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Color name
HEX #D8DACC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8DACC it is the complementary color #272533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8DACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8DACC shade: #DDDAC7, #EEECDA and #FFFEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8DACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8DACC shade: #D8DACC, #C7C8B9, #B6B6A6, #A5A493 and #949280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8DACC shade: #D8DACC, #DAD8CC, #DAD5CC, #DAD1CC and #DACDCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8DACC shade: #D8DACC, #D4DACC, #D1DACC, #CDDACC and #CCDACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8DACC shade matches the following richer shades: #D8DACC, #DDE1C5, #E2E8BE, #E7EFB7 and #ECF6B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8DACC shade: #D8DACC, #D3D3D3, #CECCDA, #C9C5E1 and #C4BEE8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8DACC shade: #DAD5CC, #DAD8CC, #D8DACC, #D5DACC and #D1DACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8DACC shade: #B4B79C, #C6C9B4, #D8DACC, #EAEBE4 and #FDFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8DACC shade: #D8DACC, #CCDAD1 and #D6CCDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8DACC shade: #D8DACC, #CCD8DA and #DACCD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8DACC shade: #D8DACC, #CCDAD1, #CECCDA and #DACCD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8DACC shade: #D8DACC, #CCDAD5, #CECCDA and #DACCD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

Complementary color

CMYK 24 / 27 / 0 / 80

HEX #272533

RGB 39 37 51

HSL 248.57, 0.16%, 0.17%

LAB 15.45, 4.64, -8.79

 

CMYK 0 / 1 / 10 / 13

HEX #DDDAC7

RGB 221 218 199

HSL 51.82, 0.24%, 0.82%

LAB 86.82, -2.22, 9.71

 

CMYK 0 / 1 / 8 / 7

HEX #EEECDA

RGB 238 236 218

HSL 54, 0.37%, 0.89%

LAB 93.12, -2.39, 8.96

 

CMYK 0 / 0 / 7 / 0

HEX #FFFEED

RGB 255 254 237

HSL 56.67, 1%, 0.96%

LAB 99.32, -2.54, 8.23

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 0 / 0 / 8 / 22

HEX #C7C8B9

RGB 199 200 185

HSL 64, 0.12%, 0.75%

LAB 80.15, -3, 7.37

 

CMYK 0 / 0 / 9 / 29

HEX #B6B6A6

RGB 182 182 166

HSL 60, 0.1%, 0.68%

LAB 73.65, -2.86, 8.14

 

CMYK 0 / 1 / 11 / 35

HEX #A5A493

RGB 165 164 147

HSL 56.67, 0.09%, 0.61%

LAB 67.02, -2.7, 8.95

 

CMYK 0 / 1 / 14 / 42

HEX #949280

RGB 148 146 128

HSL 54, 0.09%, 0.54%

LAB 60.26, -2.52, 9.81

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 0 / 1 / 6 / 15

HEX #DAD8CC

RGB 218 216 204

HSL 51.43, 0.16%, 0.83%

LAB 86.19, -1.41, 6.14

 

CMYK 0 / 2 / 6 / 15

HEX #DAD5CC

RGB 218 213 204

HSL 38.57, 0.16%, 0.83%

LAB 85.43, 0.15, 5.04

 

CMYK 0 / 4 / 6 / 15

HEX #DAD1CC

RGB 218 209 204

HSL 21.43, 0.16%, 0.83%

LAB 84.41, 2.23, 3.57

 

CMYK 0 / 6 / 6 / 15

HEX #DACDCC

RGB 218 205 204

HSL 4.29, 0.16%, 0.83%

LAB 83.4, 4.33, 2.1

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 3 / 0 / 6 / 15

HEX #D4DACC

RGB 212 218 204

HSL 85.71, 0.16%, 0.83%

LAB 86.26, -4.53, 6.17

 

CMYK 4 / 0 / 6 / 15

HEX #D1DACC

RGB 209 218 204

HSL 98.57, 0.16%, 0.83%

LAB 86.04, -5.56, 5.83

 

CMYK 6 / 0 / 6 / 15

HEX #CDDACC

RGB 205 218 204

HSL 115.71, 0.16%, 0.83%

LAB 85.75, -6.93, 5.37

 

CMYK 6 / 0 / 5 / 15

HEX #CCDACF

RGB 204 218 207

HSL 132.86, 0.16%, 0.83%

LAB 85.75, -6.73, 3.78

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 2 / 0 / 12 / 12

HEX #DDE1C5

RGB 221 225 197

HSL 68.57, 0.32%, 0.83%

LAB 88.57, -6.13, 13.25

 

CMYK 3 / 0 / 18 / 9

HEX #E2E8BE

RGB 226 232 190

HSL 68.57, 0.48%, 0.83%

LAB 90.6, -8.98, 19.79

 

