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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8889D it is the complementary color #277762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8889D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8889D shade: #DD8898, #EE9AAB, #FFACBE, #FFBED1 and #FFD0E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8889D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8889D shade: #D8889D, #C7768A, #B66477, #A55264 and #944051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8889D shade: #D8879C and #D88787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8889D shade: #D8879C, #D887B2, #D887C8, #D287D8 and #BC87D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8889D shade matches the following richer shades: #D8879C, #E57A96, #F16E90 and #FE618A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8889D shade: #D8879C, #CB94A2, #BEA1A8, #B1AEAF and #A5BAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8889D shade: #D887C8, #D887B2, #D8879D, #D88787 and #D89D87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8889D shade: #C44969, #CE6883, #D8879C, #E2A6B6 and #ECC5D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8889D shade: #D8889D, #D8D287 and #87BDD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8889D shade: #D8889D, #9DD887 and #879DD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8889D shade: #D8889D, #D8D287, #87D8C2 and #878DD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8889D shade: #D8889D, #C5D887, #87D8C2 and #9A87D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 27 / 15

HEX #D8889D

RGB 216 136 157

HSL 344.25, 0.51%, 0.69%

LAB 65.47, 33.3, 1.77

 

Complementary color

CMYK 67 / 0 / 18 / 53

HEX #277762

RGB 39 119 98

HSL 164.25, 0.51%, 0.31%

LAB 44.95, -29.56, 4.51

 

CMYK 0 / 38 / 31 / 13

HEX #DD8898

RGB 221 136 152

HSL 348.71, 0.56%, 0.7%

LAB 65.94, 34.45, 5.36

 

CMYK 0 / 35 / 28 / 7

HEX #EE9AAB

RGB 238 154 171

HSL 347.86, 0.71%, 0.77%

LAB 72.38, 33.59, 4.28

 

CMYK 0 / 33 / 25 / 0

HEX #FFACBE

RGB 255 172 190

HSL 346.99, 1%, 0.84%

LAB 78.74, 32.79, 3.31

 

CMYK 0 / 25 / 18 / 0

HEX #FFBED1

RGB 255 190 209

HSL 342.46, 1%, 0.87%

LAB 83.28, 26.09, -0.34

 

CMYK 0 / 18 / 11 / 0

HEX #FFD0E4

RGB 255 208 228

HSL 334.47, 1%, 0.91%

LAB 87.96, 19.63, -3.6

 

CMYK 0 / 37 / 27 / 15

HEX #D8889D

RGB 216 136 157

HSL 344.25, 0.51%, 0.69%

LAB 65.47, 33.3, 1.77

 

CMYK 0 / 41 / 31 / 22

HEX #C7768A

RGB 199 118 138

HSL 345.19, 0.42%, 0.62%

LAB 58.91, 34.18, 2.86

 

CMYK 0 / 45 / 35 / 29

HEX #B66477

RGB 182 100 119

HSL 346.1, 0.36%, 0.55%

LAB 52.28, 35.11, 4.11

 

CMYK 0 / 50 / 39 / 35

HEX #A55264

RGB 165 82 100

HSL 346.99, 0.34%, 0.48%

LAB 45.57, 36.08, 5.59

 

CMYK 0 / 57 / 45 / 42

HEX #944051

RGB 148 64 81

HSL 347.86, 0.4%, 0.42%

LAB 38.82, 37.05, 7.39

 

CMYK 0 / 38 / 28 / 15

HEX #D8879C

RGB 216 135 156

HSL 344.44, 0.51%, 0.69%

LAB 65.22, 33.7, 1.98

 

CMYK 0 / 38 / 38 / 15

HEX #D88787

RGB 216 135 135

HSL 0, 0.51%, 0.69%

LAB 64.7, 31.02, 13.12

 

CMYK 0 / 38 / 28 / 15

HEX #D8879C

RGB 216 135 156

HSL 344.44, 0.51%, 0.69%

LAB 65.22, 33.7, 1.98

 

CMYK 0 / 38 / 18 / 15

HEX #D887B2

RGB 216 135 178

HSL 328.15, 0.51%, 0.69%

LAB 65.86, 36.91, -9.51

 

CMYK 0 / 38 / 7 / 15

HEX #D887C8

RGB 216 135 200

HSL 311.85, 0.51%, 0.69%

LAB 66.59, 40.52, -20.75

 

CMYK 3 / 38 / 0 / 15

HEX #D287D8

RGB 210 135 216

HSL 295.56, 0.51%, 0.69%

LAB 66.51, 41.52, -29.86

 

CMYK 13 / 38 / 0 / 15

HEX #BC87D8

RGB 188 135 216

HSL 279.26, 0.51%, 0.69%

LAB 64.14, 34.78, -33.72

 

CMYK 0 / 38 / 28 / 15

HEX #D8879C

RGB 216 135 156

HSL 344.44, 0.51%, 0.69%

LAB 65.22, 33.7, 1.98

 

CMYK 0 / 47 / 34 / 10

HEX #E57A96

RGB 229 122 150

HSL 344.3, 0.67%, 0.69%

LAB 63.98, 44.31, 3.8

 

CMYK 0 / 54 / 40 / 5

HEX #F16E90

RGB 241 110 144

HSL 344.43, 0.82%, 0.69%

LAB 63.23, 53.55, 6.37

 

CMYK 0 / 62 / 46 / 0

HEX #FE618A

RGB 254 97 138

HSL 344.33, 0.99%, 0.69%

LAB 62.89, 62.87, 9.6

 

CMYK 0 / 38 / 28 / 15

HEX #D8879C

RGB 216 135 156

HSL 344.44, 0.51%, 0.69%

LAB 65.22, 33.7, 1.98

 

