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Color name
HEX #D80C65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D80C65 it is the complementary color #27F39A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D80C65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D80C65 shade: #DD0C60, #EE1E73, #FF3086, #FF4299 and #FF54AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D80C65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D80C65 shade: #D80C65, #C70052, #B6003F, #A5002C and #940019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D80C65 shade: #D80C65, #D80C2E and #D80C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D80C65 shade: #D80C65, #D80C9C, #D80CD3, #A60CD8 and #6F0CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D80C65 shade matches the following richer shades: #D80C65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D80C65 shade: #D80C65, #C61F68, #B3316A, #A1446C and #8E566F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D80C65 shade: #D80CD5, #D80C9F, #D80C68, #D80C32 and #D81D0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D80C65 shade: #8A0841, #B10A53, #D80C65, #F11C79 and #F44390

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D80C65 shade: #D80C65, #D8A50C and #0CBAD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D80C65 shade: #D80C65, #68D80C and #0C68D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D80C65 shade: #D80C65, #D8A50C, #0CD87C and #0C3FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D80C65 shade: #D80C65, #CED80C, #0CD87C and #160CD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

Complementary color

CMYK 84 / 0 / 37 / 5

HEX #27F39A

RGB 39 243 154

HSL 153.82, 0.89%, 0.55%

LAB 85.44, -66.57, 29.95

 

CMYK 0 / 95 / 57 / 13

HEX #DD0C60

RGB 221 12 96

HSL 335.89, 0.9%, 0.46%

LAB 47.6, 73.93, 12.3

 

CMYK 0 / 87 / 52 / 7

HEX #EE1E73

RGB 238 30 115

HSL 335.48, 0.86%, 0.53%

LAB 52.22, 76.9, 7.66

 

CMYK 0 / 81 / 47 / 0

HEX #FF3086

RGB 255 48 134

HSL 335.07, 1%, 0.59%

LAB 57.17, 78.88, 3.78

 

CMYK 0 / 74 / 40 / 0

HEX #FF4299

RGB 255 66 153

HSL 332.38, 1%, 0.63%

LAB 59.39, 75.77, -4.16

 

CMYK 0 / 67 / 33 / 0

HEX #FF54AC

RGB 255 84 172

HSL 329.12, 1%, 0.66%

LAB 62.15, 71.71, -11.08

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 100 / 59 / 22

HEX #C70052

RGB 199 0 82

HSL 335.28, 1%, 0.39%

LAB 42.39, 69.02, 13.15

 

CMYK 0 / 100 / 65 / 29

HEX #B6003F

RGB 182 0 63

HSL 339.23, 1%, 0.36%

LAB 38.38, 63.92, 19.26

 

CMYK 0 / 100 / 73 / 35

HEX #A5002C

RGB 165 0 44

HSL 344, 1%, 0.32%

LAB 34.36, 58.86, 25.62

 

CMYK 0 / 100 / 83 / 42

HEX #940019

RGB 148 0 25

HSL 349.86, 1%, 0.29%

LAB 30.32, 53.86, 31.96

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 94 / 79 / 15

HEX #D80C2E

RGB 216 12 46

HSL 350, 0.89%, 0.45%

LAB 45.72, 70.38, 40.11

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 94 / 28 / 15

HEX #D80C9C

RGB 216 12 156

HSL 317.65, 0.89%, 0.45%

LAB 48.59, 78.1, -22.94

 

CMYK 0 / 94 / 2 / 15

HEX #D80CD3

RGB 216 12 211

HSL 301.47, 0.89%, 0.45%

LAB 51.34, 85.08, -50.8

 

CMYK 23 / 94 / 0 / 15

HEX #A60CD8

RGB 166 12 216

HSL 285.29, 0.89%, 0.45%

LAB 43.25, 78.29, -67.14

 

CMYK 49 / 94 / 0 / 15

HEX #6F0CD8

RGB 111 12 216

HSL 269.12, 0.89%, 0.45%

LAB 35.2, 72.07, -80.65

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 84 / 47 / 22

HEX #C61F68

RGB 198 31 104

HSL 333.77, 0.73%, 0.45%

LAB 44.21, 66.19, 1.89

 

CMYK 0 / 73 / 41 / 30

HEX #B3316A

RGB 179 49 106

HSL 333.69, 0.57%, 0.45%

LAB 42.49, 56.22, -2.3

 

