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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9581A it is the complementary color #26A7E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9581A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9581A shade: #DE5815, #EF6A28, #FF7C3B, #FF8E4E and #FFA061

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9581A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9581A shade: #D9581A, #C84607, #B73400, #A62200 and #951000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9581A shade: #DB5819, #DB2419 and #DB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9581A shade: #DB5819, #DB8C19, #DBC019, #C1DB19 and #8DDB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9581A shade matches the following richer shades: #DB5819 and #EE5105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9581A shade: #DB5819, #C75F2D, #B36641, #9F6D55 and #8B7468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9581A shade: #DB1943, #DB2319, #DB5619, #DB8A19 and #DBBE19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9581A shade: #913A11, #B64915, #DB5819, #E77036 and #EB8A5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9581A shade: #D9581A, #77DB19 and #1929DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9581A shade: #D9581A, #19DB56 and #5619DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9581A shade: #D9581A, #77DB19, #199DDB and #7D19DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9581A shade: #D9581A, #3DDB19, #199DDB and #B719DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 88 / 15

HEX #D9581A

RGB 217 88 26

HSL 19.48, 0.79%, 0.48%

LAB 53.82, 47.94, 56.88

 

Complementary color

CMYK 83 / 27 / 0 / 10

HEX #26A7E5

RGB 38 167 229

HSL 199.48, 0.79%, 0.52%

LAB 64.73, -12.29, -40.62

 

CMYK 0 / 60 / 91 / 13

HEX #DE5815

RGB 222 88 21

HSL 20, 0.83%, 0.48%

LAB 54.62, 49.67, 59.49

 

CMYK 0 / 56 / 83 / 6

HEX #EF6A28

RGB 239 106 40

HSL 19.9, 0.86%, 0.55%

LAB 60.62, 47.96, 58.61

 

CMYK 0 / 51 / 77 / 0

HEX #FF7C3B

RGB 255 124 59

HSL 19.9, 1%, 0.62%

LAB 66.51, 45.9, 56.82

 

CMYK 0 / 44 / 69 / 0

HEX #FF8E4E

RGB 255 142 78

HSL 21.69, 1%, 0.65%

LAB 70.29, 37.77, 51.84

 

CMYK 0 / 37 / 62 / 0

HEX #FFA061

RGB 255 160 97

HSL 23.92, 1%, 0.69%

LAB 74.36, 29.61, 47.09

 

CMYK 0 / 59 / 88 / 15

HEX #D9581A

RGB 217 88 26

HSL 19.48, 0.79%, 0.48%

LAB 53.82, 47.94, 56.88

 

CMYK 0 / 65 / 97 / 22

HEX #C84607

RGB 200 70 7

HSL 19.59, 0.93%, 0.41%

LAB 47.85, 49.57, 56.9

 

CMYK 0 / 72 / 100 / 28

HEX #B73400

RGB 183 52 0

HSL 17.05, 1%, 0.36%

LAB 42.04, 50.94, 54.08

 

CMYK 0 / 80 / 100 / 35

HEX #A62200

RGB 166 34 0

HSL 12.29, 1%, 0.33%

LAB 36.46, 51.65, 49.61

 

CMYK 0 / 89 / 100 / 42

HEX #951000

RGB 149 16 0

HSL 6.44, 1%, 0.29%

LAB 31.25, 51.13, 44.71

 

CMYK 0 / 60 / 89 / 14

HEX #DB5819

RGB 219 88 25

HSL 19.48, 0.8%, 0.48%

LAB 54.14, 48.65, 57.62

 

CMYK 0 / 84 / 89 / 14

HEX #DB2419

RGB 219 36 25

HSL 3.4, 0.8%, 0.48%

LAB 47.48, 66.87, 52.6

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 60 / 89 / 14

HEX #DB5819

RGB 219 88 25

HSL 19.48, 0.8%, 0.48%

LAB 54.14, 48.65, 57.62

 

CMYK 0 / 36 / 89 / 14

HEX #DB8C19

RGB 219 140 25

HSL 35.57, 0.8%, 0.48%

LAB 64.87, 22.22, 65.88

 

CMYK 0 / 12 / 89 / 14

HEX #DBC019

RGB 219 192 25

HSL 51.65, 0.8%, 0.48%

LAB 77.77, -5.37, 75.95

 

CMYK 12 / 0 / 89 / 14

HEX #C1DB19

RGB 193 219 25

HSL 68.04, 0.8%, 0.48%

LAB 82.95, -29.73, 79.19

 

CMYK 36 / 0 / 89 / 14

HEX #8DDB19

RGB 141 219 25

HSL 84.12, 0.8%, 0.48%

LAB 79.84, -49.7, 75.36

 

CMYK 0 / 60 / 89 / 14

HEX #DB5819

RGB 219 88 25

HSL 19.48, 0.8%, 0.48%

LAB 54.14, 48.65, 57.62

 

CMYK 0 / 66 / 98 / 7

HEX #EE5105

RGB 238 81 5

HSL 19.57, 0.96%, 0.48%

LAB 56.16, 58.05, 65.56

 

CMYK 0 / 60 / 89 / 14

HEX #DB5819

RGB 219 88 25

HSL 19.48, 0.8%, 0.48%

LAB 54.14, 48.65, 57.62

 

