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Color name
HEX #D7900E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7900E it is the complementary color #286FF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7900E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7900E shade: #DC9009, #EDA21C, #FEB42F, #FFC642 and #FFD855

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7900E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7900E shade: #D7900E, #C67E00, #B56C00, #A45A00 and #934800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7900E shade: #D7900D, #D7590D, #D7230D and #D70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7900E shade: #D7900D, #D7C60D, #B2D70D, #7BD70D and #45D70D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7900E shade matches the following richer shades: #D7900D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7900E shade: #D7900D, #C58A20, #B28532, #A08045 and #8D7A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7900E shade: #D7210D, #D7570D, #D78D0D, #D7C30D and #B6D70D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7900E shade: #8A5C08, #B0760B, #D7900D, #F0A61E and #F3B544

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7900E shade: #D7900E, #2FD70D and #3C0DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7900E shade: #D7900E, #0DD78D and #8D0DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7900E shade: #D7900E, #2FD70D, #0D57D7 and #B60DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7900E shade: #D7900E, #0DD728, #0D57D7 and #D70DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 93 / 16

HEX #D7900E

RGB 215 144 14

HSL 38.81, 0.88%, 0.45%

LAB 65.3, 18.16, 68.3

 

Complementary color

CMYK 83 / 54 / 0 / 5

HEX #286FF1

RGB 40 111 241

HSL 218.81, 0.88%, 0.55%

LAB 49.7, 25.81, -71.27

 

CMYK 0 / 35 / 96 / 14

HEX #DC9009

RGB 220 144 9

HSL 38.39, 0.92%, 0.45%

LAB 65.89, 20.27, 69.74

 

CMYK 0 / 32 / 88 / 7

HEX #EDA21C

RGB 237 162 28

HSL 38.47, 0.85%, 0.52%

LAB 72.18, 18.23, 71.74

 

CMYK 0 / 29 / 81 / 0

HEX #FEB42F

RGB 254 180 47

HSL 38.55, 0.99%, 0.59%

LAB 78.41, 16.43, 72.38

 

CMYK 0 / 22 / 74 / 0

HEX #FFC642

RGB 255 198 66

HSL 41.9, 1%, 0.63%

LAB 82.94, 8.16, 70.02

 

CMYK 0 / 15 / 67 / 0

HEX #FFD855

RGB 255 216 85

HSL 46.24, 1%, 0.67%

LAB 87.5, -0.16, 67.18

 

CMYK 0 / 33 / 93 / 16

HEX #D7900E

RGB 215 144 14

HSL 38.81, 0.88%, 0.45%

LAB 65.3, 18.16, 68.3

 

CMYK 0 / 36 / 100 / 22

HEX #C67E00

RGB 198 126 0

HSL 38.18, 1%, 0.39%

LAB 58.91, 20.37, 65.1

 

CMYK 0 / 40 / 100 / 29

HEX #B56C00

RGB 181 108 0

HSL 35.8, 1%, 0.35%

LAB 52.45, 22.8, 59.85

 

CMYK 0 / 45 / 100 / 36

HEX #A45A00

RGB 164 90 0

HSL 32.93, 1%, 0.32%

LAB 45.91, 25.31, 54.55

 

CMYK 0 / 51 / 100 / 42

HEX #934800

RGB 147 72 0

HSL 29.39, 1%, 0.29%

LAB 39.31, 27.85, 49.23

 

CMYK 0 / 33 / 94 / 16

HEX #D7900D

RGB 215 144 13

HSL 38.91, 0.89%, 0.45%

LAB 65.3, 18.15, 68.46

 

CMYK 0 / 59 / 94 / 16

HEX #D7590D

RGB 215 89 13

HSL 22.57, 0.89%, 0.45%

LAB 53.62, 46.54, 60.42

 

CMYK 0 / 84 / 94 / 16

HEX #D7230D

RGB 215 35 13

HSL 6.53, 0.89%, 0.45%

LAB 46.55, 65.82, 56.02

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 33 / 94 / 16

HEX #D7900D

RGB 215 144 13

HSL 38.91, 0.89%, 0.45%

LAB 65.3, 18.15, 68.46

 

CMYK 0 / 8 / 94 / 16

HEX #D7C60D

RGB 215 198 13

HSL 54.95, 0.89%, 0.45%

LAB 78.96, -10.35, 78.5

 

CMYK 17 / 0 / 94 / 16

HEX #B2D70D

RGB 178 215 13

HSL 70.99, 0.89%, 0.45%

LAB 80.79, -34.16, 78.67

 

CMYK 43 / 0 / 94 / 16

HEX #7BD70D

RGB 123 215 13

HSL 87.33, 0.89%, 0.45%

LAB 77.78, -54.44, 75.01

 

CMYK 68 / 0 / 94 / 16

HEX #45D70D

RGB 69 215 13

HSL 103.37, 0.89%, 0.45%

LAB 76, -68.59, 72.83

 

CMYK 0 / 33 / 94 / 16

HEX #D7900D

RGB 215 144 13

HSL 38.91, 0.89%, 0.45%

LAB 65.3, 18.15, 68.46

 

CMYK 0 / 33 / 94 / 16

HEX #D7900D

RGB 215 144 13

HSL 38.91, 0.89%, 0.45%

LAB 65.3, 18.15, 68.46

 

CMYK 0 / 30 / 84 / 23

HEX #C58A20

RGB 197 138 32

HSL 38.55, 0.72%, 0.45%

LAB 61.78, 13.91, 60.27

 

