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Color name
HEX #D926BC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D926BC it is the complementary color #26D943. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D926BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D926BC shade: #DE26B7, #EF38CA, #FF4ADD, #FF5CF0 and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D926BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D926BC shade: #D926BC, #C814A9, #B70296, #A60083 and #950070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D926BC shade: #D826BB, #D8268B, #D8265B, #D8262B and #D82626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D926BC shade: #D826BB, #C526D8, #9526D8, #6526D8 and #3526D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D926BC shade matches the following richer shades: #D826BB and #ED11C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D926BC shade: #D826BB, #C43AAD, #AF4F9F, #9A6491 and #867884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D926BC shade: #9426D8, #C326D8, #D826BD, #D8268E and #D8265E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D926BC shade: #92197F, #B5209D, #D826BB, #DE49C6 and #E56CD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D926BC shade: #D926BC, #D86426 and #26D8AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D926BC shade: #D926BC, #BDD826 and #26BDD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D926BC shade: #D926BC, #D86426, #26D841 and #269AD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D926BC shade: #D926BC, #D89A26, #26D841 and #2664D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 13 / 15

HEX #D926BC

RGB 217 38 188

HSL 309.72, 0.7%, 0.5%

LAB 51.57, 78.31, -37.14

 

Complementary color

CMYK 82 / 0 / 69 / 15

HEX #26D943

RGB 38 217 67

HSL 129.72, 0.7%, 0.5%

LAB 76.34, -70.86, 59.13

 

CMYK 0 / 83 / 18 / 13

HEX #DE26B7

RGB 222 38 183

HSL 312.72, 0.74%, 0.51%

LAB 52.21, 78.68, -33.16

 

CMYK 0 / 77 / 15 / 6

HEX #EF38CA

RGB 239 56 202

HSL 312.13, 0.85%, 0.58%

LAB 57.5, 80.43, -35.65

 

CMYK 0 / 71 / 13 / 0

HEX #FF4ADD

RGB 255 74 221

HSL 311.27, 1%, 0.65%

LAB 62.83, 81.24, -37.91

 

CMYK 0 / 64 / 6 / 0

HEX #FF5CF0

RGB 255 92 240

HSL 305.52, 1%, 0.68%

LAB 65.91, 77.75, -43.67

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 82 / 13 / 15

HEX #D926BC

RGB 217 38 188

HSL 309.72, 0.7%, 0.5%

LAB 51.57, 78.31, -37.14

 

CMYK 0 / 90 / 16 / 22

HEX #C814A9

RGB 200 20 169

HSL 310.33, 0.82%, 0.43%

LAB 46.5, 75.61, -34.16

 

CMYK 0 / 99 / 18 / 28

HEX #B70296

RGB 183 2 150

HSL 310.94, 0.98%, 0.36%

LAB 41.71, 71.85, -30.51

 

CMYK 0 / 100 / 21 / 35

HEX #A60083

RGB 166 0 131

HSL 312.65, 1%, 0.33%

LAB 37.38, 66.42, -25.87

 

CMYK 0 / 100 / 25 / 42

HEX #950070

RGB 149 0 112

HSL 314.9, 1%, 0.29%

LAB 33.05, 60.69, -20.93

 

CMYK 0 / 82 / 13 / 15

HEX #D826BB

RGB 216 38 187

HSL 309.78, 0.7%, 0.5%

LAB 51.35, 77.98, -36.92

 

CMYK 0 / 82 / 36 / 15

HEX #D8268B

RGB 216 38 139

HSL 325.96, 0.7%, 0.5%

LAB 49.31, 72.27, -11.63

 

CMYK 0 / 82 / 58 / 15

HEX #D8265B

RGB 216 38 91

HSL 342.13, 0.7%, 0.5%

LAB 47.93, 68.24, 15.69

 

CMYK 0 / 82 / 80 / 15

HEX #D8262B

RGB 216 38 43

HSL 358.31, 0.7%, 0.5%

LAB 47.18, 65.99, 43.28

 

CMYK 0 / 82 / 82 / 15

HEX #D82626

RGB 216 38 38

HSL 0, 0.7%, 0.5%

LAB 47.14, 65.85, 45.89

 

CMYK 0 / 82 / 13 / 15

HEX #D826BB

RGB 216 38 187

HSL 309.78, 0.7%, 0.5%

LAB 51.35, 77.98, -36.92

 

CMYK 9 / 82 / 0 / 15

HEX #C526D8

RGB 197 38 216

HSL 293.6, 0.7%, 0.5%

LAB 49.76, 78.72, -56.38

 

CMYK 31 / 82 / 0 / 15

HEX #9526D8

RGB 149 38 216

HSL 277.42, 0.7%, 0.5%

LAB 42.36, 70.86, -68.71

 

CMYK 53 / 82 / 0 / 15

HEX #6526D8

RGB 101 38 216

HSL 261.24, 0.7%, 0.5%

LAB 36.2, 64.54, -79.05

 

CMYK 75 / 82 / 0 / 15

HEX #3526D8

RGB 53 38 216

HSL 245.06, 0.7%, 0.5%

LAB 32.04, 60.46, -86.07

 

CMYK 0 / 82 / 13 / 15

HEX #D826BB

RGB 216 38 187

HSL 309.78, 0.7%, 0.5%

LAB 51.35, 77.98, -36.92

 

CMYK 0 / 93 / 15 / 7

HEX #ED11C9

RGB 237 17 201

HSL 309.82, 0.87%, 0.5%

LAB 54.68, 86.96, -39.53

 

CMYK 0 / 82 / 13 / 15

HEX #D826BB

RGB 216 38 187

HSL 309.78, 0.7%, 0.5%

LAB 51.35, 77.98, -36.92

 

