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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8AA8C it is the complementary color #275573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8AA8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8AA8C shade: #DDAA87, #EEBC9A, #FFCEAD, #FFE0C0 and #FFF2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8AA8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8AA8C shade: #D8AA8C, #C79879, #B68666, #A57453 and #946240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8AA8C shade: #D7AA8D, #D7968D and #D78D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8AA8C shade: #D7AA8D, #D7BE8D, #D7D38D, #C8D78D and #B4D78D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8AA8C shade matches the following richer shades: #D7AA8D, #E4A780, #F0A574 and #FDA267

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8AA8C shade: #D7AA8D, #CBAD99, #BFAFA5, #B2B2B2 and #A6B5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8AA8C shade: #D78D98, #D7958D, #D7A98D, #D7BD8D and #D7D18D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8AA8C shade: #C27D4F, #CD936E, #D7AA8D, #E2C1AB and #EDD8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8AA8C shade: #D8AA8C, #ACD78D and #8D8ED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8AA8C shade: #D8AA8C, #8DD7A9 and #A98DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8AA8C shade: #D8AA8C, #ACD78D, #8DBBD7 and #B88DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8AA8C shade: #D8AA8C, #95D78D, #8DBBD7 and #CF8DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 35 / 15

HEX #D8AA8C

RGB 216 170 140

HSL 23.68, 0.49%, 0.7%

LAB 73.05, 12.74, 21.9

 

Complementary color

CMYK 66 / 26 / 0 / 55

HEX #275573

RGB 39 85 115

HSL 203.68, 0.49%, 0.3%

LAB 34.33, -5.56, -21.8

 

CMYK 0 / 23 / 39 / 13

HEX #DDAA87

RGB 221 170 135

HSL 24.42, 0.56%, 0.7%

LAB 73.46, 14.12, 25.25

 

CMYK 0 / 21 / 35 / 7

HEX #EEBC9A

RGB 238 188 154

HSL 24.29, 0.71%, 0.77%

LAB 79.88, 13.41, 24.06

 

CMYK 0 / 19 / 32 / 0

HEX #FFCEAD

RGB 255 206 173

HSL 24.15, 1%, 0.84%

LAB 86.22, 12.78, 22.96

 

CMYK 0 / 12 / 25 / 0

HEX #FFE0C0

RGB 255 224 192

HSL 30.48, 1%, 0.88%

LAB 90.95, 5.94, 19.6

 

CMYK 0 / 5 / 17 / 0

HEX #FFF2D3

RGB 255 242 211

HSL 42.27, 1%, 0.91%

LAB 95.78, -0.54, 16.54

 

CMYK 0 / 21 / 35 / 15

HEX #D8AA8C

RGB 216 170 140

HSL 23.68, 0.49%, 0.7%

LAB 73.05, 12.74, 21.9

 

CMYK 0 / 24 / 39 / 22

HEX #C79879

RGB 199 152 121

HSL 23.85, 0.41%, 0.63%

LAB 66.5, 13.47, 23.1

 

CMYK 0 / 26 / 44 / 29

HEX #B68666

RGB 182 134 102

HSL 24, 0.35%, 0.56%

LAB 59.85, 14.31, 24.42

 

CMYK 0 / 30 / 50 / 35

HEX #A57453

RGB 165 116 83

HSL 24.15, 0.33%, 0.49%

LAB 53.07, 15.3, 25.86

 

CMYK 0 / 34 / 57 / 42

HEX #946240

RGB 148 98 64

HSL 24.29, 0.4%, 0.42%

LAB 46.18, 16.47, 27.47

 

CMYK 0 / 21 / 34 / 16

HEX #D7AA8D

RGB 215 170 141

HSL 23.51, 0.48%, 0.7%

LAB 72.97, 12.47, 21.23

 

CMYK 0 / 30 / 34 / 16

HEX #D7968D

RGB 215 150 141

HSL 7.3, 0.48%, 0.7%

LAB 68.16, 23.28, 14.57

 

