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Color name
HEX #D92F25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D92F25 it is the complementary color #26D0DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D92F25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D92F25 shade: #DE2F20, #EF4133, #FF5346, #FF6559 and #FF776C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D92F25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D92F25 shade: #D92F25, #C81D12, #B70B00, #A60000 and #950000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D92F25 shade: #DA2F24 and #DA2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D92F25 shade: #DA2F24, #DA5F24, #DA9024, #DAC124 and #C1DA24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D92F25 shade matches the following richer shades: #DA2F24 and #EE1C10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D92F25 shade: #DA2F24, #C54139, #B0534E, #9C6662 and #877877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D92F25 shade: #DA247C, #DA244C, #DA2E24, #DA5E24 and #DA8E24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D92F25 shade: #931F19, #B6271E, #DA2F24, #E05048 and #E5726B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D92F25 shade: #D92F25, #ACDA24 and #2464DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D92F25 shade: #D92F25, #24DA2E and #2E24DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D92F25 shade: #D92F25, #ACDA24, #24D0DA and #5224DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D92F25 shade: #D92F25, #76DA24, #24D0DA and #8824DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 83 / 15

HEX #D92F25

RGB 217 47 37

HSL 3.33, 0.71%, 0.5%

LAB 48.16, 63.76, 47.41

 

Complementary color

CMYK 83 / 5 / 0 / 15

HEX #26D0DA

RGB 38 208 218

HSL 183.33, 0.71%, 0.5%

LAB 76.43, -36.6, -16.64

 

CMYK 0 / 79 / 86 / 13

HEX #DE2F20

RGB 222 47 32

HSL 4.74, 0.75%, 0.5%

LAB 49.09, 65.09, 51.01

 

CMYK 0 / 73 / 79 / 6

HEX #EF4133

RGB 239 65 51

HSL 4.47, 0.85%, 0.57%

LAB 54.42, 65.09, 47.74

 

CMYK 0 / 67 / 73 / 0

HEX #FF5346

RGB 255 83 70

HSL 4.22, 1%, 0.64%

LAB 59.79, 64.29, 44.26

 

CMYK 0 / 60 / 65 / 0

HEX #FF6559

RGB 255 101 89

HSL 4.34, 1%, 0.67%

LAB 62.75, 57.89, 37.35

 

CMYK 0 / 53 / 58 / 0

HEX #FF776C

RGB 255 119 108

HSL 4.49, 1%, 0.71%

LAB 66.16, 50.93, 31.12

 

CMYK 0 / 78 / 83 / 15

HEX #D92F25

RGB 217 47 37

HSL 3.33, 0.71%, 0.5%

LAB 48.16, 63.76, 47.41

 

CMYK 0 / 86 / 91 / 22

HEX #C81D12

RGB 200 29 18

HSL 3.63, 0.83%, 0.43%

LAB 43.07, 63.04, 50.55

 

CMYK 0 / 94 / 100 / 28

HEX #B70B00

RGB 183 11 0

HSL 3.61, 1%, 0.36%

LAB 38.39, 61.21, 52.54

 

CMYK 0 / 100 / 100 / 35

HEX #A60000

RGB 166 0 0

HSL 0, 1%, 0.33%

LAB 34.2, 58.09, 48.45

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 78 / 83 / 15

HEX #DA2F24

RGB 218 47 36

HSL 3.63, 0.72%, 0.5%

LAB 48.34, 64.03, 48.15

 

CMYK 0 / 83 / 83 / 15

HEX #DA2424

RGB 218 36 36

HSL 0, 0.72%, 0.5%

LAB 47.36, 66.82, 47.26

 

CMYK 0 / 78 / 83 / 15

HEX #DA2F24

RGB 218 47 36

HSL 3.63, 0.72%, 0.5%

LAB 48.34, 64.03, 48.15

 

CMYK 0 / 56 / 83 / 15

HEX #DA5F24

RGB 218 95 36

HSL 19.45, 0.72%, 0.5%

LAB 55.3, 45.26, 54.32

 

CMYK 0 / 34 / 83 / 15

HEX #DA9024

RGB 218 144 36

HSL 35.6, 0.72%, 0.5%

LAB 65.73, 19.9, 63.34

 

CMYK 0 / 11 / 83 / 15

HEX #DAC124

RGB 218 193 36

HSL 51.76, 0.72%, 0.5%

LAB 77.98, -6.07, 73.68

 

CMYK 11 / 0 / 83 / 15

HEX #C1DA24

RGB 193 218 36

HSL 68.24, 0.72%, 0.5%

LAB 82.7, -28.99, 76.85

 

CMYK 0 / 78 / 83 / 15

HEX #DA2F24

RGB 218 47 36

HSL 3.63, 0.72%, 0.5%

LAB 48.34, 64.03, 48.15

 

CMYK 0 / 88 / 93 / 7

HEX #EE1C10

RGB 238 28 16

HSL 3.24, 0.87%, 0.5%

LAB 50.74, 73.32, 59.93

 

CMYK 0 / 78 / 83 / 15

HEX #DA2F24

RGB 218 47 36

HSL 3.63, 0.72%, 0.5%

LAB 48.34, 64.03, 48.15

 

CMYK 0 / 67 / 71 / 23

HEX #C54139

RGB 197 65 57

HSL 3.43, 0.55%, 0.5%

LAB 46.9, 51.99, 34.09

 

