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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8517A it is the complementary color #27AE85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8517A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8517A shade: #DD5175, #EE6388, #FF759B, #FF87AE and #FF99C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8517A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8517A shade: #D8517A, #C73F67, #B62D54, #A51B41 and #94092E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8517A shade: #D75079, #D75055 and #D75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8517A shade: #D75079, #D7509D, #D750C2, #C850D7 and #A350D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8517A shade matches the following richer shades: #D75079, #E83F72 and #FA2D6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8517A shade: #D75079, #C66180, #B47387, #A3848D and #929594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8517A shade: #D750C3, #D7509F, #D7507B, #D75057 and #D76D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8517A shade: #AD2750, #CF2F5F, #D75079, #DF7293 and #E693AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8517A shade: #D8517A, #D7C750 and #50B1D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8517A shade: #D8517A, #7BD750 and #507BD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8517A shade: #D8517A, #D7C750, #50D7AC and #5060D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8517A shade: #D8517A, #BED750, #50D7AC and #6950D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 44 / 15

HEX #D8517A

RGB 216 81 122

HSL 341.78, 0.63%, 0.58%

LAB 53.91, 56.28, 5.34

 

Complementary color

CMYK 78 / 0 / 24 / 32

HEX #27AE85

RGB 39 174 133

HSL 161.78, 0.63%, 0.42%

LAB 63.67, -44.99, 11.13

 

CMYK 0 / 63 / 47 / 13

HEX #DD5175

RGB 221 81 117

HSL 344.57, 0.67%, 0.59%

LAB 54.6, 57.37, 9.4

 

CMYK 0 / 58 / 43 / 7

HEX #EE6388

RGB 238 99 136

HSL 344.03, 0.8%, 0.66%

LAB 60.67, 56.78, 7.27

 

CMYK 0 / 54 / 39 / 0

HEX #FF759B

RGB 255 117 155

HSL 343.48, 1%, 0.73%

LAB 66.79, 56.04, 5.46

 

CMYK 0 / 47 / 32 / 0

HEX #FF87AE

RGB 255 135 174

HSL 340.5, 1%, 0.76%

LAB 70.62, 49.6, 0.32

 

CMYK 0 / 40 / 24 / 0

HEX #FF99C1

RGB 255 153 193

HSL 336.47, 1%, 0.8%

LAB 74.76, 43.03, -4.16

 

CMYK 0 / 63 / 44 / 15

HEX #D8517A

RGB 216 81 122

HSL 341.78, 0.63%, 0.58%

LAB 53.91, 56.28, 5.34

 

CMYK 0 / 68 / 48 / 22

HEX #C73F67

RGB 199 63 103

HSL 342.35, 0.55%, 0.51%

LAB 47.85, 56.6, 7.75

 

CMYK 0 / 75 / 54 / 29

HEX #B62D54

RGB 182 45 84

HSL 342.92, 0.6%, 0.45%

LAB 41.94, 56.46, 10.75

 

CMYK 0 / 84 / 61 / 35

HEX #A51B41

RGB 165 27 65

HSL 343.48, 0.72%, 0.38%

LAB 36.3, 55.52, 14.57

 

CMYK 0 / 94 / 69 / 42

HEX #94092E

RGB 148 9 46

HSL 344.03, 0.89%, 0.31%

LAB 31.09, 53.35, 19.46

 

CMYK 0 / 63 / 44 / 16

HEX #D75079

RGB 215 80 121

HSL 341.78, 0.63%, 0.58%

LAB 53.56, 56.29, 5.42

 

CMYK 0 / 63 / 60 / 16

HEX #D75055

RGB 215 80 85

HSL 357.78, 0.63%, 0.58%

LAB 52.77, 53.31, 25.7

 

CMYK 0 / 63 / 63 / 16

HEX #D75050

RGB 215 80 80

HSL 0, 0.63%, 0.58%

LAB 52.69, 52.99, 28.52

 

CMYK 0 / 63 / 44 / 16

HEX #D75079

RGB 215 80 121

HSL 341.78, 0.63%, 0.58%

LAB 53.56, 56.29, 5.42

 

CMYK 0 / 63 / 27 / 16

HEX #D7509D

RGB 215 80 157

HSL 325.78, 0.63%, 0.58%

LAB 54.68, 60.37, -14.25

 

CMYK 0 / 63 / 10 / 16

HEX #D750C2

RGB 215 80 194

HSL 309.33, 0.63%, 0.58%

LAB 56.17, 65.59, -33.44

 

CMYK 7 / 63 / 0 / 16

HEX #C850D7

RGB 200 80 215

HSL 293.33, 0.63%, 0.58%

LAB 54.99, 65.39, -47.42

 

CMYK 24 / 63 / 0 / 16

HEX #A350D7

RGB 163 80 215

HSL 276.89, 0.63%, 0.58%

LAB 50.01, 56.79, -55.66

 

CMYK 0 / 63 / 44 / 16

HEX #D75079

RGB 215 80 121

HSL 341.78, 0.63%, 0.58%

LAB 53.56, 56.29, 5.42

 

CMYK 0 / 73 / 51 / 9

HEX #E83F72

RGB 232 63 114

HSL 341.89, 0.79%, 0.58%

LAB 53.95, 67.14, 10.54

 

CMYK 0 / 82 / 57 / 2

HEX #FA2D6B

RGB 250 45 107

HSL 341.85, 0.95%, 0.58%

LAB 55.34, 76.38, 17.17

 

