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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8C730 it is the complementary color #2738CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8C730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8C730 shade: #DDC72B, #EED93E, #FFEB51, #FFFD64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8C730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8C730 shade: #D8C730, #C7B51D, #B6A30A, #A59100 and #947F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8C730 shade: #D7C631, #D79A31, #D76D31, #D74031 and #D73131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8C730 shade: #D7C631, #BBD731, #8ED731, #62D731 and #35D731

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8C730 shade matches the following richer shades: #D7C631 and #EBD61D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8C730 shade: #D7C631, #C4B745, #B0A758, #9C976C and #888780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8C730 shade: #D76B31, #D79831, #D7C431, #BED731 and #92D731

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8C730 shade: #998C1D, #BCAC23, #D7C631, #DED054 and #E5D976

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8C730 shade: #D8C730, #31D73F and #8131D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8C730 shade: #D8C730, #31D7C4 and #C431D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8C730 shade: #D8C730, #31D73F, #3144D7 and #D731C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8C730 shade: #D8C730, #31D771, #3144D7 and #D73198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 78 / 15

HEX #D8C730

RGB 216 199 48

HSL 53.93, 0.68%, 0.52%

LAB 79.42, -9.62, 71.53

 

Complementary color

CMYK 81 / 73 / 0 / 19

HEX #2738CF

RGB 39 56 207

HSL 233.93, 0.68%, 0.48%

LAB 33.49, 47.65, -78.48

 

CMYK 0 / 10 / 81 / 13

HEX #DDC72B

RGB 221 199 43

HSL 52.58, 0.72%, 0.52%

LAB 79.84, -7.65, 73.52

 

CMYK 0 / 9 / 74 / 7

HEX #EED93E

RGB 238 217 62

HSL 52.84, 0.84%, 0.59%

LAB 86.08, -8.86, 73.87

 

CMYK 0 / 8 / 68 / 0

HEX #FFEB51

RGB 255 235 81

HSL 53.1, 1%, 0.66%

LAB 92.25, -9.9, 73.61

 

CMYK 0 / 1 / 61 / 0

HEX #FFFD64

RGB 255 253 100

HSL 59.23, 1%, 0.7%

LAB 97, -17.61, 71.14

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 8 / 78 / 15

HEX #D8C730

RGB 216 199 48

HSL 53.93, 0.68%, 0.52%

LAB 79.42, -9.62, 71.53

 

CMYK 0 / 9 / 85 / 22

HEX #C7B51D

RGB 199 181 29

HSL 53.65, 0.75%, 0.45%

LAB 73.07, -8.32, 70.59

 

CMYK 0 / 10 / 95 / 29

HEX #B6A30A

RGB 182 163 10

HSL 53.37, 0.9%, 0.38%

LAB 66.64, -6.79, 68.3

 

CMYK 0 / 12 / 100 / 35

HEX #A59100

RGB 165 145 0

HSL 52.73, 1%, 0.32%

LAB 60.11, -5, 64.19

 

CMYK 0 / 14 / 100 / 42

HEX #947F00

RGB 148 127 0

HSL 51.49, 1%, 0.29%

LAB 53.47, -3.01, 58.69

 

CMYK 0 / 8 / 77 / 16

HEX #D7C631

RGB 215 198 49

HSL 53.86, 0.67%, 0.52%

LAB 79.07, -9.5, 70.88

 

CMYK 0 / 28 / 77 / 16

HEX #D79A31

RGB 215 154 49

HSL 37.95, 0.67%, 0.52%

LAB 67.86, 13.66, 60.53

 

CMYK 0 / 49 / 77 / 16

HEX #D76D31

RGB 215 109 49

HSL 21.69, 0.67%, 0.52%

LAB 57.66, 37.6, 50.67

 

CMYK 0 / 70 / 77 / 16

HEX #D74031

RGB 215 64 49

HSL 5.42, 0.67%, 0.52%

LAB 49.9, 57.93, 42.76

 

CMYK 0 / 77 / 77 / 16

HEX #D73131

RGB 215 49 49

HSL 0, 0.67%, 0.52%

LAB 48.09, 62.96, 40.86

 

CMYK 0 / 8 / 77 / 16

HEX #D7C631

RGB 215 198 49

HSL 53.86, 0.67%, 0.52%

LAB 79.07, -9.5, 70.88

 

CMYK 13 / 0 / 77 / 16

HEX #BBD731

RGB 187 215 49

HSL 70.12, 0.67%, 0.52%

LAB 81.5, -29.58, 72.28

 

CMYK 34 / 0 / 77 / 16

HEX #8ED731

RGB 142 215 49

HSL 86.39, 0.67%, 0.52%

LAB 78.79, -46.8, 68.79

 

CMYK 54 / 0 / 77 / 16

HEX #62D731

RGB 98 215 49

HSL 102.29, 0.67%, 0.52%

LAB 76.93, -60.55, 66.37

 

CMYK 75 / 0 / 77 / 16

HEX #35D731

RGB 53 215 49

HSL 118.55, 0.67%, 0.52%

LAB 75.81, -69.82, 64.9

 

CMYK 0 / 8 / 77 / 16

HEX #D7C631

RGB 215 198 49

HSL 53.86, 0.67%, 0.52%

LAB 79.07, -9.5, 70.88

 

CMYK 0 / 9 / 88 / 8

HEX #EBD61D

RGB 235 214 29

HSL 53.88, 0.84%, 0.52%

LAB 84.92, -9.6, 81.45

 

