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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D82DDF it is the complementary color #27D220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D82DDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D82DDF shade: #DD2DDA, #EE3FED, #FF51FF, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D82DDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D82DDF shade: #D82DDF, #C71BCC, #B609B9, #A500A6 and #940093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D82DDF shade: #D82EDF, #DF2EB6, #DF2E87, #DF2E57 and #DF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D82DDF shade: #D82EDF, #A92EDF, #792EDF, #492EDF and #2E2EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D82DDF shade matches the following richer shades: #D82EDF and #EA1BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D82DDF shade: #D82EDF, #C641CC, #B555B9, #A368A5 and #917C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D82DDF shade: #782EDF, #A72EDF, #D62EDF, #DF2EB9 and #DF2E8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D82DDF shade: #9D18A3, #C01DC7, #D82EDF, #DF52E5 and #E576EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D82DDF shade: #D82DDF, #DF492E and #2EDF90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D82DDF shade: #D82DDF, #DFD62E and #2EDFD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D82DDF shade: #D82DDF, #DF492E, #37DF2E and #2EC5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D82DDF shade: #D82DDF, #DF7E2E, #37DF2E and #2E90DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 80 / 0 / 13

HEX #D82DDF

RGB 216 45 223

HSL 297.64, 0.74%, 0.53%

LAB 53.82, 81.63, -53.69

 

Complementary color

CMYK 81 / 0 / 85 / 18

HEX #27D220

RGB 39 210 32

HSL 117.64, 0.74%, 0.47%

LAB 73.95, -71.06, 67.66

 

CMYK 0 / 80 / 1 / 13

HEX #DD2DDA

RGB 221 45 218

HSL 301.02, 0.72%, 0.52%

LAB 54.36, 81.8, -49.94

 

CMYK 0 / 74 / 0 / 7

HEX #EE3FED

RGB 238 63 237

HSL 300.34, 0.84%, 0.59%

LAB 59.75, 83.28, -51.9

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 3 / 80 / 0 / 13

HEX #D82DDF

RGB 216 45 223

HSL 297.64, 0.74%, 0.53%

LAB 53.82, 81.63, -53.69

 

CMYK 2 / 87 / 0 / 20

HEX #C71BCC

RGB 199 27 204

HSL 298.31, 0.77%, 0.45%

LAB 48.62, 79.32, -51.3

 

CMYK 2 / 95 / 0 / 27

HEX #B609B9

RGB 182 9 185

HSL 298.98, 0.91%, 0.38%

LAB 43.72, 75.87, -48.24

 

CMYK 1 / 100 / 0 / 35

HEX #A500A6

RGB 165 0 166

HSL 299.64, 1%, 0.33%

LAB 39.16, 71.08, -44.42

 

CMYK 0 / 100 / 1 / 42

HEX #940093

RGB 148 0 147

HSL 300.41, 1%, 0.29%

LAB 34.81, 65.34, -40.04

 

CMYK 3 / 79 / 0 / 13

HEX #D82EDF

RGB 216 46 223

HSL 297.63, 0.73%, 0.53%

LAB 53.9, 81.39, -53.55

 

CMYK 0 / 79 / 18 / 13

HEX #DF2EB6

RGB 223 46 182

HSL 313.9, 0.73%, 0.53%

LAB 52.97, 76.94, -31.39

 

CMYK 0 / 79 / 39 / 13

HEX #DF2E87

RGB 223 46 135

HSL 329.83, 0.73%, 0.53%

LAB 51.14, 71.63, -6.34

 

CMYK 0 / 79 / 61 / 13

HEX #DF2E57

RGB 223 46 87

HSL 346.1, 0.73%, 0.53%

LAB 49.89, 67.85, 21.01

 

CMYK 0 / 79 / 79 / 13

HEX #DF2E2E

RGB 223 46 46

HSL 0, 0.73%, 0.53%

LAB 49.3, 66.01, 44.23

 

CMYK 3 / 79 / 0 / 13

HEX #D82EDF

RGB 216 46 223

HSL 297.63, 0.73%, 0.53%

LAB 53.9, 81.39, -53.55

 

CMYK 24 / 79 / 0 / 13

HEX #A92EDF

RGB 169 46 223

HSL 281.69, 0.73%, 0.53%

LAB 46.6, 73.07, -65.69

 

CMYK 46 / 79 / 0 / 13

HEX #792EDF

RGB 121 46 223

HSL 265.42, 0.73%, 0.53%

LAB 40.16, 65.78, -76.47

 

CMYK 67 / 79 / 0 / 13

HEX #492EDF

RGB 73 46 223

HSL 249.15, 0.73%, 0.53%

LAB 35.4, 60.42, -84.49

 

CMYK 79 / 79 / 0 / 13

HEX #2E2EDF

RGB 46 46 223

HSL 240, 0.73%, 0.53%

LAB 33.69, 58.52, -87.36

 

CMYK 3 / 79 / 0 / 13

HEX #D82EDF

RGB 216 46 223

HSL 297.63, 0.73%, 0.53%

LAB 53.9, 81.39, -53.55

 

CMYK 4 / 89 / 0 / 5

HEX #EA1BF3

RGB 234 27 243

HSL 297.5, 0.9%, 0.53%

LAB 56.83, 91.06, -59.96

 

CMYK 3 / 79 / 0 / 13

HEX #D82EDF

RGB 216 46 223

HSL 297.63, 0.73%, 0.53%

LAB 53.9, 81.39, -53.55

 

CMYK 3 / 68 / 0 / 20

HEX #C641CC

RGB 198 65 204

HSL 297.41, 0.58%, 0.53%

LAB 52, 68.91, -45.91

 

