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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D799DA it is the complementary color #286625. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D799DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D799DA shade: #DC99D5, #EDABE8, #FEBDFB, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D799DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D799DA shade: #D799DA, #C687C7, #B575B4, #A463A1 and #93518E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D799DA shade: #D799DA, #DA99CC, #DA99BA, #DA99A9 and #DA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D799DA shade: #D799DA, #C699DA, #B499DA, #A399DA and #9999DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D799DA shade matches the following richer shades: #D799DA, #E18EE5, #EB83F0 and #F578FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D799DA shade: #D799DA, #CDA4CF, #C3B0C4, #B9BBB9 and #AFC6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D799DA shade: #B499DA, #C699DA, #D799DA, #DA99CC and #DA99BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D799DA shade: #BF5DC4, #CB7BCF, #D799DA, #E3B8E5 and #EFD6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D799DA shade: #D799DA, #DAA399 and #99DABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D799DA shade: #D799DA, #DAD799 and #99DAD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D799DA shade: #D799DA, #DAA399, #9DDA99 and #99D0DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D799DA shade: #D799DA, #DAB699, #9DDA99 and #99BDDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

Complementary color

CMYK 61 / 0 / 64 / 60

HEX #286625

RGB 40 102 37

HSL 117.23, 0.47%, 0.27%

LAB 38, -34.11, 30.23

 

CMYK 0 / 30 / 3 / 14

HEX #DC99D5

RGB 220 153 213

HSL 306.27, 0.49%, 0.73%

LAB 71.42, 34.52, -20.58

 

CMYK 0 / 28 / 2 / 7

HEX #EDABE8

RGB 237 171 232

HSL 304.55, 0.65%, 0.8%

LAB 77.85, 33.84, -21.03

 

CMYK 0 / 26 / 1 / 0

HEX #FEBDFB

RGB 254 189 251

HSL 302.77, 0.97%, 0.87%

LAB 84.19, 33.21, -21.45

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 1 / 32 / 0 / 22

HEX #C687C7

RGB 198 135 199

HSL 299.06, 0.36%, 0.65%

LAB 64.53, 34.52, -23.53

 

CMYK 0 / 35 / 1 / 29

HEX #B575B4

RGB 181 117 180

HSL 300.94, 0.3%, 0.58%

LAB 57.89, 35.26, -23.11

 

CMYK 0 / 40 / 2 / 36

HEX #A463A1

RGB 164 99 161

HSL 302.77, 0.26%, 0.52%

LAB 51.14, 36.03, -22.64

 

CMYK 0 / 45 / 3 / 42

HEX #93518E

RGB 147 81 142

HSL 304.55, 0.29%, 0.45%

LAB 44.29, 36.81, -22.09

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 0 / 30 / 6 / 15

HEX #DA99CC

RGB 218 153 204

HSL 312.92, 0.47%, 0.73%

LAB 70.9, 32.26, -16.42

 

CMYK 0 / 30 / 15 / 15

HEX #DA99BA

RGB 218 153 186

HSL 329.54, 0.47%, 0.73%

LAB 70.34, 29.22, -7.29

 

CMYK 0 / 30 / 22 / 15

HEX #DA99A9

RGB 218 153 169

HSL 345.23, 0.47%, 0.73%

LAB 69.86, 26.6, 1.46

 

CMYK 0 / 30 / 30 / 15

HEX #DA9999

RGB 218 153 153

HSL 0, 0.47%, 0.73%

LAB 69.46, 24.35, 9.79

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 9 / 30 / 0 / 15

HEX #C699DA

RGB 198 153 218

HSL 281.54, 0.47%, 0.73%

LAB 69.36, 28.38, -26.68

 

CMYK 17 / 30 / 0 / 15

HEX #B499DA

RGB 180 153 218

HSL 264.92, 0.47%, 0.73%

LAB 67.69, 22.73, -29.4

 

CMYK 25 / 30 / 0 / 15

HEX #A399DA

RGB 163 153 218

HSL 249.23, 0.47%, 0.73%

LAB 66.24, 17.55, -31.76

 

CMYK 30 / 30 / 0 / 15

HEX #9999DA

RGB 153 153 218

HSL 240, 0.47%, 0.73%

LAB 65.45, 14.61, -33.04

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 2 / 38 / 0 / 10

HEX #E18EE5

RGB 225 142 229

HSL 297.24, 0.63%, 0.73%

LAB 70.18, 44.84, -31.24

 

CMYK 2 / 45 / 0 / 6

HEX #EB83F0

RGB 235 131 240

HSL 297.25, 0.78%, 0.73%

LAB 69.6, 55.38, -38.09

 

