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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D887BD it is the complementary color #277842. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D887BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D887BD shade: #DD87B8, #EE99CB, #FFABDE, #FFBDF1 and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D887BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D887BD shade: #D887BD, #C775AA, #B66397, #A55184 and #943F71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D887BD shade: #D887BD, #D887A7, #D88791 and #D88787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D887BD shade: #D887BD, #D887D3, #C787D8, #B187D8 and #9C87D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D887BD shade matches the following richer shades: #D887BD, #E57AC1, #F16EC5 and #FE61CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D887BD shade: #D887BD, #CB94B9, #BEA1B4, #B1AEB0 and #A5BAAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D887BD shade: #C887D8, #D887D2, #D887BD, #D887A7 and #D88792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D887BD shade: #C4499B, #CE68AC, #D887BD, #E2A6CE and #ECC5DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D887BD shade: #D887BD, #D8B287 and #87D8D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D887BD shade: #D887BD, #BDD887 and #87BDD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D887BD shade: #D887BD, #D8B287, #87D8A2 and #87ADD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D887BD shade: #D887BD, #D8CA87, #87D8A2 and #8795D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

Complementary color

CMYK 68 / 0 / 45 / 53

HEX #277842

RGB 39 120 66

HSL 140, 0.51%, 0.31%

LAB 44.6, -37.29, 22.66

 

CMYK 0 / 39 / 17 / 13

HEX #DD87B8

RGB 221 135 184

HSL 325.81, 0.56%, 0.7%

LAB 66.64, 39.55, -11.65

 

CMYK 0 / 36 / 15 / 7

HEX #EE99CB

RGB 238 153 203

HSL 324.71, 0.71%, 0.77%

LAB 73.07, 38.78, -12.39

 

CMYK 0 / 33 / 13 / 0

HEX #FFABDE

RGB 255 171 222

HSL 323.57, 1%, 0.84%

LAB 79.42, 38.05, -13.06

 

CMYK 0 / 26 / 5 / 0

HEX #FFBDF1

RGB 255 189 241

HSL 312.73, 1%, 0.87%

LAB 83.97, 31.78, -16.45

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 41 / 15 / 22

HEX #C775AA

RGB 199 117 170

HSL 321.22, 0.42%, 0.62%

LAB 59.68, 39.44, -14.45

 

CMYK 0 / 46 / 17 / 29

HEX #B66397

RGB 182 99 151

HSL 322.41, 0.36%, 0.55%

LAB 53.06, 40.23, -13.63

 

CMYK 0 / 51 / 20 / 35

HEX #A55184

RGB 165 81 132

HSL 323.57, 0.34%, 0.48%

LAB 46.38, 41, -12.65

 

CMYK 0 / 57 / 24 / 42

HEX #943F71

RGB 148 63 113

HSL 324.71, 0.4%, 0.41%

LAB 39.65, 41.67, -11.44

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 38 / 23 / 15

HEX #D887A7

RGB 216 135 167

HSL 336.3, 0.51%, 0.69%

LAB 65.53, 35.25, -3.79

 

CMYK 0 / 38 / 33 / 15

HEX #D88791

RGB 216 135 145

HSL 352.59, 0.51%, 0.69%

LAB 64.94, 32.24, 7.8

 

CMYK 0 / 38 / 38 / 15

HEX #D88787

RGB 216 135 135

HSL 0, 0.51%, 0.69%

LAB 64.7, 31.02, 13.12

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 38 / 2 / 15

HEX #D887D3

RGB 216 135 211

HSL 303.7, 0.51%, 0.69%

LAB 67, 42.46, -26.27

 

CMYK 8 / 38 / 0 / 15

HEX #C787D8

RGB 199 135 216

HSL 287.41, 0.51%, 0.69%

LAB 65.3, 38.14, -31.83

 

CMYK 18 / 38 / 0 / 15

HEX #B187D8

RGB 177 135 216

HSL 271.11, 0.51%, 0.69%

LAB 63.04, 31.47, -35.52

 

CMYK 28 / 38 / 0 / 15

HEX #9C87D8

RGB 156 135 216

HSL 255.56, 0.51%, 0.69%

LAB 61.09, 25.3, -38.7

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 47 / 16 / 10

HEX #E57AC1

RGB 229 122 193

HSL 320.19, 0.67%, 0.69%

LAB 65.3, 50.21, -18.64

 

CMYK 0 / 54 / 18 / 5

HEX #F16EC5

RGB 241 110 197

HSL 320.15, 0.82%, 0.69%

LAB 64.87, 60.18, -21.4

 

