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Color name
HEX #D89018

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D89018 it is the complementary color #276FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D89018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D89018 shade: #DD9013, #EEA226, #FFB439, #FFC64C and #FFD85F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D89018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D89018 shade: #D89018, #C77E05, #B66C00, #A55A00 and #944800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D89018 shade: #D78F17, #D75C17, #D72817 and #D71717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D89018 shade: #D78F17, #D7C317, #B8D717, #84D717 and #50D717

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D89018 shade matches the following richer shades: #D78F17 and #EB9404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D89018 shade: #D78F17, #C48A2B, #B0863E, #9D8152 and #8A7C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D89018 shade: #D72717, #D75B17, #D78E17, #D7C117 and #BAD717

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D89018 shade: #8D5E0F, #B27713, #D78F17, #E8A330 and #ECB355

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D89018 shade: #D89018, #3BD717 and #4117D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D89018 shade: #D89018, #17D78E and #8E17D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D89018 shade: #D89018, #3BD717, #1761D7 and #B417D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D89018 shade: #D89018, #17D72E, #1761D7 and #D717C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 89 / 15

HEX #D89018

RGB 216 144 24

HSL 37.5, 0.8%, 0.47%

LAB 65.44, 18.76, 66.41

 

Complementary color

CMYK 83 / 52 / 0 / 9

HEX #276FE7

RGB 39 111 231

HSL 217.5, 0.8%, 0.53%

LAB 48.97, 21.96, -66.85

 

CMYK 0 / 35 / 91 / 13

HEX #DD9013

RGB 221 144 19

HSL 37.13, 0.84%, 0.47%

LAB 66.03, 20.82, 68.23

 

CMYK 0 / 32 / 84 / 7

HEX #EEA226

RGB 238 162 38

HSL 37.2, 0.85%, 0.54%

LAB 72.33, 18.88, 69.24

 

CMYK 0 / 29 / 78 / 0

HEX #FFB439

RGB 255 180 57

HSL 37.27, 1%, 0.61%

LAB 78.58, 17.17, 69.19

 

CMYK 0 / 22 / 70 / 0

HEX #FFC64C

RGB 255 198 76

HSL 40.89, 1%, 0.65%

LAB 83, 8.61, 66.2

 

CMYK 0 / 15 / 63 / 0

HEX #FFD85F

RGB 255 216 95

HSL 45.38, 1%, 0.69%

LAB 87.58, 0.42, 63.05

 

CMYK 0 / 33 / 89 / 15

HEX #D89018

RGB 216 144 24

HSL 37.5, 0.8%, 0.47%

LAB 65.44, 18.76, 66.41

 

CMYK 0 / 37 / 97 / 22

HEX #C77E05

RGB 199 126 5

HSL 37.42, 0.95%, 0.4%

LAB 59.04, 20.86, 64.41

 

CMYK 0 / 41 / 100 / 29

HEX #B66C00

RGB 182 108 0

HSL 35.6, 1%, 0.36%

LAB 52.59, 23.24, 60

 

CMYK 0 / 45 / 100 / 35

HEX #A55A00

RGB 165 90 0

HSL 32.73, 1%, 0.32%

LAB 46.06, 25.75, 54.72

 

CMYK 0 / 51 / 100 / 42

HEX #944800

RGB 148 72 0

HSL 29.19, 1%, 0.29%

LAB 39.46, 28.28, 49.41

 

CMYK 0 / 33 / 89 / 16

HEX #D78F17

RGB 215 143 23

HSL 37.5, 0.81%, 0.47%

LAB 65.08, 18.84, 66.32

 

CMYK 0 / 57 / 89 / 16

HEX #D75C17

RGB 215 92 23

HSL 21.56, 0.81%, 0.47%

LAB 54.2, 45.27, 58.04

 

CMYK 0 / 81 / 89 / 16

HEX #D72817

RGB 215 40 23

HSL 5.31, 0.81%, 0.47%

LAB 47.01, 64.77, 52.73

 

CMYK 0 / 89 / 89 / 16

HEX #D71717

RGB 215 23 23

HSL 0, 0.81%, 0.47%

LAB 45.8, 68.22, 51.85

 

CMYK 0 / 33 / 89 / 16

HEX #D78F17

RGB 215 143 23

HSL 37.5, 0.81%, 0.47%

LAB 65.08, 18.84, 66.32

 

CMYK 0 / 9 / 89 / 16

HEX #D7C317

RGB 215 195 23

HSL 53.75, 0.81%, 0.47%

LAB 78.19, -8.68, 76.49

 

CMYK 14 / 0 / 89 / 16

HEX #B8D717

RGB 184 215 23

HSL 69.69, 0.81%, 0.47%

LAB 81.21, -31.57, 77.85

 

CMYK 39 / 0 / 89 / 16

HEX #84D717

RGB 132 215 23

HSL 85.94, 0.81%, 0.47%

LAB 78.21, -51.24, 74.16

 

CMYK 63 / 0 / 89 / 16

HEX #50D717

RGB 80 215 23

HSL 102.19, 0.81%, 0.47%

LAB 76.29, -66.07, 71.78

 

CMYK 0 / 33 / 89 / 16

HEX #D78F17

RGB 215 143 23

HSL 37.5, 0.81%, 0.47%

LAB 65.08, 18.84, 66.32

 

CMYK 0 / 37 / 98 / 8

HEX #EB9404

RGB 235 148 4

HSL 37.4, 0.97%, 0.47%

LAB 68.64, 24.49, 73.15

 

