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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8CA8C it is the complementary color #273573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8CA8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8CA8C shade: #DDCA87, #EEDC9A, #FFEEAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8CA8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8CA8C shade: #D8CA8C, #C7B879, #B6A666, #A59453 and #948240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8CA8C shade: #D7CA8D, #D7B58D, #D7A18D, #D78D8D and #D78D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8CA8C shade: #D7CA8D, #D1D78D, #BDD78D, #A9D78D and #94D78D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8CA8C shade matches the following richer shades: #D7CA8D, #E4D180, #F0D974 and #FDE167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8CA8C shade: #D7CA8D, #CBC299, #BFBAA5, #B2B2B2 and #A6AABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8CA8C shade: #D7A18D, #D7B48D, #D7C88D, #D2D78D and #BED78D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8CA8C shade: #C2AD4F, #CDBB6E, #D7CA8D, #E2D8AB and #EDE6CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8CA8C shade: #D8CA8C, #8DD78D and #AB8DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8CA8C shade: #D8CA8C, #8DD7C8 and #C88DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8CA8C shade: #D8CA8C, #8DD78D, #8D9CD7 and #D78DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8CA8C shade: #D8CA8C, #8DD7A3, #8D9CD7 and #D78DC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 35 / 15

HEX #D8CA8C

RGB 216 202 140

HSL 48.95, 0.49%, 0.7%

LAB 81.14, -4.17, 32.75

 

Complementary color

CMYK 66 / 54 / 0 / 55

HEX #273573

RGB 39 53 115

HSL 228.95, 0.49%, 0.3%

LAB 24.37, 15.85, -37.58

 

CMYK 0 / 9 / 39 / 13

HEX #DDCA87

RGB 221 202 135

HSL 46.74, 0.56%, 0.7%

LAB 81.49, -2.77, 35.86

 

CMYK 0 / 8 / 35 / 7

HEX #EEDC9A

RGB 238 220 154

HSL 47.14, 0.71%, 0.77%

LAB 87.82, -3.22, 34.7

 

CMYK 0 / 7 / 32 / 0

HEX #FFEEAD

RGB 255 238 173

HSL 47.56, 1%, 0.84%

LAB 94.07, -3.61, 33.6

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 6 / 35 / 15

HEX #D8CA8C

RGB 216 202 140

HSL 48.95, 0.49%, 0.7%

LAB 81.14, -4.17, 32.75

 

CMYK 0 / 8 / 39 / 22

HEX #C7B879

RGB 199 184 121

HSL 48.46, 0.41%, 0.63%

LAB 74.7, -3.74, 33.93

 

CMYK 0 / 9 / 44 / 29

HEX #B6A666

RGB 182 166 102

HSL 48, 0.35%, 0.56%

LAB 68.15, -3.23, 35.16

 

CMYK 0 / 10 / 50 / 35

HEX #A59453

RGB 165 148 83

HSL 47.56, 0.33%, 0.49%

LAB 61.48, -2.61, 36.45

 

CMYK 0 / 12 / 57 / 42

HEX #948240

RGB 148 130 64

HSL 47.14, 0.4%, 0.42%

LAB 54.69, -1.85, 37.75

 

CMYK 0 / 6 / 34 / 16

HEX #D7CA8D

RGB 215 202 141

HSL 49.46, 0.48%, 0.7%

LAB 81.08, -4.44, 32.13

 

CMYK 0 / 16 / 34 / 16

HEX #D7B58D

RGB 215 181 141

HSL 32.43, 0.48%, 0.7%

LAB 75.71, 6.58, 24.96

 

CMYK 0 / 25 / 34 / 16

HEX #D7A18D

RGB 215 161 141

HSL 16.22, 0.48%, 0.7%

LAB 70.77, 17.33, 18.21

 

CMYK 0 / 34 / 34 / 16

HEX #D78D8D

RGB 215 141 141

HSL 0, 0.48%, 0.7%

LAB 66.07, 28.15, 11.65

 

CMYK 0 / 34 / 34 / 16

HEX #D78D8D

RGB 215 141 141

HSL 0, 0.48%, 0.7%

LAB 66.07, 28.15, 11.65

 

CMYK 0 / 6 / 34 / 16

HEX #D7CA8D

RGB 215 202 141

HSL 49.46, 0.48%, 0.7%

LAB 81.08, -4.44, 32.13

 

CMYK 3 / 0 / 34 / 16

HEX #D1D78D

RGB 209 215 141

HSL 64.86, 0.48%, 0.7%

LAB 84.01, -13.39, 35.88

 

CMYK 12 / 0 / 34 / 16

HEX #BDD78D

RGB 189 215 141

HSL 81.08, 0.48%, 0.7%

LAB 82.56, -20.96, 33.72

 

CMYK 21 / 0 / 34 / 16

HEX #A9D78D

RGB 169 215 141

HSL 97.3, 0.48%, 0.7%

LAB 81.27, -28.21, 31.78

 

CMYK 31 / 0 / 34 / 16

HEX #94D78D

RGB 148 215 141

HSL 114.32, 0.48%, 0.7%

LAB 80.08, -35.36, 29.98

 

CMYK 0 / 6 / 34 / 16

HEX #D7CA8D

RGB 215 202 141

HSL 49.46, 0.48%, 0.7%

LAB 81.08, -4.44, 32.13

 

CMYK 0 / 8 / 44 / 11

HEX #E4D180

RGB 228 209 128

HSL 48.6, 0.65%, 0.7%

LAB 83.78, -4.33, 42.46

 

CMYK 0 / 10 / 52 / 6

HEX #F0D974

RGB 240 217 116

HSL 48.87, 0.81%, 0.7%

LAB 86.71, -4.69, 52.13

 

