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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D927F6 it is the complementary color #26D809. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D927F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D927F6 shade: #DE27F1, #EF39FF, #FF4BFF, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D927F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D927F6 shade: #D927F6, #C815E3, #B703D0, #A600BD and #9500AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D927F6 shade: #D927F6, #F627DB, #F627A3, #F6276B and #F62734

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D927F6 shade: #D927F6, #A127F6, #6927F6, #3227F6 and #2727F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D927F6 shade matches the following richer shades: #D927F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D927F6 shade: #D927F6, #CC39E3, #BE4BD1, #B15EBF and #A470AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D927F6 shade: #6827F6, #A027F6, #D727F6, #F627DD and #F627A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D927F6 shade: #A808C2, #CB09EA, #D927F6, #E04FF7 and #E776F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D927F6 shade: #D927F6, #F63127 and #27F684

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D927F6 shade: #D927F6, #F6D727 and #27F6D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D927F6 shade: #D927F6, #F63127, #46F627 and #27EBF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D927F6 shade: #D927F6, #F66F27, #46F627 and #27ADF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

Complementary color

CMYK 82 / 0 / 96 / 15

HEX #26D809

RGB 38 216 9

HSL 111.59, 0.92%, 0.44%

LAB 75.79, -73.56, 72.84

 

CMYK 8 / 84 / 0 / 5

HEX #DE27F1

RGB 222 39 241

HSL 294.36, 0.88%, 0.55%

LAB 55.41, 86.81, -61.22

 

CMYK 6 / 78 / 0 / 0

HEX #EF39FF

RGB 239 57 255

HSL 295.15, 1%, 0.61%

LAB 60.34, 87.9, -60.96

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 12 / 91 / 0 / 11

HEX #C815E3

RGB 200 21 227

HSL 292.14, 0.83%, 0.49%

LAB 49.93, 84, -62.34

 

CMYK 12 / 99 / 0 / 18

HEX #B703D0

RGB 183 3 208

HSL 292.68, 0.97%, 0.41%

LAB 45.2, 80.17, -59.24

 

CMYK 12 / 100 / 0 / 26

HEX #A600BD

RGB 166 0 189

HSL 292.7, 1%, 0.37%

LAB 40.87, 74.87, -55.33

 

CMYK 12 / 100 / 0 / 33

HEX #9500AA

RGB 149 0 170

HSL 292.59, 1%, 0.33%

LAB 36.54, 69.18, -51.19

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 0 / 84 / 11 / 4

HEX #F627DB

RGB 246 39 219

HSL 307.83, 0.92%, 0.56%

LAB 58.19, 87.9, -44.17

 

CMYK 0 / 84 / 34 / 4

HEX #F627A3

RGB 246 39 163

HSL 324.06, 0.92%, 0.56%

LAB 55.77, 81.31, -15.61

 

CMYK 0 / 84 / 57 / 4

HEX #F6276B

RGB 246 39 107

HSL 340.29, 0.92%, 0.56%

LAB 54.14, 76.65, 15.4

 

CMYK 0 / 84 / 79 / 4

HEX #F62734

RGB 246 39 52

HSL 356.23, 0.92%, 0.56%

LAB 53.27, 74.09, 46.47

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 35 / 84 / 0 / 4

HEX #A127F6

RGB 161 39 246

HSL 275.36, 0.92%, 0.56%

LAB 46.55, 78.41, -78.81

 

CMYK 57 / 84 / 0 / 4

HEX #6927F6

RGB 105 39 246

HSL 259.13, 0.92%, 0.56%

LAB 39.76, 72.06, -90.23

 

CMYK 80 / 84 / 0 / 4

HEX #3227F6

RGB 50 39 246

HSL 243.19, 0.92%, 0.56%

LAB 35.56, 68.43, -97.32

 

CMYK 84 / 84 / 0 / 4

HEX #2727F6

RGB 39 39 246

HSL 240, 0.92%, 0.56%

LAB 35.08, 68.02, -98.15

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 10 / 75 / 0 / 11

HEX #CC39E3

RGB 204 57 227

HSL 291.88, 0.75%, 0.56%

LAB 53.29, 76.76, -56.91

 

CMYK 9 / 64 / 0 / 18

HEX #BE4BD1

RGB 190 75 209

HSL 291.49, 0.59%, 0.56%

LAB 52.49, 64.05, -48.07

 

