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Color name
HEX #D8C182

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8C182 it is the complementary color #273E7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8C182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8C182 shade: #DDC17D, #EED390, #FFE5A3, #FFF7B6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8C182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8C182 shade: #D8C182, #C7AF6F, #B69D5C, #A58B49 and #947936

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8C182 shade: #D7C182, #D7AA82, #D79382 and #D78282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8C182 shade: #D7C182, #D7D782, #C0D782, #A9D782 and #92D782

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8C182 shade matches the following richer shades: #D7C182, #E5C775 and #F2CD68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8C182 shade: #D7C182, #CABA90, #BDB49D, #B0AEAA and #A3A8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8C182 shade: #D79282, #D7A982, #D7BF82, #D7D682 and #C2D782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8C182 shade: #C4A144, #CDB163, #D7C182, #E1D0A2 and #EBE0C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8C182 shade: #D8C182, #8AD782 and #9D82D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8C182 shade: #D8C182, #82D7BF and #BF82D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8C182 shade: #D8C182, #8AD782, #829BD7 and #D082D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8C182 shade: #D8C182, #82D795, #829BD7 and #D782C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 40 / 15

HEX #D8C182

RGB 216 193 130

HSL 43.95, 0.52%, 0.68%

LAB 78.67, -0.63, 34.69

 

Complementary color

CMYK 69 / 50 / 0 / 51

HEX #273E7D

RGB 39 62 125

HSL 223.95, 0.52%, 0.32%

LAB 27.73, 13.44, -38.49

 

CMYK 0 / 13 / 43 / 13

HEX #DDC17D

RGB 221 193 125

HSL 42.5, 0.59%, 0.68%

LAB 79.04, 0.84, 37.83

 

CMYK 0 / 11 / 39 / 7

HEX #EED390

RGB 238 211 144

HSL 42.77, 0.73%, 0.75%

LAB 85.39, 0.27, 36.62

 

CMYK 0 / 10 / 36 / 0

HEX #FFE5A3

RGB 255 229 163

HSL 43.04, 1%, 0.82%

LAB 91.66, -0.23, 35.46

 

CMYK 0 / 3 / 29 / 0

HEX #FFF7B6

RGB 255 247 182

HSL 53.42, 1%, 0.86%

LAB 96.48, -7, 32.28

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 11 / 40 / 15

HEX #D8C182

RGB 216 193 130

HSL 43.95, 0.52%, 0.68%

LAB 78.67, -0.63, 34.69

 

CMYK 0 / 12 / 44 / 22

HEX #C7AF6F

RGB 199 175 111

HSL 43.64, 0.44%, 0.61%

LAB 72.19, -0.06, 35.92

 

CMYK 0 / 14 / 49 / 29

HEX #B69D5C

RGB 182 157 92

HSL 43.33, 0.38%, 0.54%

LAB 65.62, 0.61, 37.21

 

CMYK 0 / 16 / 56 / 35

HEX #A58B49

RGB 165 139 73

HSL 43.04, 0.39%, 0.47%

LAB 58.92, 1.43, 38.54

 

CMYK 0 / 18 / 64 / 42

HEX #947936

RGB 148 121 54

HSL 42.77, 0.47%, 0.4%

LAB 52.1, 2.43, 39.83

 

CMYK 0 / 10 / 40 / 16

HEX #D7C182

RGB 215 193 130

HSL 44.47, 0.52%, 0.68%

LAB 78.58, -1.03, 34.55

 

CMYK 0 / 21 / 40 / 16

HEX #D7AA82

RGB 215 170 130

HSL 28.24, 0.52%, 0.68%

LAB 72.77, 11.17, 26.9

 

CMYK 0 / 32 / 40 / 16

HEX #D79382

RGB 215 147 130

HSL 12, 0.52%, 0.68%

LAB 67.22, 23.59, 19.39

 

CMYK 0 / 40 / 40 / 16

HEX #D78282

RGB 215 130 130

HSL 0, 0.52%, 0.68%

LAB 63.36, 32.73, 14.05

 

CMYK 0 / 10 / 40 / 16

HEX #D7C182

RGB 215 193 130

HSL 44.47, 0.52%, 0.68%

LAB 78.58, -1.03, 34.55

 

CMYK 0 / 0 / 40 / 16

HEX #D7D782

RGB 215 215 130

HSL 60, 0.52%, 0.68%

LAB 84.31, -12.31, 41.9

 

CMYK 11 / 0 / 40 / 16

HEX #C0D782

RGB 192 215 130

HSL 76.24, 0.52%, 0.68%

LAB 82.6, -21.21, 39.38

 

CMYK 21 / 0 / 40 / 16

HEX #A9D782

RGB 169 215 130

HSL 92.47, 0.52%, 0.68%

LAB 81.1, -29.72, 37.15

 

CMYK 32 / 0 / 40 / 16

HEX #92D782

RGB 146 215 130

HSL 108.71, 0.52%, 0.68%

LAB 79.8, -37.65, 35.21

 

CMYK 0 / 10 / 40 / 16

HEX #D7C182

RGB 215 193 130

HSL 44.47, 0.52%, 0.68%

LAB 78.58, -1.03, 34.55

 

CMYK 0 / 13 / 49 / 10

HEX #E5C775

RGB 229 199 117

HSL 43.93, 0.68%, 0.68%

LAB 81.18, 0.17, 44.7

 

CMYK 0 / 15 / 57 / 5

HEX #F2CD68

RGB 242 205 104

HSL 43.91, 0.84%, 0.68%

LAB 83.73, 1.31, 54.32

 

CMYK 0 / 10 / 40 / 16

HEX #D7C182

RGB 215 193 130

HSL 44.47, 0.52%, 0.68%

LAB 78.58, -1.03, 34.55

 

