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Color name
HEX #D86C47

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D86C47 it is the complementary color #2793B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D86C47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D86C47 shade: #DD6C42, #EE7E55, #FF9068, #FFA27B and #FFB48E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D86C47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D86C47 shade: #D86C47, #C75A34, #B64821, #A5360E and #942400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D86C47 shade: #D76B45 and #D74545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D86C47 shade: #D76B45, #D79245, #D7B945, #CED745 and #A7D745

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D86C47 shade matches the following richer shades: #D76B45, #E96233 and #FC5921

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D86C47 shade: #D76B45, #C57358, #B37C6A, #A1857C and #8F8E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D86C47 shade: #D7456F, #D74548, #D76A45, #D79145 and #D7B845

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D86C47 shade: #A74523, #C9532A, #D76B45, #DE8667 and #E6A189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D86C47 shade: #D86C47, #96D745 and #455BD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D86C47 shade: #D86C47, #45D76A and #6A45D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D86C47 shade: #D86C47, #96D745, #45B3D7 and #8745D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D86C47 shade: #D86C47, #6AD745, #45B3D7 and #B345D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 67 / 15

HEX #D86C47

RGB 216 108 71

HSL 15.31, 0.65%, 0.56%

LAB 57.83, 39.54, 39.84

 

Complementary color

CMYK 79 / 20 / 0 / 28

HEX #2793B8

RGB 39 147 184

HSL 195.31, 0.65%, 0.44%

LAB 56.84, -16.96, -27.76

 

CMYK 0 / 51 / 70 / 13

HEX #DD6C42

RGB 221 108 66

HSL 16.26, 0.7%, 0.56%

LAB 58.5, 41.19, 43.44

 

CMYK 0 / 47 / 64 / 7

HEX #EE7E55

RGB 238 126 85

HSL 16.08, 0.82%, 0.63%

LAB 64.77, 39.71, 41.35

 

CMYK 0 / 44 / 59 / 0

HEX #FF9068

RGB 255 144 104

HSL 15.89, 1%, 0.7%

LAB 71.01, 38.32, 39.42

 

CMYK 0 / 36 / 52 / 0

HEX #FFA27B

RGB 255 162 123

HSL 17.73, 1%, 0.74%

LAB 75.16, 30.53, 34.6

 

CMYK 0 / 29 / 44 / 0

HEX #FFB48E

RGB 255 180 142

HSL 20.18, 1%, 0.78%

LAB 79.53, 22.89, 30.26

 

CMYK 0 / 50 / 67 / 15

HEX #D86C47

RGB 216 108 71

HSL 15.31, 0.65%, 0.56%

LAB 57.83, 39.54, 39.84

 

CMYK 0 / 55 / 74 / 22

HEX #C75A34

RGB 199 90 52

HSL 15.51, 0.59%, 0.49%

LAB 51.5, 41.07, 42.07

 

CMYK 0 / 60 / 82 / 29

HEX #B64821

RGB 182 72 33

HSL 15.7, 0.69%, 0.42%

LAB 45.21, 42.63, 44.32

 

CMYK 0 / 67 / 92 / 35

HEX #A5360E

RGB 165 54 14

HSL 15.89, 0.84%, 0.35%

LAB 39.02, 44.1, 46.04

 

CMYK 0 / 76 / 100 / 42

HEX #942400

RGB 148 36 0

HSL 14.59, 1%, 0.29%

LAB 33.04, 45.18, 45.79

 

CMYK 0 / 50 / 68 / 16

HEX #D76B45

RGB 215 107 69

HSL 15.62, 0.65%, 0.56%

LAB 57.46, 39.55, 40.44

 

CMYK 0 / 68 / 68 / 16

HEX #D74545

RGB 215 69 69

HSL 0, 0.65%, 0.56%

LAB 50.84, 56.9, 32.62

 

CMYK 0 / 50 / 68 / 16

HEX #D76B45

RGB 215 107 69

HSL 15.62, 0.65%, 0.56%

LAB 57.46, 39.55, 40.44

 

CMYK 0 / 32 / 68 / 16

HEX #D79245

RGB 215 146 69

HSL 31.64, 0.65%, 0.56%

LAB 66.09, 18.92, 50.12

 

CMYK 0 / 14 / 68 / 16

HEX #D7B945

RGB 215 185 69

HSL 47.67, 0.65%, 0.56%

LAB 75.81, -1.89, 60.44

 

CMYK 4 / 0 / 68 / 16

HEX #CED745

RGB 206 215 69

HSL 63.7, 0.65%, 0.56%

LAB 82.99, -20.86, 67.51

 

CMYK 22 / 0 / 68 / 16

HEX #A7D745

RGB 167 215 69

HSL 79.73, 0.65%, 0.56%

LAB 80.32, -36.42, 63.93

 

CMYK 0 / 50 / 68 / 16

HEX #D76B45

RGB 215 107 69

HSL 15.62, 0.65%, 0.56%

LAB 57.46, 39.55, 40.44

 

CMYK 0 / 58 / 78 / 9

HEX #E96233

RGB 233 98 51

HSL 15.49, 0.81%, 0.56%

LAB 58.32, 49.83, 51.3

 

CMYK 0 / 65 / 87 / 1

HEX #FC5921

RGB 252 89 33

HSL 15.34, 0.97%, 0.56%

LAB 59.84, 59.85, 61.54

 

CMYK 0 / 50 / 68 / 16

HEX #D76B45

RGB 215 107 69

HSL 15.62, 0.65%, 0.56%

LAB 57.46, 39.55, 40.44

 

