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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D84AFF it is the complementary color #27B500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D84AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D84AFF shade: #DD4AFA, #EE5CFF, #FF6EFF, #FF80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D84AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D84AFF shade: #D84AFF, #C738EC, #B626D9, #A514C6 and #9402B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D84AFF shade: #D84CFF, #FF4CF5, #FF4CC5, #FF4C95 and #FF4C64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D84AFF shade: #D84CFF, #A84CFF, #784CFF and #4C4CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D84AFF shade matches the following richer shades: #D84CFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D84AFF shade: #D84CFF, #D05AF0, #C869E2, #BF77D3 and #B786C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D84AFF shade: #794CFF, #A84CFF, #D84CFF, #FF4CF6 and #FF4CC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D84AFF shade: #C300F8, #CF23FF, #D84CFF, #E175FF and #EA9FFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D84AFF shade: #D84AFF, #FF4C4F and #4CFF90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D84AFF shade: #D84AFF, #FFD84C and #4CFFD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D84AFF shade: #D84AFF, #FF4C4F, #73FF4C and #4CFFFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D84AFF shade: #D84AFF, #FF7F4C, #73FF4C and #4CCCFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 71 / 0 / 0

HEX #D84AFF

RGB 216 74 255

HSL 287.07, 1%, 0.65%

LAB 58.71, 78.39, -63.76

 

Complementary color

CMYK 78 / 0 / 100 / 29

HEX #27B500

RGB 39 181 0

HSL 107.07, 1%, 0.35%

LAB 64.55, -63.49, 64.73

 

CMYK 12 / 70 / 0 / 2

HEX #DD4AFA

RGB 221 74 250

HSL 290.11, 0.95%, 0.64%

LAB 59.13, 78.49, -60.27

 

CMYK 7 / 64 / 0 / 0

HEX #EE5CFF

RGB 238 92 255

HSL 293.74, 1%, 0.68%

LAB 64.2, 76.28, -54.81

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 15 / 71 / 0 / 0

HEX #D84AFF

RGB 216 74 255

HSL 287.07, 1%, 0.65%

LAB 58.71, 78.39, -63.76

 

CMYK 16 / 76 / 0 / 7

HEX #C738EC

RGB 199 56 236

HSL 287.67, 0.83%, 0.57%

LAB 52.98, 77.71, -62.52

 

CMYK 16 / 82 / 0 / 15

HEX #B626D9

RGB 182 38 217

HSL 288.27, 0.7%, 0.5%

LAB 47.42, 76.31, -60.84

 

CMYK 17 / 90 / 0 / 22

HEX #A514C6

RGB 165 20 198

HSL 288.88, 0.82%, 0.43%

LAB 42.12, 73.9, -58.58

 

CMYK 17 / 99 / 0 / 30

HEX #9402B3

RGB 148 2 179

HSL 289.49, 0.98%, 0.35%

LAB 37.1, 70.33, -55.66

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 0 / 70 / 4 / 0

HEX #FF4CF5

RGB 255 76 245

HSL 303.35, 1%, 0.65%

LAB 64.18, 84.05, -49.17

 

CMYK 0 / 70 / 23 / 0

HEX #FF4CC5

RGB 255 76 197

HSL 319.44, 1%, 0.65%

LAB 62.05, 77.45, -25.54

 

CMYK 0 / 70 / 42 / 0

HEX #FF4C95

RGB 255 76 149

HSL 335.53, 1%, 0.65%

LAB 60.43, 72.17, -0.31

 

CMYK 0 / 70 / 61 / 0

HEX #FF4C64

RGB 255 76 100

HSL 351.96, 1%, 0.65%

LAB 59.3, 68.37, 26.75

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 34 / 70 / 0 / 0

HEX #A84CFF

RGB 168 76 255

HSL 270.84, 1%, 0.65%

LAB 52.63, 68.53, -73.89

 

CMYK 53 / 70 / 0 / 0

HEX #784CFF

RGB 120 76 255

HSL 254.75, 1%, 0.65%

LAB 47.47, 60.61, -82.53

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 13 / 63 / 0 / 6

HEX #D05AF0

RGB 208 90 240

HSL 287.2, 0.83%, 0.65%

LAB 58.99, 67.62, -55.05

 

CMYK 12 / 54 / 0 / 11

HEX #C869E2

RGB 200 105 226

HSL 287.11, 0.68%, 0.65%

LAB 59.77, 56.03, -46.05

 

CMYK 9 / 44 / 0 / 17

HEX #BF77D3

RGB 191 119 211

HSL 286.96, 0.51%, 0.65%

LAB 60.76, 43.34, -36.16

 

