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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8A863 it is the complementary color #27579C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8A863. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8A863 shade: #DDA85E, #EEBA71, #FFCC84, #FFDE97 and #FFF0AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8A863. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8A863 shade: #D8A863, #C79650, #B6843D, #A5722A and #946017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8A863 shade: #D8A863, #D88963, #D86963 and #D86363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8A863 shade: #D8A863, #D8C763, #C9D863, #A9D863 and #8AD863

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8A863 shade matches the following richer shades: #D8A863, #E7AB54 and #F7AE44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8A863 shade: #D8A863, #C8A573, #B8A283, #A9A092 and #999DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8A863 shade: #D86963, #D88863, #D8A763, #D8C663 and #CAD863

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8A863 shade: #BA812E, #CF9642, #D8A863, #E0BA84 and #E8CDA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8A863 shade: #D8A863, #7DD863 and #7963D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8A863 shade: #D8A863, #63D8A7 and #A763D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8A863 shade: #D8A863, #7DD863, #6394D8 and #BF63D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8A863 shade: #D8A863, #63D86D, #6394D8 and #D863CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

Complementary color

CMYK 75 / 44 / 0 / 39

HEX #27579C

RGB 39 87 156

HSL 215.38, 0.6%, 0.38%

LAB 37.2, 8.64, -42.31

 

CMYK 0 / 24 / 57 / 13

HEX #DDA85E

RGB 221 168 94

HSL 34.96, 0.65%, 0.62%

LAB 72.35, 11.28, 45.27

 

CMYK 0 / 22 / 53 / 7

HEX #EEBA71

RGB 238 186 113

HSL 35.04, 0.79%, 0.69%

LAB 78.74, 10.28, 43.9

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC84

RGB 255 204 132

HSL 35.12, 1%, 0.76%

LAB 85.05, 9.41, 42.57

 

CMYK 0 / 13 / 41 / 0

HEX #FFDE97

RGB 255 222 151

HSL 40.96, 1%, 0.8%

LAB 89.74, 2.02, 39

 

CMYK 0 / 6 / 33 / 0

HEX #FFF0AA

RGB 255 240 170

HSL 49.41, 1%, 0.83%

LAB 94.52, -4.96, 35.71

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 0 / 25 / 60 / 22

HEX #C79650

RGB 199 150 80

HSL 35.29, 0.52%, 0.55%

LAB 65.38, 10.66, 43.47

 

CMYK 0 / 27 / 66 / 29

HEX #B6843D

RGB 182 132 61

HSL 35.21, 0.5%, 0.48%

LAB 58.77, 11.91, 44.85

 

CMYK 0 / 31 / 75 / 35

HEX #A5722A

RGB 165 114 42

HSL 35.12, 0.59%, 0.41%

LAB 52.06, 13.39, 46.05

 

CMYK 0 / 35 / 84 / 42

HEX #946017

RGB 148 96 23

HSL 35.04, 0.73%, 0.34%

LAB 45.25, 15.18, 46.71

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 0 / 37 / 54 / 15

HEX #D88963

RGB 216 137 99

HSL 19.49, 0.6%, 0.62%

LAB 64.48, 26.3, 32.85

 

CMYK 0 / 51 / 54 / 15

HEX #D86963

RGB 216 105 99

HSL 3.08, 0.6%, 0.62%

LAB 57.66, 43, 24.01

 

CMYK 0 / 54 / 54 / 15

HEX #D86363

RGB 216 99 99

HSL 0, 0.6%, 0.62%

LAB 56.51, 45.95, 22.48

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 0 / 8 / 54 / 15

HEX #D8C763

RGB 216 199 99

HSL 51.28, 0.6%, 0.62%

LAB 79.81, -6.69, 51.52

 

CMYK 7 / 0 / 54 / 15

HEX #C9D863

RGB 201 216 99

HSL 67.69, 0.6%, 0.62%

LAB 83.14, -21.31, 55.07

 

CMYK 22 / 0 / 54 / 15

HEX #A9D863

RGB 169 216 99

HSL 84.1, 0.6%, 0.62%

LAB 80.99, -33.7, 52.01

 

CMYK 36 / 0 / 54 / 15

HEX #8AD863

RGB 138 216 99

HSL 100, 0.6%, 0.62%

LAB 79.28, -44.66, 49.58

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 0 / 26 / 64 / 9

HEX #E7AB54

RGB 231 171 84

HSL 35.51, 0.75%, 0.62%

LAB 74.03, 13.17, 52.34

 

CMYK 0 / 30 / 72 / 3

HEX #F7AE44

RGB 247 174 68

HSL 35.53, 0.92%, 0.62%

LAB 76.35, 17.41, 62.46

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 0 / 18 / 43 / 22

HEX #C8A573

RGB 200 165 115

HSL 35.29, 0.44%, 0.62%

LAB 69.77, 6.13, 30.71

 