CMYK 0 / 34 / 34 / 16

HEX #D78D8D

RGB 215 141 141

HSL 0, 0.48%, 0.7%

LAB 66.07, 28.15, 11.65

 

CMYK 0 / 21 / 34 / 16

HEX #D7AA8D

RGB 215 170 141

HSL 23.51, 0.48%, 0.7%

LAB 72.97, 12.47, 21.23

 

CMYK 0 / 12 / 34 / 16

HEX #D7BE8D

RGB 215 190 141

HSL 39.73, 0.48%, 0.7%

LAB 77.99, 1.82, 28.03

 

CMYK 0 / 2 / 34 / 16

HEX #D7D38D

RGB 215 211 141

HSL 56.76, 0.48%, 0.7%

LAB 83.42, -9.06, 35.21

 

CMYK 7 / 0 / 34 / 16

HEX #C8D78D

RGB 200 215 141

HSL 72.16, 0.48%, 0.7%

LAB 83.34, -16.83, 34.88

 

CMYK 16 / 0 / 34 / 16

HEX #B4D78D

RGB 180 215 141

HSL 88.38, 0.48%, 0.7%

LAB 81.96, -24.27, 32.82

 

CMYK 0 / 21 / 34 / 16

HEX #D7AA8D

RGB 215 170 141

HSL 23.51, 0.48%, 0.7%

LAB 72.97, 12.47, 21.23

 

CMYK 0 / 27 / 44 / 11

HEX #E4A780

RGB 228 167 128

HSL 23.4, 0.65%, 0.7%

LAB 73.34, 17.74, 28.98

 

CMYK 0 / 31 / 52 / 6

HEX #F0A574

RGB 240 165 116

HSL 23.71, 0.81%, 0.7%

LAB 74, 22.45, 36.46

 

CMYK 0 / 36 / 59 / 1

HEX #FDA267

RGB 253 162 103

HSL 23.6, 0.97%, 0.7%

LAB 74.64, 28.18, 44.32

 

CMYK 0 / 21 / 34 / 16

HEX #D7AA8D

RGB 215 170 141

HSL 23.51, 0.48%, 0.7%

LAB 72.97, 12.47, 21.23

 

CMYK 0 / 15 / 25 / 20

HEX #CBAD99

RGB 203 173 153

HSL 24, 0.32%, 0.7%

LAB 72.82, 7.8, 14.31

 

CMYK 0 / 8 / 14 / 25

HEX #BFAFA5

RGB 191 175 165

HSL 23.08, 0.17%, 0.7%

LAB 72.53, 4.04, 7.19

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 13 / 5 / 0 / 25

HEX #A6B5BE

RGB 166 181 190

HSL 202.5, 0.16%, 0.7%

LAB 72.81, -3.34, -6.34

 

CMYK 0 / 34 / 29 / 16

HEX #D78D98

RGB 215 141 152

HSL 351.08, 0.48%, 0.7%

LAB 66.34, 29.57, 5.84

 

CMYK 0 / 31 / 34 / 16

HEX #D7958D

RGB 215 149 141

HSL 6.49, 0.48%, 0.7%

LAB 67.92, 23.82, 14.25

 

CMYK 0 / 21 / 34 / 16

HEX #D7A98D

RGB 215 169 141

HSL 22.7, 0.48%, 0.7%

LAB 72.72, 13.01, 20.9

 

CMYK 0 / 12 / 34 / 16

HEX #D7BD8D

RGB 215 189 141

HSL 38.92, 0.48%, 0.7%

LAB 77.74, 2.34, 27.69

 

CMYK 0 / 3 / 34 / 16

HEX #D7D18D

RGB 215 209 141

HSL 55.14, 0.48%, 0.7%

LAB 82.9, -8.04, 34.52

 