CMYK 2 / 52 / 0 / 2

HEX #F578FB

RGB 245 120 251

HSL 297.25, 0.94%, 0.73%

LAB 69.33, 65.31, -44.45

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 1 / 21 / 0 / 19

HEX #CDA4CF

RGB 205 164 207

HSL 297.21, 0.31%, 0.73%

LAB 72.25, 22.46, -16.17

 

CMYK 1 / 10 / 0 / 23

HEX #C3B0C4

RGB 195 176 196

HSL 297, 0.14%, 0.73%

LAB 73.96, 10.41, -7.67

 

CMYK 1 / 0 / 1 / 27

HEX #B9BBB9

RGB 185 187 185

HSL 120, 0.01%, 0.73%

LAB 75.67, -1.06, 0.76

 

CMYK 12 / 0 / 13 / 22

HEX #AFC6AD

RGB 175 198 173

HSL 115.2, 0.18%, 0.73%

LAB 77.59, -12.51, 9.91

 

CMYK 17 / 30 / 0 / 15

HEX #B499DA

RGB 180 153 218

HSL 264.92, 0.47%, 0.73%

LAB 67.69, 22.73, -29.4

 

CMYK 9 / 30 / 0 / 15

HEX #C699DA

RGB 198 153 218

HSL 281.54, 0.47%, 0.73%

LAB 69.36, 28.38, -26.68

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 0 / 30 / 6 / 15

HEX #DA99CC

RGB 218 153 204

HSL 312.92, 0.47%, 0.73%

LAB 70.9, 32.26, -16.42

 

CMYK 0 / 30 / 14 / 15

HEX #DA99BB

RGB 218 153 187

HSL 328.62, 0.47%, 0.73%

LAB 70.37, 29.39, -7.8

 

CMYK 3 / 53 / 0 / 23

HEX #BF5DC4

RGB 191 93 196

HSL 297.09, 0.47%, 0.57%

LAB 54.96, 53.76, -36.72

 

CMYK 2 / 41 / 0 / 19

HEX #CB7BCF

RGB 203 123 207

HSL 297.14, 0.47%, 0.65%

LAB 62.82, 44.03, -30.61

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 1 / 20 / 0 / 10

HEX #E3B8E5

RGB 227 184 229

HSL 297.33, 0.46%, 0.81%

LAB 79.77, 23.08, -16.6

 

CMYK 0 / 11 / 0 / 6

HEX #EFD6F0

RGB 239 214 240

HSL 297.69, 0.46%, 0.89%

LAB 88.32, 13.14, -9.56

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 0 / 25 / 30 / 15

HEX #DAA399

RGB 218 163 153

HSL 9.23, 0.47%, 0.73%

LAB 71.83, 18.95, 13.13

 

CMYK 30 / 0 / 13 / 15

HEX #99DABD

RGB 153 218 189

HSL 153.23, 0.47%, 0.73%

LAB 82.16, -26.6, 7.73

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 0 / 1 / 30 / 15

HEX #DAD799

RGB 218 215 153

HSL 57.23, 0.47%, 0.73%

LAB 84.9, -8.47, 31.04

 

CMYK 30 / 0 / 1 / 15

HEX #99DAD7

RGB 153 218 215

HSL 177.23, 0.47%, 0.73%

LAB 82.82, -21.04, -5.12

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 0 / 25 / 30 / 15

HEX #DAA399

RGB 218 163 153

HSL 9.23, 0.47%, 0.73%

LAB 71.83, 18.95, 13.13

 

CMYK 28 / 0 / 30 / 15

HEX #9DDA99

RGB 157 218 153

HSL 116.31, 0.47%, 0.73%

LAB 81.63, -31.9, 25.94

 

CMYK 30 / 5 / 0 / 15

HEX #99D0DA

RGB 153 208 218

HSL 189.23, 0.47%, 0.73%

LAB 80.15, -15.31, -10.68

 

CMYK 1 / 30 / 0 / 15

HEX #D799DA

RGB 215 153 218

HSL 297.23, 0.47%, 0.73%

LAB 71.07, 33.82, -23.92

 

CMYK 0 / 17 / 30 / 15

HEX #DAB699

RGB 218 182 153

HSL 26.77, 0.47%, 0.73%

LAB 76.47, 8.74, 19.61

 

CMYK 28 / 0 / 30 / 15

HEX #9DDA99

RGB 157 218 153

HSL 116.31, 0.47%, 0.73%

LAB 81.63, -31.9, 25.94

 

CMYK 30 / 13 / 0 / 15

HEX #99BDDA

RGB 153 189 218

HSL 206.77, 0.47%, 0.73%

LAB 74.97, -5.35, -18.46

 

Description

Color code: HEX #D799DA | qconv.com Color code: HEX #D799DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 153 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 153 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 30 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 30% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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