CMYK 0 / 53 / 56 / 31

HEX #B0534E

RGB 176 83 78

HSL 3.06, 0.39%, 0.5%

LAB 46.93, 37.47, 21.03

 

CMYK 0 / 35 / 37 / 39

HEX #9C6662

RGB 156 102 98

HSL 4.14, 0.23%, 0.5%

LAB 48.83, 21.24, 11.22

 

CMYK 0 / 11 / 12 / 47

HEX #877877

RGB 135 120 119

HSL 3.75, 0.06%, 0.5%

LAB 51.74, 5.59, 2.65

 

CMYK 0 / 83 / 43 / 15

HEX #DA247C

RGB 218 36 124

HSL 330.99, 0.72%, 0.5%

LAB 49.03, 71.75, -2.91

 

CMYK 0 / 83 / 65 / 15

HEX #DA244C

RGB 218 36 76

HSL 346.81, 0.72%, 0.5%

LAB 47.87, 68.33, 24.86

 

CMYK 0 / 79 / 83 / 15

HEX #DA2E24

RGB 218 46 36

HSL 3.3, 0.72%, 0.5%

LAB 48.24, 64.31, 48.06

 

CMYK 0 / 57 / 83 / 15

HEX #DA5E24

RGB 218 94 36

HSL 19.12, 0.72%, 0.5%

LAB 55.11, 45.74, 54.16

 

CMYK 0 / 35 / 83 / 15

HEX #DA8E24

RGB 218 142 36

HSL 34.95, 0.72%, 0.5%

LAB 65.26, 20.98, 62.94

 

CMYK 0 / 79 / 83 / 42

HEX #931F19

RGB 147 31 25

HSL 2.95, 0.71%, 0.34%

LAB 32.38, 47.09, 33.91

 

CMYK 0 / 79 / 84 / 29

HEX #B6271E

RGB 182 39 30

HSL 3.55, 0.72%, 0.42%

LAB 40.39, 55.56, 41.32

 

CMYK 0 / 78 / 83 / 15

HEX #DA2F24

RGB 218 47 36

HSL 3.63, 0.72%, 0.5%

LAB 48.34, 64.03, 48.15

 

CMYK 0 / 64 / 68 / 12

HEX #E05048

RGB 224 80 72

HSL 3.16, 0.71%, 0.58%

LAB 54.08, 55.55, 35.17

 

CMYK 0 / 50 / 53 / 10

HEX #E5726B

RGB 229 114 107

HSL 3.44, 0.7%, 0.66%

LAB 61.44, 43.94, 24.79

 

CMYK 0 / 78 / 83 / 15

HEX #D92F25

RGB 217 47 37

HSL 3.33, 0.71%, 0.5%

LAB 48.16, 63.76, 47.41

 

CMYK 21 / 0 / 83 / 15

HEX #ACDA24

RGB 172 218 36

HSL 75.16, 0.72%, 0.5%

LAB 81.31, -37.4, 75.12

 

CMYK 83 / 54 / 0 / 15

HEX #2464DA

RGB 36 100 218

HSL 218.9, 0.72%, 0.5%

LAB 45.01, 23.82, -65.92

 

CMYK 0 / 78 / 83 / 15

HEX #D92F25

RGB 217 47 37

HSL 3.33, 0.71%, 0.5%

LAB 48.16, 63.76, 47.41

 

CMYK 83 / 0 / 79 / 15

HEX #24DA2E

RGB 36 218 46

HSL 123.3, 0.72%, 0.5%

LAB 76.51, -72.95, 66.38

 

CMYK 79 / 83 / 0 / 15

HEX #2E24DA

RGB 46 36 218

HSL 243.3, 0.72%, 0.5%

LAB 31.59, 61.5, -87.98

 

CMYK 0 / 78 / 83 / 15

HEX #D92F25

RGB 217 47 37

HSL 3.33, 0.71%, 0.5%

LAB 48.16, 63.76, 47.41

 

CMYK 21 / 0 / 83 / 15

HEX #ACDA24

RGB 172 218 36

HSL 75.16, 0.72%, 0.5%

LAB 81.31, -37.4, 75.12

 

CMYK 83 / 5 / 0 / 15

HEX #24D0DA

RGB 36 208 218

HSL 183.3, 0.72%, 0.5%

LAB 76.4, -36.74, -16.67

 

CMYK 62 / 83 / 0 / 15

HEX #5224DA

RGB 82 36 218

HSL 255.16, 0.72%, 0.5%

LAB 34.23, 63.92, -83.53

 

CMYK 0 / 78 / 83 / 15

HEX #D92F25

RGB 217 47 37

HSL 3.33, 0.71%, 0.5%

LAB 48.16, 63.76, 47.41

 

CMYK 46 / 0 / 83 / 15

HEX #76DA24

RGB 118 218 36

HSL 92.97, 0.72%, 0.5%

LAB 78.53, -56.54, 71.61

 

CMYK 83 / 5 / 0 / 15

HEX #24D0DA

RGB 36 208 218

HSL 183.3, 0.72%, 0.5%

LAB 76.4, -36.74, -16.67

 

CMYK 38 / 83 / 0 / 15

HEX #8824DA

RGB 136 36 218

HSL 272.97, 0.72%, 0.5%

LAB 40.5, 69.99, -72.96

 

Description

Color code: HEX #D92F25 | qconv.com Color code: HEX #D92F25 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 47 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 47 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 83% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - Traduceri autorizate...
Link: http://www.activ-traduceri.ro

53% - Traduceri autorizate...
Link: http://activ-traduceri.ro

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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