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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85F77 it is the complementary color #27A088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85F77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85F77 shade: #DD5F72, #EE7185, #FF8398, #FF95AB and #FFA7BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85F77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85F77 shade: #D85F77, #C74D64, #B63B51, #A5293E and #94172B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85F77 shade: #D85E76 and #D85E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85F77 shade: #D85E76, #D85E97, #D85EB8, #D75ED8 and #B65ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85F77 shade matches the following richer shades: #D85E76, #E84E6D and #F83E63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85F77 shade: #D85E76, #C86E80, #B87F8A, #A78F94 and #979F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85F77 shade: #D85EB7, #D85E97, #D85E77, #D8665E and #D8875E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85F77 shade: #B82C48, #D03D5A, #D85E76, #E08093 and #E8A1AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85F77 shade: #D85F77, #D8D85E and #5EA7D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85F77 shade: #D85F77, #77D85E and #5E77D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85F77 shade: #D85F77, #D8D85E, #5ED8BF and #5E5ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85F77 shade: #D85F77, #B3D85E, #5ED8BF and #835ED8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 45 / 15

HEX #D85F77

RGB 216 95 119

HSL 348.1, 0.61%, 0.61%

LAB 56.2, 49.67, 10.38

 

Complementary color

CMYK 76 / 0 / 15 / 37

HEX #27A088

RGB 39 160 136

HSL 168.1, 0.61%, 0.39%

LAB 59.3, -38.22, 3.2

 

CMYK 0 / 57 / 48 / 13

HEX #DD5F72

RGB 221 95 114

HSL 350.95, 0.65%, 0.62%

LAB 56.85, 50.89, 14.33

 

CMYK 0 / 53 / 44 / 7

HEX #EE7185

RGB 238 113 133

HSL 350.4, 0.79%, 0.69%

LAB 63.08, 49.99, 12.4

 

CMYK 0 / 49 / 40 / 0

HEX #FF8398

RGB 255 131 152

HSL 349.84, 1%, 0.76%

LAB 69.3, 49.05, 10.74

 

CMYK 0 / 42 / 33 / 0

HEX #FF95AB

RGB 255 149 171

HSL 347.55, 1%, 0.79%

LAB 73.35, 42.22, 5.94

 

CMYK 0 / 35 / 25 / 0

HEX #FFA7BE

RGB 255 167 190

HSL 344.32, 1%, 0.83%

LAB 77.65, 35.4, 1.72

 

CMYK 0 / 56 / 45 / 15

HEX #D85F77

RGB 216 95 119

HSL 348.1, 0.61%, 0.61%

LAB 56.2, 49.67, 10.38

 

CMYK 0 / 61 / 50 / 22

HEX #C74D64

RGB 199 77 100

HSL 348.69, 0.52%, 0.54%

LAB 49.94, 50.46, 12.51

 

CMYK 0 / 68 / 55 / 29

HEX #B63B51

RGB 182 59 81

HSL 349.27, 0.51%, 0.47%

LAB 43.75, 51.02, 15.12

 

CMYK 0 / 75 / 62 / 35

HEX #A5293E

RGB 165 41 62

HSL 349.84, 0.6%, 0.4%

LAB 37.72, 51.14, 18.38

 

CMYK 0 / 84 / 71 / 42

HEX #94172B

RGB 148 23 43

HSL 350.4, 0.73%, 0.34%

LAB 32, 50.44, 22.55

 

CMYK 0 / 56 / 45 / 15

HEX #D85E76

RGB 216 94 118

HSL 348.2, 0.61%, 0.61%

LAB 56, 50.05, 10.68

 

CMYK 0 / 56 / 56 / 15

HEX #D85E5E

RGB 216 94 94

HSL 0, 0.61%, 0.61%

LAB 55.49, 47.96, 24.04

 

CMYK 0 / 56 / 45 / 15

HEX #D85E76

RGB 216 94 118

HSL 348.2, 0.61%, 0.61%

LAB 56, 50.05, 10.68

 

CMYK 0 / 56 / 30 / 15

HEX #D85E97

RGB 216 94 151

HSL 331.97, 0.61%, 0.61%

LAB 56.92, 53.74, -7.35

 

CMYK 0 / 56 / 15 / 15

HEX #D85EB8

RGB 216 94 184

HSL 315.74, 0.61%, 0.61%

LAB 58.1, 58.32, -24.69

 

CMYK 0 / 56 / 0 / 15

HEX #D75ED8

RGB 215 94 216

HSL 299.51, 0.61%, 0.61%

LAB 59.35, 63.23, -40.97

 

CMYK 16 / 56 / 0 / 15

HEX #B65ED8

RGB 182 94 216

HSL 283.28, 0.61%, 0.61%

LAB 54.98, 54.78, -48.16

 

CMYK 0 / 56 / 45 / 15

HEX #D85E76

RGB 216 94 118

HSL 348.2, 0.61%, 0.61%

LAB 56, 50.05, 10.68

 

CMYK 0 / 66 / 53 / 9

HEX #E84E6D

RGB 232 78 109

HSL 347.92, 0.77%, 0.61%

LAB 55.79, 61.33, 16.09

 

CMYK 0 / 75 / 60 / 3

HEX #F83E63

RGB 248 62 99

HSL 348.06, 0.93%, 0.61%

LAB 56.39, 70.88, 23.28

 

CMYK 0 / 56 / 45 / 15

HEX #D85E76

RGB 216 94 118

HSL 348.2, 0.61%, 0.61%

LAB 56, 50.05, 10.68

 

