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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D81ACC it is the complementary color #27E533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D81ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D81ACC shade: #DD1AC7, #EE2CDA, #FF3EED, #FF50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D81ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D81ACC shade: #D81ACC, #C708B9, #B600A6, #A50093 and #940080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D81ACC shade: #D619CA, #D61997, #D61964, #D61931 and #D61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D81ACC shade: #D619CA, #AF19D6, #7C19D6, #4919D6 and #1919D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D81ACC shade matches the following richer shades: #D619CA and #E905DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D81ACC shade: #D619CA, #C32CB9, #AF3FA8, #9C5397 and #886686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D81ACC shade: #7B19D6, #AD19D6, #D619CD, #D6199A and #D61968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D81ACC shade: #8C1084, #B114A7, #D619CA, #E632DB and #EB56E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D81ACC shade: #D81ACC, #D64819 and #19D694

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D81ACC shade: #D81ACC, #CDD619 and #19CDD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D81ACC shade: #D81ACC, #D64819, #19D622 and #19A7D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D81ACC shade: #D81ACC, #D68119, #19D622 and #196ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 6 / 15

HEX #D81ACC

RGB 216 26 204

HSL 303.79, 0.79%, 0.47%

LAB 51.49, 82.48, -46.54

 

Complementary color

CMYK 83 / 0 / 78 / 10

HEX #27E533

RGB 39 229 51

HSL 123.79, 0.79%, 0.53%

LAB 80.02, -75.51, 68.27

 

CMYK 0 / 88 / 10 / 13

HEX #DD1AC7

RGB 221 26 199

HSL 306.77, 0.79%, 0.48%

LAB 52.1, 82.7, -42.64

 

CMYK 0 / 82 / 8 / 7

HEX #EE2CDA

RGB 238 44 218

HSL 306.19, 0.85%, 0.55%

LAB 57.11, 85.26, -45.39

 

CMYK 0 / 76 / 7 / 0

HEX #FF3EED

RGB 255 62 237

HSL 305.6, 1%, 0.62%

LAB 62.36, 86.97, -47.6

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 88 / 6 / 15

HEX #D81ACC

RGB 216 26 204

HSL 303.79, 0.79%, 0.47%

LAB 51.49, 82.48, -46.54

 

CMYK 0 / 96 / 7 / 22

HEX #C708B9

RGB 199 8 185

HSL 304.4, 0.92%, 0.41%

LAB 46.74, 78.86, -43.25

 

CMYK 0 / 100 / 9 / 29

HEX #B600A6

RGB 182 0 166

HSL 305.27, 1%, 0.36%

LAB 42.31, 73.98, -39.22

 

CMYK 0 / 100 / 11 / 35

HEX #A50093

RGB 165 0 147

HSL 306.55, 1%, 0.32%

LAB 38.03, 68.33, -34.72

 

CMYK 0 / 100 / 14 / 42

HEX #940080

RGB 148 0 128

HSL 308.11, 1%, 0.29%

LAB 33.68, 62.57, -30.07

 

CMYK 0 / 88 / 6 / 16

HEX #D619CA

RGB 214 25 202

HSL 303.81, 0.79%, 0.47%

LAB 50.98, 81.99, -46.22

 

CMYK 0 / 88 / 29 / 16

HEX #D61997

RGB 214 25 151

HSL 320, 0.79%, 0.47%

LAB 48.54, 75.56, -20.05

 

CMYK 0 / 88 / 53 / 16

HEX #D61964

RGB 214 25 100

HSL 336.19, 0.79%, 0.47%

LAB 46.86, 70.92, 8.58

 

CMYK 0 / 88 / 77 / 16

HEX #D61931

RGB 214 25 49

HSL 352.38, 0.79%, 0.47%

LAB 45.92, 68.27, 38.48

 

CMYK 0 / 88 / 88 / 16

HEX #D61919

RGB 214 25 25

HSL 0, 0.79%, 0.47%

LAB 45.72, 67.67, 50.82

 

CMYK 0 / 88 / 6 / 16

HEX #D619CA

RGB 214 25 202

HSL 303.81, 0.79%, 0.47%

LAB 50.98, 81.99, -46.22

 

CMYK 18 / 88 / 0 / 16

HEX #AF19D6

RGB 175 25 214

HSL 287.62, 0.79%, 0.47%

LAB 45.17, 77.39, -62.81

 

CMYK 42 / 88 / 0 / 16

HEX #7C19D6

RGB 124 25 214

HSL 271.43, 0.79%, 0.47%

LAB 37.55, 70.5, -75.58

 

CMYK 66 / 88 / 0 / 16

HEX #4919D6

RGB 73 25 214

HSL 255.24, 0.79%, 0.47%

LAB 31.73, 65.85, -85.38

 

CMYK 88 / 88 / 0 / 16

HEX #1919D6

RGB 25 25 214

HSL 240, 0.79%, 0.47%

LAB 28.79, 63.8, -90.35

 

CMYK 0 / 88 / 6 / 16

HEX #D619CA

RGB 214 25 202

HSL 303.81, 0.79%, 0.47%

LAB 50.98, 81.99, -46.22

 

CMYK 0 / 98 / 6 / 9

HEX #E905DB

RGB 233 5 219

HSL 303.68, 0.96%, 0.47%

LAB 54.6, 89.5, -50

 

CMYK 0 / 88 / 6 / 16

HEX #D619CA

RGB 214 25 202

HSL 303.81, 0.79%, 0.47%

LAB 50.98, 81.99, -46.22

 

