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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8EA8F it is the complementary color #271570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8EA8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8EA8F shade: #DDEA8A, #EEFC9D, #FFFFB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8EA8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8EA8F shade: #D8EA8F, #C7D87C, #B6C669, #A5B456 and #94A243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8EA8F shade: #D7E98F, #E9E38F, #E9CA8F, #E9B28F and #E99A8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8EA8F shade: #D7E98F, #BFE98F, #A7E98F, #8FE990 and #8FE9A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8EA8F shade matches the following richer shades: #D7E98F and #DEF484

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8EA8F shade: #D7E98F, #D1DF9A, #CAD4A5, #C4C9AF and #BEBEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8EA8F shade: #E9CA8F, #E9E28F, #D9E98F, #C1E98F and #A9E98F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8EA8F shade: #BFDC4A, #CBE36C, #D7E98F, #E4F0B2 and #F0F6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8EA8F shade: #D8EA8F, #8FE9B2 and #D68FE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8EA8F shade: #D8EA8F, #8FD9E9 and #E98FD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8EA8F shade: #D8EA8F, #8FE9B2, #A08FE9 and #E98FC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8EA8F shade: #D8EA8F, #8FE9CD, #A08FE9 and #E98FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 39 / 8

HEX #D8EA8F

RGB 216 234 143

HSL 71.87, 0.68%, 0.74%

LAB 89.59, -19.89, 42.19

 

Complementary color

CMYK 65 / 81 / 0 / 56

HEX #271570

RGB 39 21 112

HSL 251.87, 0.68%, 0.26%

LAB 16.19, 35.58, -48.99

 

CMYK 6 / 0 / 41 / 8

HEX #DDEA8A

RGB 221 234 138

HSL 68.13, 0.7%, 0.73%

LAB 89.88, -18.54, 45.09

 

CMYK 6 / 0 / 38 / 1

HEX #EEFC9D

RGB 238 252 157

HSL 68.84, 0.94%, 0.8%

LAB 96.09, -18.76, 43.96

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 8 / 0 / 39 / 8

HEX #D8EA8F

RGB 216 234 143

HSL 71.87, 0.68%, 0.74%

LAB 89.59, -19.89, 42.19

 

CMYK 8 / 0 / 43 / 15

HEX #C7D87C

RGB 199 216 124

HSL 71.09, 0.54%, 0.67%

LAB 83.29, -19.7, 43.33

 

CMYK 8 / 0 / 47 / 22

HEX #B6C669

RGB 182 198 105

HSL 70.32, 0.45%, 0.59%

LAB 76.89, -19.45, 44.49

 

CMYK 8 / 0 / 52 / 29

HEX #A5B456

RGB 165 180 86

HSL 69.57, 0.39%, 0.52%

LAB 70.4, -19.14, 45.64

 

CMYK 9 / 0 / 59 / 36

HEX #94A243

RGB 148 162 67

HSL 68.84, 0.41%, 0.45%

LAB 63.79, -18.73, 46.69

 

CMYK 8 / 0 / 39 / 9

HEX #D7E98F

RGB 215 233 143

HSL 72, 0.67%, 0.74%

LAB 89.26, -19.78, 41.74

 

CMYK 0 / 3 / 39 / 9

HEX #E9E38F

RGB 233 227 143

HSL 56, 0.67%, 0.74%

LAB 89.04, -9.92, 41.74

 

CMYK 0 / 13 / 39 / 9

HEX #E9CA8F

RGB 233 202 143

HSL 39.33, 0.67%, 0.74%

LAB 82.67, 2.85, 33.49

 

CMYK 0 / 24 / 39 / 9

HEX #E9B28F

RGB 233 178 143

HSL 23.33, 0.67%, 0.74%

LAB 76.77, 15.48, 25.62

 

CMYK 0 / 34 / 39 / 9

HEX #E99A8F

RGB 233 154 143

HSL 7.33, 0.67%, 0.74%

LAB 71.16, 28.26, 17.95

 

CMYK 8 / 0 / 39 / 9

HEX #D7E98F

RGB 215 233 143

HSL 72, 0.67%, 0.74%

LAB 89.26, -19.78, 41.74

 

CMYK 18 / 0 / 39 / 9

HEX #BFE98F

RGB 191 233 143

HSL 88, 0.67%, 0.74%

LAB 87.65, -28.64, 39.36

 

CMYK 28 / 0 / 39 / 9

HEX #A7E98F

RGB 167 233 143

HSL 104, 0.67%, 0.74%

LAB 86.24, -36.99, 37.26

 

CMYK 39 / 0 / 38 / 9

HEX #8FE990

RGB 143 233 144

HSL 120.67, 0.67%, 0.74%

LAB 85.06, -44.48, 34.99

 

CMYK 39 / 0 / 28 / 9

HEX #8FE9A8

RGB 143 233 168

HSL 136.67, 0.67%, 0.74%

LAB 85.48, -40.52, 23.31

 

CMYK 8 / 0 / 39 / 9

HEX #D7E98F

RGB 215 233 143

HSL 72, 0.67%, 0.74%

LAB 89.26, -19.78, 41.74

 

CMYK 9 / 0 / 46 / 4

HEX #DEF484

RGB 222 244 132

HSL 71.79, 0.84%, 0.74%

LAB 92.53, -23.61, 51.27

 

CMYK 8 / 0 / 39 / 9

HEX #D7E98F

RGB 215 233 143

HSL 72, 0.67%, 0.74%

LAB 89.26, -19.78, 41.74

 

