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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D88D77 it is the complementary color #277288. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D88D77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D88D77 shade: #DD8D72, #EE9F85, #FFB198, #FFC3AB and #FFD5BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D88D77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D88D77 shade: #D88D77, #C77B64, #B66951, #A5573E and #94452B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D88D77 shade: #D78E78 and #D77878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D88D77 shade: #D78E78, #D7A778, #D7C178, #D4D778 and #BAD778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D88D77 shade matches the following richer shades: #D78E78, #E6866A and #F47E5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D88D77 shade: #D78E78, #C99586, #BB9D94, #ADA5A2 and #9FACB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D88D77 shade: #D77896, #D7787D, #D78D78, #D7A678 and #D7C078

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D88D77 shade: #C45839, #CE7358, #D78E78, #E1A998 and #EAC3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D88D77 shade: #D88D77, #B0D778 and #788AD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D88D77 shade: #D88D77, #78D78D and #8D78D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D88D77 shade: #D88D77, #B0D778, #78C3D7 and #A078D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D88D77 shade: #D88D77, #93D778, #78C3D7 and #BC78D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 45 / 15

HEX #D88D77

RGB 216 141 119

HSL 13.61, 0.55%, 0.66%

LAB 65.73, 26.02, 23.5

 

Complementary color

CMYK 71 / 16 / 0 / 47

HEX #277288

RGB 39 114 136

HSL 193.61, 0.55%, 0.34%

LAB 44.58, -15.28, -18.74

 

CMYK 0 / 36 / 48 / 13

HEX #DD8D72

RGB 221 141 114

HSL 15.14, 0.61%, 0.66%

LAB 66.24, 27.5, 27.05

 

CMYK 0 / 33 / 44 / 7

HEX #EE9F85

RGB 238 159 133

HSL 14.86, 0.76%, 0.73%

LAB 72.67, 26.45, 25.58

 

CMYK 0 / 31 / 40 / 0

HEX #FFB198

RGB 255 177 152

HSL 14.56, 1%, 0.8%

LAB 79.02, 25.51, 24.25

 

CMYK 0 / 24 / 33 / 0

HEX #FFC3AB

RGB 255 195 171

HSL 17.14, 1%, 0.84%

LAB 83.56, 18.27, 20.36

 

CMYK 0 / 16 / 25 / 0

HEX #FFD5BE

RGB 255 213 190

HSL 21.23, 1%, 0.87%

LAB 88.24, 11.34, 16.85

 

CMYK 0 / 35 / 45 / 15

HEX #D88D77

RGB 216 141 119

HSL 13.61, 0.55%, 0.66%

LAB 65.73, 26.02, 23.5

 

CMYK 0 / 38 / 50 / 22

HEX #C77B64

RGB 199 123 100

HSL 13.94, 0.47%, 0.59%

LAB 59.18, 27.12, 25.03

 

CMYK 0 / 42 / 55 / 29

HEX #B66951

RGB 182 105 81

HSL 14.26, 0.41%, 0.52%

LAB 52.56, 28.36, 26.75

 

CMYK 0 / 47 / 62 / 35

HEX #A5573E

RGB 165 87 62

HSL 14.56, 0.45%, 0.45%

LAB 45.86, 29.75, 28.72

 

CMYK 0 / 53 / 71 / 42

HEX #94452B

RGB 148 69 43

HSL 14.86, 0.55%, 0.37%

LAB 39.12, 31.29, 30.97

 

CMYK 0 / 34 / 44 / 16

HEX #D78E78

RGB 215 142 120

HSL 13.89, 0.54%, 0.66%

LAB 65.86, 25.2, 23.1

 

CMYK 0 / 44 / 44 / 16

HEX #D77878

RGB 215 120 120

HSL 0, 0.54%, 0.66%

LAB 60.99, 36.91, 16.45

 

CMYK 0 / 34 / 44 / 16

HEX #D78E78

RGB 215 142 120

HSL 13.89, 0.54%, 0.66%

LAB 65.86, 25.2, 23.1

 

CMYK 0 / 22 / 44 / 16

HEX #D7A778

RGB 215 167 120

HSL 29.68, 0.54%, 0.66%

LAB 71.85, 11.69, 31.04

 

CMYK 0 / 10 / 44 / 16

HEX #D7C178

RGB 215 193 120

HSL 46.11, 0.54%, 0.66%

LAB 78.43, -2.09, 39.5

 

CMYK 1 / 0 / 44 / 16

HEX #D4D778

RGB 212 215 120

HSL 61.89, 0.54%, 0.66%

LAB 83.94, -14.53, 46.32

 

CMYK 13 / 0 / 44 / 16

HEX #BAD778

RGB 186 215 120

HSL 78.32, 0.54%, 0.66%

LAB 82.05, -24.64, 43.56

 

CMYK 0 / 34 / 44 / 16

HEX #D78E78

RGB 215 142 120

HSL 13.89, 0.54%, 0.66%

LAB 65.86, 25.2, 23.1

 

CMYK 0 / 42 / 54 / 10

HEX #E6866A

RGB 230 134 106

HSL 13.55, 0.71%, 0.66%

LAB 65.68, 34.01, 30.93

 

CMYK 0 / 48 / 62 / 4

HEX #F47E5C

RGB 244 126 92

HSL 13.42, 0.87%, 0.66%

LAB 65.69, 42.43, 38.94

 

CMYK 0 / 34 / 44 / 16

HEX #D78E78

RGB 215 142 120

HSL 13.89, 0.54%, 0.66%

LAB 65.86, 25.2, 23.1

 