CMYK 0 / 70 / 12 / 23

HEX #C43AAD

RGB 196 58 173

HSL 310, 0.54%, 0.5%

LAB 49.23, 66.03, -32.3

 

CMYK 0 / 55 / 9 / 31

HEX #AF4F9F

RGB 175 79 159

HSL 310, 0.38%, 0.5%

LAB 48.52, 49.48, -25.38

 

CMYK 0 / 35 / 6 / 40

HEX #9A6491

RGB 154 100 145

HSL 310, 0.21%, 0.5%

LAB 49.53, 29.09, -15.78

 

CMYK 0 / 10 / 1 / 47

HEX #867884

RGB 134 120 132

HSL 308.57, 0.06%, 0.5%

LAB 52.03, 7.67, -4.58

 

CMYK 31 / 82 / 0 / 15

HEX #9426D8

RGB 148 38 216

HSL 277.08, 0.7%, 0.5%

LAB 42.22, 70.71, -68.95

 

CMYK 10 / 82 / 0 / 15

HEX #C326D8

RGB 195 38 216

HSL 292.92, 0.7%, 0.5%

LAB 49.43, 78.37, -56.92

 

CMYK 0 / 82 / 13 / 15

HEX #D826BD

RGB 216 38 189

HSL 309.1, 0.7%, 0.5%

LAB 51.45, 78.25, -37.93

 

CMYK 0 / 82 / 34 / 15

HEX #D8268E

RGB 216 38 142

HSL 324.94, 0.7%, 0.5%

LAB 49.42, 72.58, -13.27

 

CMYK 0 / 82 / 56 / 15

HEX #D8265E

RGB 216 38 94

HSL 341.12, 0.7%, 0.5%

LAB 48, 68.44, 13.93

 

CMYK 0 / 83 / 13 / 43

HEX #92197F

RGB 146 25 127

HSL 309.42, 0.71%, 0.34%

LAB 34.68, 57.82, -27.89

 

CMYK 0 / 82 / 13 / 29

HEX #B5209D

RGB 181 32 157

HSL 309.66, 0.7%, 0.42%

LAB 43.2, 67.98, -32.43

 

CMYK 0 / 82 / 13 / 15

HEX #D826BB

RGB 216 38 187

HSL 309.78, 0.7%, 0.5%

LAB 51.35, 77.98, -36.92

 

CMYK 0 / 67 / 11 / 13

HEX #DE49C6

RGB 222 73 198

HSL 309.66, 0.69%, 0.58%

LAB 56.46, 70.62, -35.2

 

CMYK 0 / 53 / 9 / 10

HEX #E56CD1

RGB 229 108 209

HSL 309.92, 0.7%, 0.66%

LAB 63.33, 59.47, -30.67

 

CMYK 0 / 82 / 13 / 15

HEX #D926BC

RGB 217 38 188

HSL 309.72, 0.7%, 0.5%

LAB 51.57, 78.31, -37.14

 

CMYK 0 / 54 / 82 / 15

HEX #D86426

RGB 216 100 38

HSL 20.9, 0.7%, 0.5%

LAB 55.94, 42.13, 53.94

 

CMYK 82 / 0 / 20 / 15

HEX #26D8AC

RGB 38 216 172

HSL 165.17, 0.7%, 0.5%

LAB 77.58, -52.65, 9.73

 

CMYK 0 / 82 / 13 / 15

HEX #D926BC

RGB 217 38 188

HSL 309.72, 0.7%, 0.5%

LAB 51.57, 78.31, -37.14

 

CMYK 13 / 0 / 82 / 15

HEX #BDD826

RGB 189 216 38

HSL 69.1, 0.7%, 0.5%

LAB 81.88, -29.63, 75.58

 

CMYK 82 / 13 / 0 / 15

HEX #26BDD8

RGB 38 189 216

HSL 189.1, 0.7%, 0.5%

LAB 70.71, -28.13, -24.24

 

CMYK 0 / 82 / 13 / 15

HEX #D926BC

RGB 217 38 188

HSL 309.72, 0.7%, 0.5%

LAB 51.57, 78.31, -37.14

 

CMYK 0 / 54 / 82 / 15

HEX #D86426

RGB 216 100 38

HSL 20.9, 0.7%, 0.5%

LAB 55.94, 42.13, 53.94

 

CMYK 82 / 0 / 70 / 15

HEX #26D841

RGB 38 216 65

HSL 129.1, 0.7%, 0.5%

LAB 76.01, -70.74, 59.54

 

CMYK 82 / 29 / 0 / 15

HEX #269AD8

RGB 38 154 216

HSL 200.9, 0.7%, 0.5%

LAB 60.32, -9.68, -40.33

 

CMYK 0 / 82 / 13 / 15

HEX #D926BC

RGB 217 38 188

HSL 309.72, 0.7%, 0.5%

LAB 51.57, 78.31, -37.14

 

CMYK 0 / 29 / 82 / 15

HEX #D89A26

RGB 216 154 38

HSL 39.1, 0.7%, 0.5%

LAB 67.91, 13.71, 64.48

 

CMYK 82 / 0 / 70 / 15

HEX #26D841

RGB 38 216 65

HSL 129.1, 0.7%, 0.5%

LAB 76.01, -70.74, 59.54

 

CMYK 82 / 54 / 0 / 15

HEX #2664D8

RGB 38 100 216

HSL 219.1, 0.7%, 0.5%

LAB 44.92, 23.22, -64.93

 

Description

Color code: HEX #D926BC | qconv.com Color code: HEX #D926BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 38 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 38 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 13% 15% C M Y K

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