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Color name
HEX #D8AA59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8AA59 it is the complementary color #2755A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8AA59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8AA59 shade: #DDAA54, #EEBC67, #FFCE7A, #FFE08D and #FFF2A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8AA59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8AA59 shade: #D8AA59, #C79846, #B68633, #A57420 and #94620D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8AA59 shade: #D8AA59, #D88859, #D86659 and #D85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8AA59 shade: #D8AA59, #D8CC59, #C1D859, #9FD859 and #7DD859

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8AA59 shade matches the following richer shades: #D8AA59, #E8AE49 and #F9B338

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8AA59 shade: #D8AA59, #C7A56A, #B7A17A, #A69C8B and #96989B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8AA59 shade: #D86659, #D88859, #D8A959, #D8CB59 and #C3D859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8AA59 shade: #B5822A, #D09938, #D8AA59, #E0BB7B and #E7CC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8AA59 shade: #D8AA59, #6ED859 and #7759D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8AA59 shade: #D8AA59, #59D8A9 and #A959D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8AA59 shade: #D8AA59, #6ED859, #5988D8 and #C359D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8AA59 shade: #D8AA59, #59D86A, #5988D8 and #D859C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

Complementary color

CMYK 77 / 49 / 0 / 35

HEX #2755A6

RGB 39 85 166

HSL 218.27, 0.62%, 0.4%

LAB 37.26, 13.84, -48.19

 

CMYK 0 / 23 / 62 / 13

HEX #DDAA54

RGB 221 170 84

HSL 37.66, 0.67%, 0.6%

LAB 72.73, 9.5, 50.59

 

CMYK 0 / 21 / 57 / 7

HEX #EEBC67

RGB 238 188 103

HSL 37.78, 0.8%, 0.67%

LAB 79.11, 8.43, 49.29

 

CMYK 0 / 19 / 52 / 0

HEX #FFCE7A

RGB 255 206 122

HSL 37.89, 1%, 0.74%

LAB 85.41, 7.5, 47.98

 

CMYK 0 / 12 / 45 / 0

HEX #FFE08D

RGB 255 224 141

HSL 43.68, 1%, 0.78%

LAB 90.09, -0, 44.45

 

CMYK 0 / 5 / 37 / 0

HEX #FFF2A0

RGB 255 242 160

HSL 51.79, 1%, 0.81%

LAB 94.87, -7.09, 41.16

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 0 / 24 / 65 / 22

HEX #C79846

RGB 199 152 70

HSL 38.14, 0.54%, 0.53%

LAB 65.78, 8.88, 48.8

 

CMYK 0 / 26 / 72 / 29

HEX #B68633

RGB 182 134 51

HSL 38.02, 0.56%, 0.46%

LAB 59.19, 10.23, 49.94

 

CMYK 0 / 30 / 81 / 35

HEX #A57420

RGB 165 116 32

HSL 37.89, 0.68%, 0.39%

LAB 52.5, 11.83, 50.63

 

CMYK 0 / 34 / 91 / 42

HEX #94620D

RGB 148 98 13

HSL 37.78, 0.84%, 0.32%

LAB 45.72, 13.76, 50.25

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 0 / 37 / 59 / 15

HEX #D88859

RGB 216 136 89

HSL 22.2, 0.62%, 0.6%

LAB 64.1, 26.04, 37.75

 

CMYK 0 / 53 / 59 / 15

HEX #D86659

RGB 216 102 89

HSL 6.14, 0.62%, 0.6%

LAB 56.9, 43.71, 28.74

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 0 / 6 / 59 / 15

HEX #D8CC59

RGB 216 204 89

HSL 54.33, 0.62%, 0.6%

LAB 81.02, -10, 57.47

 

CMYK 11 / 0 / 59 / 15

HEX #C1D859

RGB 193 216 89

HSL 70.87, 0.62%, 0.6%

LAB 82.47, -25.3, 58.59

 

CMYK 26 / 0 / 59 / 15

HEX #9FD859

RGB 159 216 89

HSL 86.93, 0.62%, 0.6%

LAB 80.29, -38.33, 55.55

 

CMYK 42 / 0 / 59 / 15

HEX #7DD859

RGB 125 216 89

HSL 102.99, 0.62%, 0.6%

LAB 78.57, -49.89, 53.14

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 0 / 25 / 69 / 9

HEX #E8AE49

RGB 232 174 73

HSL 38.11, 0.78%, 0.6%

LAB 74.77, 11.36, 58.18

 