CMYK 0 / 52 / 77 / 22

HEX #C75F2D

RGB 199 95 45

HSL 19.48, 0.63%, 0.48%

LAB 52.42, 38.27, 46.53

 

CMYK 0 / 43 / 64 / 30

HEX #B36641

RGB 179 102 65

HSL 19.47, 0.47%, 0.48%

LAB 51.23, 27.54, 34.01

 

CMYK 0 / 31 / 47 / 38

HEX #9F6D55

RGB 159 109 85

HSL 19.46, 0.3%, 0.48%

LAB 50.65, 16.95, 21.4

 

CMYK 0 / 17 / 25 / 45

HEX #8B7468

RGB 139 116 104

HSL 20.57, 0.14%, 0.48%

LAB 50.66, 7.01, 9.98

 

CMYK 0 / 89 / 69 / 14

HEX #DB1943

RGB 219 25 67

HSL 347.01, 0.8%, 0.48%

LAB 47.18, 70.24, 29.52

 

CMYK 0 / 84 / 89 / 14

HEX #DB2319

RGB 219 35 25

HSL 3.09, 0.8%, 0.48%

LAB 47.41, 67.09, 52.54

 

CMYK 0 / 61 / 89 / 14

HEX #DB5619

RGB 219 86 25

HSL 18.87, 0.8%, 0.48%

LAB 53.8, 49.56, 57.36

 

CMYK 0 / 37 / 89 / 14

HEX #DB8A19

RGB 219 138 25

HSL 34.95, 0.8%, 0.48%

LAB 64.41, 23.29, 65.52

 

CMYK 0 / 13 / 89 / 14

HEX #DBBE19

RGB 219 190 25

HSL 51.03, 0.8%, 0.48%

LAB 77.26, -4.34, 75.55

 

CMYK 0 / 60 / 88 / 43

HEX #913A11

RGB 145 58 17

HSL 19.22, 0.79%, 0.32%

LAB 36.15, 34.74, 41.09

 

CMYK 0 / 60 / 88 / 29

HEX #B64915

RGB 182 73 21

HSL 19.38, 0.79%, 0.4%

LAB 45.31, 41.84, 49.55

 

CMYK 0 / 60 / 89 / 14

HEX #DB5819

RGB 219 88 25

HSL 19.48, 0.8%, 0.48%

LAB 54.14, 48.65, 57.62

 

CMYK 0 / 52 / 77 / 9

HEX #E77036

RGB 231 112 54

HSL 19.66, 0.79%, 0.56%

LAB 60.64, 42.5, 52.1

 

CMYK 0 / 41 / 61 / 8

HEX #EB8A5B

RGB 235 138 91

HSL 19.58, 0.78%, 0.64%

LAB 66.97, 32.75, 40.74

 

CMYK 0 / 59 / 88 / 15

HEX #D9581A

RGB 217 88 26

HSL 19.48, 0.79%, 0.48%

LAB 53.82, 47.94, 56.88

 

CMYK 46 / 0 / 89 / 14

HEX #77DB19

RGB 119 219 25

HSL 90.93, 0.8%, 0.48%

LAB 78.84, -56.97, 74.12

 

CMYK 89 / 81 / 0 / 14

HEX #1929DB

RGB 25 41 219

HSL 235.05, 0.8%, 0.48%

LAB 31.59, 58.78, -88.57

 

CMYK 0 / 59 / 88 / 15

HEX #D9581A

RGB 217 88 26

HSL 19.48, 0.79%, 0.48%

LAB 53.82, 47.94, 56.88

 

CMYK 89 / 0 / 61 / 14

HEX #19DB56

RGB 25 219 86

HSL 138.87, 0.8%, 0.48%

LAB 77.01, -70.54, 52.01

 

CMYK 61 / 89 / 0 / 14

HEX #5619DB

RGB 86 25 219

HSL 258.87, 0.8%, 0.48%

LAB 33.54, 68.03, -85.23

 

CMYK 0 / 59 / 88 / 15

HEX #D9581A

RGB 217 88 26

HSL 19.48, 0.79%, 0.48%

LAB 53.82, 47.94, 56.88

 

CMYK 46 / 0 / 89 / 14

HEX #77DB19

RGB 119 219 25

HSL 90.93, 0.8%, 0.48%

LAB 78.84, -56.97, 74.12

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 43 / 89 / 0 / 14

HEX #7D19DB

RGB 125 25 219

HSL 270.93, 0.8%, 0.48%

LAB 38.15, 71.7, -77.47

 

CMYK 0 / 59 / 88 / 15

HEX #D9581A

RGB 217 88 26

HSL 19.48, 0.79%, 0.48%

LAB 53.82, 47.94, 56.88

 

CMYK 72 / 0 / 89 / 14

HEX #3DDB19

RGB 61 219 25

HSL 108.87, 0.8%, 0.48%

LAB 77.12, -70.94, 71.97

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 16 / 89 / 0 / 14

HEX #B719DB

RGB 183 25 219

HSL 288.87, 0.8%, 0.48%

LAB 46.81, 79.47, -62.96

 

Description

Color code: HEX #D9581A | qconv.com Color code: HEX #D9581A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 88 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 88 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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