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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8ADA5 it is the complementary color #27525A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8ADA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8ADA5 shade: #DDADA0, #EEBFB3, #FFD1C6, #FFE3D9 and #FFF5EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8ADA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8ADA5 shade: #D8ADA5, #C79B92, #B6897F, #A5776C and #946559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8ADA5 shade: #D8ADA5 and #D8A5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8ADA5 shade: #D8ADA5, #D8BBA5, #D8C9A5, #D8D7A5 and #CCD8A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8ADA5 shade matches the following richer shades: #D8ADA5, #E3A69B, #ED9F91 and #F79886

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8ADA5 shade: #D8ADA5, #CEB4B0, #C4BBBA, #B9C2C4 and #AFCACF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8ADA5 shade: #D8A5B9, #D8A5AB, #D8ADA5, #D8BBA5 and #D8C8A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8ADA5 shade: #BF796B, #CC9388, #D8ADA5, #E5C8C2 and #F1E2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8ADA5 shade: #D8ADA5, #C6D8A5 and #A5B2D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8ADA5 shade: #D8ADA5, #A5D8AD and #ADA5D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8ADA5 shade: #D8ADA5, #C6D8A5, #A5D1D8 and #B7A5D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8ADA5 shade: #D8ADA5, #B7D8A5, #A5D1D8 and #C6A5D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

Complementary color

CMYK 57 / 9 / 0 / 65

HEX #27525A

RGB 39 82 90

HSL 189.41, 0.4%, 0.25%

LAB 32.27, -12.34, -9.26

 

CMYK 0 / 22 / 28 / 13

HEX #DDADA0

RGB 221 173 160

HSL 12.79, 0.47%, 0.75%

LAB 74.7, 15.65, 13.39

 

CMYK 0 / 20 / 25 / 7

HEX #EEBFB3

RGB 238 191 179

HSL 12.2, 0.63%, 0.82%

LAB 81.12, 15.06, 12.43

 

CMYK 0 / 18 / 22 / 0

HEX #FFD1C6

RGB 255 209 198

HSL 11.58, 1%, 0.89%

LAB 87.45, 14.53, 11.53

 

CMYK 0 / 11 / 15 / 0

HEX #FFE3D9

RGB 255 227 217

HSL 15.79, 1%, 0.93%

LAB 92.22, 8.02, 8.38

 

CMYK 0 / 4 / 7 / 0

HEX #FFF5EC

RGB 255 245 236

HSL 28.42, 1%, 0.96%

LAB 97.07, 1.84, 5.51

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 0 / 22 / 27 / 22

HEX #C79B92

RGB 199 155 146

HSL 10.19, 0.32%, 0.68%

LAB 67.77, 15.06, 11

 

CMYK 0 / 25 / 30 / 29

HEX #B6897F

RGB 182 137 127

HSL 10.91, 0.27%, 0.61%

LAB 61.11, 15.73, 12.03

 

CMYK 0 / 28 / 35 / 35

HEX #A5776C

RGB 165 119 108

HSL 11.58, 0.24%, 0.54%

LAB 54.32, 16.5, 13.17

 

CMYK 0 / 32 / 40 / 42

HEX #946559

RGB 148 101 89

HSL 12.2, 0.25%, 0.46%

LAB 47.4, 17.38, 14.44

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 0 / 24 / 24 / 15

HEX #D8A5A5

RGB 216 165 165

HSL 0, 0.4%, 0.75%

LAB 72.38, 18.79, 7.28

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 0 / 13 / 24 / 15

HEX #D8BBA5

RGB 216 187 165

HSL 25.88, 0.4%, 0.75%

LAB 77.79, 6.97, 14.96

 

CMYK 0 / 7 / 24 / 15

HEX #D8C9A5

RGB 216 201 165

HSL 42.35, 0.4%, 0.75%

LAB 81.34, -0.41, 19.91

 

CMYK 0 / 0 / 24 / 15

HEX #D8D7A5

RGB 216 215 165

HSL 58.82, 0.4%, 0.75%

LAB 84.95, -7.64, 24.87

 

CMYK 6 / 0 / 24 / 15

HEX #CCD8A5

RGB 204 216 165

HSL 74.12, 0.4%, 0.75%

LAB 84.31, -12.59, 23.85

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 0 / 27 / 32 / 11

HEX #E3A69B

RGB 227 166 155

HSL 9.17, 0.56%, 0.75%

LAB 73.53, 21.03, 14.56

 

CMYK 0 / 33 / 39 / 7

HEX #ED9F91

RGB 237 159 145

HSL 9.13, 0.72%, 0.75%

LAB 72.79, 27.36, 19.18

 

