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Color name
HEX #D93F2F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D93F2F it is the complementary color #26C0D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D93F2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D93F2F shade: #DE3F2A, #EF513D, #FF6350, #FF7563 and #FF8776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D93F2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D93F2F shade: #D93F2F, #C82D1C, #B71B09, #A60900 and #950000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D93F2F shade: #D94030 and #D93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D93F2F shade: #D94030, #D96D30, #D99B30, #D9C830 and #BBD930

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D93F2F shade matches the following richer shades: #D94030 and #EC2F1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D93F2F shade: #D94030, #C55043, #B16057, #9D706B and #89807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D93F2F shade: #D9307C, #D9304F, #D93E30, #D96B30 and #D99830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D93F2F shade: #9A281C, #BD3122, #D94030, #DF6053 and #E58075

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D93F2F shade: #D93F2F, #A9D930 and #3065D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D93F2F shade: #D93F2F, #30D93E and #3E30D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D93F2F shade: #D93F2F, #A9D930, #30CAD9 and #6030D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D93F2F shade: #D93F2F, #76D930, #30CAD9 and #9230D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 78 / 15

HEX #D93F2F

RGB 217 63 47

HSL 5.65, 0.69%, 0.52%

LAB 50.11, 58.86, 44.16

 

Complementary color

CMYK 82 / 8 / 0 / 18

HEX #26C0D0

RGB 38 192 208

HSL 185.65, 0.69%, 0.48%

LAB 71.33, -32.11, -18.93

 

CMYK 0 / 72 / 81 / 13

HEX #DE3F2A

RGB 222 63 42

HSL 7, 0.73%, 0.52%

LAB 50.98, 60.28, 47.89

 

CMYK 0 / 66 / 74 / 6

HEX #EF513D

RGB 239 81 61

HSL 6.74, 0.85%, 0.59%

LAB 56.66, 59.58, 44.84

 

CMYK 0 / 61 / 69 / 0

HEX #FF6350

RGB 255 99 80

HSL 6.51, 1%, 0.66%

LAB 62.31, 58.28, 41.74

 

CMYK 0 / 54 / 61 / 0

HEX #FF7563

RGB 255 117 99

HSL 6.92, 1%, 0.69%

LAB 65.66, 51.26, 35.45

 

CMYK 0 / 47 / 54 / 0

HEX #FF8776

RGB 255 135 118

HSL 7.45, 1%, 0.73%

LAB 69.4, 43.91, 29.81

 

CMYK 0 / 71 / 78 / 15

HEX #D93F2F

RGB 217 63 47

HSL 5.65, 0.69%, 0.52%

LAB 50.11, 58.86, 44.16

 

CMYK 0 / 78 / 86 / 22

HEX #C82D1C

RGB 200 45 28

HSL 5.93, 0.75%, 0.45%

LAB 44.58, 59.12, 47.36

 

CMYK 0 / 85 / 95 / 28

HEX #B71B09

RGB 183 27 9

HSL 6.21, 0.91%, 0.38%

LAB 39.36, 58.61, 49.69

 

CMYK 0 / 95 / 100 / 35

HEX #A60900

RGB 166 9 0

HSL 3.25, 1%, 0.33%

LAB 34.6, 56.93, 48.67

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 71 / 78 / 15

HEX #D94030

RGB 217 64 48

HSL 5.68, 0.69%, 0.52%

LAB 50.25, 58.53, 43.78

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 0 / 71 / 78 / 15

HEX #D94030

RGB 217 64 48

HSL 5.68, 0.69%, 0.52%

LAB 50.25, 58.53, 43.78

 

CMYK 0 / 50 / 78 / 15

HEX #D96D30

RGB 217 109 48

HSL 21.66, 0.69%, 0.52%

LAB 57.94, 38.35, 51.5

 

CMYK 0 / 29 / 78 / 15

HEX #D99B30

RGB 217 155 48

HSL 37.99, 0.69%, 0.52%

LAB 68.32, 13.94, 61.42

 

CMYK 0 / 8 / 78 / 15

HEX #D9C830

RGB 217 200 48

HSL 53.96, 0.69%, 0.52%

LAB 79.77, -9.7, 71.88

 

CMYK 14 / 0 / 78 / 15

HEX #BBD930

RGB 187 217 48

HSL 70.65, 0.69%, 0.52%

LAB 82.06, -30.55, 73.07

 

CMYK 0 / 71 / 78 / 15

HEX #D94030

RGB 217 64 48

HSL 5.68, 0.69%, 0.52%

LAB 50.25, 58.53, 43.78

 

CMYK 0 / 80 / 88 / 7

HEX #EC2F1C

RGB 236 47 28

HSL 5.48, 0.85%, 0.52%

LAB 51.78, 69, 56.05

 

CMYK 0 / 71 / 78 / 15

HEX #D94030

RGB 217 64 48

HSL 5.68, 0.69%, 0.52%

LAB 50.25, 58.53, 43.78

 

CMYK 0 / 59 / 66 / 23

HEX #C55043

RGB 197 80 67

HSL 6, 0.53%, 0.52%

LAB 49.51, 45.93, 31.45

 

CMYK 0 / 46 / 51 / 31

HEX #B16057

RGB 177 96 87

HSL 6, 0.37%, 0.52%

LAB 49.98, 31.79, 19.76

 

