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Color name
HEX #D8A816

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8A816 it is the complementary color #2757E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8A816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8A816 shade: #DDA811, #EEBA24, #FFCC37, #FFDE4A and #FFF05D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8A816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8A816 shade: #D8A816, #C79603, #B68400, #A57200 and #946000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8A816 shade: #DAA915, #DA7415, #DA3F15 and #DA1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8A816 shade: #DAA915, #D5DA15, #A0DA15, #6BDA15 and #36DA15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8A816 shade matches the following richer shades: #DAA915 and #EDB302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8A816 shade: #DAA915, #C69F28, #B3953C, #9F8C4F and #8C8263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8A816 shade: #DA4015, #DA7415, #DAA815, #D6DA15 and #A2DA15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8A816 shade: #8F6F0E, #B48C11, #DAA915, #EABB2E and #EEC754

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8A816 shade: #D8A816, #1FDA15 and #5A15DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8A816 shade: #D8A816, #15DAA8 and #A815DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8A816 shade: #D8A816, #1FDA15, #1546DA and #D015DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8A816 shade: #D8A816, #15DA46, #1546DA and #DA15A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 90 / 15

HEX #D8A816

RGB 216 168 22

HSL 45.15, 0.82%, 0.47%

LAB 71.33, 5.84, 71.38

 

Complementary color

CMYK 83 / 63 / 0 / 9

HEX #2757E9

RGB 39 87 233

HSL 225.15, 0.82%, 0.53%

LAB 42.96, 37.97, -77.78

 

CMYK 0 / 24 / 92 / 13

HEX #DDA811

RGB 221 168 17

HSL 44.41, 0.86%, 0.47%

LAB 71.84, 7.95, 72.9

 

CMYK 0 / 22 / 85 / 7

HEX #EEBA24

RGB 238 186 36

HSL 44.55, 0.86%, 0.54%

LAB 78.12, 6.19, 74.58

 

CMYK 0 / 20 / 78 / 0

HEX #FFCC37

RGB 255 204 55

HSL 44.7, 1%, 0.61%

LAB 84.34, 4.65, 75.13

 

CMYK 0 / 13 / 71 / 0

HEX #FFDE4A

RGB 255 222 74

HSL 49.06, 1%, 0.65%

LAB 88.92, -3.75, 72.9

 

CMYK 0 / 6 / 64 / 0

HEX #FFF05D

RGB 255 240 93

HSL 54.44, 1%, 0.68%

LAB 93.61, -11.71, 70.36

 

CMYK 0 / 22 / 90 / 15

HEX #D8A816

RGB 216 168 22

HSL 45.15, 0.82%, 0.47%

LAB 71.33, 5.84, 71.38

 

CMYK 0 / 25 / 98 / 22

HEX #C79603

RGB 199 150 3

HSL 45, 0.97%, 0.4%

LAB 64.93, 7.74, 68.77

 

CMYK 0 / 27 / 100 / 29

HEX #B68400

RGB 182 132 0

HSL 43.52, 1%, 0.36%

LAB 58.46, 9.93, 63.87

 

CMYK 0 / 31 / 100 / 35

HEX #A57200

RGB 165 114 0

HSL 41.45, 1%, 0.32%

LAB 51.88, 12.25, 58.48

 

CMYK 0 / 35 / 100 / 42

HEX #946000

RGB 148 96 0

HSL 38.92, 1%, 0.29%

LAB 45.17, 14.68, 52.99

 

CMYK 0 / 22 / 90 / 15

HEX #DAA915

RGB 218 169 21

HSL 45.08, 0.82%, 0.47%

LAB 71.78, 6.17, 72.02

 

CMYK 0 / 47 / 90 / 15

HEX #DA7415

RGB 218 116 21

HSL 28.93, 0.82%, 0.47%

LAB 59.39, 34.43, 62.69

 

CMYK 0 / 71 / 90 / 15

HEX #DA3F15

RGB 218 63 21

HSL 12.79, 0.82%, 0.47%

LAB 50.11, 58.55, 55.97

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 22 / 90 / 15

HEX #DAA915

RGB 218 169 21

HSL 45.08, 0.82%, 0.47%

LAB 71.78, 6.17, 72.02

 

CMYK 2 / 0 / 90 / 15

HEX #D5DA15

RGB 213 218 21

HSL 61.52, 0.82%, 0.47%

LAB 84.14, -21.03, 81.37

 

CMYK 27 / 0 / 90 / 15

HEX #A0DA15

RGB 160 218 21

HSL 77.66, 0.82%, 0.47%

LAB 80.56, -42.42, 77

 

CMYK 51 / 0 / 90 / 15

HEX #6BDA15

RGB 107 218 21

HSL 93.81, 0.82%, 0.47%

LAB 78.07, -60.28, 73.93

 

CMYK 75 / 0 / 90 / 15

HEX #36DA15

RGB 54 218 21

HSL 109.95, 0.82%, 0.47%

LAB 76.67, -71.85, 72.2

 

CMYK 0 / 22 / 90 / 15

HEX #DAA915

RGB 218 169 21

HSL 45.08, 0.82%, 0.47%

LAB 71.78, 6.17, 72.02

 

CMYK 0 / 24 / 99 / 7

HEX #EDB302

RGB 237 179 2

HSL 45.19, 0.98%, 0.47%

LAB 76.22, 8.94, 78.63

 

