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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8A5D1 it is the complementary color #275A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8A5D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8A5D1 shade: #DDA5CC, #EEB7DF, #FFC9F2, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8A5D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8A5D1 shade: #D8A5D1, #C793BE, #B681AB, #A56F98 and #945D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8A5D1 shade: #D8A5D1, #D8A5C3, #D8A5B6, #D8A5A8 and #D8A5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8A5D1 shade: #D8A5D1, #D2A5D8, #C4A5D8, #B6A5D8 and #A8A5D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8A5D1 shade matches the following richer shades: #D8A5D1, #E39BD9, #ED91E0 and #F786E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8A5D1 shade: #D8A5D1, #CEB0CA, #C4BAC2, #B9C4BB and #AFCFB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8A5D1 shade: #C4A5D8, #D1A5D8, #D8A5D1, #D8A5C4 and #D8A5B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8A5D1 shade: #BF6BB4, #CC88C3, #D8A5D1, #E5C2E0 and #F1DFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8A5D1 shade: #D8A5D1, #D8B6A5 and #A5D8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8A5D1 shade: #D8A5D1, #D1D8A5 and #A5D1D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8A5D1 shade: #D8A5D1, #D8B6A5, #A5D8AC and #A5C7D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8A5D1 shade: #D8A5D1, #D8C6A5, #A5D8AC and #A5B8D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

Complementary color

CMYK 57 / 0 / 49 / 65

HEX #275A2E

RGB 39 90 46

HSL 128.24, 0.4%, 0.25%

LAB 33.86, -27.74, 20.29

 

CMYK 0 / 25 / 8 / 13

HEX #DDA5CC

RGB 221 165 204

HSL 318.21, 0.45%, 0.76%

LAB 73.96, 26.8, -11.79

 

CMYK 0 / 23 / 6 / 7

HEX #EEB7DF

RGB 238 183 223

HSL 316.36, 0.62%, 0.83%

LAB 80.39, 26.2, -12.33

 

CMYK 0 / 21 / 5 / 0

HEX #FFC9F2

RGB 255 201 242

HSL 314.44, 1%, 0.89%

LAB 86.72, 25.65, -12.85

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 26 / 5 / 22

HEX #C793BE

RGB 199 147 190

HSL 310.38, 0.32%, 0.68%

LAB 67.07, 26.6, -14.62

 

CMYK 0 / 29 / 6 / 29

HEX #B681AB

RGB 182 129 171

HSL 312.45, 0.27%, 0.61%

LAB 60.41, 27.27, -14.1

 

CMYK 0 / 33 / 8 / 35

HEX #A56F98

RGB 165 111 152

HSL 314.44, 0.23%, 0.54%

LAB 53.64, 27.99, -13.55

 

CMYK 0 / 37 / 10 / 42

HEX #945D85

RGB 148 93 133

HSL 316.36, 0.23%, 0.47%

LAB 46.73, 28.76, -12.93

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 24 / 10 / 15

HEX #D8A5C3

RGB 216 165 195

HSL 324.71, 0.4%, 0.75%

LAB 73.19, 23.53, -8.06

 

CMYK 0 / 24 / 16 / 15

HEX #D8A5B6

RGB 216 165 182

HSL 340, 0.4%, 0.75%

LAB 72.82, 21.38, -1.45

 

CMYK 0 / 24 / 22 / 15

HEX #D8A5A8

RGB 216 165 168

HSL 356.47, 0.4%, 0.75%

LAB 72.45, 19.22, 5.74

 

CMYK 0 / 24 / 24 / 15

HEX #D8A5A5

RGB 216 165 165

HSL 0, 0.4%, 0.75%

LAB 72.38, 18.79, 7.28

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 3 / 24 / 0 / 15

HEX #D2A5D8

RGB 210 165 216

HSL 292.94, 0.4%, 0.75%

LAB 73.27, 25.29, -19.52

 

CMYK 9 / 24 / 0 / 15

HEX #C4A5D8

RGB 196 165 216

HSL 276.47, 0.4%, 0.75%

LAB 71.96, 20.71, -21.63

 

CMYK 16 / 24 / 0 / 15

HEX #B6A5D8

RGB 182 165 216

HSL 260, 0.4%, 0.75%

LAB 70.74, 16.22, -23.6

 

CMYK 22 / 24 / 0 / 15

HEX #A8A5D8

RGB 168 165 216

HSL 243.53, 0.4%, 0.75%

LAB 69.61, 11.84, -25.43

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 32 / 4 / 11

HEX #E39BD9

RGB 227 155 217

HSL 308.33, 0.56%, 0.75%

LAB 72.75, 36.44, -20.69

 

CMYK 0 / 39 / 5 / 7

HEX #ED91E0

RGB 237 145 224

HSL 308.48, 0.72%, 0.75%

LAB 71.99, 46.08, -25.6

 

