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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D872A3 it is the complementary color #278D5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D872A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D872A3 shade: #DD729E, #EE84B1, #FF96C4, #FFA8D7 and #FFBAEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D872A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D872A3 shade: #D872A3, #C76090, #B64E7D, #A53C6A and #942A57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D872A3 shade: #D872A3, #D87288 and #D87272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D872A3 shade: #D872A3, #D872BF, #D672D8, #BB72D8 and #9F72D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D872A3 shade matches the following richer shades: #D872A3, #E764A3 and #F555A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D872A3 shade: #D872A3, #CA81A4, #BB8FA4, #AD9EA5 and #9EACA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D872A3 shade: #D672D8, #D872BF, #D872A4, #D87288 and #D87772

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D872A3 shade: #C33579, #CF528E, #D872A3, #E193B8 and #EAB3CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D872A3 shade: #D872A3, #D8BB72 and #72CCD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D872A3 shade: #D872A3, #A4D872 and #72A4D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D872A3 shade: #D872A3, #D8BB72, #72D8A7 and #728FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D872A3 shade: #D872A3, #D6D872, #72D8A7 and #7472D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

Complementary color

CMYK 72 / 0 / 35 / 45

HEX #278D5C

RGB 39 141 92

HSL 151.18, 0.57%, 0.35%

LAB 52.12, -40.77, 18

 

CMYK 0 / 48 / 29 / 13

HEX #DD729E

RGB 221 114 158

HSL 335.33, 0.61%, 0.66%

LAB 61.55, 46.61, -4.47

 

CMYK 0 / 45 / 26 / 7

HEX #EE84B1

RGB 238 132 177

HSL 334.53, 0.76%, 0.73%

LAB 67.91, 45.79, -5.6

 

CMYK 0 / 41 / 23 / 0

HEX #FF96C4

RGB 255 150 196

HSL 333.71, 1%, 0.79%

LAB 74.23, 44.98, -6.59

 

CMYK 0 / 34 / 16 / 0

HEX #FFA8D7

RGB 255 168 215

HSL 327.59, 1%, 0.83%

LAB 78.56, 38.52, -10.55

 

CMYK 0 / 27 / 8 / 0

HEX #FFBAEA

RGB 255 186 234

HSL 318.26, 1%, 0.86%

LAB 83.08, 32.17, -14.03

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 52 / 28 / 22

HEX #C76090

RGB 199 96 144

HSL 332.04, 0.48%, 0.58%

LAB 54.58, 46.4, -7

 

CMYK 0 / 57 / 31 / 29

HEX #B64E7D

RGB 182 78 125

HSL 332.88, 0.42%, 0.51%

LAB 48.1, 47.1, -5.59

 

CMYK 0 / 64 / 36 / 35

HEX #A53C6A

RGB 165 60 106

HSL 333.71, 0.47%, 0.44%

LAB 41.64, 47.6, -3.82

 

CMYK 0 / 72 / 41 / 42

HEX #942A57

RGB 148 42 87

HSL 334.53, 0.56%, 0.37%

LAB 35.28, 47.72, -1.54

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 47 / 37 / 15

HEX #D87288

RGB 216 114 136

HSL 347.06, 0.57%, 0.65%

LAB 60.26, 42.15, 6.25

 

CMYK 0 / 47 / 47 / 15

HEX #D87272

RGB 216 114 114

HSL 0, 0.57%, 0.65%

LAB 59.75, 39.79, 18.21

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 47 / 12 / 15

HEX #D872BF

RGB 216 114 191

HSL 314.71, 0.57%, 0.65%

LAB 61.99, 49.85, -22.71

 

CMYK 1 / 47 / 0 / 15

HEX #D672D8

RGB 214 114 216

HSL 298.82, 0.57%, 0.65%

LAB 62.75, 53.53, -35.66

 

CMYK 13 / 47 / 0 / 15

HEX #BB72D8

RGB 187 114 216

HSL 282.94, 0.57%, 0.65%

LAB 59.49, 45.87, -41

 

CMYK 26 / 47 / 0 / 15

HEX #9F72D8

RGB 159 114 216

HSL 266.47, 0.57%, 0.65%

LAB 56.45, 38.11, -45.99

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 57 / 29 / 9

HEX #E764A3

RGB 231 100 163

HSL 331.15, 0.73%, 0.65%

LAB 60.56, 57.16, -8.66

 

