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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D79CBC it is the complementary color #286343. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D79CBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D79CBC shade: #DC9CB7, #EDAECA, #FEC0DD, #FFD2F0 and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D79CBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D79CBC shade: #D79CBC, #C68AA9, #B57896, #A46683 and #935470

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D79CBC shade: #D79DBC, #D79DAD, #D79D9D and #D79D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D79CBC shade: #D79DBC, #D79DCC, #D29DD7, #C29DD7 and #B39DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D79CBC shade matches the following richer shades: #D79DBC, #E292BD, #ED86BE and #F87BBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D79CBC shade: #D79DBC, #CBA8BB, #C0B3BA, #B5BEB9 and #AAC9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D79CBC shade: #D29DD7, #D79DCC, #D79DBD, #D79DAD and #D79D9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D79CBC shade: #BF6294, #CB7FA8, #D79DBC, #E3BAD0 and #EED7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D79CBC shade: #D79CBC, #D7C29D and #9DD4D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D79CBC shade: #D79CBC, #BDD79D and #9DBDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D79CBC shade: #D79CBC, #D7C29D, #9DD7B7 and #9DB1D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D79CBC shade: #D79CBC, #D7D49D, #9DD7B7 and #9DA0D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 13 / 16

HEX #D79CBC

RGB 215 156 188

HSL 327.46, 0.42%, 0.73%

LAB 70.77, 26.88, -7.79

 

Complementary color

CMYK 60 / 0 / 32 / 61

HEX #286343

RGB 40 99 67

HSL 147.46, 0.42%, 0.27%

LAB 37.44, -27.48, 12.55

 

CMYK 0 / 29 / 17 / 14

HEX #DC9CB7

RGB 220 156 183

HSL 334.69, 0.48%, 0.74%

LAB 71.15, 27.83, -4.4

 

CMYK 0 / 27 / 15 / 7

HEX #EDAECA

RGB 237 174 202

HSL 333.33, 0.64%, 0.81%

LAB 77.6, 27.17, -5.11

 

CMYK 0 / 24 / 13 / 0

HEX #FEC0DD

RGB 254 192 221

HSL 331.94, 0.97%, 0.87%

LAB 83.96, 26.55, -5.78

 

CMYK 0 / 18 / 6 / 0

HEX #FFD2F0

RGB 255 210 240

HSL 320, 1%, 0.91%

LAB 88.75, 20.59, -8.76

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 27 / 13 / 16

HEX #D79CBC

RGB 215 156 188

HSL 327.46, 0.42%, 0.73%

LAB 70.77, 26.88, -7.79

 

CMYK 0 / 30 / 15 / 22

HEX #C68AA9

RGB 198 138 169

HSL 329, 0.34%, 0.66%

LAB 64.2, 27.56, -7.12

 

CMYK 0 / 34 / 17 / 29

HEX #B57896

RGB 181 120 150

HSL 330.49, 0.29%, 0.59%

LAB 57.52, 28.3, -6.38

 

CMYK 0 / 38 / 20 / 36

HEX #A46683

RGB 164 102 131

HSL 331.94, 0.25%, 0.52%

LAB 50.73, 29.11, -5.55

 

CMYK 0 / 43 / 24 / 42

HEX #935470

RGB 147 84 112

HSL 333.33, 0.27%, 0.45%

LAB 43.82, 29.97, -4.6

 

CMYK 0 / 27 / 13 / 16

HEX #D79DBC

RGB 215 157 188

HSL 327.93, 0.42%, 0.73%

LAB 71, 26.34, -7.45

 

CMYK 0 / 27 / 20 / 16

HEX #D79DAD

RGB 215 157 173

HSL 343.45, 0.42%, 0.73%

LAB 70.58, 23.94, 0.24

 

CMYK 0 / 27 / 27 / 16

HEX #D79D9D

RGB 215 157 157

HSL 0, 0.42%, 0.73%

LAB 70.17, 21.6, 8.53

 

