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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D87365 it is the complementary color #278C9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D87365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D87365 shade: #DD7360, #EE8573, #FF9786, #FFA999 and #FFBBAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D87365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D87365 shade: #D87365, #C76152, #B64F3F, #A53D2C and #942B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D87365 shade: #D87263 and #D86363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D87365 shade: #D87263, #D89163, #D8B063, #D8D063 and #C0D863

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D87365 shade matches the following richer shades: #D87263, #E76654 and #F75A44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D87365 shade: #D87263, #C87D73, #B88983, #A99592 and #99A1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D87365 shade: #D86394, #D86375, #D87163, #D89063 and #D8AF63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D87365 shade: #BA3F2E, #CF5442, #D87263, #E09084 and #E8AEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D87365 shade: #D87365, #B3D863 and #6384D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D87365 shade: #D87365, #63D871 and #7163D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D87365 shade: #D87365, #B3D863, #63CAD8 and #8863D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D87365 shade: #D87365, #90D863, #63CAD8 and #AB63D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 53 / 15

HEX #D87365

RGB 216 115 101

HSL 7.3, 0.6%, 0.62%

LAB 59.71, 38.09, 25.57

 

Complementary color

CMYK 75 / 9 / 0 / 40

HEX #278C9A

RGB 39 140 154

HSL 187.3, 0.6%, 0.38%

LAB 53.51, -23.28, -15.67

 

CMYK 0 / 48 / 57 / 13

HEX #DD7360

RGB 221 115 96

HSL 9.12, 0.65%, 0.62%

LAB 60.32, 39.58, 29.32

 

CMYK 0 / 44 / 52 / 7

HEX #EE8573

RGB 238 133 115

HSL 8.78, 0.78%, 0.69%

LAB 66.66, 38.35, 27.45

 

CMYK 0 / 41 / 47 / 0

HEX #FF9786

RGB 255 151 134

HSL 8.43, 1%, 0.76%

LAB 72.97, 37.2, 25.79

 

CMYK 0 / 34 / 40 / 0

HEX #FFA999

RGB 255 169 153

HSL 9.41, 1%, 0.8%

LAB 77.24, 29.8, 21.28

 

CMYK 0 / 27 / 33 / 0

HEX #FFBBAC

RGB 255 187 172

HSL 10.84, 1%, 0.84%

LAB 81.72, 22.58, 17.26

 

CMYK 0 / 47 / 53 / 15

HEX #D87365

RGB 216 115 101

HSL 7.3, 0.6%, 0.62%

LAB 59.71, 38.09, 25.57

 

CMYK 0 / 51 / 59 / 22

HEX #C76152

RGB 199 97 82

HSL 7.69, 0.51%, 0.55%

LAB 53.28, 39.35, 27.59

 

CMYK 0 / 57 / 65 / 29

HEX #B64F3F

RGB 182 79 63

HSL 8.07, 0.49%, 0.48%

LAB 46.84, 40.66, 29.94

 

CMYK 0 / 63 / 73 / 35

HEX #A53D2C

RGB 165 61 44

HSL 8.43, 0.58%, 0.41%

LAB 40.44, 41.93, 32.67

 

CMYK 0 / 71 / 83 / 42

HEX #942B19

RGB 148 43 25

HSL 8.78, 0.71%, 0.34%

LAB 34.18, 42.99, 35.72

 

CMYK 0 / 47 / 54 / 15

HEX #D87263

RGB 216 114 99

HSL 7.69, 0.6%, 0.62%

LAB 59.47, 38.44, 26.38

 

CMYK 0 / 54 / 54 / 15

HEX #D86363

RGB 216 99 99

HSL 0, 0.6%, 0.62%

LAB 56.51, 45.95, 22.48

 

CMYK 0 / 47 / 54 / 15

HEX #D87263

RGB 216 114 99

HSL 7.69, 0.6%, 0.62%

LAB 59.47, 38.44, 26.38

 

CMYK 0 / 33 / 54 / 15

HEX #D89163

RGB 216 145 99

HSL 23.59, 0.6%, 0.62%

LAB 66.33, 21.99, 35.19

 

CMYK 0 / 19 / 54 / 15

HEX #D8B063

RGB 216 176 99

HSL 39.49, 0.6%, 0.62%

LAB 73.9, 5.33, 44.51

 

CMYK 0 / 4 / 54 / 15

HEX #D8D063

RGB 216 208 99

HSL 55.9, 0.6%, 0.62%

LAB 82.17, -11.27, 54.25

 

CMYK 11 / 0 / 54 / 15

HEX #C0D863

RGB 192 216 99

HSL 72.31, 0.6%, 0.62%

LAB 82.5, -24.88, 54.15

 

CMYK 0 / 47 / 54 / 15

HEX #D87263

RGB 216 114 99

HSL 7.69, 0.6%, 0.62%

LAB 59.47, 38.44, 26.38

 

CMYK 0 / 56 / 64 / 9

HEX #E76654

RGB 231 102 84

HSL 7.35, 0.75%, 0.62%

LAB 59.1, 48.83, 34.79

 

CMYK 0 / 64 / 72 / 3

HEX #F75A44

RGB 247 90 68

HSL 7.37, 0.92%, 0.62%

LAB 59.44, 58.84, 44.56

 

CMYK 0 / 47 / 54 / 15

HEX #D87263

RGB 216 114 99

HSL 7.69, 0.6%, 0.62%

LAB 59.47, 38.44, 26.38

 

