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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D817E2 it is the complementary color #27E81D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D817E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D817E2 shade: #DD17DD, #EE29F0, #FF3BFF, #FF4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D817E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D817E2 shade: #D817E2, #C705CF, #B600BC, #A500A9 and #940096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D817E2 shade: #D916E3, #E316B6, #E3167E, #E31647 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D817E2 shade: #D916E3, #A216E3, #6A16E3, #3316E3 and #1616E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D817E2 shade matches the following richer shades: #D916E3 and #EB02F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D817E2 shade: #D916E3, #C72ACF, #B43EBA, #A253A6 and #906792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D817E2 shade: #6B16E3, #A216E3, #D916E3, #E316B7 and #E31680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D817E2 shade: #910F98, #B512BD, #D916E3, #E237EB and #E75DEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D817E2 shade: #D817E2, #E33516 and #16E387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D817E2 shade: #D817E2, #E3D916 and #16E3D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D817E2 shade: #D817E2, #E33516, #20E316 and #16C4E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D817E2 shade: #D817E2, #E37216, #20E316 and #1687E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 90 / 0 / 11

HEX #D817E2

RGB 216 23 226

HSL 297.04, 0.82%, 0.49%

LAB 52.62, 86.11, -57.3

 

Complementary color

CMYK 83 / 0 / 88 / 9

HEX #27E81D

RGB 39 232 29

HSL 117.04, 0.82%, 0.51%

LAB 80.87, -77.42, 74.36

 

CMYK 0 / 90 / 0 / 13

HEX #DD17DD

RGB 221 23 221

HSL 300, 0.81%, 0.48%

LAB 53.17, 86.2, -53.53

 

CMYK 1 / 83 / 0 / 6

HEX #EE29F0

RGB 238 41 240

HSL 299.4, 0.87%, 0.55%

LAB 58.09, 89.02, -56.23

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 4 / 90 / 0 / 11

HEX #D817E2

RGB 216 23 226

HSL 297.04, 0.82%, 0.49%

LAB 52.62, 86.11, -57.3

 

CMYK 4 / 98 / 0 / 19

HEX #C705CF

RGB 199 5 207

HSL 297.62, 0.95%, 0.42%

LAB 47.95, 82.29, -54.1

 

CMYK 3 / 100 / 0 / 26

HEX #B600BC

RGB 182 0 188

HSL 298.09, 1%, 0.37%

LAB 43.62, 77.17, -50.16

 

CMYK 2 / 100 / 0 / 34

HEX #A500A9

RGB 165 0 169

HSL 298.58, 1%, 0.33%

LAB 39.35, 71.54, -45.92

 

CMYK 1 / 100 / 0 / 41

HEX #940096

RGB 148 0 150

HSL 299.2, 1%, 0.29%

LAB 35, 65.8, -41.57

 

CMYK 4 / 90 / 0 / 11

HEX #D916E3

RGB 217 22 227

HSL 297.07, 0.82%, 0.49%

LAB 52.81, 86.55, -57.56

 

CMYK 0 / 90 / 20 / 11

HEX #E316B6

RGB 227 22 182

HSL 313.17, 0.82%, 0.49%

LAB 52.15, 82.2, -32.61

 

CMYK 0 / 90 / 44 / 11

HEX #E3167E

RGB 227 22 126

HSL 329.56, 0.82%, 0.49%

LAB 49.99, 76.42, -2.52

 

CMYK 0 / 90 / 69 / 11

HEX #E31647

RGB 227 22 71

HSL 345.66, 0.82%, 0.49%

LAB 48.71, 72.86, 29.34

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 4 / 90 / 0 / 11

HEX #D916E3

RGB 217 22 227

HSL 297.07, 0.82%, 0.49%

LAB 52.81, 86.55, -57.56

 

CMYK 29 / 90 / 0 / 11

HEX #A216E3

RGB 162 22 227

HSL 280.98, 0.82%, 0.49%

LAB 43.95, 78.42, -72.33

 

CMYK 53 / 90 / 0 / 11

HEX #6A16E3

RGB 106 22 227

HSL 264.59, 0.82%, 0.49%

LAB 36.34, 72.28, -85.12

 

CMYK 78 / 90 / 0 / 11

HEX #3316E3

RGB 51 22 227

HSL 248.49, 0.82%, 0.49%

LAB 31.4, 68.95, -93.46

 

CMYK 90 / 90 / 0 / 11

HEX #1616E3

RGB 22 22 227

HSL 240, 0.82%, 0.49%

LAB 30.13, 68.21, -95.6

 

CMYK 4 / 90 / 0 / 11

HEX #D916E3

RGB 217 22 227

HSL 297.07, 0.82%, 0.49%

LAB 52.81, 86.55, -57.56

 

CMYK 5 / 99 / 0 / 3

HEX #EB02F7

RGB 235 2 247

HSL 297.06, 0.98%, 0.49%

LAB 56.51, 93.96, -62.7

 

CMYK 4 / 90 / 0 / 11

HEX #D916E3

RGB 217 22 227

HSL 297.07, 0.82%, 0.49%

LAB 52.81, 86.55, -57.56

 

CMYK 4 / 80 / 0 / 19

HEX #C72ACF

RGB 199 42 207

HSL 297.09, 0.66%, 0.49%

LAB 49.86, 76.68, -51.04

 