CMYK 0 / 8 / 77 / 16

HEX #D7C631

RGB 215 198 49

HSL 53.86, 0.67%, 0.52%

LAB 79.07, -9.5, 70.88

 

CMYK 0 / 7 / 65 / 23

HEX #C4B745

RGB 196 183 69

HSL 53.86, 0.52%, 0.52%

LAB 73.57, -8.97, 57.57

 

CMYK 0 / 5 / 50 / 31

HEX #B0A758

RGB 176 167 88

HSL 53.86, 0.36%, 0.52%

LAB 67.7, -7.66, 41.67

 

CMYK 0 / 3 / 31 / 39

HEX #9C976C

RGB 156 151 108

HSL 53.75, 0.2%, 0.52%

LAB 61.9, -5.13, 23.37

 

CMYK 0 / 1 / 6 / 47

HEX #888780

RGB 136 135 128

HSL 52.5, 0.03%, 0.52%

LAB 56.21, -0.96, 3.88

 

CMYK 0 / 50 / 77 / 16

HEX #D76B31

RGB 215 107 49

HSL 20.96, 0.67%, 0.52%

LAB 57.25, 38.61, 50.26

 

CMYK 0 / 29 / 77 / 16

HEX #D79831

RGB 215 152 49

HSL 37.23, 0.67%, 0.52%

LAB 67.37, 14.73, 60.07

 

CMYK 0 / 9 / 77 / 16

HEX #D7C431

RGB 215 196 49

HSL 53.13, 0.67%, 0.52%

LAB 78.55, -8.48, 70.4

 

CMYK 12 / 0 / 77 / 16

HEX #BED731

RGB 190 215 49

HSL 69.04, 0.67%, 0.52%

LAB 81.71, -28.36, 72.55

 

CMYK 32 / 0 / 77 / 16

HEX #92D731

RGB 146 215 49

HSL 84.94, 0.67%, 0.52%

LAB 79, -45.37, 69.06

 

CMYK 0 / 8 / 81 / 40

HEX #998C1D

RGB 153 140 29

HSL 53.71, 0.68%, 0.36%

LAB 57.67, -7.17, 55.84

 

CMYK 0 / 9 / 81 / 26

HEX #BCAC23

RGB 188 172 35

HSL 53.73, 0.69%, 0.44%

LAB 69.7, -8.3, 65.82

 

CMYK 0 / 8 / 77 / 16

HEX #D7C631

RGB 215 198 49

HSL 53.86, 0.67%, 0.52%

LAB 79.07, -9.5, 70.88

 

CMYK 0 / 6 / 62 / 13

HEX #DED054

RGB 222 208 84

HSL 53.91, 0.68%, 0.6%

LAB 82.53, -9.87, 61.44

 

CMYK 0 / 5 / 48 / 10

HEX #E5D976

RGB 229 217 118

HSL 53.51, 0.68%, 0.68%

LAB 85.8, -8.94, 49.87

 

CMYK 0 / 8 / 78 / 15

HEX #D8C730

RGB 216 199 48

HSL 53.93, 0.68%, 0.52%

LAB 79.42, -9.62, 71.53

 

CMYK 77 / 0 / 71 / 16

HEX #31D73F

RGB 49 215 63

HSL 125.06, 0.67%, 0.52%

LAB 75.83, -69.33, 60.14

 

CMYK 40 / 77 / 0 / 16

HEX #8131D7

RGB 129 49 215

HSL 268.92, 0.67%, 0.52%

LAB 40.85, 63.89, -70.72

 

CMYK 0 / 8 / 78 / 15

HEX #D8C730

RGB 216 199 48

HSL 53.93, 0.68%, 0.52%

LAB 79.42, -9.62, 71.53

 

CMYK 77 / 0 / 9 / 16

HEX #31D7C4

RGB 49 215 196

HSL 173.13, 0.67%, 0.52%

LAB 78.02, -45.06, -2.44

 

CMYK 9 / 77 / 0 / 16

HEX #C431D7

RGB 196 49 215

HSL 293.13, 0.67%, 0.52%

LAB 50.5, 75.57, -54.63

 

CMYK 0 / 8 / 78 / 15

HEX #D8C730

RGB 216 199 48

HSL 53.93, 0.68%, 0.52%

LAB 79.42, -9.62, 71.53

 

CMYK 77 / 0 / 71 / 16

HEX #31D73F

RGB 49 215 63

HSL 125.06, 0.67%, 0.52%

LAB 75.83, -69.33, 60.14

 

CMYK 77 / 68 / 0 / 16

HEX #3144D7

RGB 49 68 215

HSL 233.13, 0.67%, 0.52%

LAB 37.29, 44.07, -76.82

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 0 / 8 / 78 / 15

HEX #D8C730

RGB 216 199 48

HSL 53.93, 0.68%, 0.52%

LAB 79.42, -9.62, 71.53

 

CMYK 77 / 0 / 47 / 16

HEX #31D771

RGB 49 215 113

HSL 143.13, 0.67%, 0.52%

LAB 76.34, -63.18, 38.64

 

CMYK 77 / 68 / 0 / 16

HEX #3144D7

RGB 49 68 215

HSL 233.13, 0.67%, 0.52%

LAB 37.29, 44.07, -76.82

 

CMYK 0 / 77 / 29 / 16

HEX #D73198

RGB 215 49 152

HSL 322.77, 0.67%, 0.52%

LAB 50.58, 70.67, -17.51

 

Description

Color code: HEX #D8C730 | qconv.com Color code: HEX #D8C730 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 199 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 199 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 78% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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