CMYK 0 / 22 / 90 / 15

HEX #DAA915

RGB 218 169 21

HSL 45.08, 0.82%, 0.47%

LAB 71.78, 6.17, 72.02

 

CMYK 0 / 20 / 80 / 22

HEX #C69F28

RGB 198 159 40

HSL 45.19, 0.66%, 0.47%

LAB 67.24, 3.19, 62.5

 

CMYK 0 / 17 / 66 / 30

HEX #B3953C

RGB 179 149 60

HSL 44.87, 0.5%, 0.47%

LAB 62.85, 1.15, 49.65

 

CMYK 0 / 12 / 50 / 38

HEX #9F8C4F

RGB 159 140 79

HSL 45.75, 0.34%, 0.47%

LAB 58.69, -1.2, 34.99

 

CMYK 0 / 7 / 29 / 45

HEX #8C8263

RGB 140 130 99

HSL 45.37, 0.17%, 0.47%

LAB 54.49, -1.34, 18.18

 

CMYK 0 / 71 / 90 / 15

HEX #DA4015

RGB 218 64 21

HSL 13.1, 0.82%, 0.47%

LAB 50.25, 58.19, 56.06

 

CMYK 0 / 47 / 90 / 15

HEX #DA7415

RGB 218 116 21

HSL 28.93, 0.82%, 0.47%

LAB 59.39, 34.43, 62.69

 

CMYK 0 / 23 / 90 / 15

HEX #DAA815

RGB 218 168 21

HSL 44.77, 0.82%, 0.47%

LAB 71.53, 6.7, 71.83

 

CMYK 2 / 0 / 90 / 15

HEX #D6DA15

RGB 214 218 21

HSL 61.22, 0.82%, 0.47%

LAB 84.22, -20.61, 81.47

 

CMYK 26 / 0 / 90 / 15

HEX #A2DA15

RGB 162 218 21

HSL 77.06, 0.82%, 0.47%

LAB 80.67, -41.66, 77.14

 

CMYK 0 / 22 / 90 / 44

HEX #8F6F0E

RGB 143 111 14

HSL 45.12, 0.82%, 0.31%

LAB 48.56, 3.94, 51.98

 

CMYK 0 / 22 / 91 / 29

HEX #B48C11

RGB 180 140 17

HSL 45.28, 0.83%, 0.39%

LAB 60.34, 4.84, 62.27

 

CMYK 0 / 22 / 90 / 15

HEX #DAA915

RGB 218 169 21

HSL 45.08, 0.82%, 0.47%

LAB 71.78, 6.17, 72.02

 

CMYK 0 / 20 / 80 / 8

HEX #EABB2E

RGB 234 187 46

HSL 45, 0.82%, 0.55%

LAB 78.01, 4.23, 71.53

 

CMYK 0 / 16 / 65 / 7

HEX #EEC754

RGB 238 199 84

HSL 44.81, 0.82%, 0.63%

LAB 81.66, 1.42, 60.92

 

CMYK 0 / 22 / 90 / 15

HEX #D8A816

RGB 216 168 22

HSL 45.15, 0.82%, 0.47%

LAB 71.33, 5.84, 71.38

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 59 / 90 / 0 / 15

HEX #5A15DA

RGB 90 21 218

HSL 261.02, 0.82%, 0.47%

LAB 33.5, 69.1, -84.7

 

CMYK 0 / 22 / 90 / 15

HEX #D8A816

RGB 216 168 22

HSL 45.15, 0.82%, 0.47%

LAB 71.33, 5.84, 71.38

 

CMYK 90 / 0 / 23 / 15

HEX #15DAA8

RGB 21 218 168

HSL 164.77, 0.82%, 0.47%

LAB 77.95, -55.51, 12.36

 

CMYK 23 / 90 / 0 / 15

HEX #A815DA

RGB 168 21 218

HSL 284.77, 0.82%, 0.47%

LAB 44.12, 77.73, -66.86

 

CMYK 0 / 22 / 90 / 15

HEX #D8A816

RGB 216 168 22

HSL 45.15, 0.82%, 0.47%

LAB 71.33, 5.84, 71.38

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 90 / 68 / 0 / 15

HEX #1546DA

RGB 21 70 218

HSL 225.08, 0.82%, 0.47%

LAB 37.12, 42.17, -78.85

 

CMYK 5 / 90 / 0 / 15

HEX #D015DA

RGB 208 21 218

HSL 296.95, 0.82%, 0.47%

LAB 50.7, 83.85, -55.91

 

CMYK 0 / 22 / 90 / 15

HEX #D8A816

RGB 216 168 22

HSL 45.15, 0.82%, 0.47%

LAB 71.33, 5.84, 71.38

 

CMYK 90 / 0 / 68 / 15

HEX #15DA46

RGB 21 218 70

HSL 134.92, 0.82%, 0.47%

LAB 76.52, -72.22, 58.12

 

CMYK 90 / 68 / 0 / 15

HEX #1546DA

RGB 21 70 218

HSL 225.08, 0.82%, 0.47%

LAB 37.12, 42.17, -78.85

 

CMYK 0 / 90 / 23 / 15

HEX #DA15A8

RGB 218 21 168

HSL 315.23, 0.82%, 0.47%

LAB 49.82, 78.89, -28.14

 

Description

Color code: HEX #D8A816 | qconv.com Color code: HEX #D8A816 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 168 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 168 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 90% 15% C M Y K

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Provide designers and agencies with accurate color values.

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