CMYK 0 / 77 / 5 / 24

HEX #C32CB9

RGB 195 44 185

HSL 303.97, 0.63%, 0.47%

LAB 48.14, 71.95, -41.06

 

CMYK 0 / 64 / 4 / 31

HEX #AF3FA8

RGB 175 63 168

HSL 303.75, 0.47%, 0.47%

LAB 46.31, 58.18, -34.17

 

CMYK 0 / 47 / 3 / 39

HEX #9C5397

RGB 156 83 151

HSL 304.11, 0.31%, 0.47%

LAB 46.3, 40.28, -24.29

 

CMYK 0 / 25 / 1 / 47

HEX #886686

RGB 136 102 134

HSL 303.53, 0.14%, 0.47%

LAB 47.57, 19.41, -12.4

 

CMYK 43 / 88 / 0 / 16

HEX #7B19D6

RGB 123 25 214

HSL 271.11, 0.79%, 0.47%

LAB 37.41, 70.38, -75.81

 

CMYK 19 / 88 / 0 / 16

HEX #AD19D6

RGB 173 25 214

HSL 286.98, 0.79%, 0.47%

LAB 44.85, 77.08, -63.35

 

CMYK 0 / 88 / 4 / 16

HEX #D619CD

RGB 214 25 205

HSL 302.86, 0.79%, 0.47%

LAB 51.15, 82.41, -47.68

 

CMYK 0 / 88 / 28 / 16

HEX #D6199A

RGB 214 25 154

HSL 319.05, 0.79%, 0.47%

LAB 48.67, 75.9, -21.66

 

CMYK 0 / 88 / 51 / 16

HEX #D61968

RGB 214 25 104

HSL 334.92, 0.79%, 0.47%

LAB 46.96, 71.21, 6.26

 

CMYK 0 / 89 / 6 / 45

HEX #8C1084

RGB 140 16 132

HSL 303.87, 0.79%, 0.31%

LAB 33.16, 59.29, -33.48

 

CMYK 0 / 89 / 6 / 31

HEX #B114A7

RGB 177 20 167

HSL 303.82, 0.8%, 0.39%

LAB 42.21, 70.96, -40.03

 

CMYK 0 / 88 / 6 / 16

HEX #D619CA

RGB 214 25 202

HSL 303.81, 0.79%, 0.47%

LAB 50.98, 81.99, -46.22

 

CMYK 0 / 78 / 5 / 10

HEX #E632DB

RGB 230 50 219

HSL 303.67, 0.78%, 0.55%

LAB 56.31, 82.49, -47.32

 

CMYK 0 / 63 / 4 / 8

HEX #EB56E1

RGB 235 86 225

HSL 304.03, 0.79%, 0.63%

LAB 61.44, 72.98, -42.54

 

CMYK 0 / 88 / 6 / 15

HEX #D81ACC

RGB 216 26 204

HSL 303.79, 0.79%, 0.47%

LAB 51.49, 82.48, -46.54

 

CMYK 0 / 66 / 88 / 16

HEX #D64819

RGB 214 72 25

HSL 14.92, 0.79%, 0.47%

LAB 50.69, 53.83, 54.61

 

CMYK 88 / 0 / 31 / 16

HEX #19D694

RGB 25 214 148

HSL 159.05, 0.79%, 0.47%

LAB 76.34, -58.36, 20.67

 

CMYK 0 / 88 / 6 / 15

HEX #D81ACC

RGB 216 26 204

HSL 303.79, 0.79%, 0.47%

LAB 51.49, 82.48, -46.54

 

CMYK 4 / 0 / 88 / 16

HEX #CDD619

RGB 205 214 25

HSL 62.86, 0.79%, 0.47%

LAB 82.46, -22.37, 79.16

 

CMYK 88 / 4 / 0 / 16

HEX #19CDD6

RGB 25 205 214

HSL 182.86, 0.79%, 0.47%

LAB 75.28, -37.23, -16.23

 

CMYK 0 / 88 / 6 / 15

HEX #D81ACC

RGB 216 26 204

HSL 303.79, 0.79%, 0.47%

LAB 51.49, 82.48, -46.54

 

CMYK 0 / 66 / 88 / 16

HEX #D64819

RGB 214 72 25

HSL 14.92, 0.79%, 0.47%

LAB 50.69, 53.83, 54.61

 

CMYK 88 / 0 / 84 / 16

HEX #19D622

RGB 25 214 34

HSL 122.86, 0.79%, 0.47%

LAB 75.09, -73.38, 68.17

 

CMYK 88 / 22 / 0 / 16

HEX #19A7D6

RGB 25 167 214

HSL 194.92, 0.79%, 0.47%

LAB 63.92, -18.41, -33.62

 

CMYK 0 / 88 / 6 / 15

HEX #D81ACC

RGB 216 26 204

HSL 303.79, 0.79%, 0.47%

LAB 51.49, 82.48, -46.54

 

CMYK 0 / 40 / 88 / 16

HEX #D68119

RGB 214 129 25

HSL 33.02, 0.79%, 0.47%

LAB 61.71, 25.98, 63.15

 

CMYK 88 / 0 / 84 / 16

HEX #19D622

RGB 25 214 34

HSL 122.86, 0.79%, 0.47%

LAB 75.09, -73.38, 68.17

 

CMYK 88 / 49 / 0 / 16

HEX #196ED6

RGB 25 110 214

HSL 213.02, 0.79%, 0.47%

LAB 47.25, 15.09, -60.03

 

Description

Color code: HEX #D81ACC | qconv.com Color code: HEX #D81ACC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 26 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 26 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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