CMYK 0 / 63 / 44 / 16

HEX #D75079

RGB 215 80 121

HSL 341.78, 0.63%, 0.58%

LAB 53.56, 56.29, 5.42

 

CMYK 0 / 51 / 35 / 22

HEX #C66180

RGB 198 97 128

HSL 341.58, 0.47%, 0.58%

LAB 54.15, 43.51, 1.78

 

CMYK 0 / 36 / 25 / 29

HEX #B47387

RGB 180 115 135

HSL 341.54, 0.3%, 0.58%

LAB 55.8, 28.38, -0.21

 

CMYK 0 / 19 / 13 / 36

HEX #A3848D

RGB 163 132 141

HSL 342.58, 0.14%, 0.58%

LAB 58.24, 13.35, -0.35

 

CMYK 2 / 0 / 1 / 42

HEX #929594

RGB 146 149 148

HSL 160, 0.01%, 0.58%

LAB 61.43, -1.28, 0.14

 

CMYK 0 / 63 / 9 / 16

HEX #D750C3

RGB 215 80 195

HSL 308.89, 0.63%, 0.58%

LAB 56.21, 65.74, -33.94

 

CMYK 0 / 63 / 26 / 16

HEX #D7509F

RGB 215 80 159

HSL 324.89, 0.63%, 0.58%

LAB 54.75, 60.63, -15.31

 

CMYK 0 / 63 / 43 / 16

HEX #D7507B

RGB 215 80 123

HSL 340.89, 0.63%, 0.58%

LAB 53.62, 56.49, 4.3

 

CMYK 0 / 63 / 60 / 16

HEX #D75057

RGB 215 80 87

HSL 356.89, 0.63%, 0.58%

LAB 52.81, 53.45, 24.58

 

CMYK 0 / 49 / 63 / 16

HEX #D76D50

RGB 215 109 80

HSL 12.89, 0.63%, 0.58%

LAB 58, 39.2, 35.13

 

CMYK 0 / 77 / 54 / 32

HEX #AD2750

RGB 173 39 80

HSL 341.64, 0.63%, 0.42%

LAB 39.44, 55.48, 9.53

 

CMYK 0 / 77 / 54 / 19

HEX #CF2F5F

RGB 207 47 95

HSL 342, 0.63%, 0.5%

LAB 47.14, 63.74, 11.86

 

CMYK 0 / 63 / 44 / 16

HEX #D75079

RGB 215 80 121

HSL 341.78, 0.63%, 0.58%

LAB 53.56, 56.29, 5.42

 

CMYK 0 / 49 / 34 / 13

HEX #DF7293

RGB 223 114 147

HSL 341.83, 0.63%, 0.66%

LAB 61.51, 45.9, 1.83

 

CMYK 0 / 36 / 25 / 10

HEX #E693AC

RGB 230 147 172

HSL 341.93, 0.62%, 0.74%

LAB 69.94, 34.56, 0.07

 

CMYK 0 / 63 / 44 / 15

HEX #D8517A

RGB 216 81 122

HSL 341.78, 0.63%, 0.58%

LAB 53.91, 56.28, 5.34

 

CMYK 0 / 7 / 63 / 16

HEX #D7C750

RGB 215 199 80

HSL 52.89, 0.63%, 0.58%

LAB 79.54, -8.47, 59.75

 

CMYK 63 / 18 / 0 / 16

HEX #50B1D7

RGB 80 177 215

HSL 196.89, 0.63%, 0.58%

LAB 68.06, -17.07, -27.67

 

CMYK 0 / 63 / 44 / 15

HEX #D8517A

RGB 216 81 122

HSL 341.78, 0.63%, 0.58%

LAB 53.91, 56.28, 5.34

 

CMYK 43 / 0 / 63 / 16

HEX #7BD750

RGB 123 215 80

HSL 100.89, 0.63%, 0.58%

LAB 78.11, -50.98, 56.48

 

CMYK 63 / 43 / 0 / 16

HEX #507BD7

RGB 80 123 215

HSL 220.89, 0.63%, 0.58%

LAB 52.71, 13.88, -51.74

 

CMYK 0 / 63 / 44 / 15

HEX #D8517A

RGB 216 81 122

HSL 341.78, 0.63%, 0.58%

LAB 53.91, 56.28, 5.34

 

CMYK 0 / 7 / 63 / 16

HEX #D7C750

RGB 215 199 80

HSL 52.89, 0.63%, 0.58%

LAB 79.54, -8.47, 59.75

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 63 / 55 / 0 / 16

HEX #5060D7

RGB 80 96 215

HSL 232.89, 0.63%, 0.58%

LAB 45.6, 30.65, -63.17

 

CMYK 0 / 63 / 44 / 15

HEX #D8517A

RGB 216 81 122

HSL 341.78, 0.63%, 0.58%

LAB 53.91, 56.28, 5.34

 

CMYK 12 / 0 / 63 / 16

HEX #BED750

RGB 190 215 80

HSL 71.11, 0.63%, 0.58%

LAB 81.91, -26.67, 61.71

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 51 / 63 / 0 / 16

HEX #6950D7

RGB 105 80 215

HSL 251.11, 0.63%, 0.58%

LAB 43.72, 44.66, -66.14

 

Description

Color code: HEX #D8517A | qconv.com Color code: HEX #D8517A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 81 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 81 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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