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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8E830 it is the complementary color #2717CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8E830. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8E830 shade: #DDE82B, #EEFA3E, #FFFF51, #FFFF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8E830. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8E830 shade: #D8E830, #C7D61D, #B6C40A, #A5B200 and #94A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8E830 shade: #D8E830, #E8C630, #E89530, #E86330 and #E83130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8E830 shade: #D8E830, #A6E830, #75E830, #43E830 and #30E84E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8E830 shade matches the following richer shades: #D8E830 and #E7FA1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8E830 shade: #D8E830, #C8D543, #B9C255, #AAB068 and #9A9D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8E830 shade: #E89530, #E8C630, #D8E830, #A7E830 and #76E830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8E830 shade: #A4B213, #C6D717, #D8E830, #DFEC55 and #E6F07A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8E830 shade: #D8E830, #30E864 and #AD30E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8E830 shade: #D8E830, #30D8E8 and #E830D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8E830 shade: #D8E830, #30E864, #3F30E8 and #E830B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8E830 shade: #D8E830, #30E89B, #3F30E8 and #E8307C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

Complementary color

CMYK 81 / 89 / 0 / 19

HEX #2717CF

RGB 39 23 207

HSL 245.22, 0.8%, 0.45%

LAB 28.25, 62.92, -87.18

 

CMYK 5 / 0 / 81 / 9

HEX #DDE82B

RGB 221 232 43

HSL 63.49, 0.8%, 0.54%

LAB 88.57, -23.95, 81.04

 

CMYK 5 / 0 / 75 / 2

HEX #EEFA3E

RGB 238 250 62

HSL 63.83, 0.95%, 0.61%

LAB 94.69, -24.92, 81.86

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 7 / 0 / 86 / 16

HEX #C7D61D

RGB 199 214 29

HSL 64.86, 0.76%, 0.48%

LAB 82.01, -24.8, 77.9

 

CMYK 7 / 0 / 95 / 23

HEX #B6C40A

RGB 182 196 10

HSL 64.52, 0.9%, 0.4%

LAB 75.73, -23.56, 75.19

 

CMYK 7 / 0 / 100 / 30

HEX #A5B200

RGB 165 178 0

HSL 64.38, 1%, 0.35%

LAB 69.36, -22.13, 70.92

 

CMYK 7 / 0 / 100 / 37

HEX #94A000

RGB 148 160 0

HSL 64.5, 1%, 0.31%

LAB 62.88, -20.55, 65.53

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 0 / 15 / 79 / 9

HEX #E8C630

RGB 232 198 48

HSL 48.91, 0.8%, 0.55%

LAB 80.6, -2.26, 73.13

 

CMYK 0 / 36 / 79 / 9

HEX #E89530

RGB 232 149 48

HSL 32.93, 0.8%, 0.55%

LAB 68.65, 23.54, 62.36

 

CMYK 0 / 57 / 79 / 9

HEX #E86330

RGB 232 99 48

HSL 16.63, 0.8%, 0.55%

LAB 58.31, 48.91, 52.64

 

CMYK 0 / 79 / 79 / 9

HEX #E83130

RGB 232 49 48

HSL 0.33, 0.8%, 0.55%

LAB 51.34, 67.81, 45.79

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 28 / 0 / 79 / 9

HEX #A6E830

RGB 166 232 48

HSL 81.52, 0.8%, 0.55%

LAB 85.01, -45.37, 75.27

 

CMYK 50 / 0 / 79 / 9

HEX #75E830

RGB 117 232 48

HSL 97.5, 0.8%, 0.55%

LAB 82.76, -61.5, 72.37

 

CMYK 71 / 0 / 79 / 9

HEX #43E830

RGB 67 232 48

HSL 113.8, 0.8%, 0.55%

LAB 81.36, -72.88, 70.56

 

CMYK 79 / 0 / 66 / 9

HEX #30E84E

RGB 48 232 78

HSL 129.78, 0.8%, 0.55%

LAB 81.23, -73.27, 60.12

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 8 / 0 / 88 / 2

HEX #E7FA1D

RGB 231 250 29

HSL 65.16, 0.96%, 0.55%

LAB 94.08, -28.68, 88.59

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 6 / 0 / 69 / 16

HEX #C8D543

RGB 200 213 67

HSL 65.34, 0.63%, 0.55%

LAB 81.99, -22.46, 67.09

 