CMYK 7 / 51 / 0 / 25

HEX #B15EBF

RGB 177 94 191

HSL 291.34, 0.43%, 0.56%

LAB 53.07, 48.42, -36.94

 

CMYK 5 / 35 / 0 / 32

HEX #A470AD

RGB 164 112 173

HSL 291.15, 0.27%, 0.56%

LAB 54.55, 31.13, -24.37

 

CMYK 58 / 84 / 0 / 4

HEX #6827F6

RGB 104 39 246

HSL 258.84, 0.92%, 0.56%

LAB 39.66, 71.97, -90.4

 

CMYK 35 / 84 / 0 / 4

HEX #A027F6

RGB 160 39 246

HSL 275.07, 0.92%, 0.56%

LAB 46.42, 78.28, -79.05

 

CMYK 13 / 84 / 0 / 4

HEX #D727F6

RGB 215 39 246

HSL 291.01, 0.92%, 0.56%

LAB 54.61, 86.46, -65.37

 

CMYK 0 / 84 / 10 / 4

HEX #F627DD

RGB 246 39 221

HSL 307.25, 0.92%, 0.56%

LAB 58.29, 88.17, -45.14

 

CMYK 0 / 84 / 33 / 4

HEX #F627A6

RGB 246 39 166

HSL 323.19, 0.92%, 0.56%

LAB 55.88, 81.62, -17.2

 

CMYK 13 / 96 / 0 / 24

HEX #A808C2

RGB 168 8 194

HSL 291.61, 0.92%, 0.4%

LAB 41.83, 75.17, -56.68

 

CMYK 13 / 96 / 0 / 8

HEX #CB09EA

RGB 203 9 234

HSL 291.73, 0.93%, 0.48%

LAB 50.49, 86.77, -65.37

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 9 / 68 / 0 / 3

HEX #E04FF7

RGB 224 79 247

HSL 291.79, 0.91%, 0.64%

LAB 60.03, 76.79, -57.15

 

CMYK 7 / 53 / 0 / 2

HEX #E776F9

RGB 231 118 249

HSL 291.76, 0.92%, 0.72%

LAB 67.12, 62.23, -46.96

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 0 / 80 / 84 / 4

HEX #F63127

RGB 246 49 39

HSL 2.9, 0.92%, 0.56%

LAB 53.96, 71.49, 53.73

 

CMYK 84 / 0 / 46 / 4

HEX #27F684

RGB 39 246 132

HSL 146.96, 0.92%, 0.56%

LAB 86.01, -71.5, 41.6

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 0 / 13 / 84 / 4

HEX #F6D727

RGB 246 215 39

HSL 51.01, 0.92%, 0.56%

LAB 86.18, -5.22, 80.79

 

CMYK 84 / 0 / 13 / 4

HEX #27F6D7

RGB 39 246 215

HSL 171.01, 0.92%, 0.56%

LAB 87.61, -53.85, 1.52

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 0 / 80 / 84 / 4

HEX #F63127

RGB 246 49 39

HSL 2.9, 0.92%, 0.56%

LAB 53.96, 71.49, 53.73

 

CMYK 72 / 0 / 84 / 4

HEX #46F627

RGB 70 246 39

HSL 111.01, 0.92%, 0.56%

LAB 85.69, -77.05, 76.76

 

CMYK 84 / 4 / 0 / 4

HEX #27EBF6

RGB 39 235 246

HSL 183.19, 0.92%, 0.56%

LAB 85.25, -40.54, -18.23

 

CMYK 12 / 84 / 0 / 4

HEX #D927F6

RGB 217 39 246

HSL 291.59, 0.92%, 0.56%

LAB 54.92, 86.79, -64.84

 

CMYK 0 / 55 / 84 / 4

HEX #F66F27

RGB 246 111 39

HSL 20.87, 0.92%, 0.56%

LAB 62.6, 48.17, 61.13

 

CMYK 72 / 0 / 84 / 4

HEX #46F627

RGB 70 246 39

HSL 111.01, 0.92%, 0.56%

LAB 85.69, -77.05, 76.76

 

CMYK 84 / 30 / 0 / 4

HEX #27ADF6

RGB 39 173 246

HSL 201.16, 0.92%, 0.56%

LAB 67.26, -9.53, -45.95

 

Description

Color code: HEX #D927F6 | qconv.com Color code: HEX #D927F6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 39 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 39 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 84 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 84% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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