CMYK 0 / 38 / 46 / 3

HEX #F79886

RGB 247 152 134

HSL 9.56, 0.88%, 0.75%

LAB 72.2, 33.68, 24.58

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 0 / 13 / 15 / 19

HEX #CEB4B0

RGB 206 180 176

HSL 8, 0.23%, 0.75%

LAB 75.39, 8.66, 5.46

 

CMYK 0 / 5 / 5 / 23

HEX #C4BBBA

RGB 196 187 186

HSL 6, 0.08%, 0.75%

LAB 76.57, 2.99, 1.63

 

CMYK 6 / 1 / 0 / 23

HEX #B9C2C4

RGB 185 194 196

HSL 190.91, 0.09%, 0.75%

LAB 77.81, -2.7, -2.08

 

CMYK 15 / 2 / 0 / 19

HEX #AFCACF

RGB 175 202 207

HSL 189.38, 0.25%, 0.75%

LAB 79.53, -7.99, -5.55

 

CMYK 0 / 24 / 14 / 15

HEX #D8A5B9

RGB 216 165 185

HSL 336.47, 0.4%, 0.75%

LAB 72.9, 21.86, -2.98

 

CMYK 0 / 24 / 21 / 15

HEX #D8A5AB

RGB 216 165 171

HSL 352.94, 0.4%, 0.75%

LAB 72.53, 19.67, 4.19

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 0 / 13 / 24 / 15

HEX #D8BBA5

RGB 216 187 165

HSL 25.88, 0.4%, 0.75%

LAB 77.79, 6.97, 14.96

 

CMYK 0 / 7 / 24 / 15

HEX #D8C8A5

RGB 216 200 165

HSL 41.18, 0.4%, 0.75%

LAB 81.08, 0.11, 19.55

 

CMYK 0 / 37 / 44 / 25

HEX #BF796B

RGB 191 121 107

HSL 10, 0.4%, 0.58%

LAB 57.86, 25.73, 19.1

 

CMYK 0 / 28 / 33 / 20

HEX #CC9388

RGB 204 147 136

HSL 9.71, 0.4%, 0.67%

LAB 66.12, 20.03, 14.34

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 0 / 13 / 15 / 10

HEX #E5C8C2

RGB 229 200 194

HSL 10.29, 0.4%, 0.83%

LAB 82.84, 9.24, 6.74

 

CMYK 0 / 6 / 7 / 5

HEX #F1E2DF

RGB 241 226 223

HSL 10, 0.39%, 0.91%

LAB 90.97, 4.6, 3.29

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 8 / 0 / 24 / 15

HEX #C6D8A5

RGB 198 216 165

HSL 81.18, 0.4%, 0.75%

LAB 83.88, -14.78, 23.19

 

CMYK 24 / 18 / 0 / 15

HEX #A5B2D8

RGB 165 178 216

HSL 224.71, 0.4%, 0.75%

LAB 72.76, 3.72, -20.65

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 24 / 0 / 20 / 15

HEX #A5D8AD

RGB 165 216 173

HSL 129.41, 0.4%, 0.75%

LAB 81.91, -24.91, 15.93

 

CMYK 20 / 24 / 0 / 15

HEX #ADA5D8

RGB 173 165 216

HSL 249.41, 0.4%, 0.75%

LAB 70, 13.39, -24.79

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 8 / 0 / 24 / 15

HEX #C6D8A5

RGB 198 216 165

HSL 81.18, 0.4%, 0.75%

LAB 83.88, -14.78, 23.19

 

CMYK 24 / 3 / 0 / 15

HEX #A5D1D8

RGB 165 209 216

HSL 188.24, 0.4%, 0.75%

LAB 81.05, -12.78, -8.2

 

CMYK 15 / 24 / 0 / 15

HEX #B7A5D8

RGB 183 165 216

HSL 261.18, 0.4%, 0.75%

LAB 70.83, 16.54, -23.46

 

CMYK 0 / 20 / 24 / 15

HEX #D8ADA5

RGB 216 173 165

HSL 9.41, 0.4%, 0.75%

LAB 74.32, 14.47, 10.05

 

CMYK 15 / 0 / 24 / 15

HEX #B7D8A5

RGB 183 216 165

HSL 98.82, 0.4%, 0.75%

LAB 82.86, -20.14, 21.62

 

CMYK 24 / 3 / 0 / 15

HEX #A5D1D8

RGB 165 209 216

HSL 188.24, 0.4%, 0.75%

LAB 81.05, -12.78, -8.2

 

CMYK 8 / 24 / 0 / 15

HEX #C6A5D8

RGB 198 165 216

HSL 278.82, 0.4%, 0.75%

LAB 72.14, 21.36, -21.33

 

Description

Color code: HEX #D8ADA5 | qconv.com Color code: HEX #D8ADA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 173 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 173 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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