CMYK 0 / 29 / 32 / 38

HEX #9D706B

RGB 157 112 107

HSL 6, 0.2%, 0.52%

LAB 51.63, 17.11, 9.85

 

CMYK 0 / 7 / 7 / 46

HEX #89807F

RGB 137 128 127

HSL 6, 0.04%, 0.52%

LAB 54.33, 3.22, 1.76

 

CMYK 0 / 78 / 43 / 15

HEX #D9307C

RGB 217 48 124

HSL 333.02, 0.69%, 0.52%

LAB 49.88, 68.54, -1.69

 

CMYK 0 / 78 / 64 / 15

HEX #D9304F

RGB 217 48 79

HSL 348.99, 0.69%, 0.52%

LAB 48.8, 65.18, 24.2

 

CMYK 0 / 71 / 78 / 15

HEX #D93E30

RGB 217 62 48

HSL 4.97, 0.69%, 0.52%

LAB 49.99, 59.26, 43.51

 

CMYK 0 / 51 / 78 / 15

HEX #D96B30

RGB 217 107 48

HSL 20.95, 0.69%, 0.52%

LAB 57.54, 39.36, 51.11

 

CMYK 0 / 30 / 78 / 15

HEX #D99830

RGB 217 152 48

HSL 36.92, 0.69%, 0.52%

LAB 67.59, 15.56, 60.74

 

CMYK 0 / 74 / 82 / 40

HEX #9A281C

RGB 154 40 28

HSL 5.71, 0.69%, 0.36%

LAB 34.95, 46.3, 35.24

 

CMYK 0 / 74 / 82 / 26

HEX #BD3122

RGB 189 49 34

HSL 5.81, 0.7%, 0.44%

LAB 42.96, 54.58, 42.14

 

CMYK 0 / 71 / 78 / 15

HEX #D94030

RGB 217 64 48

HSL 5.68, 0.69%, 0.52%

LAB 50.25, 58.53, 43.78

 

CMYK 0 / 57 / 63 / 13

HEX #DF6053

RGB 223 96 83

HSL 5.57, 0.69%, 0.6%

LAB 56.76, 48.73, 32.19

 

CMYK 0 / 44 / 49 / 10

HEX #E58075

RGB 229 128 117

HSL 5.89, 0.68%, 0.68%

LAB 64.47, 37.71, 23.2

 

CMYK 0 / 71 / 78 / 15

HEX #D93F2F

RGB 217 63 47

HSL 5.65, 0.69%, 0.52%

LAB 50.11, 58.86, 44.16

 

CMYK 22 / 0 / 78 / 15

HEX #A9D930

RGB 169 217 48

HSL 77.04, 0.69%, 0.52%

LAB 80.89, -37.68, 71.58

 

CMYK 78 / 53 / 0 / 15

HEX #3065D9

RGB 48 101 217

HSL 221.18, 0.69%, 0.52%

LAB 45.56, 23.88, -64.45

 

CMYK 0 / 71 / 78 / 15

HEX #D93F2F

RGB 217 63 47

HSL 5.65, 0.69%, 0.52%

LAB 50.11, 58.86, 44.16

 

CMYK 78 / 0 / 71 / 15

HEX #30D93E

RGB 48 217 62

HSL 124.97, 0.69%, 0.52%

LAB 76.44, -70.15, 61.13

 

CMYK 71 / 78 / 0 / 15

HEX #3E30D9

RGB 62 48 217

HSL 244.97, 0.69%, 0.52%

LAB 34.29, 56.81, -82.9

 

CMYK 0 / 71 / 78 / 15

HEX #D93F2F

RGB 217 63 47

HSL 5.65, 0.69%, 0.52%

LAB 50.11, 58.86, 44.16

 

CMYK 22 / 0 / 78 / 15

HEX #A9D930

RGB 169 217 48

HSL 77.04, 0.69%, 0.52%

LAB 80.89, -37.68, 71.58

 

CMYK 78 / 7 / 0 / 15

HEX #30CAD9

RGB 48 202 217

HSL 185.33, 0.69%, 0.52%

LAB 74.75, -33.24, -18.62

 

CMYK 56 / 78 / 0 / 15

HEX #6030D9

RGB 96 48 217

HSL 257.04, 0.69%, 0.52%

LAB 37.13, 60.24, -78.1

 

CMYK 0 / 71 / 78 / 15

HEX #D93F2F

RGB 217 63 47

HSL 5.65, 0.69%, 0.52%

LAB 50.11, 58.86, 44.16

 

CMYK 46 / 0 / 78 / 15

HEX #76D930

RGB 118 217 48

HSL 95.15, 0.69%, 0.52%

LAB 78.28, -55.61, 68.21

 

CMYK 78 / 7 / 0 / 15

HEX #30CAD9

RGB 48 202 217

HSL 185.33, 0.69%, 0.52%

LAB 74.75, -33.24, -18.62

 

CMYK 33 / 78 / 0 / 15

HEX #9230D9

RGB 146 48 217

HSL 274.79, 0.69%, 0.52%

LAB 43.11, 67.4, -68.07

 

Description

Color code: HEX #D93F2F | qconv.com Color code: HEX #D93F2F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 63 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 63 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 78% 15% C M Y K

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