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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8EB2D it is the complementary color #2714D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8EB2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8EB2D shade: #DDEB28, #EEFD3B, #FFFF4E, #FFFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8EB2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8EB2D shade: #D8EB2D, #C7D91A, #B6C707, #A5B500 and #94A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8EB2D shade: #D8EB2D, #EBCB2D, #EB972D, #EB642D and #EB312D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8EB2D shade: #D8EB2D, #A5EB2D, #71EB2D, #3EEB2D and #2DEB4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8EB2D shade matches the following richer shades: #D8EB2D and #E7FE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8EB2D shade: #D8EB2D, #C9D83F, #BAC652, #ABB364 and #9DA177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8EB2D shade: #EB982D, #EBCB2D, #D8EB2D, #A5EB2D and #72EB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8EB2D shade: #A4B510, #C7DA14, #D8EB2D, #DFEE52 and #E6F278

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8EB2D shade: #D8EB2D, #2DEB66 and #B22DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8EB2D shade: #D8EB2D, #2DD8EB and #EB2DD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8EB2D shade: #D8EB2D, #2DEB66, #402DEB and #EB2DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8EB2D shade: #D8EB2D, #2DEB9F, #402DEB and #EB2D79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

Complementary color

CMYK 81 / 90 / 0 / 18

HEX #2714D2

RGB 39 20 210

HSL 246, 0.83%, 0.45%

LAB 28.34, 64.63, -88.77

 

CMYK 6 / 0 / 83 / 8

HEX #DDEB28

RGB 221 235 40

HSL 64.31, 0.83%, 0.54%

LAB 89.37, -25.46, 82.39

 

CMYK 6 / 0 / 77 / 1

HEX #EEFD3B

RGB 238 253 59

HSL 64.64, 0.98%, 0.61%

LAB 95.47, -26.44, 83.42

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 8 / 0 / 88 / 15

HEX #C7D91A

RGB 199 217 26

HSL 65.65, 0.79%, 0.48%

LAB 82.83, -26.3, 79.1

 

CMYK 9 / 0 / 96 / 22

HEX #B6C707

RGB 182 199 7

HSL 65.31, 0.93%, 0.4%

LAB 76.56, -25.05, 76.13

 

CMYK 9 / 0 / 100 / 29

HEX #A5B500

RGB 165 181 0

HSL 65.3, 1%, 0.35%

LAB 70.21, -23.61, 71.55

 

CMYK 9 / 0 / 100 / 36

HEX #94A300

RGB 148 163 0

HSL 65.52, 1%, 0.32%

LAB 63.75, -22.06, 66.17

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 0 / 14 / 81 / 8

HEX #EBCB2D

RGB 235 203 45

HSL 49.89, 0.83%, 0.55%

LAB 82.14, -3.64, 75.46

 

CMYK 0 / 36 / 81 / 8

HEX #EB972D

RGB 235 151 45

HSL 33.47, 0.83%, 0.55%

LAB 69.46, 23.64, 64.33

 

CMYK 0 / 57 / 81 / 8

HEX #EB642D

RGB 235 100 45

HSL 17.37, 0.83%, 0.55%

LAB 58.94, 49.44, 54.76

 

CMYK 0 / 79 / 81 / 8

HEX #EB312D

RGB 235 49 45

HSL 1.26, 0.83%, 0.55%

LAB 51.89, 68.57, 48.09

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 30 / 0 / 81 / 8

HEX #A5EB2D

RGB 165 235 45

HSL 82.11, 0.83%, 0.55%

LAB 85.81, -47.13, 76.74

 

CMYK 52 / 0 / 81 / 8

HEX #71EB2D

RGB 113 235 45

HSL 98.53, 0.83%, 0.55%

LAB 83.5, -63.84, 73.8

 

CMYK 74 / 0 / 81 / 8

HEX #3EEB2D

RGB 62 235 45

HSL 114.63, 0.83%, 0.55%

LAB 82.18, -74.74, 72.1

 

CMYK 81 / 0 / 66 / 8

HEX #2DEB4F

RGB 45 235 79

HSL 130.74, 0.83%, 0.55%

LAB 82.13, -74.41, 60.69

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 9 / 0 / 90 / 0

HEX #E7FE1A

RGB 231 254 26

HSL 66.05, 0.99%, 0.55%

LAB 95.14, -30.58, 89.87

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 7 / 0 / 71 / 15

HEX #C9D83F

RGB 201 216 63

HSL 65.88, 0.66%, 0.55%

LAB 82.85, -23.71, 69.4

 