CMYK 7 / 32 / 0 / 23

HEX #B786C5

RGB 183 134 197

HSL 286.67, 0.35%, 0.65%

LAB 62.63, 29.83, -25.45

 

CMYK 53 / 70 / 0 / 0

HEX #794CFF

RGB 121 76 255

HSL 255.08, 1%, 0.65%

LAB 47.56, 60.75, -82.37

 

CMYK 34 / 70 / 0 / 0

HEX #A84CFF

RGB 168 76 255

HSL 270.84, 1%, 0.65%

LAB 52.63, 68.53, -73.89

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 0 / 70 / 4 / 0

HEX #FF4CF6

RGB 255 76 246

HSL 303.02, 1%, 0.65%

LAB 64.23, 84.2, -49.64

 

CMYK 0 / 70 / 22 / 0

HEX #FF4CC6

RGB 255 76 198

HSL 319.11, 1%, 0.65%

LAB 62.09, 77.57, -26.05

 

CMYK 21 / 100 / 0 / 3

HEX #C300F8

RGB 195 0 248

HSL 287.18, 1%, 0.49%

LAB 49.95, 88.69, -74.18

 

CMYK 19 / 86 / 0 / 0

HEX #CF23FF

RGB 207 35 255

HSL 286.91, 1%, 0.57%

LAB 53.69, 87.5, -71.92

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 12 / 54 / 0 / 0

HEX #E175FF

RGB 225 117 255

HSL 286.96, 1%, 0.73%

LAB 66.48, 62.3, -51.3

 

CMYK 8 / 38 / 0 / 0

HEX #EA9FFF

RGB 234 159 255

HSL 286.88, 1%, 0.81%

LAB 75.77, 43.56, -36.69

 

CMYK 15 / 71 / 0 / 0

HEX #D84AFF

RGB 216 74 255

HSL 287.07, 1%, 0.65%

LAB 58.71, 78.39, -63.76

 

CMYK 0 / 70 / 69 / 0

HEX #FF4C4F

RGB 255 76 79

HSL 358.99, 1%, 0.65%

LAB 58.97, 67.24, 38.35

 

CMYK 70 / 0 / 44 / 0

HEX #4CFF90

RGB 76 255 144

HSL 142.79, 1%, 0.65%

LAB 89.43, -68.29, 40.26

 

CMYK 15 / 71 / 0 / 0

HEX #D84AFF

RGB 216 74 255

HSL 287.07, 1%, 0.65%

LAB 58.71, 78.39, -63.76

 

CMYK 0 / 15 / 70 / 0

HEX #FFD84C

RGB 255 216 76

HSL 46.93, 1%, 0.65%

LAB 87.43, -0.62, 70.67

 

CMYK 70 / 0 / 15 / 0

HEX #4CFFD8

RGB 76 255 216

HSL 166.93, 1%, 0.65%

LAB 90.79, -53.63, 5.68

 

CMYK 15 / 71 / 0 / 0

HEX #D84AFF

RGB 216 74 255

HSL 287.07, 1%, 0.65%

LAB 58.71, 78.39, -63.76

 

CMYK 0 / 70 / 69 / 0

HEX #FF4C4F

RGB 255 76 79

HSL 358.99, 1%, 0.65%

LAB 58.97, 67.24, 38.35

 

CMYK 55 / 0 / 70 / 0

HEX #73FF4C

RGB 115 255 76

HSL 106.93, 1%, 0.65%

LAB 89.71, -68.48, 70.27

 

CMYK 70 / 0 / 1 / 0

HEX #4CFFFC

RGB 76 255 252

HSL 178.99, 1%, 0.65%

LAB 91.72, -44.38, -11.6

 

CMYK 15 / 71 / 0 / 0

HEX #D84AFF

RGB 216 74 255

HSL 287.07, 1%, 0.65%

LAB 58.71, 78.39, -63.76

 

CMYK 0 / 50 / 70 / 0

HEX #FF7F4C

RGB 255 127 76

HSL 17.09, 1%, 0.65%

LAB 67.25, 45.16, 49.46

 

CMYK 55 / 0 / 70 / 0

HEX #73FF4C

RGB 115 255 76

HSL 106.93, 1%, 0.65%

LAB 89.71, -68.48, 70.27

 

CMYK 70 / 20 / 0 / 0

HEX #4CCCFF

RGB 76 204 255

HSL 197.09, 1%, 0.65%

LAB 77.25, -19.21, -35.17

 

Description

Color code: HEX #D84AFF | qconv.com Color code: HEX #D84AFF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 74 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 74 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 71 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 71% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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