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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8BDED it is the complementary color #274212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8BDED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8BDED shade: #DDBDE8, #EECFFB, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8BDED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8BDED shade: #D8BDED, #C7ABDA, #B699C7, #A587B4 and #9475A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8BDED shade: #D9BEED, #E5BEED, #EDBEE8, #EDBEDC and #EDBECF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8BDED shade: #D9BEED, #CCBEED, #C0BEED and #BEBEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8BDED shade matches the following richer shades: #D9BEED, #D9B8F4 and #DAB1FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8BDED shade: #D9BEED, #D8C5E6, #D7CCE0, #D6D2D9 and #D5D9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8BDED shade: #BFBEED, #CCBEED, #D8BEED, #E4BEED and #EDBEE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8BDED shade: #B27EDB, #C59EE4, #D9BEED and #ECDFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8BDED shade: #D8BDED, #EDBECA and #BEEDC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8BDED shade: #D8BDED, #EDD8BE and #BEEDD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8BDED shade: #D8BDED, #EDBECA, #D3EDBE and #BEEDE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8BDED shade: #D8BDED, #EDC1BE, #D3EDBE and #BEEBED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 20 / 0 / 7

HEX #D8BDED

RGB 216 189 237

HSL 273.75, 0.57%, 0.84%

LAB 80.24, 18.34, -20.28

 

Complementary color

CMYK 41 / 0 / 73 / 74

HEX #274212

RGB 39 66 18

HSL 93.75, 0.57%, 0.16%

LAB 24.86, -20, 25.17

 

CMYK 5 / 19 / 0 / 9

HEX #DDBDE8

RGB 221 189 232

HSL 284.65, 0.48%, 0.83%

LAB 80.51, 18.98, -17.15

 

CMYK 5 / 18 / 0 / 2

HEX #EECFFB

RGB 238 207 251

HSL 282.27, 0.85%, 0.9%

LAB 86.88, 18.55, -17.53

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 9 / 20 / 0 / 7

HEX #D8BDED

RGB 216 189 237

HSL 273.75, 0.57%, 0.84%

LAB 80.24, 18.34, -20.28

 

CMYK 9 / 22 / 0 / 15

HEX #C7ABDA

RGB 199 171 218

HSL 275.74, 0.39%, 0.76%

LAB 73.76, 18.8, -19.97

 

CMYK 9 / 23 / 0 / 22

HEX #B699C7

RGB 182 153 199

HSL 277.83, 0.29%, 0.69%

LAB 67.17, 19.29, -19.65

 

CMYK 8 / 25 / 0 / 29

HEX #A587B4

RGB 165 135 180

HSL 280, 0.23%, 0.62%

LAB 60.45, 19.83, -19.34

 

CMYK 8 / 27 / 0 / 37

HEX #9475A1

RGB 148 117 161

HSL 282.27, 0.19%, 0.55%

LAB 53.59, 20.43, -19.04

 

CMYK 8 / 20 / 0 / 7

HEX #D9BEED

RGB 217 190 237

HSL 274.47, 0.57%, 0.84%

LAB 80.57, 18.12, -19.78

 

CMYK 3 / 20 / 0 / 7

HEX #E5BEED

RGB 229 190 237

HSL 289.79, 0.57%, 0.84%

LAB 81.62, 22.02, -18.09

 

CMYK 0 / 20 / 2 / 7

HEX #EDBEE8

RGB 237 190 232

HSL 306.38, 0.57%, 0.84%

LAB 82.19, 23.73, -14.47

 

CMYK 0 / 20 / 7 / 7

HEX #EDBEDC

RGB 237 190 220

HSL 321.7, 0.57%, 0.84%

LAB 81.84, 21.62, -8.57

 

CMYK 0 / 20 / 13 / 7

HEX #EDBECF

RGB 237 190 207

HSL 338.3, 0.57%, 0.84%

LAB 81.48, 19.46, -2.12

 

CMYK 8 / 20 / 0 / 7

HEX #D9BEED

RGB 217 190 237

HSL 274.47, 0.57%, 0.84%

LAB 80.57, 18.12, -19.78

 

CMYK 14 / 20 / 0 / 7

HEX #CCBEED

RGB 204 190 237

HSL 257.87, 0.57%, 0.84%

LAB 79.49, 13.97, -21.52

 

CMYK 19 / 20 / 0 / 7

HEX #C0BEED

RGB 192 190 237

HSL 242.55, 0.57%, 0.84%

LAB 78.55, 10.23, -23.04

 

CMYK 20 / 20 / 0 / 7

HEX #BEBEED

RGB 190 190 237

HSL 240, 0.57%, 0.84%

LAB 78.4, 9.61, -23.28

 

CMYK 8 / 20 / 0 / 7

HEX #D9BEED

RGB 217 190 237

HSL 274.47, 0.57%, 0.84%

LAB 80.57, 18.12, -19.78

 

CMYK 11 / 25 / 0 / 4

HEX #D9B8F4

RGB 217 184 244

HSL 273, 0.73%, 0.84%

LAB 79.37, 22.77, -25.36

 

CMYK 13 / 29 / 0 / 2

HEX #DAB1FA

RGB 218 177 250

HSL 273.7, 0.88%, 0.84%

LAB 78.02, 28.1, -30.64

 

CMYK 8 / 20 / 0 / 7

HEX #D9BEED

RGB 217 190 237

HSL 274.47, 0.57%, 0.84%

LAB 80.57, 18.12, -19.78

 

