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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8C768 it is the complementary color #273897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8C768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8C768 shade: #DDC763, #EED976, #FFEB89, #FFFD9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8C768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8C768 shade: #D8C768, #C7B555, #B6A342, #A5912F and #947F1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8C768 shade: #D8C768, #D8A968, #D88B68, #D86D68 and #D86868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8C768 shade: #D8C768, #CBD868, #ADD868, #8FD868 and #71D868

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8C768 shade matches the following richer shades: #D8C768, #E7D259 and #F6DC4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8C768 shade: #D8C768, #C9BC78, #B9B287, #AAA796 and #9B9CA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8C768 shade: #D88A68, #D8A868, #D8C568, #CDD868 and #AFD868

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8C768 shade: #BDA830, #CFBB48, #D8C768, #E0D389 and #E9DFAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8C768 shade: #D8C768, #68D86C and #9968D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8C768 shade: #D8C768, #68D8C5 and #C568D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8C768 shade: #D8C768, #68D86C, #687BD8 and #D868D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8C768 shade: #D8C768, #68D88E, #687BD8 and #D868B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

Complementary color

CMYK 74 / 63 / 0 / 41

HEX #273897

RGB 39 56 151

HSL 230.89, 0.59%, 0.37%

LAB 28.1, 27.54, -54

 

CMYK 0 / 10 / 55 / 13

HEX #DDC763

RGB 221 199 99

HSL 49.18, 0.64%, 0.63%

LAB 80.25, -4.63, 52.13

 

CMYK 0 / 9 / 50 / 7

HEX #EED976

RGB 238 217 118

HSL 49.5, 0.78%, 0.7%

LAB 86.56, -5.32, 50.96

 

CMYK 0 / 8 / 46 / 0

HEX #FFEB89

RGB 255 235 137

HSL 49.83, 1%, 0.77%

LAB 92.79, -5.92, 49.77

 

CMYK 0 / 1 / 39 / 0

HEX #FFFD9C

RGB 255 253 156

HSL 58.79, 1%, 0.81%

LAB 97.6, -12.94, 46.62

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 0 / 9 / 57 / 22

HEX #C7B555

RGB 199 181 85

HSL 50.53, 0.5%, 0.56%

LAB 73.45, -5.56, 50.36

 

CMYK 0 / 10 / 64 / 29

HEX #B6A342

RGB 182 163 66

HSL 50.17, 0.47%, 0.49%

LAB 66.93, -4.7, 51.41

 

CMYK 0 / 12 / 72 / 35

HEX #A5912F

RGB 165 145 47

HSL 49.83, 0.56%, 0.42%

LAB 60.3, -3.65, 52.19

 

CMYK 0 / 14 / 81 / 42

HEX #947F1C

RGB 148 127 28

HSL 49.5, 0.68%, 0.35%

LAB 53.56, -2.35, 52.32

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 0 / 22 / 52 / 15

HEX #D8A968

RGB 216 169 104

HSL 34.82, 0.59%, 0.63%

LAB 72.21, 9.49, 39.91

 

CMYK 0 / 36 / 52 / 15

HEX #D88B68

RGB 216 139 104

HSL 18.75, 0.59%, 0.63%

LAB 65.01, 25.66, 30.81

 

CMYK 0 / 50 / 52 / 15

HEX #D86D68

RGB 216 109 104

HSL 2.68, 0.59%, 0.63%

LAB 58.54, 41.42, 22.31

 

CMYK 0 / 52 / 52 / 15

HEX #D86868

RGB 216 104 104

HSL 0, 0.59%, 0.63%

LAB 57.56, 43.92, 20.99

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 6 / 0 / 52 / 15

HEX #CBD868

RGB 203 216 104

HSL 66.96, 0.59%, 0.63%

LAB 83.34, -20.09, 53.04

 

CMYK 20 / 0 / 52 / 15

HEX #ADD868

RGB 173 216 104

HSL 83.04, 0.59%, 0.63%

LAB 81.29, -31.72, 50.11

 

CMYK 34 / 0 / 52 / 15

HEX #8FD868

RGB 143 216 104

HSL 99.11, 0.59%, 0.63%

LAB 79.59, -42.43, 47.67

 

CMYK 48 / 0 / 52 / 15

HEX #71D868

RGB 113 216 104

HSL 115.18, 0.59%, 0.63%

LAB 78.24, -51.75, 45.73

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 0 / 9 / 61 / 9

HEX #E7D259

RGB 231 210 89

HSL 51.13, 0.75%, 0.63%

LAB 83.86, -6.82, 60.97

 

CMYK 0 / 11 / 70 / 4

HEX #F6DC4A

RGB 246 220 74

HSL 50.93, 0.91%, 0.63%

LAB 87.62, -6.48, 71.34

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 0 / 6 / 40 / 21

HEX #C9BC78

RGB 201 188 120

HSL 50.37, 0.43%, 0.63%

LAB 75.91, -5.14, 36.04

 

