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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D853F3 it is the complementary color #27AC0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D853F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D853F3 shade: #DD53EE, #EE65FF, #FF77FF, #FF89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D853F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D853F3 shade: #D853F3, #C741E0, #B62FCD, #A51DBA and #940BA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D853F3 shade: #D853F3, #F353E2, #F353B7, #F3538C and #F35361

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D853F3 shade: #D853F3, #AD53F3, #8153F3, #5653F3 and #5353F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D853F3 shade matches the following richer shades: #D853F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D853F3 shade: #D853F3, #CE62E4, #C471D5, #BA7FC6 and #B08EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D853F3 shade: #8053F3, #AB53F3, #D553F3, #F353E5 and #F353BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D853F3 shade: #C00FE4, #CF2CF0, #D853F3, #E079F5 and #E9A0F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D853F3 shade: #D853F3, #F35553 and #53F395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D853F3 shade: #D853F3, #F3D553 and #53F3D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D853F3 shade: #D853F3, #F35553, #70F353 and #53F0F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D853F3 shade: #D853F3, #F38553, #70F353 and #53C0F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

Complementary color

CMYK 77 / 0 / 93 / 33

HEX #27AC0C

RGB 39 172 12

HSL 109.88, 0.87%, 0.36%

LAB 61.62, -60.5, 60.78

 

CMYK 7 / 65 / 0 / 7

HEX #DD53EE

RGB 221 83 238

HSL 293.42, 0.82%, 0.63%

LAB 59.65, 73.06, -52.78

 

CMYK 7 / 60 / 0 / 0

HEX #EE65FF

RGB 238 101 255

HSL 293.38, 1%, 0.7%

LAB 65.52, 72.64, -52.72

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 11 / 71 / 0 / 12

HEX #C741E0

RGB 199 65 224

HSL 290.57, 0.72%, 0.57%

LAB 53.28, 72.6, -55.26

 

CMYK 11 / 77 / 0 / 20

HEX #B62FCD

RGB 182 47 205

HSL 291.27, 0.63%, 0.49%

LAB 47.48, 71.77, -53.86

 

CMYK 11 / 84 / 0 / 27

HEX #A51DBA

RGB 165 29 186

HSL 291.97, 0.73%, 0.42%

LAB 41.88, 70.1, -51.94

 

CMYK 11 / 93 / 0 / 35

HEX #940BA7

RGB 148 11 167

HSL 292.69, 0.88%, 0.35%

LAB 36.6, 67.18, -49.3

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 0 / 66 / 7 / 5

HEX #F353E2

RGB 243 83 226

HSL 306.38, 0.87%, 0.64%

LAB 62.28, 76.14, -41.7

 

CMYK 0 / 66 / 25 / 5

HEX #F353B7

RGB 243 83 183

HSL 322.5, 0.87%, 0.64%

LAB 60.48, 70.17, -20.11

 

CMYK 0 / 66 / 42 / 5

HEX #F3538C

RGB 243 83 140

HSL 338.63, 0.87%, 0.64%

LAB 59.1, 65.39, 2.77

 

CMYK 0 / 66 / 60 / 5

HEX #F35361

RGB 243 83 97

HSL 354.75, 0.87%, 0.64%

LAB 58.14, 61.93, 26.58

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 29 / 66 / 0 / 5

HEX #AD53F3

RGB 173 83 243

HSL 273.75, 0.87%, 0.64%

LAB 53.54, 63.72, -65.72

 

CMYK 47 / 66 / 0 / 5

HEX #8153F3

RGB 129 83 243

HSL 257.25, 0.87%, 0.64%

LAB 48.67, 55.24, -73.84

 

CMYK 65 / 66 / 0 / 5

HEX #5653F3

RGB 86 83 243

HSL 241.13, 0.87%, 0.64%

LAB 45.13, 48.57, -79.76

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 10 / 57 / 0 / 11

HEX #CE62E4

RGB 206 98 228

HSL 289.85, 0.71%, 0.64%

LAB 59.4, 61.29, -47.72

 

CMYK 8 / 47 / 0 / 16

HEX #C471D5

RGB 196 113 213

HSL 289.8, 0.54%, 0.64%

LAB 60.2, 48.34, -38.11

 