CMYK 6 / 0 / 31 / 13

HEX #D1DF9A

RGB 209 223 154

HSL 72.17, 0.52%, 0.74%

LAB 86.34, -15.76, 32.32

 

CMYK 5 / 0 / 22 / 17

HEX #CAD4A5

RGB 202 212 165

HSL 72.77, 0.35%, 0.74%

LAB 83.1, -11.3, 22.17

 

CMYK 2 / 0 / 13 / 21

HEX #C4C9AF

RGB 196 201 175

HSL 71.54, 0.19%, 0.74%

LAB 79.96, -6.27, 12.41

 

CMYK 0 / 0 / 2 / 25

HEX #BEBEBA

RGB 190 190 186

HSL 60, 0.03%, 0.74%

LAB 76.87, -0.73, 2.01

 

CMYK 0 / 13 / 39 / 9

HEX #E9CA8F

RGB 233 202 143

HSL 39.33, 0.67%, 0.74%

LAB 82.67, 2.85, 33.49

 

CMYK 0 / 3 / 39 / 9

HEX #E9E28F

RGB 233 226 143

HSL 55.33, 0.67%, 0.74%

LAB 88.78, -9.42, 41.41

 

CMYK 7 / 0 / 39 / 9

HEX #D9E98F

RGB 217 233 143

HSL 70.67, 0.67%, 0.74%

LAB 89.4, -19.02, 41.96

 

CMYK 17 / 0 / 39 / 9

HEX #C1E98F

RGB 193 233 143

HSL 86.67, 0.67%, 0.74%

LAB 87.77, -27.92, 39.55

 

CMYK 27 / 0 / 39 / 9

HEX #A9E98F

RGB 169 233 143

HSL 102.67, 0.67%, 0.74%

LAB 86.35, -36.32, 37.43

 

CMYK 13 / 0 / 66 / 14

HEX #BFDC4A

RGB 191 220 74

HSL 71.92, 0.68%, 0.58%

LAB 83.31, -29.04, 65.59

 

CMYK 11 / 0 / 52 / 11

HEX #CBE36C

RGB 203 227 108

HSL 72.1, 0.68%, 0.66%

LAB 86.36, -25.06, 54.74

 

CMYK 8 / 0 / 39 / 9

HEX #D7E98F

RGB 215 233 143

HSL 72, 0.67%, 0.74%

LAB 89.26, -19.78, 41.74

 

CMYK 5 / 0 / 26 / 6

HEX #E4F0B2

RGB 228 240 178

HSL 71.61, 0.67%, 0.82%

LAB 92.59, -13.97, 28.71

 

CMYK 2 / 0 / 14 / 4

HEX #F0F6D4

RGB 240 246 212

HSL 70.59, 0.65%, 0.9%

LAB 95.66, -7.69, 15.69

 

CMYK 8 / 0 / 39 / 8

HEX #D8EA8F

RGB 216 234 143

HSL 71.87, 0.68%, 0.74%

LAB 89.59, -19.89, 42.19

 

CMYK 39 / 0 / 24 / 9

HEX #8FE9B2

RGB 143 233 178

HSL 143.33, 0.67%, 0.74%

LAB 85.67, -38.68, 18.41

 

CMYK 8 / 39 / 0 / 9

HEX #D68FE9

RGB 214 143 233

HSL 287.33, 0.67%, 0.74%

LAB 69.34, 41.76, -34.83

 

CMYK 8 / 0 / 39 / 8

HEX #D8EA8F

RGB 216 234 143

HSL 71.87, 0.68%, 0.74%

LAB 89.59, -19.89, 42.19

 

CMYK 39 / 7 / 0 / 9

HEX #8FD9E9

RGB 143 217 233

HSL 190.67, 0.67%, 0.74%

LAB 82.57, -18.95, -15.11

 

CMYK 0 / 39 / 7 / 9

HEX #E98FD9

RGB 233 143 217

HSL 310.67, 0.67%, 0.74%

LAB 70.86, 44.67, -23.52

 

CMYK 8 / 0 / 39 / 8

HEX #D8EA8F

RGB 216 234 143

HSL 71.87, 0.68%, 0.74%

LAB 89.59, -19.89, 42.19

 

CMYK 39 / 0 / 24 / 9

HEX #8FE9B2

RGB 143 233 178

HSL 143.33, 0.67%, 0.74%

LAB 85.67, -38.68, 18.41

 

CMYK 31 / 39 / 0 / 9

HEX #A08FE9

RGB 160 143 233

HSL 251.33, 0.67%, 0.74%

LAB 64.16, 26.11, -43.31

 

CMYK 0 / 39 / 15 / 9

HEX #E98FC7

RGB 233 143 199

HSL 322.67, 0.67%, 0.74%

LAB 70.24, 41.71, -14.48

 

CMYK 8 / 0 / 39 / 8

HEX #D8EA8F

RGB 216 234 143

HSL 71.87, 0.68%, 0.74%

LAB 89.59, -19.89, 42.19

 

CMYK 39 / 0 / 12 / 9

HEX #8FE9CD

RGB 143 233 205

HSL 161.33, 0.67%, 0.74%

LAB 86.27, -33.23, 5.14

 

CMYK 31 / 39 / 0 / 9

HEX #A08FE9

RGB 160 143 233

HSL 251.33, 0.67%, 0.74%

LAB 64.16, 26.11, -43.31

 

CMYK 0 / 39 / 26 / 9

HEX #E98FAC

RGB 233 143 172

HSL 340.67, 0.67%, 0.74%

LAB 69.43, 37.72, -0.63

 

Description

Color code: HEX #D8EA8F | qconv.com Color code: HEX #D8EA8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 234 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 234 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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