CMYK 0 / 65 / 34 / 4

HEX #F555A2

RGB 245 85 162

HSL 331.13, 0.89%, 0.65%

LAB 60.35, 67.47, -8.16

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 36 / 19 / 21

HEX #CA81A4

RGB 202 129 164

HSL 331.23, 0.41%, 0.65%

LAB 62.45, 33.09, -6.82

 

CMYK 0 / 24 / 12 / 27

HEX #BB8FA4

RGB 187 143 164

HSL 331.36, 0.24%, 0.65%

LAB 64.07, 20, -4.61

 

CMYK 0 / 9 / 5 / 32

HEX #AD9EA5

RGB 173 158 165

HSL 332, 0.08%, 0.65%

LAB 66.56, 6.74, -1.66

 

CMYK 8 / 0 / 3 / 33

HEX #9EACA6

RGB 158 172 166

HSL 154.29, 0.08%, 0.65%

LAB 69.13, -6.07, 1.4

 

CMYK 1 / 47 / 0 / 15

HEX #D672D8

RGB 214 114 216

HSL 298.82, 0.57%, 0.65%

LAB 62.75, 53.53, -35.66

 

CMYK 0 / 47 / 12 / 15

HEX #D872BF

RGB 216 114 191

HSL 314.71, 0.57%, 0.65%

LAB 61.99, 49.85, -22.71

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 47 / 37 / 15

HEX #D87288

RGB 216 114 136

HSL 347.06, 0.57%, 0.65%

LAB 60.26, 42.15, 6.25

 

CMYK 0 / 45 / 47 / 15

HEX #D87772

RGB 216 119 114

HSL 2.94, 0.57%, 0.65%

LAB 60.79, 37.21, 19.62

 

CMYK 0 / 73 / 38 / 24

HEX #C33579

RGB 195 53 121

HSL 331.27, 0.57%, 0.49%

LAB 46.35, 60.86, -5.52

 

CMYK 0 / 60 / 31 / 19

HEX #CF528E

RGB 207 82 142

HSL 331.2, 0.57%, 0.57%

LAB 53.23, 55.27, -7.71

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 35 / 18 / 12

HEX #E193B8

RGB 225 147 184

HSL 331.54, 0.57%, 0.73%

LAB 69.71, 34.56, -7.03

 

CMYK 0 / 24 / 12 / 8

HEX #EAB3CD

RGB 234 179 205

HSL 331.64, 0.57%, 0.81%

LAB 78.54, 23.94, -5.39

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 13 / 47 / 15

HEX #D8BB72

RGB 216 187 114

HSL 42.94, 0.57%, 0.65%

LAB 76.89, 0.86, 40.63

 

CMYK 47 / 6 / 0 / 15

HEX #72CCD8

RGB 114 204 216

HSL 187.06, 0.57%, 0.65%

LAB 77.11, -23.79, -14.34

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 24 / 0 / 47 / 15

HEX #A4D872

RGB 164 216 114

HSL 90.59, 0.57%, 0.65%

LAB 80.86, -33.95, 44.7

 

CMYK 47 / 24 / 0 / 15

HEX #72A4D8

RGB 114 164 216

HSL 210.59, 0.57%, 0.65%

LAB 65.82, -2.62, -31.57

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 0 / 13 / 47 / 15

HEX #D8BB72

RGB 216 187 114

HSL 42.94, 0.57%, 0.65%

LAB 76.89, 0.86, 40.63

 

CMYK 47 / 0 / 23 / 15

HEX #72D8A7

RGB 114 216 167

HSL 151.18, 0.57%, 0.65%

LAB 79.32, -40.99, 15.1

 

CMYK 47 / 34 / 0 / 15

HEX #728FD8

RGB 114 143 216

HSL 222.94, 0.57%, 0.65%

LAB 60.05, 9.4, -40.56

 

CMYK 0 / 47 / 25 / 15

HEX #D872A3

RGB 216 114 163

HSL 331.18, 0.57%, 0.65%

LAB 61.03, 45.62, -8.18

 

CMYK 1 / 0 / 47 / 15

HEX #D6D872

RGB 214 216 114

HSL 61.18, 0.57%, 0.65%

LAB 84.29, -14.81, 49.67

 

CMYK 47 / 0 / 23 / 15

HEX #72D8A7

RGB 114 216 167

HSL 151.18, 0.57%, 0.65%

LAB 79.32, -40.99, 15.1

 

CMYK 46 / 47 / 0 / 15

HEX #7472D8

RGB 116 114 216

HSL 241.18, 0.57%, 0.65%

LAB 52.63, 27.16, -52.31

 

Description

Color code: HEX #D872A3 | qconv.com Color code: HEX #D872A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 114 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 114 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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