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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D854E5 it is the complementary color #27AB1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D854E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D854E5 shade: #DD54E0, #EE66F3, #FF78FF, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D854E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D854E5 shade: #D854E5, #C742D2, #B630BF, #A51EAC and #940C99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D854E5 shade: #D751E5, #E551CA, #E551A2, #E5517B and #E55153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D854E5 shade: #D751E5, #B051E5, #8851E5, #6051E5 and #5151E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D854E5 shade matches the following richer shades: #D751E5 and #E541F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D854E5 shade: #D751E5, #CA62D5, #BD72C4, #B082B4 and #A392A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D854E5 shade: #8751E5, #AF51E5, #D651E5, #E551CC and #E551A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D854E5 shade: #B71DC6, #CF2EDF, #D751E5, #E075EA and #E899EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D854E5 shade: #D854E5, #E56051 and #51E59B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D854E5 shade: #D854E5, #E5D651 and #51E5D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D854E5 shade: #D854E5, #E56051, #60E551 and #51D6E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D854E5 shade: #D854E5, #E58C51, #60E551 and #51AAE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 63 / 0 / 10

HEX #D854E5

RGB 216 84 229

HSL 294.62, 0.74%, 0.61%

LAB 58.6, 69.97, -49.46

 

Complementary color

CMYK 77 / 0 / 85 / 33

HEX #27AB1A

RGB 39 171 26

HSL 114.62, 0.74%, 0.39%

LAB 61.34, -59.67, 57.76

 

CMYK 1 / 63 / 0 / 12

HEX #DD54E0

RGB 221 84 224

HSL 298.71, 0.69%, 0.6%

LAB 59.06, 70.28, -45.87

 

CMYK 2 / 58 / 0 / 5

HEX #EE66F3

RGB 238 102 243

HSL 297.87, 0.85%, 0.68%

LAB 65.08, 70.15, -46.8

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 6 / 63 / 0 / 10

HEX #D854E5

RGB 216 84 229

HSL 294.62, 0.74%, 0.61%

LAB 58.6, 69.97, -49.46

 

CMYK 5 / 69 / 0 / 18

HEX #C742D2

RGB 199 66 210

HSL 295.42, 0.62%, 0.54%

LAB 52.61, 69.79, -48.37

 

CMYK 5 / 75 / 0 / 25

HEX #B630BF

RGB 182 48 191

HSL 296.22, 0.6%, 0.47%

LAB 46.74, 69.07, -46.92

 

CMYK 4 / 83 / 0 / 33

HEX #A51EAC

RGB 165 30 172

HSL 297.04, 0.7%, 0.4%

LAB 41.07, 67.52, -44.96

 

CMYK 3 / 92 / 0 / 40

HEX #940C99

RGB 148 12 153

HSL 297.87, 0.85%, 0.32%

LAB 35.71, 64.74, -42.26

 

CMYK 6 / 65 / 0 / 10

HEX #D751E5

RGB 215 81 229

HSL 294.32, 0.74%, 0.61%

LAB 58.03, 70.93, -50.37

 

CMYK 0 / 65 / 12 / 10

HEX #E551CA

RGB 229 81 202

HSL 310.95, 0.74%, 0.61%

LAB 58.8, 69.93, -33.75

 

CMYK 0 / 65 / 29 / 10

HEX #E551A2

RGB 229 81 162

HSL 327.16, 0.74%, 0.61%

LAB 57.22, 64.55, -13.11

 

CMYK 0 / 65 / 46 / 10

HEX #E5517B

RGB 229 81 123

HSL 342.97, 0.74%, 0.61%

LAB 56.06, 60.4, 8.11

 

CMYK 0 / 65 / 64 / 10

HEX #E55153

RGB 229 81 83

HSL 359.19, 0.74%, 0.61%

LAB 55.24, 57.39, 30.5

 

CMYK 6 / 65 / 0 / 10

HEX #D751E5

RGB 215 81 229

HSL 294.32, 0.74%, 0.61%

LAB 58.03, 70.93, -50.37

 

CMYK 23 / 65 / 0 / 10

HEX #B051E5

RGB 176 81 229

HSL 278.51, 0.74%, 0.61%

LAB 52.7, 62.23, -59.19

 

CMYK 41 / 65 / 0 / 10

HEX #8851E5

RGB 136 81 229

HSL 262.3, 0.74%, 0.61%

LAB 47.98, 53.89, -67.05

 

CMYK 58 / 65 / 0 / 10

HEX #6051E5

RGB 96 81 229

HSL 246.08, 0.74%, 0.61%

LAB 44.27, 46.77, -73.24

 

CMYK 65 / 65 / 0 / 10

HEX #5151E5

RGB 81 81 229

HSL 240, 0.74%, 0.61%

LAB 43.2, 44.58, -75.04

 

CMYK 6 / 65 / 0 / 10

HEX #D751E5

RGB 215 81 229

HSL 294.32, 0.74%, 0.61%

LAB 58.03, 70.93, -50.37

 

CMYK 7 / 73 / 0 / 4

HEX #E541F5

RGB 229 65 245

HSL 294.67, 0.9%, 0.61%

LAB 59, 82.17, -57.64

 

CMYK 6 / 65 / 0 / 10

HEX #D751E5

RGB 215 81 229

HSL 294.32, 0.74%, 0.61%

LAB 58.03, 70.93, -50.37

 

CMYK 5 / 54 / 0 / 16

HEX #CA62D5

RGB 202 98 213

HSL 294.26, 0.58%, 0.61%

LAB 58.13, 57.46, -41.32

 