CMYK 2 / 54 / 0 / 27

HEX #B555B9

RGB 181 85 185

HSL 297.6, 0.42%, 0.53%

LAB 51.64, 52.86, -35.69

 

CMYK 1 / 37 / 0 / 35

HEX #A368A5

RGB 163 104 165

HSL 298.03, 0.25%, 0.53%

LAB 52.29, 33.7, -23.22

 

CMYK 1 / 15 / 0 / 43

HEX #917C92

RGB 145 124 146

HSL 297.27, 0.09%, 0.53%

LAB 54.56, 12.19, -8.87

 

CMYK 46 / 79 / 0 / 13

HEX #782EDF

RGB 120 46 223

HSL 265.08, 0.73%, 0.53%

LAB 40.04, 65.64, -76.67

 

CMYK 25 / 79 / 0 / 13

HEX #A72EDF

RGB 167 46 223

HSL 281.02, 0.73%, 0.53%

LAB 46.31, 72.74, -66.18

 

CMYK 4 / 79 / 0 / 13

HEX #D62EDF

RGB 214 46 223

HSL 296.95, 0.73%, 0.53%

LAB 53.58, 81.02, -54.09

 

CMYK 0 / 79 / 17 / 13

HEX #DF2EB9

RGB 223 46 185

HSL 312.88, 0.73%, 0.53%

LAB 53.11, 77.33, -32.92

 

CMYK 0 / 79 / 38 / 13

HEX #DF2E8A

RGB 223 46 138

HSL 328.81, 0.73%, 0.53%

LAB 51.24, 71.92, -8

 

CMYK 4 / 85 / 0 / 36

HEX #9D18A3

RGB 157 24 163

HSL 297.41, 0.74%, 0.37%

LAB 38.67, 65.88, -43.49

 

CMYK 4 / 85 / 0 / 22

HEX #C01DC7

RGB 192 29 199

HSL 297.53, 0.75%, 0.45%

LAB 47.25, 76.97, -50.67

 

CMYK 3 / 79 / 0 / 13

HEX #D82EDF

RGB 216 46 223

HSL 297.63, 0.73%, 0.53%

LAB 53.9, 81.39, -53.55

 

CMYK 3 / 64 / 0 / 10

HEX #DF52E5

RGB 223 82 229

HSL 297.55, 0.74%, 0.61%

LAB 59.32, 72.37, -48.24

 

CMYK 2 / 50 / 0 / 8

HEX #E576EA

RGB 229 118 234

HSL 297.41, 0.73%, 0.69%

LAB 66.18, 58.98, -40.18

 

CMYK 3 / 80 / 0 / 13

HEX #D82DDF

RGB 216 45 223

HSL 297.64, 0.74%, 0.53%

LAB 53.82, 81.63, -53.69

 

CMYK 0 / 67 / 79 / 13

HEX #DF492E

RGB 223 73 46

HSL 9.15, 0.73%, 0.53%

LAB 52.56, 56.97, 47.49

 

CMYK 79 / 0 / 35 / 13

HEX #2EDF90

RGB 46 223 144

HSL 153.22, 0.73%, 0.53%

LAB 79.25, -60.77, 26.76

 

CMYK 3 / 80 / 0 / 13

HEX #D82DDF

RGB 216 45 223

HSL 297.64, 0.74%, 0.53%

LAB 53.82, 81.63, -53.69

 

CMYK 0 / 4 / 79 / 13

HEX #DFD62E

RGB 223 214 46

HSL 56.95, 0.73%, 0.53%

LAB 83.95, -14.25, 76.35

 

CMYK 79 / 0 / 4 / 13

HEX #2EDFD6

RGB 46 223 214

HSL 176.95, 0.73%, 0.53%

LAB 80.86, -43.88, -7.86

 

CMYK 3 / 80 / 0 / 13

HEX #D82DDF

RGB 216 45 223

HSL 297.64, 0.74%, 0.53%

LAB 53.82, 81.63, -53.69

 

CMYK 0 / 67 / 79 / 13

HEX #DF492E

RGB 223 73 46

HSL 9.15, 0.73%, 0.53%

LAB 52.56, 56.97, 47.49

 

CMYK 75 / 0 / 79 / 13

HEX #37DF2E

RGB 55 223 46

HSL 116.95, 0.73%, 0.53%

LAB 78.34, -72.13, 68.2

 

CMYK 79 / 12 / 0 / 13

HEX #2EC5DF

RGB 46 197 223

HSL 188.81, 0.73%, 0.53%

LAB 73.44, -29.16, -23.86

 

CMYK 3 / 80 / 0 / 13

HEX #D82DDF

RGB 216 45 223

HSL 297.64, 0.74%, 0.53%

LAB 53.82, 81.63, -53.69

 

CMYK 0 / 43 / 79 / 13

HEX #DF7E2E

RGB 223 126 46

HSL 27.12, 0.73%, 0.53%

LAB 62.34, 31.89, 56.88

 

CMYK 75 / 0 / 79 / 13

HEX #37DF2E

RGB 55 223 46

HSL 116.95, 0.73%, 0.53%

LAB 78.34, -72.13, 68.2

 

CMYK 79 / 35 / 0 / 13

HEX #2E90DF

RGB 46 144 223

HSL 206.78, 0.73%, 0.53%

LAB 57.9, -0.67, -48.04

 

Description

Color code: HEX #D82DDF | qconv.com Color code: HEX #D82DDF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 45 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 45 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 80 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 80% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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