CMYK 0 / 38 / 43 / 22

HEX #C87D73

RGB 200 125 115

HSL 7.06, 0.44%, 0.62%

LAB 60.05, 27.97, 17.72

 

CMYK 0 / 26 / 29 / 28

HEX #B88983

RGB 184 137 131

HSL 6.79, 0.27%, 0.62%

LAB 61.41, 17.07, 10.22

 

CMYK 0 / 12 / 14 / 34

HEX #A99592

RGB 169 149 146

HSL 7.83, 0.12%, 0.62%

LAB 63.35, 6.9, 4.29

 

CMYK 6 / 1 / 0 / 36

HEX #99A1A2

RGB 153 161 162

HSL 186.67, 0.05%, 0.62%

LAB 65.65, -2.64, -1.51

 

CMYK 0 / 54 / 31 / 15

HEX #D86394

RGB 216 99 148

HSL 334.87, 0.6%, 0.62%

LAB 57.71, 51.02, -4.42

 

CMYK 0 / 54 / 46 / 15

HEX #D86375

RGB 216 99 117

HSL 350.77, 0.6%, 0.62%

LAB 56.89, 47.57, 12.51

 

CMYK 0 / 48 / 54 / 15

HEX #D87163

RGB 216 113 99

HSL 7.18, 0.6%, 0.62%

LAB 59.26, 38.95, 26.11

 

CMYK 0 / 33 / 54 / 15

HEX #D89063

RGB 216 144 99

HSL 23.08, 0.6%, 0.62%

LAB 66.09, 22.53, 34.89

 

CMYK 0 / 19 / 54 / 15

HEX #D8AF63

RGB 216 175 99

HSL 38.97, 0.6%, 0.62%

LAB 73.65, 5.86, 44.21

 

CMYK 0 / 66 / 75 / 27

HEX #BA3F2E

RGB 186 63 46

HSL 7.29, 0.6%, 0.45%

LAB 44.51, 48.59, 37.08

 

CMYK 0 / 59 / 68 / 19

HEX #CF5442

RGB 207 84 66

HSL 7.66, 0.59%, 0.54%

LAB 51.84, 47.6, 35.2

 

CMYK 0 / 47 / 54 / 15

HEX #D87263

RGB 216 114 99

HSL 7.69, 0.6%, 0.62%

LAB 59.47, 38.44, 26.38

 

CMYK 0 / 36 / 41 / 12

HEX #E09084

RGB 224 144 132

HSL 7.83, 0.6%, 0.7%

LAB 67.62, 28.91, 19

 

CMYK 0 / 25 / 29 / 9

HEX #E8AEA5

RGB 232 174 165

HSL 8.06, 0.59%, 0.78%

LAB 76.16, 19.94, 12.88

 

CMYK 0 / 47 / 53 / 15

HEX #D87365

RGB 216 115 101

HSL 7.3, 0.6%, 0.62%

LAB 59.71, 38.09, 25.57

 

CMYK 17 / 0 / 54 / 15

HEX #B3D863

RGB 179 216 99

HSL 78.97, 0.6%, 0.62%

LAB 81.62, -29.92, 52.91

 

CMYK 54 / 39 / 0 / 15

HEX #6384D8

RGB 99 132 216

HSL 223.08, 0.6%, 0.62%

LAB 56.2, 12.49, -46.69

 

CMYK 0 / 47 / 53 / 15

HEX #D87365

RGB 216 115 101

HSL 7.3, 0.6%, 0.62%

LAB 59.71, 38.09, 25.57

 

CMYK 54 / 0 / 48 / 15

HEX #63D871

RGB 99 216 113

HSL 127.18, 0.6%, 0.62%

LAB 77.85, -54.23, 40.79

 

CMYK 48 / 54 / 0 / 15

HEX #7163D8

RGB 113 99 216

HSL 247.18, 0.6%, 0.62%

LAB 48.75, 35.46, -58.54

 

CMYK 0 / 47 / 53 / 15

HEX #D87365

RGB 216 115 101

HSL 7.3, 0.6%, 0.62%

LAB 59.71, 38.09, 25.57

 

CMYK 17 / 0 / 54 / 15

HEX #B3D863

RGB 179 216 99

HSL 78.97, 0.6%, 0.62%

LAB 81.62, -29.92, 52.91

 

CMYK 54 / 6 / 0 / 15

HEX #63CAD8

RGB 99 202 216

HSL 187.18, 0.6%, 0.62%

LAB 75.98, -25.99, -16.1

 

CMYK 37 / 54 / 0 / 15

HEX #8863D8

RGB 136 99 216

HSL 258.97, 0.6%, 0.62%

LAB 50.82, 40.7, -55.1

 

CMYK 0 / 47 / 53 / 15

HEX #D87365

RGB 216 115 101

HSL 7.3, 0.6%, 0.62%

LAB 59.71, 38.09, 25.57

 

CMYK 33 / 0 / 54 / 15

HEX #90D863

RGB 144 216 99

HSL 96.92, 0.6%, 0.62%

LAB 79.58, -42.65, 50.01

 

CMYK 54 / 6 / 0 / 15

HEX #63CAD8

RGB 99 202 216

HSL 187.18, 0.6%, 0.62%

LAB 75.98, -25.99, -16.1

 

CMYK 21 / 54 / 0 / 15

HEX #AB63D8

RGB 171 99 216

HSL 276.92, 0.6%, 0.62%

LAB 54.59, 49.43, -48.85

 

Description

Color code: HEX #D87365 | qconv.com Color code: HEX #D87365 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 115 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 115 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 53 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 53% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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