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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85A7E it is the complementary color #27A581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85A7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85A7E shade: #DD5A79, #EE6C8C, #FF7E9F, #FF90B2 and #FFA2C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85A7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85A7E shade: #D85A7E, #C7486B, #B63658, #A52445 and #941232

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85A7E shade: #D8597D, #D8595B and #D85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85A7E shade: #D8597D, #D8599F, #D859C2, #CC59D8 and #AA59D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85A7E shade matches the following richer shades: #D8597D, #E84976 and #F9386F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85A7E shade: #D8597D, #C76A84, #B77A8C, #A68B93 and #969B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85A7E shade: #D859C3, #D859A1, #D8597F, #D8595D and #D87759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85A7E shade: #B52A52, #D03863, #D8597D, #E07B98 and #E79CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85A7E shade: #D85A7E, #D8CB59 and #59B2D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85A7E shade: #D85A7E, #7FD859 and #597FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85A7E shade: #D85A7E, #D8CB59, #59D8B2 and #5966D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85A7E shade: #D85A7E, #BED859, #59D8B2 and #7359D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 42 / 15

HEX #D85A7E

RGB 216 90 126

HSL 342.86, 0.62%, 0.6%

LAB 55.5, 52.7, 5.25

 

Complementary color

CMYK 76 / 0 / 22 / 35

HEX #27A581

RGB 39 165 129

HSL 162.86, 0.62%, 0.4%

LAB 60.72, -42.2, 9.17

 

CMYK 0 / 59 / 45 / 13

HEX #DD5A79

RGB 221 90 121

HSL 345.8, 0.66%, 0.61%

LAB 56.15, 53.84, 9.24

 

CMYK 0 / 55 / 41 / 7

HEX #EE6C8C

RGB 238 108 140

HSL 345.23, 0.79%, 0.68%

LAB 62.33, 53.07, 7.33

 

CMYK 0 / 51 / 38 / 0

HEX #FF7E9F

RGB 255 126 159

HSL 344.65, 1%, 0.75%

LAB 68.52, 52.23, 5.7

 

CMYK 0 / 44 / 30 / 0

HEX #FF90B2

RGB 255 144 178

HSL 341.62, 1%, 0.78%

LAB 72.51, 45.62, 0.84

 

CMYK 0 / 36 / 23 / 0

HEX #FFA2C5

RGB 255 162 197

HSL 337.42, 1%, 0.82%

LAB 76.76, 38.97, -3.41

 

CMYK 0 / 58 / 42 / 15

HEX #D85A7E

RGB 216 90 126

HSL 342.86, 0.62%, 0.6%

LAB 55.5, 52.7, 5.25

 

CMYK 0 / 64 / 46 / 22

HEX #C7486B

RGB 199 72 107

HSL 343.46, 0.53%, 0.53%

LAB 49.3, 53.29, 7.38

 

CMYK 0 / 70 / 52 / 29

HEX #B63658

RGB 182 54 88

HSL 344.06, 0.54%, 0.46%

LAB 43.19, 53.57, 10

 

CMYK 0 / 78 / 58 / 35

HEX #A52445

RGB 165 36 69

HSL 344.65, 0.64%, 0.39%

LAB 37.28, 53.27, 13.33

 

CMYK 0 / 88 / 66 / 42

HEX #941232

RGB 148 18 50

HSL 345.23, 0.78%, 0.33%

LAB 31.71, 51.99, 17.63

 

CMYK 0 / 59 / 42 / 15

HEX #D8597D

RGB 216 89 125

HSL 342.99, 0.62%, 0.6%

LAB 55.3, 53.06, 5.56

 

CMYK 0 / 59 / 58 / 15

HEX #D8595B

RGB 216 89 91

HSL 359.06, 0.62%, 0.6%

LAB 54.55, 50.06, 24.54

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 42 / 15

HEX #D8597D

RGB 216 89 125

HSL 342.99, 0.62%, 0.6%

LAB 55.3, 53.06, 5.56

 

CMYK 0 / 59 / 26 / 15

HEX #D8599F

RGB 216 89 159

HSL 326.93, 0.62%, 0.6%

LAB 56.33, 57.04, -12.9

 

CMYK 0 / 59 / 10 / 15

HEX #D859C2

RGB 216 89 194

HSL 310.39, 0.62%, 0.6%

LAB 57.69, 62.07, -31.05

 

CMYK 6 / 59 / 0 / 15

HEX #CC59D8

RGB 204 89 216

HSL 294.33, 0.62%, 0.6%

LAB 57.02, 62.66, -44.75

 

CMYK 21 / 59 / 0 / 15

HEX #AA59D8

RGB 170 89 216

HSL 278.27, 0.62%, 0.6%

LAB 52.56, 54.27, -52.1

 

CMYK 0 / 59 / 42 / 15

HEX #D8597D

RGB 216 89 125

HSL 342.99, 0.62%, 0.6%

LAB 55.3, 53.06, 5.56

 

CMYK 0 / 69 / 49 / 9

HEX #E84976

RGB 232 73 118

HSL 343.02, 0.78%, 0.6%

LAB 55.31, 63.97, 10.07

 

CMYK 0 / 78 / 55 / 2

HEX #F9386F

RGB 249 56 111

HSL 342.9, 0.94%, 0.6%

LAB 56.2, 73.65, 15.94

 

CMYK 0 / 59 / 42 / 15

HEX #D8597D

RGB 216 89 125

HSL 342.99, 0.62%, 0.6%

LAB 55.3, 53.06, 5.56

 

