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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D859A4 it is the complementary color #27A65B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D859A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D859A4 shade: #DD599F, #EE6BB2, #FF7DC5, #FF8FD8 and #FFA1EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D859A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D859A4 shade: #D859A4, #C74791, #B6357E, #A5236B and #941158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D859A4 shade: #D859A4, #D85982, #D85960 and #D85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D859A4 shade: #D859A4, #D859C6, #C759D8, #A559D8 and #8359D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D859A4 shade matches the following richer shades: #D859A4, #E849A7 and #F938AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D859A4 shade: #D859A4, #C76AA1, #B77A9E, #A68B9B and #969B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D859A4 shade: #C759D8, #D859C7, #D859A5, #D85983 and #D85962

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D859A4 shade: #B52A7C, #D03892, #D859A4, #E07BB6 and #E79CC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D859A4 shade: #D859A4, #D8A559 and #59D8D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D859A4 shade: #D859A4, #A5D859 and #59A5D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D859A4 shade: #D859A4, #D8A559, #59D88C and #598CD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D859A4 shade: #D859A4, #D8CB59, #59D88C and #5966D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

Complementary color

CMYK 77 / 0 / 45 / 35

HEX #27A65B

RGB 39 166 91

HSL 144.57, 0.62%, 0.4%

LAB 60.3, -50.75, 29.35

 

CMYK 0 / 60 / 28 / 13

HEX #DD599F

RGB 221 89 159

HSL 328.18, 0.66%, 0.61%

LAB 57.1, 58.53, -11.68

 

CMYK 0 / 55 / 25 / 7

HEX #EE6BB2

RGB 238 107 178

HSL 327.48, 0.79%, 0.68%

LAB 63.27, 58.03, -13.1

 

CMYK 0 / 51 / 23 / 0

HEX #FF7DC5

RGB 255 125 197

HSL 326.77, 1%, 0.75%

LAB 69.44, 57.41, -14.3

 

CMYK 0 / 44 / 15 / 0

HEX #FF8FD8

RGB 255 143 216

HSL 320.89, 1%, 0.78%

LAB 73.46, 51.41, -18.77

 

CMYK 0 / 37 / 8 / 0

HEX #FFA1EB

RGB 255 161 235

HSL 312.77, 1%, 0.82%

LAB 77.73, 45.34, -22.66

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 64 / 27 / 22

HEX #C74791

RGB 199 71 145

HSL 325.31, 0.53%, 0.53%

LAB 50.33, 57.98, -13.98

 

CMYK 0 / 71 / 31 / 29

HEX #B6357E

RGB 182 53 126

HSL 326.05, 0.55%, 0.46%

LAB 44.23, 57.86, -12

 

CMYK 0 / 79 / 35 / 35

HEX #A5236B

RGB 165 35 107

HSL 326.77, 0.65%, 0.39%

LAB 38.31, 57.08, -9.43

 

CMYK 0 / 89 / 41 / 42

HEX #941158

RGB 148 17 88

HSL 327.48, 0.79%, 0.32%

LAB 32.7, 55.22, -6

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 59 / 40 / 15

HEX #D85982

RGB 216 89 130

HSL 340.63, 0.62%, 0.6%

LAB 55.44, 53.58, 2.8

 

CMYK 0 / 59 / 56 / 15

HEX #D85960

RGB 216 89 96

HSL 356.69, 0.62%, 0.6%

LAB 54.65, 50.44, 21.74

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 59 / 8 / 15

HEX #D859C6

RGB 216 89 198

HSL 308.5, 0.62%, 0.6%

LAB 57.87, 62.7, -33.07

 

CMYK 8 / 59 / 0 / 15

HEX #C759D8

RGB 199 89 216

HSL 291.97, 0.62%, 0.6%

LAB 56.33, 61.41, -45.88

 

CMYK 24 / 59 / 0 / 15

HEX #A559D8

RGB 165 89 216

HSL 275.91, 0.62%, 0.6%

LAB 51.95, 53.06, -53.11

 

CMYK 39 / 59 / 0 / 15

HEX #8359D8

RGB 131 89 216

HSL 259.84, 0.62%, 0.6%

LAB 48.17, 45.16, -59.39

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 69 / 28 / 9

HEX #E849A7

RGB 232 73 167

HSL 324.53, 0.78%, 0.6%

LAB 56.79, 68.99, -16.63

 