CMYK 0 / 8 / 29 / 21

HEX #CABA90

RGB 202 186 144

HSL 43.45, 0.35%, 0.68%

LAB 75.88, -0.78, 23.39

 

CMYK 0 / 5 / 17 / 26

HEX #BDB49D

RGB 189 180 157

HSL 43.13, 0.2%, 0.68%

LAB 73.48, -0.68, 12.88

 

CMYK 0 / 1 / 3 / 31

HEX #B0AEAA

RGB 176 174 170

HSL 40, 0.04%, 0.68%

LAB 71.15, -0.02, 2.29

 

CMYK 11 / 8 / 0 / 28

HEX #A3A8B7

RGB 163 168 183

HSL 225, 0.12%, 0.68%

LAB 68.9, 1.26, -8.31

 

CMYK 0 / 32 / 40 / 16

HEX #D79282

RGB 215 146 130

HSL 11.29, 0.52%, 0.68%

LAB 66.99, 24.13, 19.07

 

CMYK 0 / 21 / 40 / 16

HEX #D7A982

RGB 215 169 130

HSL 27.53, 0.52%, 0.68%

LAB 72.52, 11.71, 26.57

 

CMYK 0 / 11 / 40 / 16

HEX #D7BF82

RGB 215 191 130

HSL 43.06, 0.52%, 0.68%

LAB 78.06, 0.01, 33.89

 

CMYK 0 / 0 / 40 / 16

HEX #D7D682

RGB 215 214 130

HSL 59.29, 0.52%, 0.68%

LAB 84.04, -11.81, 41.57

 

CMYK 10 / 0 / 40 / 16

HEX #C2D782

RGB 194 215 130

HSL 74.82, 0.52%, 0.68%

LAB 82.74, -20.44, 39.59

 

CMYK 0 / 18 / 65 / 23

HEX #C4A144

RGB 196 161 68

HSL 43.59, 0.52%, 0.52%

LAB 67.76, 2.59, 51.8

 

CMYK 0 / 14 / 52 / 20

HEX #CDB163

RGB 205 177 99

HSL 44.15, 0.51%, 0.6%

LAB 73.1, 0.21, 43.3

 

CMYK 0 / 10 / 40 / 16

HEX #D7C182

RGB 215 193 130

HSL 44.47, 0.52%, 0.68%

LAB 78.58, -1.03, 34.55

 

CMYK 0 / 8 / 28 / 12

HEX #E1D0A2

RGB 225 208 162

HSL 43.81, 0.51%, 0.76%

LAB 83.82, -1.05, 25.02

 

CMYK 0 / 5 / 18 / 8

HEX #EBE0C1

RGB 235 224 193

HSL 44.29, 0.51%, 0.84%

LAB 89.31, -1.23, 16.54

 

CMYK 0 / 11 / 40 / 15

HEX #D8C182

RGB 216 193 130

HSL 43.95, 0.52%, 0.68%

LAB 78.67, -0.63, 34.69

 

CMYK 36 / 0 / 40 / 16

HEX #8AD782

RGB 138 215 130

HSL 114.35, 0.52%, 0.68%

LAB 79.39, -40.24, 34.61

 

CMYK 27 / 40 / 0 / 16

HEX #9D82D7

RGB 157 130 215

HSL 259.06, 0.52%, 0.68%

LAB 59.92, 28.21, -39.97

 

CMYK 0 / 11 / 40 / 15

HEX #D8C182

RGB 216 193 130

HSL 43.95, 0.52%, 0.68%

LAB 78.67, -0.63, 34.69

 

CMYK 40 / 0 / 11 / 16

HEX #82D7BF

RGB 130 215 191

HSL 163.06, 0.52%, 0.68%

LAB 80.24, -31.26, 3.76

 

CMYK 11 / 40 / 0 / 16

HEX #BF82D7

RGB 191 130 215

HSL 283.06, 0.52%, 0.68%

LAB 63.3, 38.22, -34.45

 

CMYK 0 / 11 / 40 / 15

HEX #D8C182

RGB 216 193 130

HSL 43.95, 0.52%, 0.68%

LAB 78.67, -0.63, 34.69

 

CMYK 36 / 0 / 40 / 16

HEX #8AD782

RGB 138 215 130

HSL 114.35, 0.52%, 0.68%

LAB 79.39, -40.24, 34.61

 

CMYK 40 / 28 / 0 / 16

HEX #829BD7

RGB 130 155 215

HSL 222.35, 0.52%, 0.68%

LAB 64.24, 6.25, -33.39

 

CMYK 3 / 40 / 0 / 16

HEX #D082D7

RGB 208 130 215

HSL 295.06, 0.52%, 0.68%

LAB 65.19, 43.37, -31.37

 

CMYK 0 / 11 / 40 / 15

HEX #D8C182

RGB 216 193 130

HSL 43.95, 0.52%, 0.68%

LAB 78.67, -0.63, 34.69

 

CMYK 40 / 0 / 31 / 16

HEX #82D795

RGB 130 215 149

HSL 133.41, 0.52%, 0.68%

LAB 79.34, -39.61, 24.69

 

CMYK 40 / 28 / 0 / 16

HEX #829BD7

RGB 130 155 215

HSL 222.35, 0.52%, 0.68%

LAB 64.24, 6.25, -33.39

 

CMYK 0 / 40 / 8 / 16

HEX #D782C5

RGB 215 130 197

HSL 312.71, 0.52%, 0.68%

LAB 65.31, 42.32, -21.03

 

Description

Color code: HEX #D8C182 | qconv.com Color code: HEX #D8C182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 193 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 193 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 40% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

84% - SAM-J Multiservices
Link: http://www.sam-j.fr

84% - SAM-J Multiservices
Link: http://sam-j.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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