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Color name
HEX #D911D5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D911D5 it is the complementary color #26EE2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D911D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D911D5 shade: #DE11D0, #EF23E3, #FF35F6, #FF47FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D911D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D911D5 shade: #D911D5, #C800C2, #B700AF, #A6009C and #950089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D911D5 shade: #D911D5, #D9119F, #D91169, #D91133 and #D91111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D911D5 shade: #D911D5, #A711D9, #7111D9, #3B11D9 and #1111D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D911D5 shade matches the following richer shades: #D911D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D911D5 shade: #D911D5, #C624C2, #B337B0, #A04A9E and #8D5D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D911D5 shade: #7111D9, #A711D9, #D911D5, #D911A0 and #D9116B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D911D5 shade: #8C0B8A, #B20EAF, #D911D5, #ED26E9 and #F04CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D911D5 shade: #D911D5, #D93C11 and #11D98C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D911D5 shade: #D911D5, #D5D911 and #11D5D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D911D5 shade: #D911D5, #D93C11, #11D914 and #11ADD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D911D5 shade: #D911D5, #D97811, #11D914 and #1171D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

Complementary color

CMYK 84 / 0 / 82 / 7

HEX #26EE2A

RGB 38 238 42

HSL 121.2, 0.85%, 0.54%

LAB 82.77, -78.65, 73.27

 

CMYK 0 / 92 / 6 / 13

HEX #DE11D0

RGB 222 17 208

HSL 304.1, 0.86%, 0.47%

LAB 52.38, 85.21, -47.36

 

CMYK 0 / 85 / 5 / 6

HEX #EF23E3

RGB 239 35 227

HSL 303.53, 0.86%, 0.54%

LAB 57.17, 88.4, -50.38

 

CMYK 0 / 79 / 4 / 0

HEX #FF35F6

RGB 255 53 246

HSL 302.67, 1%, 0.6%

LAB 62.05, 90.46, -53.1

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 100 / 3 / 22

HEX #C800C2

RGB 200 0 194

HSL 301.8, 1%, 0.39%

LAB 47.2, 80.96, -47.75

 

CMYK 0 / 100 / 4 / 28

HEX #B700AF

RGB 183 0 175

HSL 302.62, 1%, 0.36%

LAB 43.01, 75.42, -43.46

 

CMYK 0 / 100 / 6 / 35

HEX #A6009C

RGB 166 0 156

HSL 303.61, 1%, 0.33%

LAB 38.74, 69.78, -39.06

 

CMYK 0 / 100 / 8 / 42

HEX #950089

RGB 149 0 137

HSL 304.83, 1%, 0.29%

LAB 34.39, 64.03, -34.54

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 92 / 27 / 15

HEX #D9119F

RGB 217 17 159

HSL 317.4, 0.85%, 0.46%

LAB 49.08, 78.13, -23.96

 

CMYK 0 / 92 / 52 / 15

HEX #D91169

RGB 217 17 105

HSL 333.6, 0.85%, 0.46%

LAB 47.2, 73.11, 6.06

 

CMYK 0 / 92 / 76 / 15

HEX #D91133

RGB 217 17 51

HSL 349.8, 0.85%, 0.46%

LAB 46.17, 70.24, 37.77

 

CMYK 0 / 92 / 92 / 15

HEX #D91111

RGB 217 17 17

HSL 0, 0.85%, 0.46%

LAB 45.9, 69.49, 54.49

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 23 / 92 / 0 / 15

HEX #A711D9

RGB 167 17 217

HSL 285, 0.85%, 0.46%

LAB 43.69, 78, -67

 

CMYK 48 / 92 / 0 / 15

HEX #7111D9

RGB 113 17 217

HSL 268.8, 0.85%, 0.46%

LAB 35.83, 71.66, -80.18

 

CMYK 73 / 92 / 0 / 15

HEX #3B11D9

RGB 59 17 217

HSL 252.6, 0.85%, 0.46%

LAB 30.26, 67.96, -89.6

 

CMYK 92 / 92 / 0 / 15

HEX #1111D9

RGB 17 17 217

HSL 240, 0.85%, 0.46%

LAB 28.19, 66.83, -93.09

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 82 / 2 / 22

HEX #C624C2

RGB 198 36 194

HSL 301.48, 0.69%, 0.46%

LAB 48.46, 75.88, -45.76

 