CMYK 0 / 27 / 27 / 16

HEX #D79D9D

RGB 215 157 157

HSL 0, 0.42%, 0.73%

LAB 70.17, 21.6, 8.53

 

CMYK 0 / 27 / 13 / 16

HEX #D79DBC

RGB 215 157 188

HSL 327.93, 0.42%, 0.73%

LAB 71, 26.34, -7.45

 

CMYK 0 / 27 / 5 / 16

HEX #D79DCC

RGB 215 157 204

HSL 311.38, 0.42%, 0.73%

LAB 71.5, 29.09, -15.55

 

CMYK 2 / 27 / 0 / 16

HEX #D29DD7

RGB 210 157 215

HSL 294.83, 0.42%, 0.73%

LAB 71.37, 29.46, -21.86

 

CMYK 10 / 27 / 0 / 16

HEX #C29DD7

RGB 194 157 215

HSL 278.28, 0.42%, 0.73%

LAB 69.82, 24.28, -24.37

 

CMYK 17 / 27 / 0 / 16

HEX #B39DD7

RGB 179 157 215

HSL 262.76, 0.42%, 0.73%

LAB 68.46, 19.51, -26.56

 

CMYK 0 / 27 / 13 / 16

HEX #D79DBC

RGB 215 157 188

HSL 327.93, 0.42%, 0.73%

LAB 71, 26.34, -7.45

 

CMYK 0 / 35 / 16 / 11

HEX #E292BD

RGB 226 146 189

HSL 327.75, 0.58%, 0.73%

LAB 69.75, 36.21, -9.73

 

CMYK 0 / 43 / 20 / 7

HEX #ED86BE

RGB 237 134 190

HSL 327.38, 0.74%, 0.73%

LAB 68.59, 46.29, -11.9

 

CMYK 0 / 50 / 23 / 3

HEX #F87BBF

RGB 248 123 191

HSL 327.36, 0.9%, 0.73%

LAB 67.94, 55.37, -13.29

 

CMYK 0 / 27 / 13 / 16

HEX #D79DBC

RGB 215 157 188

HSL 327.93, 0.42%, 0.73%

LAB 71, 26.34, -7.45

 

CMYK 0 / 17 / 8 / 20

HEX #CBA8BB

RGB 203 168 187

HSL 327.43, 0.25%, 0.73%

LAB 72.42, 15.94, -4.93

 

CMYK 0 / 7 / 3 / 25

HEX #C0B3BA

RGB 192 179 186

HSL 327.69, 0.09%, 0.73%

LAB 74.18, 5.88, -1.9

 

CMYK 5 / 0 / 3 / 25

HEX #B5BEB9

RGB 181 190 185

HSL 146.67, 0.06%, 0.73%

LAB 76.16, -4.05, 1.43

 

CMYK 15 / 0 / 8 / 21

HEX #AAC9B8

RGB 170 201 184

HSL 147.1, 0.22%, 0.73%

LAB 78.33, -13.72, 5.02

 

CMYK 2 / 27 / 0 / 16

HEX #D29DD7

RGB 210 157 215

HSL 294.83, 0.42%, 0.73%

LAB 71.37, 29.46, -21.86

 

CMYK 0 / 27 / 5 / 16

HEX #D79DCC

RGB 215 157 204

HSL 311.38, 0.42%, 0.73%

LAB 71.5, 29.09, -15.55

 

CMYK 0 / 27 / 12 / 16

HEX #D79DBD

RGB 215 157 189

HSL 326.9, 0.42%, 0.73%

LAB 71.03, 26.5, -7.96

 

CMYK 0 / 27 / 20 / 16

HEX #D79DAD

RGB 215 157 173

HSL 343.45, 0.42%, 0.73%

LAB 70.58, 23.94, 0.24

 

CMYK 0 / 27 / 27 / 16

HEX #D79D9E

RGB 215 157 158

HSL 358.97, 0.42%, 0.73%

LAB 70.2, 21.74, 8.01

 