CMYK 3 / 67 / 0 / 27

HEX #B43EBA

RGB 180 62 186

HSL 297.1, 0.5%, 0.49%

LAB 47.87, 62.87, -42.22

 

CMYK 2 / 50 / 0 / 35

HEX #A253A6

RGB 162 83 166

HSL 297.11, 0.33%, 0.49%

LAB 47.78, 44.92, -30.81

 

CMYK 1 / 29 / 0 / 43

HEX #906792

RGB 144 103 146

HSL 297.21, 0.17%, 0.49%

LAB 49.14, 24.08, -17.08

 

CMYK 53 / 90 / 0 / 11

HEX #6B16E3

RGB 107 22 227

HSL 264.88, 0.82%, 0.49%

LAB 36.45, 72.37, -84.92

 

CMYK 29 / 90 / 0 / 11

HEX #A216E3

RGB 162 22 227

HSL 280.98, 0.82%, 0.49%

LAB 43.95, 78.42, -72.33

 

CMYK 4 / 90 / 0 / 11

HEX #D916E3

RGB 217 22 227

HSL 297.07, 0.82%, 0.49%

LAB 52.81, 86.55, -57.56

 

CMYK 0 / 90 / 19 / 11

HEX #E316B7

RGB 227 22 183

HSL 312.88, 0.82%, 0.49%

LAB 52.2, 82.32, -33.12

 

CMYK 0 / 90 / 44 / 11

HEX #E31680

RGB 227 22 128

HSL 328.98, 0.82%, 0.49%

LAB 50.05, 76.59, -3.64

 

CMYK 5 / 90 / 0 / 40

HEX #910F98

RGB 145 15 152

HSL 296.93, 0.82%, 0.33%

LAB 35.26, 63.59, -42.41

 

CMYK 4 / 90 / 0 / 26

HEX #B512BD

RGB 181 18 189

HSL 297.19, 0.83%, 0.41%

LAB 44.13, 75.3, -49.93

 

CMYK 4 / 90 / 0 / 11

HEX #D916E3

RGB 217 22 227

HSL 297.07, 0.82%, 0.49%

LAB 52.81, 86.55, -57.56

 

CMYK 4 / 77 / 0 / 8

HEX #E237EB

RGB 226 55 235

HSL 297, 0.82%, 0.57%

LAB 56.98, 82.86, -55.31

 

CMYK 3 / 61 / 0 / 6

HEX #E75DEF

RGB 231 93 239

HSL 296.71, 0.82%, 0.65%

LAB 62.55, 71.54, -48.65

 

CMYK 4 / 90 / 0 / 11

HEX #D817E2

RGB 216 23 226

HSL 297.04, 0.82%, 0.49%

LAB 52.62, 86.11, -57.3

 

CMYK 0 / 77 / 90 / 11

HEX #E33516

RGB 227 53 22

HSL 9.07, 0.82%, 0.49%

LAB 50.61, 64.65, 56.75

 

CMYK 90 / 0 / 41 / 11

HEX #16E387

RGB 22 227 135

HSL 153.07, 0.82%, 0.49%

LAB 80.1, -65.76, 32.44

 

CMYK 4 / 90 / 0 / 11

HEX #D817E2

RGB 216 23 226

HSL 297.04, 0.82%, 0.49%

LAB 52.62, 86.11, -57.3

 

CMYK 0 / 4 / 90 / 11

HEX #E3D916

RGB 227 217 22

HSL 57.07, 0.82%, 0.49%

LAB 85, -14.61, 82.38

 

CMYK 90 / 0 / 4 / 11

HEX #16E3D9

RGB 22 227 217

HSL 177.07, 0.82%, 0.49%

LAB 81.9, -46.29, -7.93

 

CMYK 4 / 90 / 0 / 11

HEX #D817E2

RGB 216 23 226

HSL 297.04, 0.82%, 0.49%

LAB 52.62, 86.11, -57.3

 

CMYK 0 / 77 / 90 / 11

HEX #E33516

RGB 227 53 22

HSL 9.07, 0.82%, 0.49%

LAB 50.61, 64.65, 56.75

 

CMYK 86 / 0 / 90 / 11

HEX #20E316

RGB 32 227 22

HSL 117.07, 0.82%, 0.49%

LAB 79.22, -76.89, 74.09

 

CMYK 90 / 14 / 0 / 11

HEX #16C4E3

RGB 22 196 227

HSL 189.07, 0.82%, 0.49%

LAB 73.02, -29, -26.69

 

CMYK 4 / 90 / 0 / 11

HEX #D817E2

RGB 216 23 226

HSL 297.04, 0.82%, 0.49%

LAB 52.62, 86.11, -57.3

 

CMYK 0 / 50 / 90 / 11

HEX #E37216

RGB 227 114 22

HSL 26.93, 0.82%, 0.49%

LAB 60.27, 39.08, 63.65

 

CMYK 86 / 0 / 90 / 11

HEX #20E316

RGB 32 227 22

HSL 117.07, 0.82%, 0.49%

LAB 79.22, -76.89, 74.09

 

CMYK 90 / 41 / 0 / 11

HEX #1687E3

RGB 22 135 227

HSL 206.93, 0.82%, 0.49%

LAB 55.12, 4.4, -54.73

 

Description

Color code: HEX #D817E2 | qconv.com Color code: HEX #D817E2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 23 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 23 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 90 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 90% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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