CMYK 6 / 14 / 0 / 10

HEX #D8C5E6

RGB 216 197 230

HSL 274.55, 0.4%, 0.84%

LAB 81.97, 12.66, -13.93

 

CMYK 4 / 9 / 0 / 12

HEX #D7CCE0

RGB 215 204 224

HSL 273, 0.24%, 0.84%

LAB 83.45, 7.45, -8.52

 

CMYK 1 / 3 / 0 / 15

HEX #D6D2D9

RGB 214 210 217

HSL 274.29, 0.08%, 0.84%

LAB 84.69, 2.64, -2.98

 

CMYK 2 / 0 / 3 / 15

HEX #D5D9D3

RGB 213 217 211

HSL 100, 0.07%, 0.84%

LAB 86.24, -2.43, 2.47

 

CMYK 19 / 20 / 0 / 7

HEX #BFBEED

RGB 191 190 237

HSL 241.28, 0.57%, 0.84%

LAB 78.47, 9.92, -23.16

 

CMYK 14 / 20 / 0 / 7

HEX #CCBEED

RGB 204 190 237

HSL 257.87, 0.57%, 0.84%

LAB 79.49, 13.97, -21.52

 

CMYK 9 / 20 / 0 / 7

HEX #D8BEED

RGB 216 190 237

HSL 273.19, 0.57%, 0.84%

LAB 80.48, 17.8, -19.92

 

CMYK 4 / 20 / 0 / 7

HEX #E4BEED

RGB 228 190 237

HSL 288.51, 0.57%, 0.84%

LAB 81.53, 21.69, -18.23

 

CMYK 0 / 20 / 2 / 7

HEX #EDBEE9

RGB 237 190 233

HSL 305.11, 0.57%, 0.84%

LAB 82.23, 23.91, -14.96

 

CMYK 19 / 42 / 0 / 14

HEX #B27EDB

RGB 178 126 219

HSL 273.55, 0.56%, 0.68%

LAB 61.22, 37.44, -40.03

 

CMYK 14 / 31 / 0 / 11

HEX #C59EE4

RGB 197 158 228

HSL 273.43, 0.56%, 0.76%

LAB 70.82, 27.39, -29.95

 

CMYK 8 / 20 / 0 / 7

HEX #D9BEED

RGB 217 190 237

HSL 274.47, 0.57%, 0.84%

LAB 80.57, 18.12, -19.78

 

CMYK 4 / 9 / 0 / 4

HEX #ECDFF6

RGB 236 223 246

HSL 273.91, 0.56%, 0.92%

LAB 90.44, 8.54, -9.59

 

CMYK 9 / 20 / 0 / 7

HEX #D8BDED

RGB 216 189 237

HSL 273.75, 0.57%, 0.84%

LAB 80.24, 18.34, -20.28

 

CMYK 0 / 20 / 15 / 7

HEX #EDBECA

RGB 237 190 202

HSL 344.68, 0.57%, 0.84%

LAB 81.34, 18.66, 0.38

 

CMYK 20 / 0 / 17 / 7

HEX #BEEDC5

RGB 190 237 197

HSL 128.94, 0.57%, 0.84%

LAB 89.65, -22.69, 14.48

 

CMYK 9 / 20 / 0 / 7

HEX #D8BDED

RGB 216 189 237

HSL 273.75, 0.57%, 0.84%

LAB 80.24, 18.34, -20.28

 

CMYK 0 / 9 / 20 / 7

HEX #EDD8BE

RGB 237 216 190

HSL 33.19, 0.57%, 0.84%

LAB 87.4, 3.18, 15.45

 

CMYK 20 / 0 / 9 / 7

HEX #BEEDD8

RGB 190 237 216

HSL 153.19, 0.57%, 0.84%

LAB 90.08, -19.19, 5.2

 

CMYK 9 / 20 / 0 / 7

HEX #D8BDED

RGB 216 189 237

HSL 273.75, 0.57%, 0.84%

LAB 80.24, 18.34, -20.28

 

CMYK 0 / 20 / 15 / 7

HEX #EDBECA

RGB 237 190 202

HSL 344.68, 0.57%, 0.84%

LAB 81.34, 18.66, 0.38

 

CMYK 11 / 0 / 20 / 7

HEX #D3EDBE

RGB 211 237 190

HSL 93.19, 0.57%, 0.84%

LAB 90.84, -16.77, 19.97

 

CMYK 20 / 0 / 5 / 7

HEX #BEEDE1

RGB 190 237 225

HSL 164.68, 0.57%, 0.84%

LAB 90.3, -17.42, 0.83

 

CMYK 9 / 20 / 0 / 7

HEX #D8BDED

RGB 216 189 237

HSL 273.75, 0.57%, 0.84%

LAB 80.24, 18.34, -20.28

 

CMYK 0 / 19 / 20 / 7

HEX #EDC1BE

RGB 237 193 190

HSL 3.83, 0.57%, 0.84%

LAB 81.76, 15.22, 7.43

 

CMYK 11 / 0 / 20 / 7

HEX #D3EDBE

RGB 211 237 190

HSL 93.19, 0.57%, 0.84%

LAB 90.84, -16.77, 19.97

 

CMYK 20 / 1 / 0 / 7

HEX #BEEBED

RGB 190 235 237

HSL 182.55, 0.57%, 0.84%

LAB 90.08, -13.97, -5.76

 

Description

Color code: HEX #D8BDED | qconv.com Color code: HEX #D8BDED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 189 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 189 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 20 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 20% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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