CMYK 0 / 25 / 72 / 30

HEX #B28532

RGB 178 133 50

HSL 38.91, 0.56%, 0.45%

LAB 58.48, 8.95, 49.51

 

CMYK 0 / 20 / 57 / 37

HEX #A08045

RGB 160 128 69

HSL 38.9, 0.4%, 0.45%

LAB 55.42, 5.03, 36.32

 

CMYK 0 / 13 / 38 / 45

HEX #8D7A58

RGB 141 122 88

HSL 38.49, 0.23%, 0.45%

LAB 52.16, 2.14, 21.34

 

CMYK 0 / 85 / 94 / 16

HEX #D7210D

RGB 215 33 13

HSL 5.94, 0.89%, 0.45%

LAB 46.4, 66.26, 55.93

 

CMYK 0 / 60 / 94 / 16

HEX #D7570D

RGB 215 87 13

HSL 21.98, 0.89%, 0.45%

LAB 53.27, 47.46, 60.18

 

CMYK 0 / 34 / 94 / 16

HEX #D78D0D

RGB 215 141 13

HSL 38.02, 0.89%, 0.45%

LAB 64.58, 19.77, 67.95

 

CMYK 0 / 9 / 94 / 16

HEX #D7C30D

RGB 215 195 13

HSL 54.06, 0.89%, 0.45%

LAB 78.17, -8.82, 77.91

 

CMYK 15 / 0 / 94 / 16

HEX #B6D70D

RGB 182 215 13

HSL 69.8, 0.89%, 0.45%

LAB 81.06, -32.55, 78.99

 

CMYK 0 / 33 / 94 / 46

HEX #8A5C08

RGB 138 92 8

HSL 38.77, 0.89%, 0.29%

LAB 42.88, 12.48, 48.77

 

CMYK 0 / 33 / 94 / 31

HEX #B0760B

RGB 176 118 11

HSL 38.91, 0.88%, 0.37%

LAB 54.25, 15.16, 58.67

 

CMYK 0 / 33 / 94 / 16

HEX #D7900D

RGB 215 144 13

HSL 38.91, 0.89%, 0.45%

LAB 65.3, 18.15, 68.46

 

CMYK 0 / 31 / 88 / 6

HEX #F0A61E

RGB 240 166 30

HSL 38.86, 0.88%, 0.53%

LAB 73.48, 17.44, 72.42

 

CMYK 0 / 26 / 72 / 5

HEX #F3B544

RGB 243 181 68

HSL 38.74, 0.88%, 0.61%

LAB 77.59, 12.06, 63.56

 

CMYK 0 / 33 / 93 / 16

HEX #D7900E

RGB 215 144 14

HSL 38.81, 0.88%, 0.45%

LAB 65.3, 18.16, 68.3

 

CMYK 78 / 0 / 94 / 16

HEX #2FD70D

RGB 47 215 13

HSL 109.9, 0.89%, 0.45%

LAB 75.6, -72.14, 72.32

 

CMYK 72 / 94 / 0 / 16

HEX #3C0DD7

RGB 60 13 215

HSL 253.96, 0.89%, 0.45%

LAB 29.8, 68.35, -89.2

 

CMYK 0 / 33 / 93 / 16

HEX #D7900E

RGB 215 144 14

HSL 38.81, 0.88%, 0.45%

LAB 65.3, 18.16, 68.3

 

CMYK 94 / 0 / 34 / 16

HEX #0DD78D

RGB 13 215 141

HSL 158.02, 0.89%, 0.45%

LAB 76.44, -60.79, 24.47

 

CMYK 34 / 94 / 0 / 16

HEX #8D0DD7

RGB 141 13 215

HSL 278.02, 0.89%, 0.45%

LAB 39.34, 74.82, -73.12

 

CMYK 0 / 33 / 93 / 16

HEX #D7900E

RGB 215 144 14

HSL 38.81, 0.88%, 0.45%

LAB 65.3, 18.16, 68.3

 

CMYK 78 / 0 / 94 / 16

HEX #2FD70D

RGB 47 215 13

HSL 109.9, 0.89%, 0.45%

LAB 75.6, -72.14, 72.32

 

CMYK 94 / 60 / 0 / 16

HEX #0D57D7

RGB 13 87 215

HSL 218.02, 0.89%, 0.45%

LAB 40.91, 29.85, -70.91

 

CMYK 15 / 94 / 0 / 16

HEX #B60DD7

RGB 182 13 215

HSL 290.2, 0.89%, 0.45%

LAB 45.82, 80.26, -62.27

 

CMYK 0 / 33 / 93 / 16

HEX #D7900E

RGB 215 144 14

HSL 38.81, 0.88%, 0.45%

LAB 65.3, 18.16, 68.3

 

CMYK 94 / 0 / 81 / 16

HEX #0DD728

RGB 13 215 40

HSL 128.02, 0.89%, 0.45%

LAB 75.35, -74.04, 66.89

 

CMYK 94 / 60 / 0 / 16

HEX #0D57D7

RGB 13 87 215

HSL 218.02, 0.89%, 0.45%

LAB 40.91, 29.85, -70.91

 

CMYK 0 / 94 / 13 / 16

HEX #D70DBC

RGB 215 13 188

HSL 308.02, 0.89%, 0.45%

LAB 49.94, 81.68, -39.75

 

Description

Color code: HEX #D7900E | qconv.com Color code: HEX #D7900E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 144 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 144 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 93% 16% C M Y K

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Provide designers and agencies with accurate color values.

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