CMYK 0 / 47 / 34 / 22

HEX #C76A84

RGB 199 106 132

HSL 343.23, 0.45%, 0.6%

LAB 56.2, 39.74, 2.43

 

CMYK 0 / 33 / 23 / 28

HEX #B77A8C

RGB 183 122 140

HSL 342.3, 0.3%, 0.6%

LAB 57.92, 26.36, 0.03

 

CMYK 0 / 16 / 11 / 35

HEX #A68B93

RGB 166 139 147

HSL 342.22, 0.13%, 0.6%

LAB 60.5, 11.55, -0.45

 

CMYK 3 / 0 / 1 / 39

HEX #969B9A

RGB 150 155 154

HSL 168, 0.02%, 0.6%

LAB 63.56, -1.99, -0.11

 

CMYK 0 / 59 / 10 / 15

HEX #D859C3

RGB 216 89 195

HSL 309.92, 0.62%, 0.6%

LAB 57.74, 62.23, -31.56

 

CMYK 0 / 59 / 25 / 15

HEX #D859A1

RGB 216 89 161

HSL 325.98, 0.62%, 0.6%

LAB 56.4, 57.3, -13.96

 

CMYK 0 / 59 / 41 / 15

HEX #D8597F

RGB 216 89 127

HSL 342.05, 0.62%, 0.6%

LAB 55.36, 53.26, 4.46

 

CMYK 0 / 59 / 57 / 15

HEX #D8595D

RGB 216 89 93

HSL 358.11, 0.62%, 0.6%

LAB 54.59, 50.21, 23.42

 

CMYK 0 / 45 / 59 / 15

HEX #D87759

RGB 216 119 89

HSL 14.17, 0.62%, 0.6%

LAB 60.35, 35.06, 33.11

 

CMYK 0 / 77 / 55 / 29

HEX #B52A52

RGB 181 42 82

HSL 342.73, 0.62%, 0.44%

LAB 41.36, 56.98, 11.17

 

CMYK 0 / 73 / 52 / 18

HEX #D03863

RGB 208 56 99

HSL 343.03, 0.62%, 0.52%

LAB 48.43, 61.48, 11.25

 

CMYK 0 / 59 / 42 / 15

HEX #D8597D

RGB 216 89 125

HSL 342.99, 0.62%, 0.6%

LAB 55.3, 53.06, 5.56

 

CMYK 0 / 45 / 32 / 12

HEX #E07B98

RGB 224 123 152

HSL 342.77, 0.62%, 0.68%

LAB 63.57, 42.3, 1.98

 

CMYK 0 / 32 / 23 / 9

HEX #E79CB2

RGB 231 156 178

HSL 342.4, 0.61%, 0.76%

LAB 72.22, 30.99, 0.07

 

CMYK 0 / 58 / 42 / 15

HEX #D85A7E

RGB 216 90 126

HSL 342.86, 0.62%, 0.6%

LAB 55.5, 52.7, 5.25

 

CMYK 0 / 6 / 59 / 15

HEX #D8CB59

RGB 216 203 89

HSL 53.86, 0.62%, 0.6%

LAB 80.76, -9.49, 57.18

 

CMYK 59 / 18 / 0 / 15

HEX #59B2D8

RGB 89 178 216

HSL 197.95, 0.62%, 0.6%

LAB 68.7, -15.66, -27.22

 

CMYK 0 / 58 / 42 / 15

HEX #D85A7E

RGB 216 90 126

HSL 342.86, 0.62%, 0.6%

LAB 55.5, 52.7, 5.25

 

CMYK 41 / 0 / 59 / 15

HEX #7FD859

RGB 127 216 89

HSL 102.05, 0.62%, 0.6%

LAB 78.66, -49.27, 53.26

 

CMYK 59 / 41 / 0 / 15

HEX #597FD8

RGB 89 127 216

HSL 222.05, 0.62%, 0.6%

LAB 54.3, 13.46, -49.74

 

CMYK 0 / 58 / 42 / 15

HEX #D85A7E

RGB 216 90 126

HSL 342.86, 0.62%, 0.6%

LAB 55.5, 52.7, 5.25

 

CMYK 0 / 6 / 59 / 15

HEX #D8CB59

RGB 216 203 89

HSL 53.86, 0.62%, 0.6%

LAB 80.76, -9.49, 57.18

 

CMYK 59 / 0 / 18 / 15

HEX #59D8B2

RGB 89 216 178

HSL 162.05, 0.62%, 0.6%

LAB 78.72, -44.16, 8.3

 

CMYK 59 / 53 / 0 / 15

HEX #5966D8

RGB 89 102 216

HSL 233.86, 0.62%, 0.6%

LAB 47.73, 28.83, -60.27

 

CMYK 0 / 58 / 42 / 15

HEX #D85A7E

RGB 216 90 126

HSL 342.86, 0.62%, 0.6%

LAB 55.5, 52.7, 5.25

 

CMYK 12 / 0 / 59 / 15

HEX #BED859

RGB 190 216 89

HSL 72.28, 0.62%, 0.6%

LAB 82.26, -26.49, 58.29

 

CMYK 59 / 0 / 18 / 15

HEX #59D8B2

RGB 89 216 178

HSL 162.05, 0.62%, 0.6%

LAB 78.72, -44.16, 8.3

 

CMYK 47 / 59 / 0 / 15

HEX #7359D8

RGB 115 89 216

HSL 252.28, 0.62%, 0.6%

LAB 46.64, 41.74, -61.93

 

Description

Color code: HEX #D85A7E | qconv.com Color code: HEX #D85A7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 90 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 90 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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