CMYK 0 / 28 / 78 / 2

HEX #F9B338

RGB 249 179 56

HSL 38.24, 0.94%, 0.6%

LAB 77.68, 15.14, 68.48

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 0 / 17 / 47 / 22

HEX #C7A56A

RGB 199 165 106

HSL 38.06, 0.45%, 0.6%

LAB 69.54, 4.78, 35.15

 

CMYK 0 / 12 / 33 / 28

HEX #B7A17A

RGB 183 161 122

HSL 38.36, 0.3%, 0.6%

LAB 67.25, 2.22, 23.29

 

CMYK 0 / 6 / 16 / 35

HEX #A69C8B

RGB 166 156 139

HSL 37.78, 0.13%, 0.6%

LAB 64.76, 0.72, 10.21

 

CMYK 3 / 2 / 0 / 39

HEX #96989B

RGB 150 152 155

HSL 216, 0.02%, 0.6%

LAB 62.77, -0.13, -1.83

 

CMYK 0 / 53 / 59 / 15

HEX #D86659

RGB 216 102 89

HSL 6.14, 0.62%, 0.6%

LAB 56.9, 43.71, 28.74

 

CMYK 0 / 37 / 59 / 15

HEX #D88859

RGB 216 136 89

HSL 22.2, 0.62%, 0.6%

LAB 64.1, 26.04, 37.75

 

CMYK 0 / 22 / 59 / 15

HEX #D8A959

RGB 216 169 89

HSL 37.8, 0.62%, 0.6%

LAB 72.02, 8.28, 47.23

 

CMYK 0 / 6 / 59 / 15

HEX #D8CB59

RGB 216 203 89

HSL 53.86, 0.62%, 0.6%

LAB 80.76, -9.49, 57.18

 

CMYK 10 / 0 / 59 / 15

HEX #C3D859

RGB 195 216 89

HSL 69.92, 0.62%, 0.6%

LAB 82.61, -24.5, 58.78

 

CMYK 0 / 28 / 77 / 29

HEX #B5822A

RGB 181 130 42

HSL 37.99, 0.62%, 0.44%

LAB 58, 11.58, 52.53

 

CMYK 0 / 26 / 73 / 18

HEX #D09938

RGB 208 153 56

HSL 38.29, 0.62%, 0.52%

LAB 66.88, 11.47, 56.52

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 0 / 17 / 45 / 12

HEX #E0BB7B

RGB 224 187 123

HSL 38.02, 0.62%, 0.68%

LAB 77.77, 4.99, 37.29

 

CMYK 0 / 12 / 32 / 9

HEX #E7CC9C

RGB 231 204 156

HSL 38.4, 0.61%, 0.76%

LAB 83.22, 2.56, 27.42

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 49 / 0 / 59 / 15

HEX #6ED859

RGB 110 216 89

HSL 110.08, 0.62%, 0.6%

LAB 77.96, -54.34, 52.28

 

CMYK 45 / 59 / 0 / 15

HEX #7759D8

RGB 119 89 216

HSL 254.17, 0.62%, 0.6%

LAB 47.01, 42.57, -61.32

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 59 / 0 / 22 / 15

HEX #59D8A9

RGB 89 216 169

HSL 157.8, 0.62%, 0.6%

LAB 78.52, -46.2, 12.8

 

CMYK 22 / 59 / 0 / 15

HEX #A959D8

RGB 169 89 216

HSL 277.8, 0.62%, 0.6%

LAB 52.44, 54.03, -52.3

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 49 / 0 / 59 / 15

HEX #6ED859

RGB 110 216 89

HSL 110.08, 0.62%, 0.6%

LAB 77.96, -54.34, 52.28

 

CMYK 59 / 37 / 0 / 15

HEX #5988D8

RGB 89 136 216

HSL 217.8, 0.62%, 0.6%

LAB 56.77, 8.04, -45.82

 

CMYK 10 / 59 / 0 / 15

HEX #C359D8

RGB 195 89 216

HSL 290.08, 0.62%, 0.6%

LAB 55.79, 60.42, -46.77

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 59 / 0 / 51 / 15

HEX #59D86A

RGB 89 216 106

HSL 128.03, 0.62%, 0.6%

LAB 77.45, -57.59, 43.62

 

CMYK 59 / 37 / 0 / 15

HEX #5988D8

RGB 89 136 216

HSL 217.8, 0.62%, 0.6%

LAB 56.77, 8.04, -45.82

 

CMYK 0 / 59 / 8 / 15

HEX #D859C7

RGB 216 89 199

HSL 308.03, 0.62%, 0.6%

LAB 57.91, 62.86, -33.57

 

Description

Color code: HEX #D8AA59 | qconv.com Color code: HEX #D8AA59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 170 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 170 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 59 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 59% 15% C M Y K

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Provide designers and agencies with accurate color values.

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