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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7908D it is the complementary color #286F72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7908D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7908D shade: #DC9088, #EDA29B, #FEB4AE, #FFC6C1 and #FFD8D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7908D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7908D shade: #D7908D, #C67E7A, #B56C67, #A45A54 and #934841

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7908D shade: #D7908D and #D78D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7908D shade: #D7908D, #D7A48D, #D7B88D, #D7CC8D and #CED78D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7908D shade matches the following richer shades: #D7908D, #E38581, #EF7A75 and #FC6E68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7908D shade: #D7908D, #CA9C9A, #BEA7A6, #B2B2B2 and #A5BEBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7908D shade: #D78DB2, #D78D9E, #D7908D, #D7A38D and #D7B78D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7908D shade: #C15550, #CC736F, #D7908D, #E1AEAC and #ECCCCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7908D shade: #D7908D, #C6D78D and #8DA8D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7908D shade: #D7908D, #8DD790 and #908DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7908D shade: #D7908D, #C6D78D, #8DD4D7 and #9E8DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7908D shade: #D7908D, #B0D78D, #8DD4D7 and #B48DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

Complementary color

CMYK 65 / 3 / 0 / 55

HEX #286F72

RGB 40 111 114

HSL 182.43, 0.48%, 0.3%

LAB 42.82, -20.69, -8.22

 

CMYK 0 / 35 / 38 / 14

HEX #DC9088

RGB 220 144 136

HSL 5.71, 0.55%, 0.7%

LAB 67.23, 27.83, 16.16

 

CMYK 0 / 32 / 35 / 7

HEX #EDA29B

RGB 237 162 155

HSL 5.12, 0.69%, 0.77%

LAB 73.68, 26.94, 14.94

 

CMYK 0 / 29 / 31 / 0

HEX #FEB4AE

RGB 254 180 174

HSL 4.5, 0.98%, 0.84%

LAB 80.05, 26.13, 13.83

 

CMYK 0 / 22 / 24 / 0

HEX #FFC6C1

RGB 255 198 193

HSL 4.84, 1%, 0.88%

LAB 84.74, 19.58, 10.32

 

CMYK 0 / 15 / 17 / 0

HEX #FFD8D4

RGB 255 216 212

HSL 5.58, 1%, 0.92%

LAB 89.45, 12.94, 7.01

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 0 / 36 / 38 / 22

HEX #C67E7A

RGB 198 126 122

HSL 3.16, 0.4%, 0.63%

LAB 60.19, 27.45, 13.87

 

CMYK 0 / 40 / 43 / 29

HEX #B56C67

RGB 181 108 103

HSL 3.85, 0.35%, 0.56%

LAB 53.52, 28.48, 15.28

 

CMYK 0 / 45 / 49 / 36

HEX #A45A54

RGB 164 90 84

HSL 4.5, 0.32%, 0.49%

LAB 46.77, 29.61, 16.91

 

CMYK 0 / 51 / 56 / 42

HEX #934841

RGB 147 72 65

HSL 5.12, 0.39%, 0.42%

LAB 39.95, 30.86, 18.86

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 0 / 34 / 34 / 16

HEX #D78D8D

RGB 215 141 141

HSL 0, 0.48%, 0.7%

LAB 66.07, 28.15, 11.65

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 0 / 24 / 34 / 16

HEX #D7A48D

RGB 215 164 141

HSL 18.65, 0.48%, 0.7%

LAB 71.5, 15.71, 19.22

 

CMYK 0 / 14 / 34 / 16

HEX #D7B88D

RGB 215 184 141

HSL 34.86, 0.48%, 0.7%

LAB 76.47, 4.99, 25.98

 

CMYK 0 / 5 / 34 / 16

HEX #D7CC8D

RGB 215 204 141

HSL 51.08, 0.48%, 0.7%

LAB 81.6, -5.47, 32.81

 

CMYK 4 / 0 / 34 / 16

HEX #CED78D

RGB 206 215 141

HSL 67.3, 0.48%, 0.7%

LAB 83.78, -14.54, 35.55

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 0 / 41 / 43 / 11

HEX #E38581

RGB 227 133 129

HSL 2.45, 0.64%, 0.7%

LAB 65.51, 35.55, 17.83

 

CMYK 0 / 49 / 51 / 6

HEX #EF7A75

RGB 239 122 117

HSL 2.46, 0.79%, 0.7%

LAB 64.61, 44.46, 23.62

 