CMYK 0 / 62 / 20 / 0

HEX #FE61CA

RGB 254 97 202

HSL 319.87, 0.99%, 0.69%

LAB 64.87, 70.11, -24.06

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 27 / 9 / 20

HEX #CB94B9

RGB 203 148 185

HSL 319.64, 0.35%, 0.69%

LAB 67.56, 26.54, -11.05

 

CMYK 0 / 15 / 5 / 25

HEX #BEA1B4

RGB 190 161 180

HSL 320.69, 0.18%, 0.69%

LAB 69.28, 13.92, -5.84

 

CMYK 0 / 2 / 1 / 31

HEX #B1AEB0

RGB 177 174 176

HSL 320, 0.02%, 0.69%

LAB 71.39, 1.44, -0.65

 

CMYK 11 / 0 / 8 / 27

HEX #A5BAAC

RGB 165 186 172

HSL 140, 0.13%, 0.69%

LAB 73.61, -9.92, 4.65

 

CMYK 7 / 38 / 0 / 15

HEX #C887D8

RGB 200 135 216

HSL 288.15, 0.51%, 0.69%

LAB 65.41, 38.45, -31.65

 

CMYK 0 / 38 / 3 / 15

HEX #D887D2

RGB 216 135 210

HSL 304.44, 0.51%, 0.69%

LAB 66.96, 42.28, -25.77

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 38 / 23 / 15

HEX #D887A7

RGB 216 135 167

HSL 336.3, 0.51%, 0.69%

LAB 65.53, 35.25, -3.79

 

CMYK 0 / 38 / 32 / 15

HEX #D88792

RGB 216 135 146

HSL 351.85, 0.51%, 0.69%

LAB 64.96, 32.37, 7.27

 

CMYK 0 / 63 / 21 / 23

HEX #C4499B

RGB 196 73 155

HSL 320, 0.51%, 0.53%

LAB 50.53, 57.64, -19.65

 

CMYK 0 / 50 / 17 / 19

HEX #CE68AC

RGB 206 104 172

HSL 320, 0.51%, 0.61%

LAB 58.04, 48.73, -18

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 27 / 9 / 11

HEX #E2A6CE

RGB 226 166 206

HSL 320, 0.51%, 0.77%

LAB 74.76, 28.31, -11.64

 

CMYK 0 / 17 / 6 / 7

HEX #ECC5DF

RGB 236 197 223

HSL 320, 0.51%, 0.85%

LAB 83.49, 18.08, -7.73

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 18 / 38 / 15

HEX #D8B287

RGB 216 178 135

HSL 31.85, 0.51%, 0.69%

LAB 74.94, 7.86, 27.15

 

CMYK 38 / 0 / 3 / 15

HEX #87D8D2

RGB 135 216 210

HSL 175.56, 0.51%, 0.69%

LAB 81.25, -26.08, -4.88

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 13 / 0 / 38 / 15

HEX #BDD887

RGB 189 216 135

HSL 80, 0.51%, 0.69%

LAB 82.74, -22.22, 37

 

CMYK 38 / 13 / 0 / 15

HEX #87BDD8

RGB 135 189 216

HSL 200, 0.51%, 0.69%

LAB 73.87, -10.87, -19.13

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 18 / 38 / 15

HEX #D8B287

RGB 216 178 135

HSL 31.85, 0.51%, 0.69%

LAB 74.94, 7.86, 27.15

 

CMYK 38 / 0 / 25 / 15

HEX #87D8A2

RGB 135 216 162

HSL 140, 0.51%, 0.69%

LAB 80.11, -36.25, 18.97

 

CMYK 38 / 20 / 0 / 15

HEX #87ADD8

RGB 135 173 216

HSL 211.85, 0.51%, 0.69%

LAB 69.47, -2.23, -25.85

 

CMYK 0 / 38 / 13 / 15

HEX #D887BD

RGB 216 135 189

HSL 320, 0.51%, 0.69%

LAB 66.21, 38.67, -15.16

 

CMYK 0 / 6 / 38 / 15

HEX #D8CA87

RGB 216 202 135

HSL 49.63, 0.51%, 0.69%

LAB 81.07, -4.75, 35.23

 

CMYK 38 / 0 / 25 / 15

HEX #87D8A2

RGB 135 216 162

HSL 140, 0.51%, 0.69%

LAB 80.11, -36.25, 18.97

 

CMYK 38 / 31 / 0 / 15

HEX #8795D8

RGB 135 149 216

HSL 229.63, 0.51%, 0.69%

LAB 63.01, 11.32, -35.82

 

Description

Color code: HEX #D887BD | qconv.com Color code: HEX #D887BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 135 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 135 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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