CMYK 0 / 36 / 59 / 24

HEX #C27D4F

RGB 194 125 79

HSL 24, 0.49%, 0.54%

LAB 58.7, 22.18, 35.87

 

CMYK 0 / 28 / 46 / 20

HEX #CD936E

RGB 205 147 110

HSL 23.37, 0.49%, 0.62%

LAB 65.73, 17.44, 28.22

 

CMYK 0 / 21 / 34 / 16

HEX #D7AA8D

RGB 215 170 141

HSL 23.51, 0.48%, 0.7%

LAB 72.97, 12.47, 21.23

 

CMYK 0 / 15 / 24 / 11

HEX #E2C1AB

RGB 226 193 171

HSL 24, 0.49%, 0.78%

LAB 80.32, 8.4, 15.42

 

CMYK 0 / 9 / 15 / 7

HEX #EDD8CA

RGB 237 216 202

HSL 24, 0.49%, 0.86%

LAB 87.67, 4.99, 9.52

 

CMYK 0 / 21 / 35 / 15

HEX #D8AA8C

RGB 216 170 140

HSL 23.68, 0.49%, 0.7%

LAB 73.05, 12.74, 21.9

 

CMYK 20 / 0 / 34 / 16

HEX #ACD78D

RGB 172 215 141

HSL 94.86, 0.48%, 0.7%

LAB 81.45, -27.15, 32.05

 

CMYK 34 / 34 / 0 / 16

HEX #8D8ED7

RGB 141 142 215

HSL 239.19, 0.48%, 0.7%

LAB 61.58, 16.75, -37.47

 

CMYK 0 / 21 / 35 / 15

HEX #D8AA8C

RGB 216 170 140

HSL 23.68, 0.49%, 0.7%

LAB 73.05, 12.74, 21.9

 

CMYK 34 / 0 / 21 / 16

HEX #8DD7A9

RGB 141 215 169

HSL 142.7, 0.48%, 0.7%

LAB 80.25, -32.7, 15.53

 

CMYK 21 / 34 / 0 / 16

HEX #A98DD7

RGB 169 141 215

HSL 262.7, 0.48%, 0.7%

LAB 63.66, 25.45, -34.05

 

CMYK 0 / 21 / 35 / 15

HEX #D8AA8C

RGB 216 170 140

HSL 23.68, 0.49%, 0.7%

LAB 73.05, 12.74, 21.9

 

CMYK 20 / 0 / 34 / 16

HEX #ACD78D

RGB 172 215 141

HSL 94.86, 0.48%, 0.7%

LAB 81.45, -27.15, 32.05

 

CMYK 34 / 13 / 0 / 16

HEX #8DBBD7

RGB 141 187 215

HSL 202.7, 0.48%, 0.7%

LAB 73.62, -8.42, -18.94

 

CMYK 14 / 34 / 0 / 16

HEX #B88DD7

RGB 184 141 215

HSL 274.86, 0.48%, 0.7%

LAB 65.08, 30.02, -31.74

 

CMYK 0 / 21 / 35 / 15

HEX #D8AA8C

RGB 216 170 140

HSL 23.68, 0.49%, 0.7%

LAB 73.05, 12.74, 21.9

 

CMYK 31 / 0 / 34 / 16

HEX #95D78D

RGB 149 215 141

HSL 113.51, 0.48%, 0.7%

LAB 80.13, -35.03, 30.06

 

CMYK 34 / 13 / 0 / 16

HEX #8DBBD7

RGB 141 187 215

HSL 202.7, 0.48%, 0.7%

LAB 73.62, -8.42, -18.94

 

CMYK 4 / 34 / 0 / 16

HEX #CF8DD7

RGB 207 141 215

HSL 293.51, 0.48%, 0.7%

LAB 67.44, 37.18, -27.9

 

Description

Color code: HEX #D8AA8C | qconv.com Color code: HEX #D8AA8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 170 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 170 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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