CMYK 4 / 42 / 0 / 23

HEX #BD72C4

RGB 189 114 196

HSL 294.88, 0.41%, 0.61%

LAB 58.82, 42.45, -30.71

 

CMYK 2 / 28 / 0 / 29

HEX #B082B4

RGB 176 130 180

HSL 295.2, 0.25%, 0.61%

LAB 60.33, 26.37, -19.42

 

CMYK 1 / 11 / 0 / 36

HEX #A392A4

RGB 163 146 164

HSL 296.67, 0.09%, 0.61%

LAB 62.53, 9.65, -7.15

 

CMYK 41 / 65 / 0 / 10

HEX #8751E5

RGB 135 81 229

HSL 261.89, 0.74%, 0.61%

LAB 47.87, 53.69, -67.23

 

CMYK 24 / 65 / 0 / 10

HEX #AF51E5

RGB 175 81 229

HSL 278.11, 0.74%, 0.61%

LAB 52.57, 62.01, -59.41

 

CMYK 7 / 65 / 0 / 10

HEX #D651E5

RGB 214 81 229

HSL 293.92, 0.74%, 0.61%

LAB 57.88, 70.71, -50.61

 

CMYK 0 / 65 / 11 / 10

HEX #E551CC

RGB 229 81 204

HSL 310.14, 0.74%, 0.61%

LAB 58.88, 70.23, -34.76

 

CMYK 0 / 65 / 28 / 10

HEX #E551A5

RGB 229 81 165

HSL 325.95, 0.74%, 0.61%

LAB 57.33, 64.91, -14.7

 

CMYK 8 / 85 / 0 / 22

HEX #B71DC6

RGB 183 29 198

HSL 294.67, 0.74%, 0.45%

LAB 45.67, 75.24, -52.71

 

CMYK 7 / 79 / 0 / 13

HEX #CF2EDF

RGB 207 46 223

HSL 294.58, 0.73%, 0.53%

LAB 52.45, 79.74, -55.96

 

CMYK 6 / 65 / 0 / 10

HEX #D751E5

RGB 215 81 229

HSL 294.32, 0.74%, 0.61%

LAB 58.03, 70.93, -50.37

 

CMYK 4 / 50 / 0 / 8

HEX #E075EA

RGB 224 117 234

HSL 294.87, 0.74%, 0.69%

LAB 65.37, 58.1, -41.5

 

CMYK 3 / 36 / 0 / 6

HEX #E899EF

RGB 232 153 239

HSL 295.12, 0.73%, 0.77%

LAB 73.66, 43.06, -31.29

 

CMYK 6 / 63 / 0 / 10

HEX #D854E5

RGB 216 84 229

HSL 294.62, 0.74%, 0.61%

LAB 58.6, 69.97, -49.46

 

CMYK 0 / 58 / 65 / 10

HEX #E56051

RGB 229 96 81

HSL 6.08, 0.74%, 0.61%

LAB 57.67, 50.73, 34.65

 

CMYK 65 / 0 / 32 / 10

HEX #51E59B

RGB 81 229 155

HSL 150, 0.74%, 0.61%

LAB 81.92, -55.92, 24.82

 

CMYK 6 / 63 / 0 / 10

HEX #D854E5

RGB 216 84 229

HSL 294.62, 0.74%, 0.61%

LAB 58.6, 69.97, -49.46

 

CMYK 0 / 7 / 65 / 10

HEX #E5D651

RGB 229 214 81

HSL 53.92, 0.74%, 0.61%

LAB 84.66, -10.17, 65.13

 

CMYK 65 / 0 / 7 / 10

HEX #51E5D6

RGB 81 229 214

HSL 173.92, 0.74%, 0.61%

LAB 83.25, -42.35, -4.25

 

CMYK 6 / 63 / 0 / 10

HEX #D854E5

RGB 216 84 229

HSL 294.62, 0.74%, 0.61%

LAB 58.6, 69.97, -49.46

 

CMYK 0 / 58 / 65 / 10

HEX #E56051

RGB 229 96 81

HSL 6.08, 0.74%, 0.61%

LAB 57.67, 50.73, 34.65

 

CMYK 58 / 0 / 65 / 10

HEX #60E551

RGB 96 229 81

HSL 113.92, 0.74%, 0.61%

LAB 81.36, -63.57, 59.35

 

CMYK 65 / 7 / 0 / 10

HEX #51D6E5

RGB 81 214 229

HSL 186.08, 0.74%, 0.61%

LAB 79.33, -31.32, -18.08

 

CMYK 6 / 63 / 0 / 10

HEX #D854E5

RGB 216 84 229

HSL 294.62, 0.74%, 0.61%

LAB 58.6, 69.97, -49.46

 

CMYK 0 / 39 / 65 / 10

HEX #E58C51

RGB 229 140 81

HSL 23.92, 0.74%, 0.61%

LAB 66.53, 28.64, 45.19

 

CMYK 58 / 0 / 65 / 10

HEX #60E551

RGB 96 229 81

HSL 113.92, 0.74%, 0.61%

LAB 81.36, -63.57, 59.35

 

CMYK 65 / 26 / 0 / 10

HEX #51AAE5

RGB 81 170 229

HSL 203.92, 0.74%, 0.61%

LAB 66.64, -8.69, -37.56

 

Description

Color code: HEX #D854E5 | qconv.com Color code: HEX #D854E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 84 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 84 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 63 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 63% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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