK 0 / 82 / 94 / 15

HEX #D8260C

RGB 216 38 12

HSL 7.65, 0.89%, 0.45%

LAB 46.99, 65.4, 56.68

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 31 / 94 / 15

HEX #D8950C

RGB 216 149 12

HSL 40.29, 0.89%, 0.45%

LAB 66.61, 15.88, 69.61

 

CMYK 0 / 6 / 94 / 15

HEX #D8CC0C

RGB 216 204 12

HSL 56.47, 0.89%, 0.45%

LAB 80.63, -12.96, 79.9

 

CMYK 19 / 0 / 94 / 15

HEX #AED80C

RGB 174 216 12

HSL 72.35, 0.89%, 0.45%

LAB 80.81, -36.23, 78.68

 

CMYK 45 / 0 / 94 / 15

HEX #77D80C

RGB 119 216 12

HSL 88.53, 0.89%, 0.45%

LAB 77.91, -56.12, 75.15

 

CMYK 70 / 0 / 94 / 15

HEX #40D80C

RGB 64 216 12

HSL 104.71, 0.89%, 0.45%

LAB 76.21, -69.84, 73.06

 

CMYK 0 / 31 / 94 / 15

HEX #D8950C

RGB 216 149 12

HSL 40.29, 0.89%, 0.45%

LAB 66.61, 15.88, 69.61

 

CMYK 0 / 31 / 94 / 15

HEX #D8950C

RGB 216 149 12

HSL 40.29, 0.89%, 0.45%

LAB 66.61, 15.88, 69.61

 

CMYK 0 / 28 / 84 / 22

HEX #C68E1F

RGB 198 142 31

HSL 39.88, 0.73%, 0.45%

LAB 62.89, 12.14, 61.56

 

CMYK 0 / 24 / 73 / 30

HEX #B38831

RGB 179 136 49

HSL 40.15, 0.57%, 0.45%

LAB 59.36, 7.68, 50.87

 

CMYK 0 / 19 / 58 / 37

HEX #A18244

RGB 161 130 68

HSL 40, 0.41%, 0.45%

LAB 56.05, 4.26, 37.61

 

CMYK 0 / 13 / 39 / 44

HEX #8E7C56

RGB 142 124 86

HSL 40.71, 0.25%, 0.45%

LAB 52.77, 1.18, 23.3

 

CMYK 0 / 82 / 94 / 15

HEX #D8270C

RGB 216 39 12

HSL 7.94, 0.89%, 0.45%

LAB 47.07, 65.16, 56.72

 

CMYK 0 / 56 / 94 / 15

HEX #D85E0C

RGB 216 94 12

HSL 24.12, 0.89%, 0.45%

LAB 54.69, 44.54, 61.41

 

CMYK 0 / 31 / 94 / 15

HEX #D8940C

RGB 216 148 12

HSL 40, 0.89%, 0.45%

LAB 66.37, 16.42, 69.43

 

CMYK 0 / 6 / 94 / 15

HEX #D8CB0C

RGB 216 203 12

HSL 56.18, 0.89%, 0.45%

LAB 80.37, -12.45, 79.7

 

CMYK 19 / 0 / 94 / 15

HEX #B0D80C

RGB 176 216 12

HSL 71.76, 0.89%, 0.45%

LAB 80.94, -35.44, 78.84

 

CMYK 0 / 31 / 94 / 46

HEX #8A5F08

RGB 138 95 8

HSL 40.15, 0.89%, 0.29%

LAB 43.66, 10.72, 49.35

 

CMYK 0 / 31 / 94 / 31

HEX #B17A0A

RGB 177 122 10

HSL 40.24, 0.89%, 0.37%

LAB 55.37, 13.36, 59.72

 

CMYK 0 / 31 / 94 / 15

HEX #D8950C

RGB 216 149 12

HSL 40.29, 0.89%, 0.45%

LAB 66.61, 15.88, 69.61

 

CMYK 0 / 29 / 88 / 5

HEX #F1AB1C

RGB 241 171 28

HSL 40.28, 0.88%, 0.53%

LAB 74.77, 15.19, 73.95

 

CMYK 0 / 24 / 73 / 4

HEX #F4B943

RGB 244 185 67

HSL 40, 0.89%, 0.61%

LAB 78.66, 10.34, 65.06

 

CMYK 0 / 31 / 94 / 16

HEX #D7940D

RGB 215 148 13

HSL 40.1, 0.89%, 0.45%

LAB 66.26, 16, 69.15

 

CMYK 82 / 0 / 94 / 15

HEX #27D80C

RGB 39 216 12

HSL 112.06, 0.89%, 0.45%

LAB 75.8, -73.4, 72.56

 

CMYK 69 / 94 / 0 / 15

HEX #430CD8

RGB 67 12 216

HSL 256.18, 0.89%, 0.45%

LAB 30.43, 69.1, -88.71

 

CMYK 0 / 31 / 94 / 16

HEX #D7940D

RGB 215 148 13

HSL 40.1, 0.89%, 0.45%

LAB 66.26, 16, 69.15

 

CMYK 94 / 0 / 31 / 15

HEX #0CD894

RGB 12 216 148

HSL 160, 0.89%, 0.45%

LAB 76.88, -59.7, 21.4

 

CMYK 31 / 94 / 0 / 15

HEX #940CD8

RGB 148 12 216

HSL 280, 0.89%, 0.45%

LAB 40.44, 75.98, -71.86

 

CMYK 0 / 31 / 94 / 16

HEX #D7940D

RGB 215 148 13

HSL 40.1, 0.89%, 0.45%

LAB 66.26, 16, 69.15

 

CMYK 82 / 0 / 94 / 15

HEX #27D80C

RGB 39 216 12

HSL 112.06, 0.89%, 0.45%

LAB 75.8, -73.4, 72.56

 

CMYK 94 / 63 / 0 / 15

HEX #0C50D8

RGB 12 80 216

HSL 220, 0.89%, 0.45%

LAB 39.2, 34.76, -74.29

 

CMYK 13 / 94 / 0 / 15

HEX #BD0CD8

RGB 189 12 216

HSL 292.06, 0.89%, 0.45%

LAB 47.03, 81.57, -60.85

 

CMYK 0 / 31 / 94 / 16

HEX #D7940D

RGB 215 148 13

HSL 40.1, 0.89%, 0.45%

LAB 66.26, 16, 69.15

 

CMYK 94 / 0 / 79 / 15

HEX #0CD82E

RGB 12 216 46

HSL 130, 0.89%, 0.45%

LAB 75.69, -74.01, 65.54

 

CMYK 94 / 63 / 0 / 15

HEX #0C50D8

RGB 12 80 216

HSL 220, 0.89%, 0.45%

LAB 39.2, 34.76, -74.29

 

CMYK 0 / 94 / 16 / 15

HEX #D80CB6

RGB 216 12 182

HSL 310, 0.89%, 0.45%

LAB 49.79, 81.18, -36.47

 

Description

Color code: HEX #D7940D | qconv.com Color code: HEX #D7940D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 148 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 148 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 94 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 94% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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