CMYK 0 / 26 / 33 / 21

HEX #C99586

RGB 201 149 134

HSL 13.43, 0.38%, 0.66%

LAB 66.24, 17.5, 15.57

 

CMYK 0 / 16 / 21 / 27

HEX #BB9D94

RGB 187 157 148

HSL 13.85, 0.22%, 0.66%

LAB 67.14, 9.65, 8.83

 

CMYK 0 / 5 / 6 / 32

HEX #ADA5A2

RGB 173 165 162

HSL 16.36, 0.06%, 0.66%

LAB 68.32, 2.34, 2.57

 

CMYK 10 / 2 / 0 / 31

HEX #9FACB0

RGB 159 172 176

HSL 194.12, 0.1%, 0.66%

LAB 69.48, -3.72, -3.62

 

CMYK 0 / 44 / 30 / 16

HEX #D77896

RGB 215 120 150

HSL 341.05, 0.54%, 0.66%

LAB 61.72, 40.44, 0.29

 

CMYK 0 / 44 / 42 / 16

HEX #D7787D

RGB 215 120 125

HSL 356.84, 0.54%, 0.66%

LAB 61.1, 37.44, 13.74

 

CMYK 0 / 34 / 44 / 16

HEX #D78D78

RGB 215 141 120

HSL 13.26, 0.54%, 0.66%

LAB 65.63, 25.73, 22.79

 

CMYK 0 / 23 / 44 / 16

HEX #D7A678

RGB 215 166 120

HSL 29.05, 0.54%, 0.66%

LAB 71.61, 12.23, 30.72

 

CMYK 0 / 11 / 44 / 16

HEX #D7C078

RGB 215 192 120

HSL 45.47, 0.54%, 0.66%

LAB 78.17, -1.57, 39.17

 

CMYK 0 / 55 / 71 / 23

HEX #C45839

RGB 196 88 57

HSL 13.38, 0.55%, 0.5%

LAB 50.7, 41.16, 38.4

 

CMYK 0 / 44 / 57 / 19

HEX #CE7358

RGB 206 115 88

HSL 13.73, 0.55%, 0.58%

LAB 58.12, 33.16, 30.56

 

CMYK 0 / 34 / 44 / 16

HEX #D78E78

RGB 215 142 120

HSL 13.89, 0.54%, 0.66%

LAB 65.86, 25.2, 23.1

 

CMYK 0 / 25 / 32 / 12

HEX #E1A998

RGB 225 169 152

HSL 13.97, 0.55%, 0.74%

LAB 73.97, 18.27, 16.78

 

CMYK 0 / 17 / 21 / 8

HEX #EAC3B8

RGB 234 195 184

HSL 13.2, 0.54%, 0.82%

LAB 81.83, 12.18, 10.7

 

CMYK 0 / 35 / 45 / 15

HEX #D88D77

RGB 216 141 119

HSL 13.61, 0.55%, 0.66%

LAB 65.73, 26.02, 23.5

 

CMYK 18 / 0 / 44 / 16

HEX #B0D778

RGB 176 215 120

HSL 84.63, 0.54%, 0.66%

LAB 81.39, -28.39, 42.6

 

CMYK 44 / 36 / 0 / 16

HEX #788AD7

RGB 120 138 215

HSL 228.63, 0.54%, 0.66%

LAB 59.04, 13.52, -41.55

 

CMYK 0 / 35 / 45 / 15

HEX #D88D77

RGB 216 141 119

HSL 13.61, 0.55%, 0.66%

LAB 65.73, 26.02, 23.5

 

CMYK 44 / 0 / 34 / 16

HEX #78D78D

RGB 120 215 141

HSL 133.26, 0.54%, 0.66%

LAB 78.76, -43.86, 27.99

 

CMYK 34 / 44 / 0 / 16

HEX #8D78D7

RGB 141 120 215

HSL 253.26, 0.54%, 0.66%

LAB 56.09, 29.57, -46.11

 

CMYK 0 / 35 / 45 / 15

HEX #D88D77

RGB 216 141 119

HSL 13.61, 0.55%, 0.66%

LAB 65.73, 26.02, 23.5

 

CMYK 18 / 0 / 44 / 16

HEX #B0D778

RGB 176 215 120

HSL 84.63, 0.54%, 0.66%

LAB 81.39, -28.39, 42.6

 

CMYK 44 / 9 / 0 / 16

HEX #78C3D7

RGB 120 195 215

HSL 192.63, 0.54%, 0.66%

LAB 74.78, -18.08, -17.29

 

CMYK 26 / 44 / 0 / 16

HEX #A078D7

RGB 160 120 215

HSL 265.26, 0.54%, 0.66%

LAB 57.86, 34.76, -43.2

 

CMYK 0 / 35 / 45 / 15

HEX #D88D77

RGB 216 141 119

HSL 13.61, 0.55%, 0.66%

LAB 65.73, 26.02, 23.5

 

CMYK 32 / 0 / 44 / 16

HEX #93D778

RGB 147 215 120

HSL 102.95, 0.54%, 0.66%

LAB 79.7, -38.69, 40.11

 

CMYK 44 / 9 / 0 / 16

HEX #78C3D7

RGB 120 195 215

HSL 192.63, 0.54%, 0.66%

LAB 74.78, -18.08, -17.29

 

CMYK 13 / 44 / 0 / 16

HEX #BC78D7

RGB 188 120 215

HSL 282.95, 0.54%, 0.66%

LAB 60.81, 42.75, -38.36

 

Description

Color code: HEX #D88D77 | qconv.com Color code: HEX #D88D77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 141 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 141 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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