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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8B482 it is the complementary color #274B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8B482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8B482 shade: #DDB47D, #EEC690, #FFD8A3, #FFEAB6 and #FFFCC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8B482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8B482 shade: #D8B482, #C7A26F, #B6905C, #A57E49 and #946C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8B482 shade: #D7B482, #D79D82, #D78682 and #D78282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8B482 shade: #D7B482, #D7CB82, #CDD782, #B6D782 and #9FD782

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8B482 shade matches the following richer shades: #D7B482, #E5B675 and #F2B868

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8B482 shade: #D7B482, #CAB290, #BDB09D, #B0ADAA and #A3ABB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8B482 shade: #D78582, #D79C82, #D7B382, #D7C982 and #CFD782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8B482 shade: #C48E44, #CDA163, #D7B482, #E1C7A2 and #EBDAC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8B482 shade: #D8B482, #96D782 and #9182D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8B482 shade: #D8B482, #82D7B3 and #B382D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8B482 shade: #D8B482, #96D782, #82A7D7 and #C482D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8B482 shade: #D8B482, #82D788, #82A7D7 and #D782D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 40 / 15

HEX #D8B482

RGB 216 180 130

HSL 34.88, 0.52%, 0.68%

LAB 75.36, 6.22, 30.36

 

Complementary color

CMYK 69 / 40 / 0 / 51

HEX #274B7D

RGB 39 75 125

HSL 214.88, 0.52%, 0.32%

LAB 31.68, 4.61, -32.18

 

CMYK 0 / 19 / 43 / 13

HEX #DDB47D

RGB 221 180 125

HSL 34.38, 0.59%, 0.68%

LAB 75.76, 7.69, 33.6

 

CMYK 0 / 17 / 39 / 7

HEX #EEC690

RGB 238 198 144

HSL 34.47, 0.73%, 0.75%

LAB 82.15, 7.01, 32.37

 

CMYK 0 / 15 / 36 / 0

HEX #FFD8A3

RGB 255 216 163

HSL 34.57, 1%, 0.82%

LAB 88.46, 6.41, 31.2

 

CMYK 0 / 8 / 29 / 0

HEX #FFEAB6

RGB 255 234 182

HSL 42.74, 1%, 0.86%

LAB 93.23, -0.48, 27.89

 

CMYK 0 / 1 / 21 / 0

HEX #FFFCC9

RGB 255 252 201

HSL 56.67, 1%, 0.89%

LAB 98.07, -6.98, 24.85

 

CMYK 0 / 17 / 40 / 15

HEX #D8B482

RGB 216 180 130

HSL 34.88, 0.52%, 0.68%

LAB 75.36, 6.22, 30.36

 

CMYK 0 / 19 / 44 / 22

HEX #C7A26F

RGB 199 162 111

HSL 34.77, 0.44%, 0.61%

LAB 68.85, 6.92, 31.62

 

CMYK 0 / 21 / 49 / 29

HEX #B6905C

RGB 182 144 92

HSL 34.67, 0.38%, 0.54%

LAB 62.22, 7.73, 32.97

 

CMYK 0 / 24 / 56 / 35

HEX #A57E49

RGB 165 126 73

HSL 34.57, 0.39%, 0.47%

LAB 55.48, 8.7, 34.4

 

CMYK 0 / 27 / 64 / 42

HEX #946C36

RGB 148 108 54

HSL 34.47, 0.47%, 0.4%

LAB 48.62, 9.87, 35.88

 

CMYK 0 / 16 / 40 / 16

HEX #D7B482

RGB 215 180 130

HSL 35.29, 0.52%, 0.68%

LAB 75.27, 5.82, 30.22

 

CMYK 0 / 27 / 40 / 16

HEX #D79D82

RGB 215 157 130

HSL 19.06, 0.52%, 0.68%

LAB 69.59, 18.18, 22.63

 

CMYK 0 / 38 / 40 / 16

HEX #D78682

RGB 215 134 130

HSL 2.82, 0.52%, 0.68%

LAB 64.25, 30.59, 15.29

 

CMYK 0 / 40 / 40 / 16

HEX #D78282

RGB 215 130 130

HSL 0, 0.52%, 0.68%

LAB 63.36, 32.73, 14.05

 

CMYK 0 / 16 / 40 / 16

HEX #D7B482

RGB 215 180 130

HSL 35.29, 0.52%, 0.68%

LAB 75.27, 5.82, 30.22

 

CMYK 0 / 6 / 40 / 16

HEX #D7CB82

RGB 215 203 130

HSL 51.53, 0.52%, 0.68%

LAB 81.17, -6.22, 37.9

 

CMYK 5 / 0 / 40 / 16

HEX #CDD782

RGB 205 215 130

HSL 67.06, 0.52%, 0.68%

LAB 83.54, -16.21, 40.77

 

CMYK 15 / 0 / 40 / 16

HEX #B6D782

RGB 182 215 130

HSL 83.29, 0.52%, 0.68%

LAB 81.92, -24.96, 38.37

 

CMYK 26 / 0 / 40 / 16

HEX #9FD782

RGB 159 215 130

HSL 99.53, 0.52%, 0.68%

LAB 80.51, -33.25, 36.27

 

CMYK 0 / 16 / 40 / 16

HEX #D7B482

RGB 215 180 130

HSL 35.29, 0.52%, 0.68%

LAB 75.27, 5.82, 30.22

 

CMYK 0 / 21 / 49 / 10

HEX #E5B675

RGB 229 182 117

HSL 34.82, 0.68%, 0.68%

LAB 76.92, 9.08, 39.4

 