CMYK 0 / 78 / 32 / 2

HEX #F938AA

RGB 249 56 170

HSL 324.56, 0.94%, 0.6%

LAB 57.91, 78.85, -16.41

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 47 / 19 / 22

HEX #C76AA1

RGB 199 106 161

HSL 324.52, 0.45%, 0.6%

LAB 57.1, 43.78, -13.15

 

CMYK 0 / 33 / 14 / 28

HEX #B77A9E

RGB 183 122 158

HSL 324.59, 0.3%, 0.6%

LAB 58.47, 29.23, -9.56

 

CMYK 0 / 16 / 7 / 35

HEX #A68B9B

RGB 166 139 155

HSL 324.44, 0.13%, 0.6%

LAB 60.73, 12.99, -4.67

 

CMYK 3 / 0 / 2 / 39

HEX #969B98

RGB 150 155 152

HSL 144, 0.02%, 0.6%

LAB 63.5, -2.38, 0.94

 

CMYK 8 / 59 / 0 / 15

HEX #C759D8

RGB 199 89 216

HSL 291.97, 0.62%, 0.6%

LAB 56.33, 61.41, -45.88

 

CMYK 0 / 59 / 8 / 15

HEX #D859C7

RGB 216 89 199

HSL 308.03, 0.62%, 0.6%

LAB 57.91, 62.86, -33.57

 

CMYK 0 / 59 / 24 / 15

HEX #D859A5

RGB 216 89 165

HSL 324.09, 0.62%, 0.6%

LAB 56.55, 57.84, -16.08

 

CMYK 0 / 59 / 39 / 15

HEX #D85983

RGB 216 89 131

HSL 340.16, 0.62%, 0.6%

LAB 55.46, 53.69, 2.25

 

CMYK 0 / 59 / 55 / 15

HEX #D85962

RGB 216 89 98

HSL 355.75, 0.62%, 0.6%

LAB 54.68, 50.59, 20.62

 

CMYK 0 / 77 / 31 / 29

HEX #B52A7C

RGB 181 42 124

HSL 324.6, 0.62%, 0.44%

LAB 42.67, 61.05, -13.16

 

CMYK 0 / 73 / 30 / 18

HEX #D03892

RGB 208 56 146

HSL 324.47, 0.62%, 0.52%

LAB 49.87, 66.11, -15.12

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 45 / 19 / 12

HEX #E07BB6

RGB 224 123 182

HSL 324.95, 0.62%, 0.68%

LAB 64.48, 46.44, -13.74

 

CMYK 0 / 32 / 13 / 9

HEX #E79CC9

RGB 231 156 201

HSL 324, 0.61%, 0.76%

LAB 72.88, 34.52, -11.65

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 24 / 59 / 15

HEX #D8A559

RGB 216 165 89

HSL 35.91, 0.62%, 0.6%

LAB 71.03, 10.42, 46.06

 

CMYK 59 / 0 / 0 / 15

HEX #59D8D8

RGB 89 216 216

HSL 180, 0.62%, 0.6%

LAB 79.72, -34.6, -10.52

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 24 / 0 / 59 / 15

HEX #A5D859

RGB 165 216 89

HSL 84.09, 0.62%, 0.6%

LAB 80.65, -36.11, 56.04

 

CMYK 59 / 24 / 0 / 15

HEX #59A5D8

RGB 89 165 216

HSL 204.09, 0.62%, 0.6%

LAB 64.96, -8.63, -32.99

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 24 / 59 / 15

HEX #D8A559

RGB 216 165 89

HSL 35.91, 0.62%, 0.6%

LAB 71.03, 10.42, 46.06

 

CMYK 59 / 0 / 35 / 15

HEX #59D88C

RGB 89 216 140

HSL 144.09, 0.62%, 0.6%

LAB 77.95, -52.09, 27.23

 

CMYK 59 / 35 / 0 / 15

HEX #598CD8

RGB 89 140 216

HSL 215.91, 0.62%, 0.6%

LAB 57.88, 5.67, -44.06

 

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 0 / 6 / 59 / 15

HEX #D8CB59

RGB 216 203 89

HSL 53.86, 0.62%, 0.6%

LAB 80.76, -9.49, 57.18

 

CMYK 59 / 0 / 35 / 15

HEX #59D88C

RGB 89 216 140

HSL 144.09, 0.62%, 0.6%

LAB 77.95, -52.09, 27.23

 

CMYK 59 / 53 / 0 / 15

HEX #5966D8

RGB 89 102 216

HSL 233.86, 0.62%, 0.6%

LAB 47.73, 28.83, -60.27

 

Description

Color code: HEX #D859A4 | qconv.com Color code: HEX #D859A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 89 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 89 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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