CMYK 0 / 58 / 33 / 37

HEX #A1446C

RGB 161 68 108

HSL 334.19, 0.41%, 0.45%

LAB 42.45, 42.81, -3.94

 

CMYK 0 / 39 / 22 / 44

HEX #8E566F

RGB 142 86 111

HSL 333.21, 0.25%, 0.45%

LAB 43.59, 26.81, -4.41

 

CMYK 0 / 94 / 1 / 15

HEX #D80CD5

RGB 216 12 213

HSL 300.88, 0.89%, 0.45%

LAB 51.46, 85.36, -51.76

 

CMYK 0 / 94 / 26 / 15

HEX #D80C9F

RGB 216 12 159

HSL 316.76, 0.89%, 0.45%

LAB 48.72, 78.43, -24.53

 

CMYK 0 / 94 / 52 / 15

HEX #D80C68

RGB 216 12 104

HSL 332.94, 0.89%, 0.45%

LAB 46.79, 73.33, 6.07

 

CMYK 0 / 94 / 77 / 15

HEX #D80C32

RGB 216 12 50

HSL 348.82, 0.89%, 0.45%

LAB 45.76, 70.5, 37.85

 

CMYK 0 / 87 / 94 / 15

HEX #D81D0C

RGB 216 29 12

HSL 5, 0.89%, 0.45%

LAB 46.32, 67.32, 56.3

 

CMYK 0 / 94 / 53 / 46

HEX #8A0841

RGB 138 8 65

HSL 333.69, 0.89%, 0.29%

LAB 29.31, 52.17, 3.99

 

CMYK 0 / 94 / 53 / 31

HEX #B10A53

RGB 177 10 83

HSL 333.77, 0.89%, 0.37%

LAB 38.18, 62.88, 5.95

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 88 / 50 / 5

HEX #F11C79

RGB 241 28 121

HSL 333.8, 0.88%, 0.53%

LAB 52.85, 78.36, 5

 

CMYK 0 / 73 / 41 / 4

HEX #F44390

RGB 244 67 144

HSL 333.9, 0.89%, 0.61%

LAB 57.33, 71.74, -2.14

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 24 / 94 / 15

HEX #D8A50C

RGB 216 165 12

HSL 45, 0.89%, 0.45%

LAB 70.55, 7.3, 72.45

 

CMYK 94 / 14 / 0 / 15

HEX #0CBAD8

RGB 12 186 216

HSL 188.82, 0.89%, 0.45%

LAB 69.58, -28.04, -25.99

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 52 / 0 / 94 / 15

HEX #68D80C

RGB 104 216 12

HSL 92.94, 0.89%, 0.45%

LAB 77.33, -60.6, 74.44

 

CMYK 94 / 52 / 0 / 15

HEX #0C68D8

RGB 12 104 216

HSL 212.94, 0.89%, 0.45%

LAB 45.55, 19.14, -63.93

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 0 / 24 / 94 / 15

HEX #D8A50C

RGB 216 165 12

HSL 45, 0.89%, 0.45%

LAB 70.55, 7.3, 72.45

 

CMYK 94 / 0 / 43 / 15

HEX #0CD87C

RGB 12 216 124

HSL 152.94, 0.89%, 0.45%

LAB 76.46, -64.49, 33.23

 

CMYK 94 / 71 / 0 / 15

HEX #0C3FD8

RGB 12 63 216

HSL 225, 0.89%, 0.45%

LAB 35.18, 45.45, -80.9

 

CMYK 0 / 94 / 53 / 15

HEX #D80C65

RGB 216 12 101

HSL 333.82, 0.89%, 0.45%

LAB 46.71, 73.12, 7.81

 

CMYK 5 / 0 / 94 / 15

HEX #CED80C

RGB 206 216 12

HSL 62.94, 0.89%, 0.45%

LAB 83.05, -23.12, 81.38

 

CMYK 94 / 0 / 43 / 15

HEX #0CD87C

RGB 12 216 124

HSL 152.94, 0.89%, 0.45%

LAB 76.46, -64.49, 33.23

 

CMYK 90 / 94 / 0 / 15

HEX #160CD8

RGB 22 12 216

HSL 242.94, 0.89%, 0.45%

LAB 27.82, 67.78, -93.13

 

Description

Color code: HEX #D80C65 | qconv.com Color code: HEX #D80C65 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 12 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 12 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 53 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 53% 15% C M Y K

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