CMYK 0 / 42 / 55 / 23

HEX #C57358

RGB 197 115 88

HSL 14.86, 0.48%, 0.56%

LAB 56.92, 29.58, 28.78

 

CMYK 0 / 31 / 41 / 30

HEX #B37C6A

RGB 179 124 106

HSL 14.79, 0.32%, 0.56%

LAB 57.11, 19.12, 18.42

 

CMYK 0 / 17 / 23 / 37

HEX #A1857C

RGB 161 133 124

HSL 14.59, 0.16%, 0.56%

LAB 57.85, 9.22, 8.84

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 0 / 68 / 48 / 16

HEX #D7456F

RGB 215 69 111

HSL 342.74, 0.65%, 0.56%

LAB 51.67, 59.82, 8.7

 

CMYK 0 / 68 / 67 / 16

HEX #D74548

RGB 215 69 72

HSL 358.77, 0.65%, 0.56%

LAB 50.89, 57.06, 30.93

 

CMYK 0 / 51 / 68 / 16

HEX #D76A45

RGB 215 106 69

HSL 15.21, 0.65%, 0.56%

LAB 57.26, 40.06, 40.21

 

CMYK 0 / 33 / 68 / 16

HEX #D79145

RGB 215 145 69

HSL 31.23, 0.65%, 0.56%

LAB 65.85, 19.46, 49.86

 

CMYK 0 / 14 / 68 / 16

HEX #D7B845

RGB 215 184 69

HSL 47.26, 0.65%, 0.56%

LAB 75.55, -1.37, 60.17

 

CMYK 0 / 59 / 79 / 35

HEX #A74523

RGB 167 69 35

HSL 15.45, 0.65%, 0.4%

LAB 42.14, 38.46, 39.49

 

CMYK 0 / 59 / 79 / 21

HEX #C9532A

RGB 201 83 42

HSL 15.47, 0.65%, 0.48%

LAB 50.42, 44.81, 46.1

 

CMYK 0 / 50 / 68 / 16

HEX #D76B45

RGB 215 107 69

HSL 15.62, 0.65%, 0.56%

LAB 57.46, 39.55, 40.44

 

CMYK 0 / 40 / 54 / 13

HEX #DE8667

RGB 222 134 103

HSL 15.63, 0.64%, 0.64%

LAB 64.61, 30.63, 30.99

 

CMYK 0 / 30 / 40 / 10

HEX #E6A189

RGB 230 161 137

HSL 15.48, 0.65%, 0.72%

LAB 72.31, 22.7, 22.76

 

CMYK 0 / 50 / 67 / 15

HEX #D86C47

RGB 216 108 71

HSL 15.31, 0.65%, 0.56%

LAB 57.83, 39.54, 39.84

 

CMYK 30 / 0 / 68 / 16

HEX #96D745

RGB 150 215 69

HSL 86.71, 0.65%, 0.56%

LAB 79.34, -42.75, 62.61

 

CMYK 68 / 58 / 0 / 16

HEX #455BD7

RGB 69 91 215

HSL 230.96, 0.65%, 0.56%

LAB 43.73, 32.1, -66.23

 

CMYK 0 / 50 / 67 / 15

HEX #D86C47

RGB 216 108 71

HSL 15.31, 0.65%, 0.56%

LAB 57.83, 39.54, 39.84

 

CMYK 68 / 0 / 51 / 16

HEX #45D76A

RGB 69 215 106

HSL 135.21, 0.65%, 0.56%

LAB 76.62, -61.26, 42.49

 

CMYK 51 / 68 / 0 / 16

HEX #6A45D7

RGB 106 69 215

HSL 255.21, 0.65%, 0.56%

LAB 41.57, 50.9, -69.63

 

CMYK 0 / 50 / 67 / 15

HEX #D86C47

RGB 216 108 71

HSL 15.31, 0.65%, 0.56%

LAB 57.83, 39.54, 39.84

 

CMYK 30 / 0 / 68 / 16

HEX #96D745

RGB 150 215 69

HSL 86.71, 0.65%, 0.56%

LAB 79.34, -42.75, 62.61

 

CMYK 68 / 17 / 0 / 16

HEX #45B3D7

RGB 69 179 215

HSL 194.79, 0.65%, 0.56%

LAB 68.32, -19.88, -27.29

 

CMYK 37 / 68 / 0 / 16

HEX #8745D7

RGB 135 69 215

HSL 267.12, 0.65%, 0.56%

LAB 44.68, 56.16, -64.44

 

CMYK 0 / 50 / 67 / 15

HEX #D86C47

RGB 216 108 71

HSL 15.31, 0.65%, 0.56%

LAB 57.83, 39.54, 39.84

 

CMYK 51 / 0 / 68 / 16

HEX #6AD745

RGB 106 215 69

HSL 104.79, 0.65%, 0.56%

LAB 77.34, -56.97, 59.9

 

CMYK 68 / 17 / 0 / 16

HEX #45B3D7

RGB 69 179 215

HSL 194.79, 0.65%, 0.56%

LAB 68.32, -19.88, -27.29

 

CMYK 17 / 68 / 0 / 16

HEX #B345D7

RGB 179 69 215

HSL 285.21, 0.65%, 0.56%

LAB 50.39, 65.21, -54.94

 

Description

Color code: HEX #D86C47 | qconv.com Color code: HEX #D86C47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 108 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 108 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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