CMYK 0 / 27 / 20 / 20

HEX #CB94A2

RGB 203 148 162

HSL 344.73, 0.35%, 0.69%

LAB 66.89, 22.77, 0.85

 

CMYK 0 / 15 / 12 / 25

HEX #BEA1A8

RGB 190 161 168

HSL 345.52, 0.18%, 0.69%

LAB 68.94, 11.81, 0.33

 

CMYK 0 / 2 / 1 / 31

HEX #B1AEAF

RGB 177 174 175

HSL 340, 0.02%, 0.69%

LAB 71.36, 1.25, -0.14

 

CMYK 11 / 0 / 3 / 27

HEX #A5BAB5

RGB 165 186 181

HSL 165.71, 0.13%, 0.69%

LAB 73.84, -8.17, 0.08

 

CMYK 0 / 38 / 7 / 15

HEX #D887C8

RGB 216 135 200

HSL 311.85, 0.51%, 0.69%

LAB 66.59, 40.52, -20.75

 

CMYK 0 / 38 / 18 / 15

HEX #D887B2

RGB 216 135 178

HSL 328.15, 0.51%, 0.69%

LAB 65.86, 36.91, -9.51

 

CMYK 0 / 38 / 27 / 15

HEX #D8879D

RGB 216 135 157

HSL 343.7, 0.51%, 0.69%

LAB 65.25, 33.83, 1.45

 

CMYK 0 / 38 / 38 / 15

HEX #D88787

RGB 216 135 135

HSL 0, 0.51%, 0.69%

LAB 64.7, 31.02, 13.12

 

CMYK 0 / 27 / 38 / 15

HEX #D89D87

RGB 216 157 135

HSL 16.3, 0.51%, 0.69%

LAB 69.8, 19.16, 20.18

 

CMYK 0 / 63 / 46 / 23

HEX #C44969

RGB 196 73 105

HSL 344.39, 0.51%, 0.53%

LAB 48.91, 51.71, 7.97

 

CMYK 0 / 50 / 36 / 19

HEX #CE6883

RGB 206 104 131

HSL 344.12, 0.51%, 0.61%

LAB 56.74, 43.12, 3.92

 

CMYK 0 / 38 / 28 / 15

HEX #D8879C

RGB 216 135 156

HSL 344.44, 0.51%, 0.69%

LAB 65.22, 33.7, 1.98

 

CMYK 0 / 27 / 19 / 11

HEX #E2A6B6

RGB 226 166 182

HSL 344, 0.51%, 0.77%

LAB 74.07, 24.44, 0.51

 

CMYK 0 / 17 / 12 / 7

HEX #ECC5D0

RGB 236 197 208

HSL 343.08, 0.51%, 0.85%

LAB 83.08, 15.56, -0.31

 

CMYK 0 / 37 / 27 / 15

HEX #D8889D

RGB 216 136 157

HSL 344.25, 0.51%, 0.69%

LAB 65.47, 33.3, 1.77

 

CMYK 0 / 3 / 38 / 15

HEX #D8D287

RGB 216 210 135

HSL 55.56, 0.51%, 0.69%

LAB 83.15, -8.85, 37.92

 

CMYK 38 / 13 / 0 / 15

HEX #87BDD8

RGB 135 189 216

HSL 200, 0.51%, 0.69%

LAB 73.87, -10.87, -19.13

 

CMYK 0 / 37 / 27 / 15

HEX #D8889D

RGB 216 136 157

HSL 344.25, 0.51%, 0.69%

LAB 65.47, 33.3, 1.77

 

CMYK 27 / 0 / 38 / 15

HEX #9DD887

RGB 157 216 135

HSL 103.7, 0.51%, 0.69%

LAB 80.75, -33.71, 34.03

 

CMYK 38 / 27 / 0 / 15

HEX #879DD8

RGB 135 157 216

HSL 223.7, 0.51%, 0.69%

LAB 65.14, 6.74, -32.52

 

CMYK 0 / 37 / 27 / 15

HEX #D8889D

RGB 216 136 157

HSL 344.25, 0.51%, 0.69%

LAB 65.47, 33.3, 1.77

 

CMYK 0 / 3 / 38 / 15

HEX #D8D287

RGB 216 210 135

HSL 55.56, 0.51%, 0.69%

LAB 83.15, -8.85, 37.92

 

CMYK 38 / 0 / 10 / 15

HEX #87D8C2

RGB 135 216 194

HSL 163.7, 0.51%, 0.69%

LAB 80.83, -29.73, 3.04

 

CMYK 38 / 35 / 0 / 15

HEX #878DD8

RGB 135 141 216

HSL 235.56, 0.51%, 0.69%

LAB 60.92, 15.96, -39.09

 

CMYK 0 / 37 / 27 / 15

HEX #D8889D

RGB 216 136 157

HSL 344.25, 0.51%, 0.69%

LAB 65.47, 33.3, 1.77

 

CMYK 9 / 0 / 38 / 15

HEX #C5D887

RGB 197 216 135

HSL 74.07, 0.51%, 0.69%

LAB 83.3, -19.2, 37.83

 

CMYK 38 / 0 / 10 / 15

HEX #87D8C2

RGB 135 216 194

HSL 163.7, 0.51%, 0.69%

LAB 80.83, -29.73, 3.04

 

CMYK 29 / 38 / 0 / 15

HEX #9A87D8

RGB 154 135 216

HSL 254.07, 0.51%, 0.69%

LAB 60.92, 24.72, -38.99

 

Description

Color code: HEX #D8889D | qconv.com Color code: HEX #D8889D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 136 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 136 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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