CMYK 0 / 24 / 57 / 5

HEX #F2B868

RGB 242 184 104

HSL 34.78, 0.84%, 0.68%

LAB 78.55, 12.25, 48.24

 

CMYK 0 / 16 / 40 / 16

HEX #D7B482

RGB 215 180 130

HSL 35.29, 0.52%, 0.68%

LAB 75.27, 5.82, 30.22

 

CMYK 0 / 12 / 29 / 21

HEX #CAB290

RGB 202 178 144

HSL 35.17, 0.35%, 0.68%

LAB 73.81, 3.48, 20.56

 

CMYK 0 / 7 / 17 / 26

HEX #BDB09D

RGB 189 176 157

HSL 35.63, 0.2%, 0.68%

LAB 72.43, 1.47, 11.4

 

CMYK 0 / 2 / 3 / 31

HEX #B0ADAA

RGB 176 173 170

HSL 30, 0.04%, 0.68%

LAB 70.88, 0.52, 1.91

 

CMYK 11 / 7 / 0 / 28

HEX #A3ABB7

RGB 163 171 183

HSL 216, 0.12%, 0.68%

LAB 69.7, -0.38, -7.12

 

CMYK 0 / 38 / 40 / 16

HEX #D78582

RGB 215 133 130

HSL 2.12, 0.52%, 0.68%

LAB 64.03, 31.13, 14.98

 

CMYK 0 / 27 / 40 / 16

HEX #D79C82

RGB 215 156 130

HSL 18.35, 0.52%, 0.68%

LAB 69.35, 18.72, 22.3

 

CMYK 0 / 17 / 40 / 16

HEX #D7B382

RGB 215 179 130

HSL 34.59, 0.52%, 0.68%

LAB 75.01, 6.35, 29.88

 

CMYK 0 / 7 / 40 / 16

HEX #D7C982

RGB 215 201 130

HSL 50.12, 0.52%, 0.68%

LAB 80.65, -5.19, 37.23

 

CMYK 4 / 0 / 40 / 16

HEX #CFD782

RGB 207 215 130

HSL 65.65, 0.52%, 0.68%

LAB 83.69, -15.44, 40.99

 

CMYK 0 / 28 / 65 / 23

HEX #C48E44

RGB 196 142 68

HSL 34.69, 0.52%, 0.52%

LAB 62.93, 12.92, 46.5

 

CMYK 0 / 21 / 52 / 20

HEX #CDA163

RGB 205 161 99

HSL 35.09, 0.51%, 0.6%

LAB 69.02, 8.78, 38.29

 

CMYK 0 / 16 / 40 / 16

HEX #D7B482

RGB 215 180 130

HSL 35.29, 0.52%, 0.68%

LAB 75.27, 5.82, 30.22

 

CMYK 0 / 12 / 28 / 12

HEX #E1C7A2

RGB 225 199 162

HSL 35.24, 0.51%, 0.76%

LAB 81.55, 3.63, 21.9

 

CMYK 0 / 7 / 18 / 8

HEX #EBDAC1

RGB 235 218 193

HSL 35.71, 0.51%, 0.84%

LAB 87.8, 1.86, 14.41

 

CMYK 0 / 17 / 40 / 15

HEX #D8B482

RGB 216 180 130

HSL 34.88, 0.52%, 0.68%

LAB 75.36, 6.22, 30.36

 

CMYK 30 / 0 / 40 / 16

HEX #96D782

RGB 150 215 130

HSL 105.88, 0.52%, 0.68%

LAB 80.01, -36.32, 35.53

 

CMYK 33 / 40 / 0 / 16

HEX #9182D7

RGB 145 130 215

HSL 250.59, 0.52%, 0.68%

LAB 58.87, 24.83, -41.69

 

CMYK 0 / 17 / 40 / 15

HEX #D8B482

RGB 216 180 130

HSL 34.88, 0.52%, 0.68%

LAB 75.36, 6.22, 30.36

 

CMYK 40 / 0 / 17 / 16

HEX #82D7B3

RGB 130 215 179

HSL 154.59, 0.52%, 0.68%

LAB 79.95, -33.84, 9.73

 

CMYK 17 / 40 / 0 / 16

HEX #B382D7

RGB 179 130 215

HSL 274.59, 0.52%, 0.68%

LAB 62.05, 34.63, -36.5

 

CMYK 0 / 17 / 40 / 15

HEX #D8B482

RGB 216 180 130

HSL 34.88, 0.52%, 0.68%

LAB 75.36, 6.22, 30.36

 

CMYK 30 / 0 / 40 / 16

HEX #96D782

RGB 150 215 130

HSL 105.88, 0.52%, 0.68%

LAB 80.01, -36.32, 35.53

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 9 / 40 / 0 / 16

HEX #C482D7

RGB 196 130 215

HSL 286.59, 0.52%, 0.68%

LAB 63.84, 39.73, -33.56

 

CMYK 0 / 17 / 40 / 15

HEX #D8B482

RGB 216 180 130

HSL 34.88, 0.52%, 0.68%

LAB 75.36, 6.22, 30.36

 

CMYK 40 / 0 / 37 / 16

HEX #82D788

RGB 130 215 136

HSL 124.24, 0.52%, 0.68%

LAB 79.11, -41.79, 31.11

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 0 / 40 / 2 / 16

HEX #D782D2

RGB 215 130 210

HSL 303.53, 0.52%, 0.68%

LAB 65.8, 44.59, -27.57

 

Description

Color code: HEX #D8B482 | qconv.com Color code: HEX #D8B482 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 180 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 180 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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