CMYK 0 / 4 / 27 / 27

HEX #B9B287

RGB 185 178 135

HSL 51.6, 0.26%, 0.63%

LAB 72.16, -4.39, 22.93

 

CMYK 0 / 2 / 12 / 33

HEX #AAA796

RGB 170 167 150

HSL 51, 0.11%, 0.63%

LAB 68.3, -1.95, 9.17

 

CMYK 7 / 6 / 0 / 35

HEX #9B9CA6

RGB 155 156 166

HSL 234.55, 0.06%, 0.63%

LAB 64.56, 1.63, -5.33

 

CMYK 0 / 36 / 52 / 15

HEX #D88A68

RGB 216 138 104

HSL 18.21, 0.59%, 0.63%

LAB 64.78, 26.19, 30.52

 

CMYK 0 / 22 / 52 / 15

HEX #D8A868

RGB 216 168 104

HSL 34.29, 0.59%, 0.63%

LAB 71.96, 10.03, 39.6

 

CMYK 0 / 9 / 52 / 15

HEX #D8C568

RGB 216 197 104

HSL 49.82, 0.59%, 0.63%

LAB 79.35, -5.25, 48.58

 

CMYK 5 / 0 / 52 / 15

HEX #CDD868

RGB 205 216 104

HSL 65.89, 0.59%, 0.63%

LAB 83.49, -19.29, 53.25

 

CMYK 19 / 0 / 52 / 15

HEX #AFD868

RGB 175 216 104

HSL 81.96, 0.59%, 0.63%

LAB 81.42, -30.97, 50.3

 

CMYK 0 / 11 / 75 / 26

HEX #BDA830

RGB 189 168 48

HSL 51.06, 0.59%, 0.46%

LAB 68.78, -5.27, 60.83

 

CMYK 0 / 10 / 65 / 19

HEX #CFBB48

RGB 207 187 72

HSL 51.11, 0.58%, 0.55%

LAB 75.62, -6.17, 58.77

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 0 / 6 / 39 / 12

HEX #E0D389

RGB 224 211 137

HSL 51.03, 0.58%, 0.71%

LAB 84.09, -5.99, 38.25

 

CMYK 0 / 4 / 27 / 9

HEX #E9DFAA

RGB 233 223 170

HSL 50.48, 0.59%, 0.79%

LAB 88.45, -4.67, 27.26

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 52 / 0 / 50 / 15

HEX #68D86C

RGB 104 216 108

HSL 122.14, 0.59%, 0.63%

LAB 77.96, -53.66, 43.39

 

CMYK 29 / 52 / 0 / 15

HEX #9968D8

RGB 153 104 216

HSL 266.25, 0.59%, 0.63%

LAB 53.63, 42.1, -50.51

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 52 / 0 / 9 / 15

HEX #68D8C5

RGB 104 216 197

HSL 169.82, 0.59%, 0.63%

LAB 79.66, -36.58, -0.41

 

CMYK 9 / 52 / 0 / 15

HEX #C568D8

RGB 197 104 216

HSL 289.82, 0.59%, 0.63%

LAB 58.72, 53.77, -42.12

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 52 / 0 / 50 / 15

HEX #68D86C

RGB 104 216 108

HSL 122.14, 0.59%, 0.63%

LAB 77.96, -53.66, 43.39

 

CMYK 52 / 43 / 0 / 15

HEX #687BD8

RGB 104 123 216

HSL 229.82, 0.59%, 0.63%

LAB 54.1, 19.01, -50.01

 

CMYK 0 / 52 / 2 / 15

HEX #D868D4

RGB 216 104 212

HSL 302.14, 0.59%, 0.63%

LAB 61, 58.22, -36.11

 

CMYK 0 / 8 / 52 / 15

HEX #D8C768

RGB 216 199 104

HSL 50.89, 0.59%, 0.63%

LAB 79.87, -6.28, 49.2

 

CMYK 52 / 0 / 34 / 15

HEX #68D88E

RGB 104 216 142

HSL 140.36, 0.59%, 0.63%

LAB 78.47, -48.3, 26.97

 

CMYK 52 / 43 / 0 / 15

HEX #687BD8

RGB 104 123 216

HSL 229.82, 0.59%, 0.63%

LAB 54.1, 19.01, -50.01

 

CMYK 0 / 52 / 17 / 15

HEX #D868B3

RGB 216 104 179

HSL 319.82, 0.59%, 0.63%

LAB 59.67, 52.89, -19.42

 

Description

Color code: HEX #D8C768 | qconv.com Color code: HEX #D8C768 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 199 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 199 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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