CMYK 3 / 0 / 23 / 6

HEX #E7EFB7

RGB 231 239 183

HSL 68.57, 0.64%, 0.83%

LAB 92.64, -11.69, 26.27

 

CMYK 4 / 0 / 28 / 4

HEX #ECF6B0

RGB 236 246 176

HSL 68.57, 0.8%, 0.83%

LAB 94.69, -14.27, 32.66

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D3

RGB 211 211 211

HSL 0, 0%, 0.83%

LAB 84.56, 0, -0.01

 

CMYK 6 / 6 / 0 / 15

HEX #CECCDA

RGB 206 204 218

HSL 248.57, 0.16%, 0.83%

LAB 82.58, 3.3, -6.69

 

CMYK 11 / 12 / 0 / 12

HEX #C9C5E1

RGB 201 197 225

HSL 248.57, 0.32%, 0.83%

LAB 80.62, 6.76, -13.39

 

CMYK 16 / 18 / 0 / 9

HEX #C4BEE8

RGB 196 190 232

HSL 248.57, 0.48%, 0.83%

LAB 78.69, 10.39, -20.1

 

CMYK 0 / 2 / 6 / 15

HEX #DAD5CC

RGB 218 213 204

HSL 38.57, 0.16%, 0.83%

LAB 85.43, 0.15, 5.04

 

CMYK 0 / 1 / 6 / 15

HEX #DAD8CC

RGB 218 216 204

HSL 51.43, 0.16%, 0.83%

LAB 86.19, -1.41, 6.14

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACC

RGB 213 218 204

HSL 81.43, 0.16%, 0.83%

LAB 86.33, -4.18, 6.29

 

CMYK 4 / 0 / 6 / 15

HEX #D1DACC

RGB 209 218 204

HSL 98.57, 0.16%, 0.83%

LAB 86.04, -5.56, 5.83

 

CMYK 2 / 0 / 15 / 28

HEX #B4B79C

RGB 180 183 156

HSL 66.67, 0.16%, 0.66%

LAB 73.53, -5.79, 13.39

 

CMYK 1 / 0 / 10 / 21

HEX #C6C9B4

RGB 198 201 180

HSL 68.57, 0.16%, 0.75%

LAB 80.22, -4.73, 10.14

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 0 / 0 / 3 / 8

HEX #EAEBE4

RGB 234 235 228

HSL 68.57, 0.15%, 0.91%

LAB 92.8, -1.56, 3.26

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFC

RGB 253 253 252

HSL 60, 0.2%, 0.99%

LAB 99.28, -0.17, 0.47

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 6 / 0 / 4 / 15

HEX #CCDAD1

RGB 204 218 209

HSL 141.43, 0.16%, 0.83%

LAB 85.8, -6.36, 2.8

 

CMYK 2 / 6 / 0 / 15

HEX #D6CCDA

RGB 214 204 218

HSL 282.86, 0.16%, 0.83%

LAB 83.2, 5.99, -5.7

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 6 / 1 / 0 / 15

HEX #CCD8DA

RGB 204 216 218

HSL 188.57, 0.16%, 0.83%

LAB 85.51, -3.65, -2.39

 

CMYK 0 / 6 / 1 / 15

HEX #DACCD8

RGB 218 204 216

HSL 308.57, 0.16%, 0.83%

LAB 83.47, 6.98, -4.2

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 6 / 0 / 4 / 15

HEX #CCDAD1

RGB 204 218 209

HSL 141.43, 0.16%, 0.83%

LAB 85.8, -6.36, 2.8

 

CMYK 6 / 6 / 0 / 15

HEX #CECCDA

RGB 206 204 218

HSL 248.57, 0.16%, 0.83%

LAB 82.58, 3.3, -6.69

 

CMYK 0 / 6 / 2 / 15

HEX #DACCD5

RGB 218 204 213

HSL 321.43, 0.16%, 0.83%

LAB 83.39, 6.44, -2.72

 

CMYK 1 / 0 / 6 / 15

HEX #D8DACC

RGB 216 218 204

HSL 68.57, 0.16%, 0.83%

LAB 86.55, -3.14, 6.64

 

CMYK 6 / 0 / 2 / 15

HEX #CCDAD5

RGB 204 218 213

HSL 158.57, 0.16%, 0.83%

LAB 85.9, -5.62, 0.83

 

CMYK 6 / 6 / 0 / 15

HEX #CECCDA

RGB 206 204 218

HSL 248.57, 0.16%, 0.83%

LAB 82.58, 3.3, -6.69

 

CMYK 0 / 6 / 4 / 15

HEX #DACCD1

RGB 218 204 209

HSL 338.57, 0.16%, 0.83%

LAB 83.28, 5.73, -0.74

 

Description

Color code: HEX #D8DACC | qconv.com Color code: HEX #D8DACC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 218 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 218 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 6% 15% C M Y K

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Provide designers and agencies with accurate color values.

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