CMYK 0 / 12 / 29 / 28

HEX #B8A283

RGB 184 162 131

HSL 35.09, 0.27%, 0.62%

LAB 67.78, 3.27, 19.09

 

CMYK 0 / 5 / 14 / 34

HEX #A9A092

RGB 169 160 146

HSL 36.52, 0.12%, 0.62%

LAB 66.25, 0.82, 8.46

 

CMYK 6 / 3 / 0 / 36

HEX #999DA2

RGB 153 157 162

HSL 213.33, 0.05%, 0.62%

LAB 64.56, -0.44, -3.11

 

CMYK 0 / 51 / 54 / 15

HEX #D86963

RGB 216 105 99

HSL 3.08, 0.6%, 0.62%

LAB 57.66, 43, 24.01

 

CMYK 0 / 37 / 54 / 15

HEX #D88863

RGB 216 136 99

HSL 18.97, 0.6%, 0.62%

LAB 64.25, 26.84, 32.56

 

CMYK 0 / 23 / 54 / 15

HEX #D8A763

RGB 216 167 99

HSL 34.87, 0.6%, 0.62%

LAB 71.65, 10.14, 41.78

 

CMYK 0 / 8 / 54 / 15

HEX #D8C663

RGB 216 198 99

HSL 50.77, 0.6%, 0.62%

LAB 79.55, -6.18, 51.21

 

CMYK 6 / 0 / 54 / 15

HEX #CAD863

RGB 202 216 99

HSL 67.18, 0.6%, 0.62%

LAB 83.22, -20.91, 55.17

 

CMYK 0 / 31 / 75 / 27

HEX #BA812E

RGB 186 129 46

HSL 35.57, 0.6%, 0.45%

LAB 58.36, 14.53, 51.42

 

CMYK 0 / 28 / 68 / 19

HEX #CF9642

RGB 207 150 66

HSL 35.74, 0.59%, 0.54%

LAB 66.11, 13.18, 51.29

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 0 / 17 / 41 / 12

HEX #E0BA84

RGB 224 186 132

HSL 35.22, 0.6%, 0.7%

LAB 77.66, 6.46, 32.47

 

CMYK 0 / 12 / 29 / 9

HEX #E8CDA5

RGB 232 205 165

HSL 35.82, 0.59%, 0.78%

LAB 83.72, 3.56, 23.41

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 42 / 0 / 54 / 15

HEX #7DD863

RGB 125 216 99

HSL 106.67, 0.6%, 0.62%

LAB 78.68, -48.81, 48.72

 

CMYK 44 / 54 / 0 / 15

HEX #7963D8

RGB 121 99 216

HSL 251.28, 0.6%, 0.62%

LAB 49.43, 37.22, -57.41

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 54 / 0 / 23 / 15

HEX #63D8A7

RGB 99 216 167

HSL 154.87, 0.6%, 0.62%

LAB 78.78, -44.54, 14.27

 

CMYK 23 / 54 / 0 / 15

HEX #A763D8

RGB 167 99 216

HSL 274.87, 0.6%, 0.62%

LAB 54.13, 48.4, -49.62

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 42 / 0 / 54 / 15

HEX #7DD863

RGB 125 216 99

HSL 106.67, 0.6%, 0.62%

LAB 78.68, -48.81, 48.72

 

CMYK 54 / 31 / 0 / 15

HEX #6394D8

RGB 99 148 216

HSL 214.87, 0.6%, 0.62%

LAB 60.6, 3.05, -39.76

 

CMYK 12 / 54 / 0 / 15

HEX #BF63D8

RGB 191 99 216

HSL 287.18, 0.6%, 0.62%

LAB 57.03, 54.64, -44.83

 

CMYK 0 / 22 / 54 / 15

HEX #D8A863

RGB 216 168 99

HSL 35.38, 0.6%, 0.62%

LAB 71.9, 9.6, 42.08

 

CMYK 54 / 0 / 50 / 15

HEX #63D86D

RGB 99 216 109

HSL 125.13, 0.6%, 0.62%

LAB 77.8, -54.8, 42.67

 

CMYK 54 / 31 / 0 / 15

HEX #6394D8

RGB 99 148 216

HSL 214.87, 0.6%, 0.62%

LAB 60.6, 3.05, -39.76

 

CMYK 0 / 54 / 5 / 15

HEX #D863CE

RGB 216 99 206

HSL 305.13, 0.6%, 0.62%

LAB 59.87, 59.53, -34.49

 

Description

Color code: HEX #D8A863 | qconv.com Color code: HEX #D8A863 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 168 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 168 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 54 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 54% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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