CMYK 0 / 56 / 59 / 1

HEX #FC6E68

RGB 252 110 104

HSL 2.43, 0.96%, 0.7%

LAB 64.04, 53.79, 30.52

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 0 / 23 / 24 / 21

HEX #CA9C9A

RGB 202 156 154

HSL 2.5, 0.31%, 0.7%

LAB 68.51, 16.81, 7.64

 

CMYK 0 / 12 / 13 / 25

HEX #BEA7A6

RGB 190 167 166

HSL 2.5, 0.16%, 0.7%

LAB 70.41, 8.18, 3.58

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 14 / 1 / 0 / 25

HEX #A5BEBF

RGB 165 190 191

HSL 182.31, 0.17%, 0.7%

LAB 75.19, -8.25, -3.38

 

CMYK 0 / 34 / 17 / 16

HEX #D78DB2

RGB 215 141 178

HSL 330, 0.48%, 0.7%

LAB 67.06, 33.36, -7.73

 

CMYK 0 / 34 / 27 / 16

HEX #D78D9E

RGB 215 141 158

HSL 346.22, 0.48%, 0.7%

LAB 66.49, 30.39, 2.68

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 0 / 24 / 34 / 16

HEX #D7A38D

RGB 215 163 141

HSL 17.84, 0.48%, 0.7%

LAB 71.26, 16.25, 18.88

 

CMYK 0 / 15 / 34 / 16

HEX #D7B78D

RGB 215 183 141

HSL 34.05, 0.48%, 0.7%

LAB 76.21, 5.52, 25.64

 

CMYK 0 / 56 / 59 / 24

HEX #C15550

RGB 193 85 80

HSL 2.65, 0.48%, 0.54%

LAB 49.99, 42.96, 24.35

 

CMYK 0 / 44 / 46 / 20

HEX #CC736F

RGB 204 115 111

HSL 2.58, 0.48%, 0.62%

LAB 58.27, 34.46, 17.64

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 0 / 23 / 24 / 12

HEX #E1AEAC

RGB 225 174 172

HSL 2.26, 0.47%, 0.78%

LAB 75.61, 18.3, 8.2

 

CMYK 0 / 14 / 14 / 7

HEX #ECCCCA

RGB 236 204 202

HSL 3.53, 0.47%, 0.86%

LAB 84.63, 10.9, 5.14

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 8 / 0 / 34 / 16

HEX #C6D78D

RGB 198 215 141

HSL 73.78, 0.48%, 0.7%

LAB 83.19, -17.59, 34.67

 

CMYK 34 / 22 / 0 / 16

HEX #8DA8D7

RGB 141 168 215

HSL 218.11, 0.48%, 0.7%

LAB 68.44, 1.94, -26.84

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 34 / 0 / 33 / 16

HEX #8DD790

RGB 141 215 144

HSL 122.43, 0.48%, 0.7%

LAB 79.77, -37.12, 27.96

 

CMYK 33 / 34 / 0 / 16

HEX #908DD7

RGB 144 141 215

HSL 242.43, 0.48%, 0.7%

LAB 61.56, 18.17, -37.49

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 8 / 0 / 34 / 16

HEX #C6D78D

RGB 198 215 141

HSL 73.78, 0.48%, 0.7%

LAB 83.19, -17.59, 34.67

 

CMYK 34 / 1 / 0 / 16

HEX #8DD4D7

RGB 141 212 215

HSL 182.43, 0.48%, 0.7%

LAB 80.55, -21.34, -8.55

 

CMYK 27 / 34 / 0 / 16

HEX #9E8DD7

RGB 158 141 215

HSL 253.78, 0.48%, 0.7%

LAB 62.7, 22.19, -35.62

 

CMYK 0 / 33 / 34 / 16

HEX #D7908D

RGB 215 144 141

HSL 2.43, 0.48%, 0.7%

LAB 66.76, 26.53, 12.62

 

CMYK 18 / 0 / 34 / 16

HEX #B0D78D

RGB 176 215 141

HSL 91.62, 0.48%, 0.7%

LAB 81.7, -25.72, 32.43

 

CMYK 34 / 1 / 0 / 16

HEX #8DD4D7

RGB 141 212 215

HSL 182.43, 0.48%, 0.7%

LAB 80.55, -21.34, -8.55

 

CMYK 16 / 34 / 0 / 16

HEX #B48DD7

RGB 180 141 215

HSL 271.62, 0.48%, 0.7%

LAB 64.69, 28.79, -32.37

 

Description

Color code: HEX #D7908D | qconv.com Color code: HEX #D7908D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 144 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 144 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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