CMYK 0 / 45 / 36 / 22

HEX #C86E80

RGB 200 110 128

HSL 348, 0.45%, 0.61%

LAB 57.07, 37.52, 6.02

 

CMYK 0 / 31 / 25 / 28

HEX #B87F8A

RGB 184 127 138

HSL 348.42, 0.29%, 0.61%

LAB 59.16, 23.66, 3

 

CMYK 0 / 14 / 11 / 35

HEX #A78F94

RGB 167 143 148

HSL 347.5, 0.12%, 0.61%

LAB 61.65, 9.85, 0.68

 

CMYK 5 / 0 / 1 / 38

HEX #979F9D

RGB 151 159 157

HSL 165, 0.04%, 0.61%

LAB 64.81, -3.24, 0.05

 

CMYK 0 / 56 / 15 / 15

HEX #D85EB7

RGB 216 94 183

HSL 316.23, 0.61%, 0.61%

LAB 58.06, 58.17, -24.18

 

CMYK 0 / 56 / 30 / 15

HEX #D85E97

RGB 216 94 151

HSL 331.97, 0.61%, 0.61%

LAB 56.92, 53.74, -7.35

 

CMYK 0 / 56 / 45 / 15

HEX #D85E77

RGB 216 94 119

HSL 347.7, 0.61%, 0.61%

LAB 56.02, 50.14, 10.12

 

CMYK 0 / 53 / 56 / 15

HEX #D8665E

RGB 216 102 94

HSL 3.93, 0.61%, 0.61%

LAB 56.99, 44.09, 25.99

 

CMYK 0 / 38 / 56 / 15

HEX #D8875E

RGB 216 135 94

HSL 20.16, 0.61%, 0.61%

LAB 63.95, 26.96, 34.88

 

CMYK 0 / 76 / 61 / 28

HEX #B82C48

RGB 184 44 72

HSL 348, 0.61%, 0.45%

LAB 41.94, 56.51, 18.33

 

CMYK 0 / 71 / 57 / 18

HEX #D03D5A

RGB 208 61 90

HSL 348.16, 0.61%, 0.53%

LAB 48.87, 59.04, 17.32

 

CMYK 0 / 56 / 45 / 15

HEX #D85E76

RGB 216 94 118

HSL 348.2, 0.61%, 0.61%

LAB 56, 50.05, 10.68

 

CMYK 0 / 43 / 34 / 12

HEX #E08093

RGB 224 128 147

HSL 348.13, 0.61%, 0.69%

LAB 64.48, 39.1, 6.14

 

CMYK 0 / 31 / 25 / 9

HEX #E8A1AF

RGB 232 161 175

HSL 348.17, 0.61%, 0.77%

LAB 73.38, 28.26, 3.43

 

CMYK 0 / 56 / 45 / 15

HEX #D85F77

RGB 216 95 119

HSL 348.1, 0.61%, 0.61%

LAB 56.2, 49.67, 10.38

 

CMYK 0 / 0 / 56 / 15

HEX #D8D85E

RGB 216 216 94

HSL 60, 0.61%, 0.61%

LAB 84.24, -15.66, 58.85

 

CMYK 56 / 23 / 0 / 15

HEX #5EA7D8

RGB 94 167 216

HSL 204.1, 0.61%, 0.61%

LAB 65.73, -8.74, -31.78

 

CMYK 0 / 56 / 45 / 15

HEX #D85F77

RGB 216 95 119

HSL 348.1, 0.61%, 0.61%

LAB 56.2, 49.67, 10.38

 

CMYK 45 / 0 / 56 / 15

HEX #77D85E

RGB 119 216 94

HSL 107.7, 0.61%, 0.61%

LAB 78.37, -51.19, 50.59

 

CMYK 56 / 45 / 0 / 15

HEX #5E77D8

RGB 94 119 216

HSL 227.7, 0.61%, 0.61%

LAB 52.43, 19.33, -52.7

 

CMYK 0 / 56 / 45 / 15

HEX #D85F77

RGB 216 95 119

HSL 348.1, 0.61%, 0.61%

LAB 56.2, 49.67, 10.38

 

CMYK 0 / 0 / 56 / 15

HEX #D8D85E

RGB 216 216 94

HSL 60, 0.61%, 0.61%

LAB 84.24, -15.66, 58.85

 

CMYK 56 / 0 / 12 / 15

HEX #5ED8BF

RGB 94 216 191

HSL 167.7, 0.61%, 0.61%

LAB 79.19, -40.09, 2.06

 

CMYK 56 / 56 / 0 / 15

HEX #5E5ED8

RGB 94 94 216

HSL 240, 0.61%, 0.61%

LAB 46.1, 34.66, -62.89

 

CMYK 0 / 56 / 45 / 15

HEX #D85F77

RGB 216 95 119

HSL 348.1, 0.61%, 0.61%

LAB 56.2, 49.67, 10.38

 

CMYK 17 / 0 / 56 / 15

HEX #B3D85E

RGB 179 216 94

HSL 78.2, 0.61%, 0.61%

LAB 81.57, -30.37, 55.11

 

CMYK 56 / 0 / 12 / 15

HEX #5ED8BF

RGB 94 216 191

HSL 167.7, 0.61%, 0.61%

LAB 79.19, -40.09, 2.06

 

CMYK 39 / 56 / 0 / 15

HEX #835ED8

RGB 131 94 216

HSL 258.2, 0.61%, 0.61%

LAB 49.24, 42.36, -57.67

 

Description

Color code: HEX #D85F77 | qconv.com Color code: HEX #D85F77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 95 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 95 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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