CMYK 5 / 0 / 56 / 24

HEX #B9C255

RGB 185 194 85

HSL 64.95, 0.47%, 0.55%

LAB 75.79, -18.06, 52.72

 

CMYK 3 / 0 / 41 / 31

HEX #AAB068

RGB 170 176 104

HSL 65, 0.31%, 0.55%

LAB 69.89, -13.21, 36.11

 

CMYK 2 / 0 / 22 / 38

HEX #9A9D7A

RGB 154 157 122

HSL 65.14, 0.15%, 0.55%

LAB 63.66, -7.17, 18

 

CMYK 0 / 36 / 79 / 9

HEX #E89530

RGB 232 149 48

HSL 32.93, 0.8%, 0.55%

LAB 68.65, 23.54, 62.36

 

CMYK 0 / 15 / 79 / 9

HEX #E8C630

RGB 232 198 48

HSL 48.91, 0.8%, 0.55%

LAB 80.6, -2.26, 73.13

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 28 / 0 / 79 / 9

HEX #A7E830

RGB 167 232 48

HSL 81.2, 0.8%, 0.55%

LAB 85.07, -45, 75.34

 

CMYK 49 / 0 / 79 / 9

HEX #76E830

RGB 118 232 48

HSL 97.17, 0.8%, 0.55%

LAB 82.8, -61.22, 72.42

 

CMYK 8 / 0 / 89 / 30

HEX #A4B213

RGB 164 178 19

HSL 65.28, 0.81%, 0.39%

LAB 69.31, -22.27, 68.36

 

CMYK 8 / 0 / 89 / 16

HEX #C6D717

RGB 198 215 23

HSL 65.31, 0.81%, 0.47%

LAB 82.2, -25.81, 79.06

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 6 / 0 / 64 / 7

HEX #DFEC55

RGB 223 236 85

HSL 65.17, 0.8%, 0.63%

LAB 90.01, -23.17, 68.99

 

CMYK 4 / 0 / 49 / 6

HEX #E6F07A

RGB 230 240 122

HSL 65.08, 0.8%, 0.71%

LAB 91.93, -19.55, 55.35

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 79 / 0 / 57 / 9

HEX #30E864

RGB 48 232 100

HSL 136.96, 0.8%, 0.55%

LAB 81.44, -70.79, 51.01

 

CMYK 25 / 79 / 0 / 9

HEX #AD30E8

RGB 173 48 232

HSL 280.76, 0.8%, 0.55%

LAB 48.04, 74.88, -68.44

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 79 / 7 / 0 / 9

HEX #30D8E8

RGB 48 216 232

HSL 185.22, 0.8%, 0.55%

LAB 79.37, -35.31, -19.69

 

CMYK 0 / 79 / 7 / 9

HEX #E830D8

RGB 232 48 216

HSL 305.22, 0.8%, 0.55%

LAB 56.31, 82.93, -45.58

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 79 / 0 / 57 / 9

HEX #30E864

RGB 48 232 100

HSL 136.96, 0.8%, 0.55%

LAB 81.44, -70.79, 51.01

 

CMYK 73 / 79 / 0 / 9

HEX #3F30E8

RGB 63 48 232

HSL 244.89, 0.8%, 0.55%

LAB 35.98, 61.33, -88.68

 

CMYK 0 / 79 / 22 / 9

HEX #E830B4

RGB 232 48 180

HSL 316.96, 0.8%, 0.55%

LAB 54.62, 78.16, -27.54

 

CMYK 7 / 0 / 79 / 9

HEX #D8E830

RGB 216 232 48

HSL 65.22, 0.8%, 0.55%

LAB 88.22, -25.84, 79.34

 

CMYK 79 / 0 / 33 / 9

HEX #30E89B

RGB 48 232 155

HSL 154.89, 0.8%, 0.55%

LAB 82.22, -61.63, 25.12

 

CMYK 73 / 79 / 0 / 9

HEX #3F30E8

RGB 63 48 232

HSL 244.89, 0.8%, 0.55%

LAB 35.98, 61.33, -88.68

 

CMYK 0 / 79 / 47 / 9

HEX #E8307C

RGB 232 48 124

HSL 335.22, 0.8%, 0.55%

LAB 52.65, 72.36, 2.68

 

Description

Color code: HEX #D8E830 | qconv.com Color code: HEX #D8E830 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 232 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 232 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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