CMYK 0 / 11 / 59 / 1

HEX #FDE167

RGB 253 225 103

HSL 48.8, 0.97%, 0.7%

LAB 89.73, -4.44, 61.87

 

CMYK 0 / 6 / 34 / 16

HEX #D7CA8D

RGB 215 202 141

HSL 49.46, 0.48%, 0.7%

LAB 81.08, -4.44, 32.13

 

CMYK 0 / 4 / 25 / 20

HEX #CBC299

RGB 203 194 153

HSL 49.2, 0.32%, 0.7%

LAB 78.22, -3.37, 21.8

 

CMYK 0 / 3 / 14 / 25

HEX #BFBAA5

RGB 191 186 165

HSL 48.46, 0.17%, 0.7%

LAB 75.4, -1.85, 11.28

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 13 / 11 / 0 / 25

HEX #A6AABE

RGB 166 170 190

HSL 230, 0.16%, 0.7%

LAB 69.88, 2.64, -10.71

 

CMYK 0 / 25 / 34 / 16

HEX #D7A18D

RGB 215 161 141

HSL 16.22, 0.48%, 0.7%

LAB 70.77, 17.33, 18.21

 

CMYK 0 / 16 / 34 / 16

HEX #D7B48D

RGB 215 180 141

HSL 31.62, 0.48%, 0.7%

LAB 75.46, 7.12, 24.62

 

CMYK 0 / 7 / 34 / 16

HEX #D7C88D

RGB 215 200 141

HSL 47.84, 0.48%, 0.7%

LAB 80.56, -3.41, 31.45

 

CMYK 2 / 0 / 34 / 16

HEX #D2D78D

RGB 210 215 141

HSL 64.05, 0.48%, 0.7%

LAB 84.08, -13.01, 36

 

CMYK 12 / 0 / 34 / 16

HEX #BED78D

RGB 190 215 141

HSL 80.27, 0.48%, 0.7%

LAB 82.63, -20.59, 33.82

 

CMYK 0 / 11 / 59 / 24

HEX #C2AD4F

RGB 194 173 79

HSL 49.04, 0.49%, 0.54%

LAB 70.82, -3.93, 50.07

 

CMYK 0 / 9 / 46 / 20

HEX #CDBB6E

RGB 205 187 110

HSL 48.63, 0.49%, 0.62%

LAB 75.85, -4.03, 41.14

 

CMYK 0 / 6 / 34 / 16

HEX #D7CA8D

RGB 215 202 141

HSL 49.46, 0.48%, 0.7%

LAB 81.08, -4.44, 32.13

 

CMYK 0 / 4 / 24 / 11

HEX #E2D8AB

RGB 226 216 171

HSL 49.09, 0.49%, 0.78%

LAB 86.12, -3.58, 23.47

 

CMYK 0 / 3 / 15 / 7

HEX #EDE6CA

RGB 237 230 202

HSL 48, 0.49%, 0.86%

LAB 91.17, -2.22, 14.49

 

CMYK 0 / 6 / 35 / 15

HEX #D8CA8C

RGB 216 202 140

HSL 48.95, 0.49%, 0.7%

LAB 81.14, -4.17, 32.75

 

CMYK 34 / 0 / 34 / 16

HEX #8DD78D

RGB 141 215 141

HSL 120, 0.48%, 0.7%

LAB 79.72, -37.6, 29.44

 

CMYK 20 / 34 / 0 / 16

HEX #AB8DD7

RGB 171 141 215

HSL 264.32, 0.48%, 0.7%

LAB 63.85, 26.06, -33.75

 

CMYK 0 / 6 / 35 / 15

HEX #D8CA8C

RGB 216 202 140

HSL 48.95, 0.49%, 0.7%

LAB 81.14, -4.17, 32.75

 

CMYK 34 / 0 / 7 / 16

HEX #8DD7C8

RGB 141 215 200

HSL 167.84, 0.48%, 0.7%

LAB 80.98, -26.28, 0.1

 

CMYK 7 / 34 / 0 / 16

HEX #C88DD7

RGB 200 141 215

HSL 287.84, 0.48%, 0.7%

LAB 66.7, 34.99, -29.1

 

CMYK 0 / 6 / 35 / 15

HEX #D8CA8C

RGB 216 202 140

HSL 48.95, 0.49%, 0.7%

LAB 81.14, -4.17, 32.75

 

CMYK 34 / 0 / 34 / 16

HEX #8DD78D

RGB 141 215 141

HSL 120, 0.48%, 0.7%

LAB 79.72, -37.6, 29.44

 

CMYK 34 / 27 / 0 / 16

HEX #8D9CD7

RGB 141 156 215

HSL 227.84, 0.48%, 0.7%

LAB 65.24, 8.7, -31.78

 

CMYK 0 / 34 / 0 / 16

HEX #D78DD7

RGB 215 141 215

HSL 300, 0.48%, 0.7%

LAB 68.32, 39.69, -26.48

 

CMYK 0 / 6 / 35 / 15

HEX #D8CA8C

RGB 216 202 140

HSL 48.95, 0.49%, 0.7%

LAB 81.14, -4.17, 32.75

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 34 / 27 / 0 / 16

HEX #8D9CD7

RGB 141 156 215

HSL 227.84, 0.48%, 0.7%

LAB 65.24, 8.7, -31.78

 

CMYK 0 / 34 / 10 / 16

HEX #D78DC1

RGB 215 141 193

HSL 317.84, 0.48%, 0.7%

LAB 67.54, 35.81, -15.42

 

Description

Color code: HEX #D8CA8C | qconv.com Color code: HEX #D8CA8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 202 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 202 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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