CMYK 0 / 46 / 6 / 3

HEX #F786E8

RGB 247 134 232

HSL 307.96, 0.88%, 0.75%

LAB 71.32, 55.97, -30.92

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 15 / 2 / 19

HEX #CEB0CA

RGB 206 176 202

HSL 308, 0.23%, 0.75%

LAB 75.1, 15.32, -9.15

 

CMYK 0 / 5 / 1 / 23

HEX #C4BAC2

RGB 196 186 194

HSL 312, 0.08%, 0.75%

LAB 76.53, 4.97, -2.78

 

CMYK 6 / 0 / 5 / 23

HEX #B9C4BB

RGB 185 196 187

HSL 130.91, 0.09%, 0.75%

LAB 78.1, -5.46, 3.2

 

CMYK 15 / 0 / 14 / 19

HEX #AFCFB3

RGB 175 207 179

HSL 127.5, 0.25%, 0.75%

LAB 80.18, -16.03, 10.39

 

CMYK 9 / 24 / 0 / 15

HEX #C4A5D8

RGB 196 165 216

HSL 276.47, 0.4%, 0.75%

LAB 71.96, 20.71, -21.63

 

CMYK 3 / 24 / 0 / 15

HEX #D1A5D8

RGB 209 165 216

HSL 291.76, 0.4%, 0.75%

LAB 73.17, 24.96, -19.68

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 24 / 9 / 15

HEX #D8A5C4

RGB 216 165 196

HSL 323.53, 0.4%, 0.75%

LAB 73.22, 23.7, -8.56

 

CMYK 0 / 24 / 16 / 15

HEX #D8A5B6

RGB 216 165 182

HSL 340, 0.4%, 0.75%

LAB 72.82, 21.38, -1.45

 

CMYK 0 / 44 / 6 / 25

HEX #BF6BB4

RGB 191 107 180

HSL 307.86, 0.4%, 0.58%

LAB 56.97, 43.81, -24.42

 

CMYK 0 / 33 / 4 / 20

HEX #CC88C3

RGB 204 136 195

HSL 307.94, 0.4%, 0.67%

LAB 65.27, 35.19, -20.1

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 15 / 2 / 10

HEX #E5C2E0

RGB 229 194 224

HSL 308.57, 0.4%, 0.83%

LAB 82.18, 17.48, -10.29

 

CMYK 0 / 7 / 1 / 5

HEX #F1DFEF

RGB 241 223 239

HSL 306.67, 0.39%, 0.91%

LAB 90.65, 8.92, -5.57

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 16 / 24 / 15

HEX #D8B6A5

RGB 216 182 165

HSL 20, 0.4%, 0.75%

LAB 76.54, 9.63, 13.2

 

CMYK 24 / 0 / 6 / 15

HEX #A5D8CB

RGB 165 216 203

HSL 164.71, 0.4%, 0.75%

LAB 82.61, -19.12, 1.03

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 3 / 0 / 24 / 15

HEX #D1D8A5

RGB 209 216 165

HSL 68.24, 0.4%, 0.75%

LAB 84.68, -10.75, 24.41

 

CMYK 24 / 3 / 0 / 15

HEX #A5D1D8

RGB 165 209 216

HSL 188.24, 0.4%, 0.75%

LAB 81.05, -12.78, -8.2

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 16 / 24 / 15

HEX #D8B6A5

RGB 216 182 165

HSL 20, 0.4%, 0.75%

LAB 76.54, 9.63, 13.2

 

CMYK 24 / 0 / 20 / 15

HEX #A5D8AC

RGB 165 216 172

HSL 128.24, 0.4%, 0.75%

LAB 81.89, -25.09, 16.43

 

CMYK 24 / 8 / 0 / 15

HEX #A5C7D8

RGB 165 199 216

HSL 200, 0.4%, 0.75%

LAB 78.35, -7.57, -12.22

 

CMYK 0 / 24 / 3 / 15

HEX #D8A5D1

RGB 216 165 209

HSL 308.24, 0.4%, 0.75%

LAB 73.62, 25.99, -15.1

 

CMYK 0 / 8 / 24 / 15

HEX #D8C6A5

RGB 216 198 165

HSL 38.82, 0.4%, 0.75%

LAB 80.57, 1.16, 18.84

 

CMYK 24 / 0 / 20 / 15

HEX #A5D8AC

RGB 165 216 172

HSL 128.24, 0.4%, 0.75%

LAB 81.89, -25.09, 16.43

 

CMYK 24 / 15 / 0 / 15

HEX #A5B8D8

RGB 165 184 216

HSL 217.65, 0.4%, 0.75%

LAB 74.34, 0.44, -18.25

 

Description

Color code: HEX #D8A5D1 | qconv.com Color code: HEX #D8A5D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 165 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 165 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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