CMYK 0 / 69 / 2 / 30

HEX #B337B0

RGB 179 55 176

HSL 301.45, 0.53%, 0.46%

LAB 46.25, 63.57, -38.95

 

CMYK 0 / 54 / 1 / 37

HEX #A04A9E

RGB 160 74 158

HSL 301.4, 0.37%, 0.46%

LAB 45.41, 47.39, -29.79

 

CMYK 0 / 34 / 1 / 45

HEX #8D5D8C

RGB 141 93 140

HSL 301.25, 0.21%, 0.46%

LAB 46.16, 27.64, -18.09

 

CMYK 48 / 92 / 0 / 15

HEX #7111D9

RGB 113 17 217

HSL 268.8, 0.85%, 0.46%

LAB 35.83, 71.66, -80.18

 

CMYK 23 / 92 / 0 / 15

HEX #A711D9

RGB 167 17 217

HSL 285, 0.85%, 0.46%

LAB 43.69, 78, -67

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 92 / 26 / 15

HEX #D911A0

RGB 217 17 160

HSL 317.1, 0.85%, 0.46%

LAB 49.12, 78.25, -24.49

 

CMYK 0 / 92 / 51 / 15

HEX #D9116B

RGB 217 17 107

HSL 333, 0.85%, 0.46%

LAB 47.25, 73.26, 4.9

 

CMYK 0 / 92 / 1 / 45

HEX #8C0B8A

RGB 140 11 138

HSL 300.93, 0.85%, 0.3%

LAB 33.24, 61.05, -37.08

 

CMYK 0 / 92 / 2 / 30

HEX #B20EAF

RGB 178 14 175

HSL 301.1, 0.85%, 0.38%

LAB 42.57, 73.16, -44.2

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 84 / 2 / 7

HEX #ED26E9

RGB 237 38 233

HSL 301.21, 0.85%, 0.54%

LAB 57.34, 88.38, -53.5

 

CMYK 0 / 68 / 1 / 6

HEX #F04CED

RGB 240 76 237

HSL 301.1, 0.85%, 0.62%

LAB 61.49, 79.62, -49.13

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 72 / 92 / 15

HEX #D93C11

RGB 217 60 17

HSL 12.9, 0.85%, 0.46%

LAB 49.53, 59.25, 56.82

 

CMYK 92 / 0 / 35 / 15

HEX #11D98C

RGB 17 217 140

HSL 156.9, 0.85%, 0.46%

LAB 77.06, -61.55, 25.83

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 2 / 0 / 92 / 15

HEX #D5D911

RGB 213 217 17

HSL 61.2, 0.85%, 0.46%

LAB 83.87, -20.6, 81.69

 

CMYK 92 / 2 / 0 / 15

HEX #11D5D9

RGB 17 213 217

HSL 181.2, 0.85%, 0.46%

LAB 77.71, -40.32, -14.19

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 72 / 92 / 15

HEX #D93C11

RGB 217 60 17

HSL 12.9, 0.85%, 0.46%

LAB 49.53, 59.25, 56.82

 

CMYK 92 / 0 / 91 / 15

HEX #11D914

RGB 17 217 20

HSL 120.9, 0.85%, 0.46%

LAB 75.94, -75.22, 71.57

 

CMYK 92 / 20 / 0 / 15

HEX #11ADD9

RGB 17 173 217

HSL 193.2, 0.85%, 0.46%

LAB 65.76, -20.92, -32.42

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 45 / 92 / 15

HEX #D97811

RGB 217 120 17

HSL 30.9, 0.85%, 0.46%

LAB 60.09, 31.87, 64.1

 

CMYK 92 / 0 / 91 / 15

HEX #11D914

RGB 17 217 20

HSL 120.9, 0.85%, 0.46%

LAB 75.94, -75.22, 71.57

 

CMYK 92 / 48 / 0 / 15

HEX #1171D9

RGB 17 113 217

HSL 211.2, 0.85%, 0.46%

LAB 48.18, 13.95, -60.24

 

Description

Color code: HEX #D911D5 | qconv.com Color code: HEX #D911D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 17 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 17 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 2 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 2% 15% C M Y K

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Provide designers and agencies with accurate color values.

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