CMYK 0 / 33 / 89 / 16

HEX #D78F17

RGB 215 143 23

HSL 37.5, 0.81%, 0.47%

LAB 65.08, 18.84, 66.32

 

CMYK 0 / 30 / 78 / 23

HEX #C48A2B

RGB 196 138 43

HSL 37.25, 0.64%, 0.47%

LAB 61.73, 13.84, 56.29

 

CMYK 0 / 24 / 65 / 31

HEX #B0863E

RGB 176 134 62

HSL 37.89, 0.48%, 0.47%

LAB 58.63, 8.22, 44.01

 

CMYK 0 / 18 / 48 / 38

HEX #9D8152

RGB 157 129 82

HSL 37.6, 0.31%, 0.47%

LAB 55.56, 4.37, 29.43

 

CMYK 0 / 10 / 27 / 46

HEX #8A7C65

RGB 138 124 101

HSL 37.3, 0.15%, 0.47%

LAB 52.68, 1.53, 14.53

 

CMYK 0 / 82 / 89 / 16

HEX #D72717

RGB 215 39 23

HSL 5, 0.81%, 0.47%

LAB 46.92, 65.02, 52.66

 

CMYK 0 / 58 / 89 / 16

HEX #D75B17

RGB 215 91 23

HSL 21.25, 0.81%, 0.47%

LAB 54.02, 45.75, 57.91

 

CMYK 0 / 34 / 89 / 16

HEX #D78E17

RGB 215 142 23

HSL 37.19, 0.81%, 0.47%

LAB 64.85, 19.38, 66.14

 

CMYK 0 / 10 / 89 / 16

HEX #D7C117

RGB 215 193 23

HSL 53.13, 0.81%, 0.47%

LAB 77.67, -7.65, 76.08

 

CMYK 13 / 0 / 89 / 16

HEX #BAD717

RGB 186 215 23

HSL 69.06, 0.81%, 0.47%

LAB 81.35, -30.76, 78.02

 

CMYK 0 / 33 / 89 / 45

HEX #8D5E0F

RGB 141 94 15

HSL 37.62, 0.81%, 0.31%

LAB 43.8, 12.87, 47.8

 

CMYK 0 / 33 / 89 / 30

HEX #B27713

RGB 178 119 19

HSL 37.74, 0.81%, 0.39%

LAB 54.77, 15.64, 57.37

 

CMYK 0 / 33 / 89 / 16

HEX #D78F17

RGB 215 143 23

HSL 37.5, 0.81%, 0.47%

LAB 65.08, 18.84, 66.32

 

CMYK 0 / 30 / 79 / 9

HEX #E8A330

RGB 232 163 48

HSL 37.5, 0.8%, 0.55%

LAB 71.94, 16.1, 65.36

 

CMYK 0 / 24 / 64 / 7

HEX #ECB355

RGB 236 179 85

HSL 37.35, 0.8%, 0.63%

LAB 76.51, 11.09, 54.8

 

CMYK 0 / 33 / 89 / 15

HEX #D89018

RGB 216 144 24

HSL 37.5, 0.8%, 0.47%

LAB 65.44, 18.76, 66.41

 

CMYK 73 / 0 / 89 / 16

HEX #3BD717

RGB 59 215 23

HSL 108.75, 0.81%, 0.47%

LAB 75.82, -70.12, 71.19

 

CMYK 70 / 89 / 0 / 16

HEX #4117D7

RGB 65 23 215

HSL 253.13, 0.81%, 0.47%

LAB 30.98, 66.21, -87.23

 

CMYK 0 / 33 / 89 / 15

HEX #D89018

RGB 216 144 24

HSL 37.5, 0.8%, 0.47%

LAB 65.44, 18.76, 66.41

 

CMYK 89 / 0 / 34 / 16

HEX #17D78E

RGB 23 215 142

HSL 157.19, 0.81%, 0.47%

LAB 76.52, -60.12, 24.06

 

CMYK 34 / 89 / 0 / 16

HEX #8E17D7

RGB 142 23 215

HSL 277.19, 0.81%, 0.47%

LAB 40.03, 73.31, -71.98

 

CMYK 0 / 33 / 89 / 15

HEX #D89018

RGB 216 144 24

HSL 37.5, 0.8%, 0.47%

LAB 65.44, 18.76, 66.41

 

CMYK 73 / 0 / 89 / 16

HEX #3BD717

RGB 59 215 23

HSL 108.75, 0.81%, 0.47%

LAB 75.82, -70.12, 71.19

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 16 / 89 / 0 / 16

HEX #B417D7

RGB 180 23 215

HSL 289.06, 0.81%, 0.47%

LAB 45.94, 78.66, -62.11

 

CMYK 0 / 33 / 89 / 15

HEX #D89018

RGB 216 144 24

HSL 37.5, 0.8%, 0.47%

LAB 65.44, 18.76, 66.41

 

CMYK 89 / 0 / 79 / 16

HEX #17D72E

RGB 23 215 46

HSL 127.19, 0.81%, 0.47%

LAB 75.44, -73.15, 65.32

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 0 / 89 / 10 / 16

HEX #D717C1

RGB 215 23 193

HSL 306.88, 0.81%, 0.47%

LAB 50.58, 81.21, -41.64

 

Description

Color code: HEX #D89018 | qconv.com Color code: HEX #D89018 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 144 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 144 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 89% 15% C M Y K

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Provide designers and agencies with accurate color values.

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