CMYK 0 / 49 / 23 / 25

HEX #BF6294

RGB 191 98 148

HSL 327.74, 0.42%, 0.57%

LAB 53.97, 43.3, -10.37

 

CMYK 0 / 37 / 17 / 20

HEX #CB7FA8

RGB 203 127 168

HSL 327.63, 0.42%, 0.65%

LAB 62.26, 35.14, -9.38

 

CMYK 0 / 27 / 13 / 16

HEX #D79DBC

RGB 215 157 188

HSL 327.93, 0.42%, 0.73%

LAB 71, 26.34, -7.45

 

CMYK 0 / 18 / 8 / 11

HEX #E3BAD0

RGB 227 186 208

HSL 327.8, 0.42%, 0.81%

LAB 79.62, 18.26, -5.5

 

CMYK 0 / 10 / 4 / 7

HEX #EED7E4

RGB 238 215 228

HSL 326.09, 0.4%, 0.89%

LAB 88.15, 10.14, -3.49

 

CMYK 0 / 27 / 13 / 16

HEX #D79CBC

RGB 215 156 188

HSL 327.46, 0.42%, 0.73%

LAB 70.77, 26.88, -7.79

 

CMYK 0 / 10 / 27 / 16

HEX #D7C29D

RGB 215 194 157

HSL 38.28, 0.42%, 0.73%

LAB 79.31, 1.77, 21.34

 

CMYK 27 / 1 / 0 / 16

HEX #9DD4D7

RGB 157 212 215

HSL 183.1, 0.42%, 0.73%

LAB 81.38, -16.89, -7.22

 

CMYK 0 / 27 / 13 / 16

HEX #D79CBC

RGB 215 156 188

HSL 327.46, 0.42%, 0.73%

LAB 70.77, 26.88, -7.79

 

CMYK 12 / 0 / 27 / 16

HEX #BDD79D

RGB 189 215 157

HSL 86.9, 0.42%, 0.73%

LAB 82.84, -18.73, 25.83

 

CMYK 27 / 12 / 0 / 16

HEX #9DBDD7

RGB 157 189 215

HSL 206.9, 0.42%, 0.73%

LAB 75.12, -4.89, -16.58

 

CMYK 0 / 27 / 13 / 16

HEX #D79CBC

RGB 215 156 188

HSL 327.46, 0.42%, 0.73%

LAB 70.77, 26.88, -7.79

 

CMYK 0 / 10 / 27 / 16

HEX #D7C29D

RGB 215 194 157

HSL 38.28, 0.42%, 0.73%

LAB 79.31, 1.77, 21.34

 

CMYK 27 / 0 / 15 / 16

HEX #9DD7B7

RGB 157 215 183

HSL 146.9, 0.42%, 0.73%

LAB 81.39, -25.11, 9.85

 

CMYK 27 / 18 / 0 / 16

HEX #9DB1D7

RGB 157 177 215

HSL 219.31, 0.42%, 0.73%

LAB 71.91, 1.61, -21.45

 

CMYK 0 / 27 / 13 / 16

HEX #D79CBC

RGB 215 156 188

HSL 327.46, 0.42%, 0.73%

LAB 70.77, 26.88, -7.79

 

CMYK 0 / 1 / 27 / 16

HEX #D7D49D

RGB 215 212 157

HSL 56.9, 0.42%, 0.73%

LAB 83.95, -7.56, 27.66

 

CMYK 27 / 0 / 15 / 16

HEX #9DD7B7

RGB 157 215 183

HSL 146.9, 0.42%, 0.73%

LAB 81.39, -25.11, 9.85

 

CMYK 27 / 26 / 0 / 16

HEX #9DA0D7

RGB 157 160 215

HSL 236.9, 0.42%, 0.73%

LAB 67.44, 11.07, -28.29

 

Description

Color code: HEX #D79CBC | qconv.com Color code: HEX #D79CBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 156 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 156 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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