CMYK 6 / 36 / 0 / 22

HEX #BA7FC6

RGB 186 127 198

HSL 289.86, 0.38%, 0.64%

LAB 61.39, 34.87, -27.9

 

CMYK 4 / 22 / 0 / 28

HEX #B08EB7

RGB 176 142 183

HSL 289.76, 0.22%, 0.64%

LAB 63.34, 20.2, -16.55

 

CMYK 47 / 66 / 0 / 5

HEX #8053F3

RGB 128 83 243

HSL 256.88, 0.87%, 0.64%

LAB 48.57, 55.06, -74

 

CMYK 30 / 66 / 0 / 5

HEX #AB53F3

RGB 171 83 243

HSL 273, 0.87%, 0.64%

LAB 53.29, 63.31, -66.12

 

CMYK 12 / 66 / 0 / 5

HEX #D553F3

RGB 213 83 243

HSL 288.75, 0.87%, 0.64%

LAB 58.79, 72.2, -56.99

 

CMYK 0 / 66 / 6 / 5

HEX #F353E5

RGB 243 83 229

HSL 305.25, 0.87%, 0.64%

LAB 62.42, 76.6, -43.16

 

CMYK 0 / 66 / 23 / 5

HEX #F353BB

RGB 243 83 187

HSL 321, 0.87%, 0.64%

LAB 60.63, 70.68, -22.17

 

CMYK 16 / 93 / 0 / 11

HEX #C00FE4

RGB 192 15 228

HSL 289.86, 0.88%, 0.48%

LAB 48.45, 83.68, -65.37

 

CMYK 14 / 82 / 0 / 6

HEX #CF2CF0

RGB 207 44 240

HSL 289.9, 0.87%, 0.56%

LAB 53.34, 83.05, -64.12

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 9 / 51 / 0 / 4

HEX #E079F5

RGB 224 121 245

HSL 289.84, 0.86%, 0.72%

LAB 66.61, 58.2, -45.62

 

CMYK 6 / 35 / 0 / 3

HEX #E9A0F8

RGB 233 160 248

HSL 289.77, 0.86%, 0.8%

LAB 75.6, 41.39, -33.17

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 0 / 65 / 66 / 5

HEX #F35553

RGB 243 85 83

HSL 0.75, 0.87%, 0.64%

LAB 58.2, 60.3, 34.69

 

CMYK 66 / 0 / 39 / 5

HEX #53F395

RGB 83 243 149

HSL 144.75, 0.87%, 0.64%

LAB 86.06, -62, 33.43

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 0 / 12 / 66 / 5

HEX #F3D553

RGB 243 213 83

HSL 48.75, 0.87%, 0.64%

LAB 85.64, -3.73, 65.71

 

CMYK 66 / 0 / 12 / 5

HEX #53F3D5

RGB 83 243 213

HSL 168.75, 0.87%, 0.64%

LAB 87.36, -48.38, 2.29

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 0 / 65 / 66 / 5

HEX #F35553

RGB 243 85 83

HSL 0.75, 0.87%, 0.64%

LAB 58.2, 60.3, 34.69

 

CMYK 54 / 0 / 66 / 5

HEX #70F353

RGB 112 243 83

HSL 109.13, 0.87%, 0.64%

LAB 86.09, -64.44, 63.83

 

CMYK 66 / 1 / 0 / 5

HEX #53F0F3

RGB 83 240 243

HSL 181.13, 0.87%, 0.64%

LAB 87.31, -39.23, -13.5

 

CMYK 11 / 66 / 0 / 5

HEX #D853F3

RGB 216 83 243

HSL 289.88, 0.87%, 0.64%

LAB 59.21, 72.85, -56.3

 

CMYK 0 / 45 / 66 / 5

HEX #F38553

RGB 243 133 83

HSL 18.75, 0.87%, 0.64%

LAB 66.87, 37.96, 45.03

 

CMYK 54 / 0 / 66 / 5

HEX #70F353

RGB 112 243 83

HSL 109.13, 0.87%, 0.64%

LAB 86.09, -64.44, 63.83

 

CMYK 66 / 21 / 0 / 5

HEX #53C0F3

RGB 83 192 243

HSL 199.13, 0.87%, 0.64%

LAB 73.55, -15.74, -34.43

 

Description

Color code: HEX #D853F3 | qconv.com Color code: HEX #D853F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 83 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 83 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 66 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 66% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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