CMYK 6 / 0 / 59 / 22

HEX #BAC652

RGB 186 198 82

HSL 66.21, 0.5%, 0.55%

LAB 76.94, -19.88, 55.37

 

CMYK 4 / 0 / 44 / 30

HEX #ABB364

RGB 171 179 100

HSL 66.08, 0.34%, 0.55%

LAB 70.75, -14.79, 39.24

 

CMYK 2 / 0 / 26 / 37

HEX #9DA177

RGB 157 161 119

HSL 65.71, 0.18%, 0.55%

LAB 64.95, -8.59, 21.45

 

CMYK 0 / 35 / 81 / 8

HEX #EB982D

RGB 235 152 45

HSL 33.79, 0.83%, 0.55%

LAB 69.69, 23.11, 64.53

 

CMYK 0 / 14 / 81 / 8

HEX #EBCB2D

RGB 235 203 45

HSL 49.89, 0.83%, 0.55%

LAB 82.14, -3.64, 75.46

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 30 / 0 / 81 / 8

HEX #A5EB2D

RGB 165 235 45

HSL 82.11, 0.83%, 0.55%

LAB 85.81, -47.13, 76.74

 

CMYK 51 / 0 / 81 / 8

HEX #72EB2D

RGB 114 235 45

HSL 98.21, 0.83%, 0.55%

LAB 83.54, -63.57, 73.84

 

CMYK 9 / 0 / 91 / 29

HEX #A4B510

RGB 164 181 16

HSL 66.18, 0.84%, 0.39%

LAB 70.16, -23.81, 69.53

 

CMYK 9 / 0 / 91 / 15

HEX #C7DA14

RGB 199 218 20

HSL 65.76, 0.83%, 0.47%

LAB 83.09, -26.88, 80.24

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 6 / 0 / 66 / 7

HEX #DFEE52

RGB 223 238 82

HSL 65.77, 0.82%, 0.63%

LAB 90.53, -24.3, 70.67

 

CMYK 5 / 0 / 50 / 5

HEX #E6F278

RGB 230 242 120

HSL 65.9, 0.82%, 0.71%

LAB 92.43, -20.69, 56.87

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 81 / 0 / 57 / 8

HEX #2DEB66

RGB 45 235 102

HSL 138, 0.83%, 0.55%

LAB 82.34, -71.8, 51.17

 

CMYK 24 / 81 / 0 / 8

HEX #B22DEB

RGB 178 45 235

HSL 282, 0.83%, 0.55%

LAB 48.69, 77.14, -69.05

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 81 / 8 / 0 / 8

HEX #2DD8EB

RGB 45 216 235

HSL 186, 0.83%, 0.55%

LAB 79.42, -34.65, -21.21

 

CMYK 0 / 81 / 8 / 8

HEX #EB2DD8

RGB 235 45 216

HSL 306, 0.83%, 0.55%

LAB 56.58, 84.19, -45.13

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 81 / 0 / 57 / 8

HEX #2DEB66

RGB 45 235 102

HSL 138, 0.83%, 0.55%

LAB 82.34, -71.8, 51.17

 

CMYK 73 / 81 / 0 / 8

HEX #402DEB

RGB 64 45 235

HSL 246, 0.83%, 0.55%

LAB 35.92, 63.61, -90.49

 

CMYK 0 / 81 / 24 / 8

HEX #EB2DB2

RGB 235 45 178

HSL 318, 0.83%, 0.55%

LAB 54.82, 79.29, -26.02

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 81 / 0 / 32 / 8

HEX #2DEB9F

RGB 45 235 159

HSL 156, 0.83%, 0.55%

LAB 83.17, -62.2, 24.35

 

CMYK 73 / 81 / 0 / 8

HEX #402DEB

RGB 64 45 235

HSL 246, 0.83%, 0.55%

LAB 35.92, 63.61, -90.49

 

CMYK 0 / 81 / 49 / 8

HEX #EB2D79

RGB 235 45 121

HSL 336, 0.83%, 0.55%

LAB 52.86, 73.62, 4.87

 

Description

Color code: HEX #D8EB2D | qconv.com Color code: HEX #D8EB2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 235 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 235 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 81% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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